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Chord Study
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1701
The Chord that Roared: Teach Yourself - Chord Study for Black Major Keys
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.985444 Composed by Loretta S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.985444 Composed by Loretta Sampson. Instructional. Score. 25 pages. Loretta Sampson #6526593. Published by Loretta Sampson (A0.985444). A comprehensive look at the chords built from 8 major scales on the black keys, which includes the alternate call-outs for C#/Db, F#/Gb, etc.Although this study piece is technically simple in terms of melody and fingering, it incorporates detailed call-outs of root chords, slash chords, (inverted chords), and figured bass along with a worksheet to reinforce the content. There are examples of major, minor, and seventh chords and varying rhythms. This piece is especially good for visual learners as all components are seen concurrently.
$3.00
2.77 €
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Piano, Voice
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Loretta Sampson
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The Chord that Roared: Teach Yourself - Chord Study for Black Major Keys
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Loretta Sampson
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SheetMusicPlus
Chord Study: 7th Chords in Major White Keys
Easy Piano
Easy Piano - Level 3 - Digital Download SKU: A0.985735 Composed by Loretta Sampson.…
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Easy Piano - Level 3 - Digital Download SKU: A0.985735 Composed by Loretta Sampson. Concert,Instructional. Score. 5 pages. Loretta Sampson #6245453. Published by Loretta Sampson (A0.985735). This is a study piece that encompasses major, minor, dominant, and diminished 7th chords in all seven of the major scales on the white keys: C, D, E, F, G, A, and B. Extra suggestions and practice techniques are also called out. A very useful piece to practice and understand the elusive 7th chords for any age or stage of learning. Although written for piano or any keyboard, other instruments can benefit from this information.
$1.99
1.84 €
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Easy Piano
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Loretta Sampson
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Chord Study: 7th Chords in Major White Keys
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Loretta Sampson
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SheetMusicPlus
Chord Studies 1-4 for Solo Piano
Piano solo
Easy Piano - Level 1 - Digital Download SKU: A0.835139 Composed by Cody Weinmann. C…
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Easy Piano - Level 1 - Digital Download SKU: A0.835139 Composed by Cody Weinmann. Contemporary,Instructional. Score. 10 pages. Cody Weinmann #5370917. Published by Cody Weinmann (A0.835139). This innovative chord study series for piano solo is made to help pianists of many different levels,especially those in the beginning of their playing career. This first set of warmups in the series takes the pianist through a series of known and slightly altered chord progressions in basic keys like C andG major. There are many chords in root position, but there are also chords in first and second inversionto give the player a realm of possibilities to explore and spot should they come across them or shouldthey later use them to compose their own music.It features all the chords notated for you all with suggested fingering numbers. Note: you can alter thefingerings if you feel the need. Also featured are the chord symbols above the chords for easy reference when practicing.If you would like more information about this or other music tutorials, feel free to go to:https://www.youtube.com/channel/UCeQjG3LlwSFprkTFvoJNqNAIf you are looking for more music, go to the websites on the previous page, or go to:https://www.youtube.com/channel/UCXq0u6NR-2FKeowdNzcJbng?
$4.99
4.61 €
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Piano solo
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Cody Weinmann
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Chord Studies 1-4 for Solo Piano
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Cody Weinmann
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SheetMusicPlus
Powerchord Study A Minor Complete
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.955577 Composed by Glen Dike. Arranged …
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Guitar - Level 2 - Digital Download SKU: A0.955577 Composed by Glen Dike. Arranged by Glen Dike. Instructional,Rock. Guitar Tab. 7 pages. Glen Dike #6103101. Published by Glen Dike (A0.955577). These are exercises put together that shows you what you can do with Powerchords. They can be used in its basic form and with their inversions. As block chords, arpeggio, power stabs and written lines. The chords are altered with color tones. The purpose is from its simplicity to its complexity. We always ask the question what can we else do with this, with what we have, and expand on it. All the different segments can be put together as one complete unit to perform. It can also be re-arranged in its order. Good for the classroom, rendition, performance, group and private studies.
$3.99
3.69 €
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Guitar notes and tablatures
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Glen Dike
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Powerchord Study A Minor Complete
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Glen Dike
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SheetMusicPlus
Chord Study for the left hand alone
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.830949 Composed by James Marchand. …
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Piano Solo - Level 4 - Digital Download SKU: A0.830949 Composed by James Marchand. Contemporary,Instructional. Score. 3 pages. James Marchand #3049849. Published by James Marchand (A0.830949). As the titles states, this is an etude for the left hand alone which treats of chord playing. This is a tonal work; modal in parts. Not too hard to play, but excellent practice for the left hand.
