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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Can-Can for Two
Sheetmusicplus
Not classified
2,854
Piano & keyboards
Piano solo
1,165
Easy Piano
243
Piano, Voice
186
Organ
149
1 Piano, 4 hands
126
Piano, Vocal and Guitar
124
C Instruments
81
2 Pianos, 4 hands
70
Piano Accompaniment
49
Big Note Piano
33
Piano Trio: piano, violin, cello
19
Organ, Trumpet (duet)
13
Organ, Piano (duet)
12
Piano Quartet: piano, violin, viola, cello
11
Piano Quintet: piano, 2 violins, viola, cello
8
Accordion
7
Piano Quartet: piano, 2 violins, cello
5
Harpsichord
5
Keyboard
5
Piano (band part)
4
1 Piano, 6 hands
2
+ 16 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
120
Piano, Guitar (duet)
120
Guitar
91
2 Guitars (duet)
52
Ukulele
42
Dulcimer
18
Melody line, (Lyrics) and Chords
14
4 Guitars (Quartet)
10
Guitar (band part)
9
Mandolin
8
Bass guitar
8
3 Guitars (trio)
8
2 Dulcimers (duet)
5
Banjo
5
Guitar Ensemble
2
Lyrics and Chords
2
2 Mandolins (duet)
1
Baritone Ukulele
1
2 Ukuleles
1
Mandolin, Guitar (duet)
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
532
Choral 2-part
415
Choral Unison
187
Choral 3-part
171
Choral TTBB
53
Vocal duet
46
Vocal duet, Piano
27
Choral SSAA
27
Soprano voice, Piano
12
High voice
9
Baritone voice, Piano
6
Alto voice, Piano
5
Tenor voice, Piano
3
Medium voice, Piano
2
Low voice
2
Choral
2
Soli, Mixted choir and accompaniment
1
Low voice, Piano
1
Tenor voice
1
Choral SSATTB
1
Choral SSAB a cappella
1
Soprano voice
1
+ 17 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
452
2 Flutes (duet)
300
Flute and Piano
291
Clarinet and Piano
265
Oboe, Piano (duet)
265
2 Clarinets (duet)
212
Tenor Saxophone and Piano
194
Alto Saxophone and Piano
193
2 Oboes (duet)
114
Flute, Clarinet (duet)
87
Saxophone Quartet: 4 saxophones
85
Flute
83
2 Recorders (duet)
81
Clarinet
79
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
67
Flute, Oboe, Clarinet, Bassoon
59
Soprano Saxophone and Piano
54
Clarinet Quartet: 4 clarinets
54
Saxophone, Clarinet (duet)
52
3 Clarinets (trio)
49
Oboe (band part)
48
Oboe, Bassoon (duet)
45
Saxophone Quintet: 5 Saxophones
45
Clarinet, Violin (duet)
44
2 Flutes, Piano
43
Flute, Violin, Piano
43
Saxophone (band part)
43
Oboe, Clarinet (duet)
41
Alto Saxophone
34
Flute Quartet: 4 flutes
34
3 Saxophones (trio)
32
Flute Trio: 3 flutes
30
Clarinet, Trumpet (duet)
30
Tenor Saxophone
28
Clarinet Ensemble
28
Flute, Violin
27
Flute ensemble
23
Clarinet and Viola
20
Descant (Soprano) Recorder
20
Oboe, Flute
19
Flute, Saxophone (duet)
18
Baritone Saxophone, Piano
17
Recorder Quartet
17
Saxophone ensemble
15
Flute and Guitar
15
Clarinet, Bassoon (duet)
13
Flute, Viola (duet)
12
Flute, Trumpet (duet)
11
Flute, Clarinet, Piano (trio)
11
Clarinet Quintet: 5 clarinets
11
English horn, Piano
11
Clarinet, Cello, Piano (trio)
11
Flute Quintet : 5 flutes
11
Clarinet, Cello (duet)
10
Flute (band part)
10
Flute, Violin and Violoncello
10
Recorder
10
Bass Clarinet, Piano
10
2 Clarinets, Piano
9
Flute, Violoncello
9
Flute, Oboe, Clarinet (trio)
9
Soprano Saxophone
8
Oboe, Cello
8
Clarinet (band part)
7
Flute, Clarinet and Bassoon.
