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Ce Soir Là
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1
Ce Soir Là
Piano solo
Piano - Digital Download SKU: A0.1069466 Composed by Daniel Ouimet. Pop. Full Perfo…
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Piano - Digital Download SKU: A0.1069466 Composed by Daniel Ouimet. Pop. Full Performance. Duration 240. Daniel Ouimet #2949405. Published by Daniel Ouimet (A0.1069466). Piano Solo sur un air romantique. Magnifique pour ambiance entre ami ou à simplement écouter.
$2.00
1.84 €
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Piano solo
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Daniel Ouimet
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Ce Soir Là
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Daniel Ouimet
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Holmès - A Christmas Dream (Noël) in E-Flat Major - Intermediate
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153169 Composed by Augusta …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153169 Composed by Augusta Holmes. Arranged by Piacere Music Sheets. Christmas,Instructional,Romantic Period,Standards,Traditional. Score. 10 pages. Piacere Music Sheets #753412. Published by Piacere Music Sheets (A0.1153169). Key/Tone: E-Flat Major Movements/Sections: Moderato Year/Date of Composition: 1884 Difficulty: Grade 4/12 (Intermediate) Vocal range: Eb4 to F5 (C4 = middle C). Obs.: This song is an English adaptation of the French song Trois Anges sont venus ce soir. The French words and the music were composed by Augusta Holmès under the title Noël. The English adaptation of the words was realized by S.J. Reilly. This score is set in the key of E flat Major, arranged for high voice and piano, and includes the complete lyrics in English (2 verses). This song is also available in the original French translation: Noël. Included: Full score and separated parts for each instrument.
$8.95
8.24 €
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Piano, Voice
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Augusta Holmes
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Holmès - A Christmas Dream
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Piacere Music Sheets
#
SheetMusicPlus
Holmès - A Christmas Dream (Noël) in D-Flat Major - Intermediate
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153168 Composed by Augusta …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153168 Composed by Augusta Holmes. Arranged by Piacere Music Sheets. Christmas,Instructional,Romantic Period,Standards,Traditional. Score. 10 pages. Piacere Music Sheets #753410. Published by Piacere Music Sheets (A0.1153168). Key/Tone: D-Flat Major Movements/Sections: Moderato Year/Date of Composition: 1884 Difficulty: Grade 4/12 (Intermediate) Vocal range: Db4 to Eb5 (C4 = middle C). Obs.: This song is an English adaptation of the French song Trois Anges sont venus ce soir. The French words and the music were composed by Augusta Holmès under the title Noël. The English adaptation of the words was realized by S.J. Reilly. This score is set in the original key of D flat Major, arranged for medium-high voice and piano, and includes the complete lyrics in English (2 verses). This song is also available in the original French translation: Noël. Included: Full score and separated parts for each instrument.
$8.95
8.24 €
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Piano, Voice
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Augusta Holmes
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Holmès - A Christmas Dream
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Piacere Music Sheets
#
SheetMusicPlus
Holmès - Noël (A Christmas Dream) in D-Flat Major - Intermediate
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153170 Composed by Augusta …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153170 Composed by Augusta Holmes. Arranged by Piacere Music Sheets. Christmas,Instructional,Romantic Period,Standards,Traditional. Score. 10 pages. Piacere Music Sheets #753413. Published by Piacere Music Sheets (A0.1153170). Key/Tone: D-Flat Major Movements/Sections: Moderato Year/Date of Composition: 1884 Difficulty: Grade 4/12 (Intermediate) Vocal range: Db4 to Eb5 (C4 = middle C). Obs.: Also known as Trois Anges sont venus ce soir, this piece is a French Christmas song. This score is set in the original key of D flat Major, arranged for medium-high voice and piano, and includes the complete lyrics in French (2 verses). This song is also available in an English translation: A Christmas Dream. Included: Full score and separated parts for each instrument.
