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Cause And Effect
Sheetmusic to print
312 sheet music found
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Cause And Effect
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Jazz
#
Horace Silver
#
George Kaplan
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Cause And Effect
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George Kaplan
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SheetMusicPlus
Small Ensemble - Level 3 - Interactive Download SKU: A0.1048863 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download....
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Small Ensemble - Level 3 - Interactive Download SKU: A0.1048863 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 114. George Kaplan #269AKG2ktsipMa8cHEjRdU. Published by George Kaplan (A0.1048863). Key: D major.The three-LP United States Of Mind series of vocal albums (with Horace on RMI electric piano, garbed in a dashiki) from the early 70s was widely scorned but is now viewed as a giant musical wellspring signaling a new direction for jazz. The composer later remarked in an interview, “The music came through me, not from me.â€.
$9.99
O LA, O CHE BON ECCHO (Orlando di Lasso) for Brass Quartet and Wind Band
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Concert band
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EASY
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Orlande De Lassus
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Ivan Marini
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O LA, O CHE BON ECCHO
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www.dalsegno.eu
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,...
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Concert Band - Level 2 - Digital Download SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,Sacred,World. Score and parts. 39 pages. Www.dalsegno.eu #3867431. Published by www.dalsegno.eu (A0.770366). The most famous Renaissance choral piece for two antiphonal ensembles finally arranged for Winds and Percussions, featuring a Brass Quartet (two trumpets and two trombones).This enjoyable concert piece is also useful to develope tone quality, intonation, phrasing and expression of every ensemble.Even smaller groups and young bands can perform this piece, because the four original parts are mostly doubled. The difficulty grade is very reasonable.Every conductor will take advantage of the performance stage/location, staging the better arrangement for the four solists (plus opt. Tenor Drums) and the ensemble.The soloist should stay, generally speaking, far away from the audience to emphasize the echo effect.A piano part (reduction of the ensemble) is also included, for both performance and rehearsal.Complete set with score and parts: Solos (Trumpet 1+2, Trombone 1+2),Piccolo, Flute 1+2, Oboe (or Soprano sax), Bassoon,Clarinets 1+2+3+bass, Saxes AATB,Trumpets/Cornets 1+2+3, F/Eb Horn, Trombones 1+2+3,Euphonium/Baritone BC+TC, Tuba, String Bass,Piano, Timpani, Side Drum(s), Tenor Drum(s).Other transpositions (e.g. Bb Trombones TC) available for free at simply requestDuration ca. 3 mins., 39 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$9.99
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
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EASY
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
#
Gabrieli
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James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Jesu, joy of man's desiring by Bach for Tenor Sax and Piano
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Tenor Saxophone and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1049436 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. S...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1049436 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653786. Published by Woods Only, Arrangements (A0.1049436). This easy arrangement for tenor sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
Jesu, joy of man's desiring by Bach for Alto Sax and Piano
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Alto Saxophone and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
#
Jesu, joy of man's desiring by
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Woods Only, Arrangements
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049432 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Sc...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049432 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653782. Published by Woods Only, Arrangements (A0.1049432). This easy arrangement for alto sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Harpsichord
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Classical
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Arturo Escorza
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Arturo Escorza
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Mozart effect - Sonata in D fo
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Arturo Escorza
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SheetMusicPlus
Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Du...
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Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
$4.00
Up the Body and Down the Page
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Tsoof Baras
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Up the Body and Down the Page
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. ...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
Harping Cats and Dogs
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Harp
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BEGINNER
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Kathryn Cater
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Harping Cats and Dogs
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Kathryn Cater
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SheetMusicPlus
Harp - Level 1 - Digital Download SKU: A0.1011694 Composed by Kathryn Cater. Concert,Instructional,Standards. Score. 26 pages. Kathryn Cater #3436601. Pu...