$3.99
3.69 €
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Piano solo
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James Marchand
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This is a tonal work
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Chord Study for the left hand alone
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James Marchand
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SheetMusicPlus
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
Harpsichord
Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amade…
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Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
$4.00
3.7 €
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Harpsichord
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Arturo Escorza
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Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Arturo Escorza
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SheetMusicPlus
MAJOR SEVENTH CHORD ARPEGGIO ESTUDY ON CIRCLE OF FOURTH
Acoustic Guitar,Electric Guitar - Level 2 - Digital Download SKU: A0.1240850 Compos…
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Acoustic Guitar,Electric Guitar - Level 2 - Digital Download SKU: A0.1240850 Composed by Anderson Branco. Arranged by Anderson Branco. Jazz. Educational Exercises. 1 pages. Anderson Branco #836242. Published by Anderson Branco (A0.1240850). Arpeggio study on the major seventh chord in the fourth cycle, ideal for guitarists, this exercise is in the first of 5 Caged regions.
$1.99
1.84 €
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Anderson Branco
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MAJOR SEVENTH CHORD ARPEGGIO ESTUDY ON CIRCLE OF FOURTH
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Anderson Branco
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SheetMusicPlus
Mountain Dulcimer Chords Made Easy
Dulcimer
Dulcimer (mountain) - Beginning - Digital Download DAD and DAA Tunings. Composed by M…
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Dulcimer (mountain) - Beginning - Digital Download DAD and DAA Tunings. Composed by Madeline MacNeil. Dulcimer: Mountain. Made Easy. Chord. E-book and online audio. 32 pages. Mel Bay Publications - Digital Sheet Music #30672MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118881.<br> <br> Melodies on the mountain dulcimer are wonderful. In this book, weall explore how to decorate melodies with chords to add variety and creativity to your playing in DAD and DAA tunings. Lessons begin with simple chords and show you when and how to progress. In addition, weall study how to play backup chords on our dulcimers for accompaniment in gatherings and jam sessions. Includes access to online audio.
$9.99
9.24 €
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Dulcimer
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Mountain Dulcimer Chords Made Easy
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Scales & Chords - D Minor
Piano solo
Piano - Level 3 - Interactive Download SKU: A0.1377819 Composed by Linda Schooley. …
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Piano - Level 3 - Interactive Download SKU: A0.1377819 Composed by Linda Schooley. This edition: Interactive Download. Children. Score. 2 pages. Duration 44. Linda Schooley #2K6Rq42yKsh9opTHy1t9h0. Published by Linda Schooley (A0.1377819). Key: F major.D Minor scales & chords - study piece.
$5.00
4.62 €
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Piano solo
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Linda Schooley
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Scales & Chords - D Minor
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Linda Schooley
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SheetMusicPlus
Study: Dynamics
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1163698 Composed by Bri…
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Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1163698 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Tablature. 1 pages. Brian Streckfus #764039. Published by Brian Streckfus (A0.1163698). It is rare to find something that tests someones dynamics knowledge while relating to guitar, so I composed such a piece. Its genre is modern, classical and romantic. It personally reminds me of Chopin in harmonic language. Tips:1. I believe the volume indicated reflects the chord quality quite well. For example, a Gmaj7 or augmented chord sounds bad loud because they are sleepy and dreamy chords.2. The Ab/C chord in measure 15 is a Neopolitan chord in the key of G major. 3. This piece takes advantage of a key well suited for guitar: E minor. 4. This piece is a good example of a composing technique where you keep notes the same between chords, having little concern for how complex of a chord name that results.5. Rolling the chords is okay and often sounds quite good.
$1.99
1.84 €
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Guitar notes and tablatures
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Brian Streckfus
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Study: Dynamics
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Brian Streckfus
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SheetMusicPlus
Study: Secondary Dominance
Guitar
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Brian Streckfus #764059. Published by Brian Streckfus (A0.1163714). This piece gives practice in understanding sophisticated chord progressions that use secondary dominance (temporary key changes). For Example:Key of E minor:G E7 Am The E7 chord does not belong (diatonic) in the key of E minor. However, it is the V7 chord of the A minor chord. Therefor, the E7 chord is a dominant chord, it is just not the primary dominant 7th chord in the key of e minor, it's a secondary one. In measure 13 of this piece there is a G#dim7 chord that leads steretypically to A minor. This is the same trick explained earlier, just the chords are ever so slightly different by one note, drastically changing the name of the chord. G#dim7 does not belong (diatonic) in the key of E minor. Tips:1. Secondary dominance allows a composer to get to any chord and key in a seamless sounding way.2. Secondary dominance is a common way to incorporate more chromaticism in compositions.