$8.95
8.24 €
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Piano, Voice
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Augusta Holmes
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Holmès - Noël
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Piacere Music Sheets
#
SheetMusicPlus
Holmès - Noël (A Christmas Dream) in E-Flat Major - Intermediate
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153171 Composed by Augusta …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153171 Composed by Augusta Holmes. Arranged by Piacere Music Sheets. Christmas,Instructional,Romantic Period,Standards,Traditional. Score. 10 pages. Piacere Music Sheets #753414. Published by Piacere Music Sheets (A0.1153171). Key/Tone: E-Flat Major Movements/Sections: Moderato Year/Date of Composition: 1884 Difficulty: Grade 4/12 (Intermediate) Vocal range: Eb4 to F5 (C4 = middle C). Obs.: Also known as Trois Anges sont venus ce soir, this piece is a French Christmas song. This score is set in the key of E flat Major, arranged for high voice and piano, and includes the complete lyrics in French (2 verses). This song is also available in an English translation: A Christmas Dream. Included: Full score and separated parts for each instrument.
$8.95
8.24 €
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Piano, Voice
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Augusta Holmes
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Holmès - Noël
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Piacere Music Sheets
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SheetMusicPlus
Jacques Leguerney: Élégie for medium voice and piano
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fab…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fabrik Music Publishing. 20th Century,Concert,Standards. Score. 5 pages. Musik Fabrik Music Publishing #2343119. Published by Musik Fabrik Music Publishing (A0.533321). A setting by Leguerney of a poem by Marceline Desbordes-Valmore. The range is Csharp3-Fsharp4Peut-être un jour sa voix tendre et voilée M'appellera sous de jeunes cyprès : Cachée alors au fond de la vallée, Plus heureuse que lui, j'entendrai ses regrets. Lentement, des coteaux je le verrai descendre ; Quand il croira ses pas et ses vœux superflus, Il pleurera ! ses pleurs rafraîchiront ma cendre; Enchaînée à ses pieds, je ne le fuirai plus. Je ne le fuirai plus ! je l'entendrai; mon âme, Brûlante autour de lui, voudra sécher ses pleurs ; Et ce timide accent, qui trahissait ma flamme, Il le reconnaîtra dans le doux bruit des fleurs. Oh ! qu'il trouve un rosier mourant et solitaire ! Qu'il y cherche mon souffle et l'attire en son sein ! Qu'il dise : « C'est pour moi qu'il a quitté la terre ; « Ses parfums sont à moi, ce n'est plus un larcin. » Qu'il dise : « Un jour à peine il a bordé la rive ; « Son vert tendre égayait le limpide miroir; « Et ses feuilles déjà , dans l'onde fugitive, « Tombent. Faible rosier, tu n'as pas vu le soir ! » Alors, peut-être, alors l'hirondelle endormie, À la voix d'un amant qui pleure son amie, S'échappera du sein des parfums précieux, Emportant sa prière et ses larmes aux cieux. Alors, rêvant aux biens que ce monde nous donne, il laissera tomber sur le froid monument Les rameaux affligés dont la gloire environne Son front triste et charmant. Alors je resterai seule, mais consolée, Les vents respecteront l'empreinte de ses pas. Déjà je voudrais être au fond de la vallée; Déjà je l'attendrais... Dieu ! s'il n'y venait pas !
$9.10
8.38 €
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Piano, Voice
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Musik Fabrik Music Publishing
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Jacques Leguerney: Élégie for medium voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ange Flégier: Le Cor for baritone voice and piano
Low voice, Piano
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533413 Composed by Ange F…
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533413 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913381. Published by Musik Fabrik Music Publishing (A0.533413). A setting of a poem by Alfred de Vigny. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In D major Duration: aprox. 5 minutes 30 secondsThe original orchestration of this song is available on rental from the puboisher (2(pic)222/4231/timp/3perc/hp/strings)Ange Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.J'aime le son du Cor, le soir, au fond des bois,Soit qu'il chante les pleurs de la biche aux abois,Ou l'adieu du chasseur que l'écho faible accueille,Et que le vent du nord porte de feuille en feuille.Que de fois, seul, dans l'ombre à minuit demeuré,J'ai souri de l'entendre, et plus souvent pleuré !Car je croyais ouïr de ces bruits prophétiquesQui précédaient la mort des Paladins antiques.Âmes des Chevaliers, revenez-vous encor?Est-ce vous qui parlez avec la voix du Cor ?Roncevaux ! Roncevaux ! Dans ta sombre valléeL'ombre du grand Roland n'est donc pas consolée !
$9.10
8.38 €
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Low voice, Piano
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Ange Flégier
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Ange Flégier: Le Cor for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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