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Harp - Level 1 - Digital Download SKU: A0.1011694 Composed by Kathryn Cater. Concert,Instructional,Standards. Score. 26 pages. Kathryn Cater #3436601. Published by Kathryn Cater (A0.1011694). For lever or pedal harp. Student pieces from level 1 to level 3.This collection has some very easy pieces. The most difficult, Baron’s Blues, is a jazzy piece that is actually easier on lever harp than on the pedal harp, because all the accidentals use lever pre-sets! This is also true of Walkin’ Wally. Danny Solves the Mystery sounds much more difficult than it is. Hands cross, but do not play at the same time. Lullaby for Smokey gently puts the hands together in easy patterns. Walkin’ Wally is more challenging, but my students enjoyed it so much they practiced! 60’s rock vamp and walking bass makes it fun. Grumpy Dreams of Flying was composed for a student who wanted something mysterious sounding. Dreamy glissandi throughout most of this piece create the effect. Chasing Buddy is fast and cute, just like the Jack Russel Terrier it’s named after. Baron’s Blues is supposed to sound like a whiny puppy who just wants someone to play with him. Not too fast! Forest Friends has a new age feel with the additional benefit of being an etude for interval practice. Buckwheat’s Baby is a study on I, IV and V7 chords.
$12.00
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
The Water is Wide (Trio for Flute, Violin and Cello)
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Flute, Violin and Violoncello
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INTERMEDIATE
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Celtic/Irish
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Traditional Celtic Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.523075 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,...
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Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.523075 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Spiritual,Wedding,World. Score and parts. 15 pages. John A. Dempsey #3110161. Published by John A. Dempsey (A0.523075). Give me a boat that can carry two and both shall row, my love and I. From a rich, vibrant Celtic tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic trio for flute, violin and cello is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as recitals and concerts. For weddings, this arrangement is recommended as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Because this melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross, this music is also effective for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, special music and silent prayer accompaniment 11 pages of music (that includes the score and separate two-page pullout parts for each individual instrument). Key: G major.
$9.99
Pharmacopoeia: One (for solo bassoon and bassoon quartet)
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Brandon Nelson
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Pharmacopoeia: One
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Brandon Nelson
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quintet - Level 5 - Digital Download SKU: A0.1201729 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Con...
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Woodwind Ensemble Bassoon,Double Reed Quintet - Level 5 - Digital Download SKU: A0.1201729 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 38 pages. Brandon Nelson #800345. Published by Brandon Nelson (A0.1201729). In this piece (the first of an open-ended series of pieces), I explore four pharmaceutical agents, imagining how their effects on one’s body might be translated into sounds.The work opens with a prelude, which exhibits the primary melodic materials the rest of the piece is built upon.Ciprofloxacin is one of the most commonly prescribed antibiotics. I envision a “battle†between the drug and the offending bacterium, much as it occurs in the course of treating respiratory tract infections and urinary infections.In Albuterol, I begin the movement with rather “breathless†figures that gradually calm and end in wide open respite. Albuterol is best known for treating exacerbations of asthma, which relaxes bronchi that have become inflamed.When blood pressure becomes too high, this can cause a number of life-threatening conditions. One drug commonly used to bring blood pressure under control is Metoprolol, which acts on a number of bodily systems to “slow things down.†In this movement, I depict this gradual releasing of tension both in rhythmic figuration and in tempo.The final movement presents Modafinil, part of a relatively new class of drugs known as eugeroics. Essentially a stimulant, modafinil promotes wakefulness and is claimed by some to increase energy level and mental clarity. In this closing movement, I depict one of the less pleasant side effects of this stimulation: the jitters.
$12.99
A Prayer for Harmonic Convergence" for Soprano Sax, B Flat Clarinet, and Bass Clarinet
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David Jaedyn Conley
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A Prayer for Harmonic Converge
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Mydnyte Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.1006443 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV...