$1.99
1.84 €
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Guitar
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Brian Streckfus
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Study: Secondary Dominance
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Brian Streckfus
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SheetMusicPlus
Study: 7 Modes
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1163675 Composed by Bri…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1163675 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 1 pages. Brian Streckfus #764016. Published by Brian Streckfus (A0.1163675). This study/etude makes modes a much more fun and practical exploration, rather than feeling like abstract theory. Also, since all seven are used in the key of C major, this study/etude allows someone to quickly memorize how modes work. The modes are diffucult to memorize because of their foreign names. This makes this piece have great replay value since it will take a few run throughs to memorize them. Tips:1. Each mode has one special note. It is a great exercise to figure them out. For example, the B natural in D dorian sections is the special note. This B natural should have been a Bb in the key of regular D minor.2. This piece is a good example of what I like to call half step gravity. For example, in measure 12, the B has more gravity to go to C than A because C is closer. B to C would be a half step. B to A would be a whole step.3. This piece is a good example of bass notes setting the tone and vibe. I invite performers to change the bass notes to see what I mean. For example, a constant C bass note would lead to a problem free sound, whereas a constant B bass note leads to a more uncomfortable metal music sound.4. This piece is a good example of how we hear a chord from the bass note on up. For example, an E minor chord with a B in the bass might actually function more like a B7 with suspended notes.5. This piece is a good example of a perfect authentic cadence (PAC) with a final A minor chord tonic (home) chord with an A in the bass and soprano voices.
$1.99
1.84 €
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Guitar notes and tablatures
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Brian Streckfus
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Study: 7 Modes
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Brian Streckfus
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SheetMusicPlus
Circle of Fifths Study I (for Guitar)
Guitar - Level 3 - Digital Download SKU: A0.1447182 Composed by Kenneth Pasciak. Ar…
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Guitar - Level 3 - Digital Download SKU: A0.1447182 Composed by Kenneth Pasciak. Arranged by Kenneth Pasciak. Classical,Country,Folk,Jazz,Rock. Educational Exercises. 3 pages. Kenneth Pasciak #1026961. Published by Kenneth Pasciak (A0.1447182). ....................Circle of Fifths Study for fingerstyle or classical guitar. Learn how to play all 12 dominant 7th chords with a bass line and chord arpeggios. Progress through the circle of fifths starting with B7. Includes 3-page score with tablature, chord changes and some fingering suggestions. Kenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/....................
$2.99
2.76 €
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Kenneth Pasciak
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Circle of Fifths Study I
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Kenneth Pasciak
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SheetMusicPlus
Famous 5 Types of Chords
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1370027 Composed by Bri…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1370027 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 6 pages. Brian Streckfus #954402. Published by Brian Streckfus (A0.1370027). I created this to make learning the most common chords on guitar easier. Learning chords on guitar is quite difficult; fret numbers are quite arbitary to what the chord is. There are patterns to follow, but they are buried in a convoluted foggy swamp. The tuning of guitar strings essentially puts the music theory in a blender and one has to study for a long time to decode it. It is my hope that this PDF will shine some light on how chords are built, and why some of them have a lot of clarity in how they are working, and why others seem completely random. This PDF shows chords that commonly happen in pop music, so it is by no means an exhaustive list. For knowing how to use chords, see my chord progression generator uploads.Tips:1. There is redundacy for a reason; this pdf shows multiple ways of playing the same chord.2. The first two pages are for the music theory purists in that there is hardly ever an uneccesary note to mantain the name of the chord. This is useful for understanding what notes are needed for a chord (it's a cliche for guitarists to have overly large chords).3. Pages 3 and 4 are the famous voicings. 4. Pages 5 and 6 are the bar chord versions. These versions are physically harder to play, but they can add a lot of clarity and simplicity to your playing (the famous voicings on pages 3 and 4 are seemingly random). They are much easier to slide to any key you want and much easier to see similiarities and patterns between chords.
$1.99
1.84 €
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Guitar notes and tablatures
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Brian Streckfus
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Famous 5 Types of Chords
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Brian Streckfus
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SheetMusicPlus
Sullivan: The Lost Chord for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.92 €
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French Horn and Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.92 €
#
Cello, Piano
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Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir A…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.92 €
#
Clarinet and Piano
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Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.92 €
#
Euphonium, Piano (duet)
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Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.92 €
#
Bass Clarinet, Piano
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Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Trombone & Piano
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur S…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.92 €
#
Trombone and Piano
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Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Trumpet & Piano
Trumpet
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Ar…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.92 €
#
Trumpet
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Sir Arthur Seymour Sullivan
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dynamic control
#
Sullivan: The Lost Chord for Trumpet & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for English Horn & Piano
English horn, Piano
English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arth…
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English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.92 €
#
English horn, Piano
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for English Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.92 €
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.92 €
#
Viola, Piano
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Piccolo & Piano
Piccolo, Piano
Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Compose…
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Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.92 €
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Piccolo, Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Piccolo & Piano
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jmsgu3
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SheetMusicPlus
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