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Christian Friedrich Gregor
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You've selected:
Christian Friedrich Gregor
Sheetmusic to print
5 sheet music found
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1
Honor and Glory (SB)
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Choral 2-part
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BEGINNER
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Christian Friedrich Gregor
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Curtis Hanson
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Honor and Glory
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Curtis Hanson
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1223971 Composed by Christian Friedrich Gregor. Arranged by Curtis Hanson. Classical,Sacred. O...
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1223971 Composed by Christian Friedrich Gregor. Arranged by Curtis Hanson. Classical,Sacred. Octavo. 4 pages. Curtis Hanson #820087. Published by Curtis Hanson (A0.1223971). In this post-pandemic era, demand for octavos for smaller choirs is on the rise. Here is an easy setting of a piece by the late 18th century composer Christian Gregor for 2 part mixed voices. The bass voices mostly imitate the treble voices as an 'echo'. The final phrase has an optional alto and bass part for those with difficulty in the upper register. Text is either for general worship (Honor and Glory) or an optional text for Advent or Palm Sunday (Hosanna, Blessed Is He Who Comes). This is an easy arrangement for those choirs with limited voices and could be an option for less experienced ensembles.
$2.00
Miserere Mei Deus - Gregorio Allegri - Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gregorio Allegri
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Tim Brehaut
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Miserere Mei Deus - Gregorio A
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Tim Brehaut
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.943870 Composed by Gregorio Allegri. Arranged by Tim Brehaut. Baroque,Christian,Renaissance,Sacred,Wo...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.943870 Composed by Gregorio Allegri. Arranged by Tim Brehaut. Baroque,Christian,Renaissance,Sacred,World. Score and parts. 24 pages. Tim Brehaut #4582325. Published by Tim Brehaut (A0.943870). Allegri's Miserere adapted for Brass Quintet.Program Notes:Miserere mei, Deus (Latin for Have mercy on me, O God) is a setting of Psalm 51 by Italian composer Gregorio Allegri and is one of the most recorded pieces from the Renaissance. It was composed during the reign of Pope Urban VIII, probably during the 1630s for use in the Sistine Chapel. Originally composed for two choirs (one of 5 voices, one of 4 voices) this adaptation has been arranged for brass quintet.Performance Notes:Optional repeat included to match the original 5 verses. Without the accompanying lyrics, minor liberties have been taken with the repeated rhythms beginning each verse. Interpretation adapted from the 1824 manuscript by Anton Friedrich Justus Thibaut. This arrangement is also available for horn quintet. I hope you enjoy this arrangement!Instrumentation:Trumpet 1 in BbTrumpet 2 in BbHorn in FTromboneBass Trombone (or Tuba)
$9.99
Miserere Mei, Deus - Gregorio Allegri - Horn Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gregorio Allegri
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Tim Brehaut
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Miserere Mei, Deus - Gregorio
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Tim Brehaut
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.943871 Composed by Gregorio Allegri. Arranged by Tim Brehaut. Baroque,Christian,Renaissance,Sacred,Wo...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.943871 Composed by Gregorio Allegri. Arranged by Tim Brehaut. Baroque,Christian,Renaissance,Sacred,World. Score and parts. 20 pages. Tim Brehaut #4592809. Published by Tim Brehaut (A0.943871). Allegri's Miserere adapted for Horn Quintet.Program Notes:Miserere mei, Deus (Latin for Have mercy on me, O God) is a setting of Psalm 51 by Italian composer Gregorio Allegri and is one of the most recorded pieces from the Renaissance. It was composed during the reign of Pope Urban VIII, probably during the 1630s for use in the Sistine Chapel. Originally composed for two choirs (one of 5 voices, one of 4 voices) this adaptation has been arranged for horn quintet.Performance Notes:Optional repeat included to match the original 5 verses. Without the accompanying lyrics, minor liberties have been taken with the repeated rhythms beginning each verse. Interpretation adapted from the 1824 manuscript by Anton Friedrich Justus Thibaut. This arrangement is also available for brass quintet. I hope you enjoy this arrangement!Instrumentation (written range):Horn 1 (D4-C6)Horn 2 (E4-Eb5) Horn 3 (G3-D5)Horn 4 (Eb3-G4)Horn 5 (F3-C5)
$8.99
Miserere Mei, Deus - Gregorio Allegri - Tuba Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gregorio Allegri
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Tim Brehaut
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Miserere Mei, Deus - Gregorio
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Tim Brehaut
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.943873 Composed by Gregorio Allegri. Arranged by Tim Brehaut. Baroque,Christian,Renais...
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Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.943873 Composed by Gregorio Allegri. Arranged by Tim Brehaut. Baroque,Christian,Renaissance,Sacred. Score and parts. 21 pages. Tim Brehaut #4596701. Published by Tim Brehaut (A0.943873). Allegri's Miserere adapted for Tuba Quintet.Program Notes:Miserere mei, Deus (Latin for Have mercy on me, O God) is a setting of Psalm 51 by Italian composer Gregorio Allegri and is one of the most recorded pieces from the Renaissance. It was composed during the reign of Pope Urban VIII, probably during the 1630s for use in the Sistine Chapel. Originally composed for two choirs (one of 5 voices, one of 4 voices) this adaptation has been arranged for tuba quintet.Performance Notes:Optional repeat included to match the original 5 verses. Without the accompanying lyrics, minor liberties have been taken with the repeated rhythms beginning each verse. Interpretation adapted from the 1824 manuscript by Anton Friedrich Justus Thibaut. This arrangement is also available for brass quintet. I hope you enjoy this arrangement!Instrumentation:Euphonium 1Euphonium 2Euphonium 3 or TubaTuba 1Tuba 2.
$8.99
Orgelsinfonie No. 16
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Organ
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ADVANCED
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration ...
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
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