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Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.1006443 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV. 14 pages. Mydnyte Publishing #2016307. Published by Mydnyte Publishing (A0.1006443). A Prayer for Harmonic Convergence is a musical meditation for Soprano Sax, B Flat Clarinet, and Bass Clarinet. It is written in free time, and is more of an exercise in vertical development versus horizontal. A degree of tonal indeterminacy is implied and demanded, as the nature of the instruments that it was written for requires the player to make adjustments of their embouchure in order to keep the pitch in tune with the other lines. In a piece where a note which acts as a third suddenly finds itself acting as a fifth or a root means that slight variations of intonation is inevitable. This is a desired effect. Slight overtones from the instruments are meant to combine and mingle. Occasionally the overtones converge and cause the sinusoidal waveform to beat at different frequencies. There is no way to predict how and when the phenomena will happen, and therefore there is no real way to perform this piece the same way twice. While the performer should take care to keep their intonation complimentary to the other players, a degree of latitude is intended so that the performer may experiment with this concept. It is suggested that the players perform from the score so as to anticipate the entrances and exits of the other performers.
$9.99
Pura Alegria for Trumpet Sextet and Keyboard
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Eddie Lewis
Spice up yo
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Eddie Lewis
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Pura Alegria for Trumpet Sexte
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Tiger Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and parts. 35 pages. Tiger Music #6635933. Published by Tiger Music (A0.750374). Pura Alegria Brass Sextet and Keyboard 3 Trumpets, 3 Trombones and Keyboard Composed for the Stirling High School Brass Ensemble, in East London, South Africa MBR 3430 By Eddie Lewis Spice up your brass program with this Latin tinged composition for three trumpets, three trombones and keyboard. Pura Alegria is one of Eddie Lewis’ en clave compositions, where every rhythm from every phrase in the piece is derived from the clave. The clave is a rhythm from west Africa that came to the tropical islands with the slaves. From there, hundreds of years later, the rhythm became the underlying groove for a number of modern Latin dance music styles. Eddie Lewis was exposed to the clave rhythms during a period of twenty years when he was making his living primarily as a salsa trumpet player. While Eddie’s compositions are not salsa, his writing has been forever influenced by that music and the people. And that influence is not limited to only the rhythms. We are only emphasizing the rhythms here because of the prominence of the clave in Pura Alegria. Stirling High School, East London, South Africa Eddie composed Pura Alegria for the students in the brass ensemble at Stirling High School in East London, South Africa. The students prepared it as part of a presentation and Eddie was honored to contribute something for them to work on and perform. The request came from Eddie’s good friend, Leonard Brandt. Leonard is a professional trumpet player in South Africa and also teaches applied brass at the high school. When Eddie was in South Africa for the jazz festival in Grahamstown (2016), Leonard arranged a personal performance of Pura Alegria for him in one of the empty classrooms. The composition was a smashing success and the students and the audience all enjoyed it! Skill Level When Eddie does a commission, he goes to great lengths to map out the skills of the individual players. Often times, his method’s skill levels don’t apply. Please keep in mind that skill levels in published music are not about how good the students are. Students will always have mixed skill sets. That’s part of what it means to be human. We are good at some things and bad at others. So the skills of the individual parts in Pura Alegria are varied, not only from part to part, but from skill to skill. That said, the highest note in the first trumpet part is written high C, and the rhythms are syncopated (because of the clave influence). We would put most of that first part in our Trumpet Pro skill level. The highest note in the second part is written A above the staff. The highest note in the third trumpet part is top line F. Practice Recommendations Pay special attention to the articulations, which can feel a little awkward, but really make the piece. Sometimes the eighth-notes are long and the quarter-notes are short. Other times the quarter-notes are long and the eighth-notes are short. Also be careful with the dynamics. There will be a tendency to play the entire piece too loud. Because it feels like that kind of piece. However, if you play it that way, it will ruin some of the compositional effects. This is especially true for the keyboard. If you are performing with a keyboard, not an acoustic piano, then what’s the amplification that it doesn’t bury the rest of the ensemble. You cannot have the keyboard set to the same volume as you would for a full jazz ensemble class. Other than that, have fun with this piece. The name, Pura Alegria, in English means Pure Joy! The rhythms are delightful and the melodies are infectious.