7
Flute, Oboe, Piano (trio)
7
Flute, Oboe, Bassoon
6
English Horn
6
Tenor Recorder
6
Descent (Soprano) Recorder, Piano
6
Clarinet, trumpet and piano
6
Flute, Oboe (duet)
6
2 Clarinets, Bassoon
6
Flute, trombone and piano
6
3 Recorders (trio)
5
Piccolo, Piano
4
Flute and Strings Trio
4
Clarinet, Guitar (duet)
4
Flute, Cello, Piano (trio)
4
5 Recorders
4
Flute, Viola and Piano
4
Flute, Bassoon, and Piano
4
Treble (Alto) Recorder, Piano
4
Treble (Alto) Recorder
3
Clarinet, Trombone (duet)
3
Recorder Ensemble
3
Clarinette, Viola and Piano (trio)
3
Pennywhistle
3
Oboe, Clarinet, Bassoon (trio)
3
Clarinet, Double bass (duet)
2
Clarinet, Tuba
2
2 English horns and Pianoforte
2
Oboe and viola (duet)
2
Saxophone and Guitar
2
Flute, Trombone (duet)
2
Saxophone
2
Flute, Cello, Guitar
2
Flute, Violin, Guitar
2
Flute, Harp and Cello
2
Oboe, Violin (duet)
2
Saxophone and Organ
2
Oboe, Guitar (duet)
2
Oboe ensemble
1
Oboe, Bassoon and Piano
1
Descant (Soprano) Recorder, Basso continuo
1
2 Saxophones, Piano
1
Flute, harp and violin
1
Clarinet Quintet: Clarinet, String Quartet
1
4 Oboes
1
Oboe
1
Melodica
1
Oboe, Trumpet (duet)
1
Flute, Oboe, Violin
1
Flute, Violin, Violoncello and Piano
1
Piccolo
1
Oboe, Trombone (duet)
1
Flute and String Quartet
1
Treble (Alto) Recorder, Basso continuo
1
Clarinet, Harp (duet)
1
Harmonica
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
English horn, Harp (duet)
1
Recorder, Piano
1
Oboe, Clarinet and Piano (Trio)
1
+ 119 instrumentations
-
Retract
Woodbrass
Trombone and Piano
228
Brass Quintet: 2 trumpets, horn, trombone, tuba
156
2 Trombones (duet)
150
2 Trumpets (duet)
144
Trumpet
130
Trumpet, Piano
130
Trumpet, Trombone (duet)
62
Brass quartet : 2 trumpets, trombone, tuba
50
Trumpet (band part)
49
Trombone (band part)
36
Trumpet, Saxophone (duet)
34
Trombone
32
French Horn and Piano
32
Brass Quartet: 2 trumpets, horn, trombone
31
2 French horns (duet)
23
Brass Quartet: 4 trombones
22
Trombone ensemble
22
2 Euphoniums (duet)
16
Euphonium, Piano (duet)
16
Trombone, Tuba (duet)
14
French horn
14
Trumpet, Horn (duert)
13
Brass Quartet
13
Tuba and Piano
12
Trumpet ensemble
12
2 Tubas (duet)
12
English horn, Piano
11
Brass Quartet: 4 horns
11
Brass Trio
8
Tuba
7
Brass Quartet: 4 trumpets
7
English Horn
6
French horn (band part)
5
Brass Quartet: 2 trumpets, 2 trombones
5
Euphonium
4
Trumpet, Cello, Piano
4
Horn, Cello (duet)
3
4 Tubas
3
3 French horns (trio)
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Horn Ensemble
3
Tuba (band part)
3
Tuba and Organ
3
2 Euphoniums and 2 Tubas
3
Bass Trombone and Piano
2
Euphonium, Tuba (duet)
2
2 English horns and Pianoforte
2
Trumpet, Bassoon (duet)
2
Bass Trombone
2
Trumpet, Cello (duet)
2
3 Euphoniums
2
3 Trumpets (trio)
2
3 Trombones (trio)
2
Trumpet, Trombone, Piano
1
3 Tubas (trio)
1
Bass Clef Instruments
1
2 Trombones, Piano
1
Horn, Cello and Piano
1
2 Trumpets, Keyboard (piano or organ)
1
English horn, Harp (duet)
1
Trombone, Horn (duet)
1
Trumpet, Tuba (duet)
1
+ 57 instrumentations
-
Retract
Strings
Harp
466
String Quartet: 2 violins, viola, cello
452
Violin, Cello (duet)
337
Violin and Piano
318
Violin
306
String Trio: violin, viola, cello
266
2 Violins (duet)
256
Viola, Piano
251
Cello, Piano
209
2 Cellos (duet)
157
2 Violas (duet)
139
2 Harps (duet)
129
String Trio: 2 violins, cello
124
Violin, Viola (duet)
93
String Quintet: 2 violins, viola, cello, bass
89
Cello
83
Viola
43
Viola, Cello (duet)
39
Harp, Flute (duet)
27
Violin, Guitar (duet)
21
Viola (band part)
20
Violin (band part)
19
Double Bass
16
4 Cellos
15
