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Chroma: E-flat Baritone Saxophone
Sheetmusic to print
9 sheet music found
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1
Chroma: E-flat Baritone Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015916_BTX E-flat Baritone Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0015916_BTX E-flat Baritone Saxophone. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015916_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015916_BTX). UPC: 038081449616.The chromatic nature of this piece manifests itself in both tonality and color, with the main theme providing a unique tone-row quality. The colors presented throughout demonstrate vast contrasts between jazz, a playful circus atmosphere, and very dramatic qualities allowing the musicians opportunities to display a variety of styles and playing techniques. (3:10) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.74 €
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Concert band
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Carl Strommen
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Festival.
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Chroma: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Alternate Time: E-flat Baritone Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0016426_BTX E-flat Baritone Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0016426_BTX E-flat Baritone Saxophone. Composed by Mark D. Slater. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016426_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016426_BTX). UPC: 038081482613.As indicated by the title, Alternate Time is an exciting and energetic way to explore constantly changing time signatures. Based on a bouncy theme, this composition also features chromatic passages, running scalar lines, and effective percussion scoring. A wonderful teaching piece, it is also great fun for the audience! (2:00).
$3.00
2.74 €
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Concert band
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Mark D
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Alternate Time: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Planet X: E-flat Baritone Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017526_BTX E-flat Baritone Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0017526_BTX E-flat Baritone Saxophone. Composed by Ralph Ford. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017526_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017526_BTX). UPC: 038081504216.Planet X, Nemesis, or Nibiru---this planet has generated multiple scientific theories and been the subject of hypothetical speculation since the discovery of Neptune. The compelling basic chromatic themes have been intergalactically scored with delicious sci-fi flavor especially for your beginners, and is charged with energy and intrigue. The existence of Planet X was rebuked by NASA as early as 1993. Or was it? (2:30)Concert/Contest; Festival.
$3.00
2.74 €
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Concert band
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Ralph Ford
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Festival.
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Planet X: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Oh the Deep, Deep Love of Jesus--E flat instrument duet
Alto Saxophone and Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.786362 Composed by Richard Wagner, S. Trevor Francis, and Thomas John Williams. Arranged by Beka Wilson. Celtic,Christian,Opera,Sacred. Score and parts. 10 pages. Beka Wilson #4335315. Published by Beka Wilson (A0.786362). This exciting duet is a Wagner-inspired version of an old Celtic-style hymn. Both parts will stretch the player to the limits of their instrument’s range, and includes 2-on-3 rhythms and chromatic runs. For different instrumentation, this arrangement is compatible with products S0. 523329 (B flat), S0. 523327 (alto clef), S0. 523325 (C), S0. 523323 (C bass clef), or S0. 523319 (F).This would be the perfect contest piece for advanced high schoolers, or an energetic offertory for a church service. The song is approximately 2’30 in length and includes two parts and a piano score (10 pages total).Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$9.99
9.14 €
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Alto Saxophone and Piano
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Richard Wagner, S
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Oh the Deep, Deep Love of Jesus--E flat instrument duet
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Beka Wilson
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SheetMusicPlus
Elf Dance (Saxophone Solo)
B-Flat Saxophone,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,Instrumental Solo - Level…
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B-Flat Saxophone,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,Instrumental Solo - Level 2 - Digital Download SKU: A0.1086869 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary. Individual part. 1 pages. P. R. Frederick #691056. Published by P. R. Frederick (A0.1086869). A lively tune for solo saxophone. It incorporates some chromatic passages. Can be played on any saxophone from soprano to baritone. Fun to play.
$4.00
3.66 €
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P
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Elf Dance
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P. R. Frederick
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SheetMusicPlus
March Chromatica: E-flat Baritone Saxophone
Saxophone (band part)
By Mark Williams. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Musi…
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By Mark Williams. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$3.00
2.74 €
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Saxophone (band part)
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Mark Williams
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March Chromatica: E-flat Baritone Saxophone
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Premiere Arabesque
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1399865 Composed by Claude Debussy. Arranged by Robert Stevens. 20th Century,Chamber,Classical. 32 pages. SAXpress.com #983090. Published by SAXpress.com (A0.1399865). Premiere Arabesque (1890) Claude Debussy (1862-1918) SATB Sax Quartet Première Arabesque, by Claude Debussy, arranged for Saxophone Quartet SATB. The Premiere Arabesque is one of pair of piano arabesques Claude Debussy composed when he was still in his twenties, between the years 1888 and 1891. Although an early work, the arabesque contains hints of Debussy’s developing musical style. It is one of his early impressionistic pieces. Debussy seems to wander through modes and keys to create an evocative scene through music.The First Arabesque was originally in the key of E major but this arrangement for saxophone quartet has been lowered a semitone the key of E flat. Common time throughout, mostly and rhythmically straightforward but the tempo rises and falls frequently. Sometimes quite chromatic as it wanders through adjacent or remote keys. Parts are very independent. with a good deal of passing the famous arpeggiated melody between the soprano, alto, and tenor voices. A piece for a more experienced quartet. This arrangement includes a full score and soprano, alto, tenor, and baritone sax parts.
$16.95
15.51 €
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Saxophone Quartet: 4 saxophones
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Claude Debussy
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Premiere Arabesque
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SAXpress.com
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.15 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.15 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
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