$31.34
Lost And Alone At The Rainforest
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Piano, Vocal and Guitar
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EASY
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Contemporary
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Cris Garcia
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Lost And Alone At The Rainfore
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Cris Garcia
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1028348 Composed by Cris Garcia. 20th Century,Contemporary. Score. 29 pages. Cris Garcia #3...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1028348 Composed by Cris Garcia. 20th Century,Contemporary. Score. 29 pages. Cris Garcia #3482125. Published by Cris Garcia (A0.1028348). This is the most beautiful Piece I have ever made. When I was working on a Garageband, I wanted to make an orchestration music piece. I do wanted to make it simple and Making it a lot of beautiful sounds. I like to add sound effects of this piece and making it sound like a realistic Area. For example at a rainforest, you are in the woods in the rainforest, Yes it is cloudy and rainy with thunder sounds, and no one is there to rescue you. you are alone and lost. So I was thinking of making this melody to make it sound beautiful. After I have finished making this song, It was for my assignment, The professor of my digital Audio Class enjoyed it and wanted me to keep it because of how beautiful it was. So I wanted to compose it and write the music down and I'll let the full orchestra to play this beautiful song. I know that it is kind of an unhappy piece. It is entirely in G Minor. However, the Music that I made in the DAW and the Scoring are not gonna have the same melody. It will be the same piece, but it will have a little bit of changes. .
$7.50
Heartland Hoedown Performance Accompaniment mp3 CD HH 114
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combining the efforts of the m
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Dr
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Classroom Educators!
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Heartland Hoedown Performance
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Callahan Music Publishing
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SheetMusicPlus
Digital Download SKU: A0.1071818 Composed by Dr. Ed & Bitsi Callahan. Children,Country,Pop,Rock. Accompaniment. Duration 1095. Callahan Music Publishing ...
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Digital Download SKU: A0.1071818 Composed by Dr. Ed & Bitsi Callahan. Children,Country,Pop,Rock. Accompaniment. Duration 1095. Callahan Music Publishing #4297117. Published by Callahan Music Publishing (A0.1071818). With the Heartland Hoedown Performance Accompaniment mp3 CD HH-114, you receive all the mp3 accompaniment trax to each song, plus sound effects as an instant digital download! Welcome to the Heartland Hoedown family of Music & Classroom Educators! Help us place Heartland Hoedown in every Elementary School in the state of Missouri. Why? Because everywhere Heartland Hoedown goes, M. A. P. scores skyrocket! We combine the classroom instruction with the music classroom instruction through our Handi-work worksheets which teach the Missouri history content of each song. By combining the efforts of the music educator and the classroom teacher, students retain what they learn like never before, and thus, scores go up, up, up! What are you waiting for? Get all the Heartland Hoedown products, and begin your journey of fun at the Heartland Hoedown!Heartland Hoedown Teacher's Production Handbook HH 111Heartland Hoedown Student Singers Edition HH 112Heartland Hoedown Handiwork Classroom Worksheets HH 118Heartland Hoedown Listening mp3 CD HH 117Heartland Hoedown Performance Accompaniment mp3 CD HH 114
$39.99
Prelude and Fugue
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Piano solo
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Vicente Trompieri
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Prelude and Fugue
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Vicente Trompieri
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1313260 Composed by Vicente Trompieri. 21st Century,Baroque,Classical,Historic,March. Score. 5 pages. Vicente Tromp...