String Trio: 3 violins
15
String Trio: 2 violins, viola
14
Double bass, Piano (duet)
14
Doublebass (band part)
12
String quartet: 4 violins
12
Piano Trio: Violin, Viola, Piano
12
2 Double basses (duet)
11
Harp, Violin (duet)
8
Violin ensemble
7
Harp, Voice
6
String Trio: 3 cellos
6
2 Violins, Piano
5
Violin, Clarinet, Piano (trio)
4
Cello, String Bass (duet)
4
Viola ensemble
4
Cello (band part)
4
String Quintet: 2 violins, 2 violas, cello
4
Harp, Cello (duet)
3
String Quartet : 4 violas
3
Viola and Harp
3
Viola and Bassoon
3
3 Harps
3
Violin, Bassoon (duet)
2
5 Harps
2
Cello, Guitar (duet)
2
Harp and Piano
2
Flute, Doublebass (duet)
2
Autoharp
1
Violoncello, Basso continuo
1
Harp, Violin, Violoncello
1
2 Cellos, Piano
1
String trio
1
Cello Ensemble
1
String Trio: 3 violas
1
Cello, Orchestra
1
Harp, Trombone (duet)
1
+ 55 instrumentations
-
Retract
Orchestra & Percussion
Concert band
370
String Orchestra
248
Handbells
149
Orchestra
124
Brass ensemble
104
Jazz Ensemble
74
Chamber Orchestra
70
Percussion Ensemble
38
Jazz combo
30
Drums
8
Drum (band part)
5
Xylophone, Piano
5
Marimba
5
Percussion (band part)
4
Percussion
4
2 Xylophones
3
Vibraphone
2
Timpani (band part)
1
Piano and Orchestra
1
Orchestra, Violin
1
Marching band
1
School Ensemble
1
+ 17 instrumentations
-
Retract
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Can-Can for Two
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9976
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
#
achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Canticum Canticorum for Krzysztof Penderecki
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Chamber Orchestra
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ADVANCED
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and p...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
The Candy Cakewalk, for Trumpet Duet
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2 Trumpets (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Trumpe
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David McKeown
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SheetMusicPlus
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.591162 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David M...
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Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.591162 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6285013. Published by David McKeown (A0.591162). The Candy Cakewalk is a fun and original duet written by David McKeown for two Trumpets. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Flute Duet
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2 Flutes (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Flute
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David McKeown
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.591145 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeo...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.591145 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6284969. Published by David McKeown (A0.591145). The Candy Cakewalk is a fun and original duet written by David McKeown for two Flutes. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Clarinet Duet
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2 Clarinets (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Clarin
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David McKeown
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.591137 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. 2 scores. 4 pages. Da...