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Piano Solo - Digital Download SKU: A0.1313260 Composed by Vicente Trompieri. 21st Century,Baroque,Classical,Historic,March. Score. 5 pages. Vicente Trompieri #902042. Published by Vicente Trompieri (A0.1313260). A very well crafted Piano Piece. Inspired by Beethoven's Hammerklavier Sonata Fugue. The Prelude is short and tender and serve like a brief introduction to the aggressive and epic little Fugue who follows it. The Piece is well suited to display Piano Virtuosity ,and if well played, it will cause a remarkable Musical Effect to the listeners. Thank you very much.
$5.00
Jesu, joy of man's desiring by Bach for Choir SATB and Piano
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Choral SATB
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.957350 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christian,Easter,Sta...
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.957350 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christian,Easter,Standards,Wedding. 10 pages. Woods Only, Arrangements #6854495. Published by Woods Only, Arrangements (A0.957350). This easy arrangement for choir satb and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$7.99
Jesu, joy of man's desiring by Bach for Choir TTBB and Piano
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Choral TTBB
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 1 - Digital Download SKU: A0.957349 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christian,Easter,Sta...
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Choral Choir,Choral (TTBB) - Level 1 - Digital Download SKU: A0.957349 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christian,Easter,Standards,Wedding. 10 pages. Woods Only, Arrangements #6854499. Published by Woods Only, Arrangements (A0.957349). This easy arrangement for choir ttbb and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$7.99
RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
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Guitar
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ADVANCED
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Classical
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Jean-Philippe Rameau
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Maël Fauvy
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RAMEAU - Nouvelles Suites de P
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Mfp Éditions
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 2...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éditions #1037163. Published by Mfp Éditions (A0.1458187). Composer : Jean-Philippe RameauArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highter4 pieces for guitar : Sarabande, Les Trois Mains, L’Enharmonique, L’Égyptienne — 8 pages […] The effect that we experience in the twelfth measure of the reprise of the Enharmonic will perhaps not initially be to everyone's taste; However, we become accustomed to it as long as we give ourselves to it, and we even feel all the beauty of it when we have overcome the first repugnance that the lack of habit can cause in this case. The harmonic which causes this effect is not thrown at random; it is founded on reasons, and authorized by nature itself: for connoisseurs it is the most piquant thing; but the execution must support the intention of the Author, by softening the touch, and by suspending the Coulés more and more as we approach the striking feature, where we must stop for a moment. moment, […] ” Jean-Philippe Rameau, Preface, New Suites of Harpsichord Pieces.
$30.00
Ottinger Reiter Marsch (Clarinet and Bassoon Duet)
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Clarinet, Bassoon (duet)
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INTERMEDIATE
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J Strauss II
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Catriona Melville-Mason
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Ottinger Reiter Marsch
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C Melville-Mason
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SheetMusicPlus
Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.956612 Composed by J Strauss II. Arranged by Catriona Melville-...
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Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.956612 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6477751. Published by C Melville-Mason (A0.956612). In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music. He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries. This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850. Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger. At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.This arrangement for mixed woodwind duo of B-flat clarinet and bassoon is suitable for players of ABRSM Grade 4 - 5 standard and above.
$4.50
Jesu, joy of man's desiring by Bach for Baritone Sax and Piano
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Baritone Saxophone, Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049442 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding...
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049442 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653792. Published by Woods Only, Arrangements (A0.1049442). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
Jesu, joy of man's desiring by Bach for English Horn and Piano
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English horn, Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - Digital Download SKU: A0.1049396 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Scor...
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English Horn,Piano - Level 1 - Digital Download SKU: A0.1049396 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653745. Published by Woods Only, Arrangements (A0.1049396). This easy arrangement for english horn and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
Jesu, joy of man's desiring by Bach for Recorder and Piano
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Descant (Soprano) Recorder
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1049413 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,W...
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Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1049413 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Individual part. 6 pages. Woods Only, Arrangements #653762. Published by Woods Only, Arrangements (A0.1049413). This easy arrangement for recorder and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
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