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Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.591137 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. 2 scores. 4 pages. David McKeown #6284951. Published by David McKeown (A0.591137). The Candy Cakewalk is a fun and original duet written by David McKeown for two Clarinets. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Trombone Duet
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2 Trombones (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Trombo
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.591157 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David...
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.591157 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6285003. Published by David McKeown (A0.591157). The Candy Cakewalk is a fun and original duet written by David McKeown for two Trombones. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Violin Duet
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2 Violins (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Violin
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David McKeown
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.591168 Composed by David McKeown. Easter,Folk,Jazz,Traditional. 4 pages. David McKeown #6285029. ...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.591168 Composed by David McKeown. Easter,Folk,Jazz,Traditional. 4 pages. David McKeown #6285029. Published by David McKeown (A0.591168). The Candy Cakewalk is a fun and original duet written by David McKeown for two Violins. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Soprano Saxophone Duet
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2 Saxophones (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Sopran
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David McKeown
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SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.591155 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Sco...
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Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.591155 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6284997. Published by David McKeown (A0.591155). The Candy Cakewalk is a fun and original duet written by David McKeown for two Soprano Saxophones. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Alto Saxophone Duet
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2 Saxophones (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Alto S
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David McKeown
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.591153 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. 2 scores....
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Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.591153 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. 2 scores. 4 pages. David McKeown #6284993. Published by David McKeown (A0.591153). The Candy Cakewalk is a fun and original duet written by David McKeown for two Alto Saxophones. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Tenor Saxophone Duet
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2 Saxophones (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Tenor
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David McKeown
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SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.591156 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. ...
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.591156 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6284999. Published by David McKeown (A0.591156). The Candy Cakewalk is a fun and original duet written by David McKeown for two Tenor Saxophones. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Cello Duet
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2 Cellos (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Cello
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David McKeown
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SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.591164 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeo...
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.591164 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6285017. Published by David McKeown (A0.591164). The Candy Cakewalk is a fun and original duet written by David McKeown for two Cellos. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Oboe Duet
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2 Oboes (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Oboe D
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David McKeown
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SheetMusicPlus
Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.591150 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown...
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Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.591150 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6284981. Published by David McKeown (A0.591150). The Candy Cakewalk is a fun and original duet written by David McKeown for two Oboes. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
The Candy Cakewalk, for Viola Duet
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2 Violas (duet)
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INTERMEDIATE
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David McKeown
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The Candy Cakewalk, for Viola
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.591163 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeo...
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.591163 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6285015. Published by David McKeown (A0.591163). The Candy Cakewalk is a fun and original duet written by David McKeown for two Violas. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verb
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Con...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 12 La Fortezz
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869334 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romant...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869334 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2033629. Published by Thomas Oboe Lee (A0.869334). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 16 Il Diavolo
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romant...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #32739. Published by Thomas Oboe Lee (A0.869342). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 20 Il Sole
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romant...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2032505. Published by Thomas Oboe Lee (A0.869327). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 11 La Ruota d
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869323 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869323 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #2032483. Published by Thomas Oboe Lee (A0.869323). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 18 La Stella
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,La...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2071133. Published by Thomas Oboe Lee (A0.869426). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 15 La Tempera
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869325 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869325 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 3 pages. Thomas Oboe Lee #2032491. Published by Thomas Oboe Lee (A0.869325). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 14 La Morte
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869324 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869324 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 2 pages. Thomas Oboe Lee #2032487. Published by Thomas Oboe Lee (A0.869324). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 06 Il Papa
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869317 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869317 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 2 pages. Thomas Oboe Lee #2032477. Published by Thomas Oboe Lee (A0.869317). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 03 La Papessa
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869314 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869314 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #2032469. Published by Thomas Oboe Lee (A0.869314). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 01 Il Matto
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869313 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869313 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #2032467. Published by Thomas Oboe Lee (A0.869313). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
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