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Claude Debussy
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Claude Debussy: Ballade for piano solo
Piano solo
Instantly downloadable sheet music by Claude Debussy for piano solo of MEDIUM skill level.…
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Instantly downloadable sheet music by Claude Debussy for piano solo of MEDIUM skill level. / classical,french
$3.75
3.29 €
#Piano solo
#Claude Debussy
#Virtualsheetmusic
Claude Debussy: Sonata in G minor (NEW EDITION) instantly for violin & piano
Violin and Piano
Instantly downloadable sheet music by Claude Debussy for violin & piano of HIGH skill leve…
(+)
Instantly downloadable sheet music by Claude Debussy for violin & piano of HIGH skill level. / classical,french
$9.99
8.76 €
#Violin and Piano
#Claude Debussy
#Virtualsheetmusic
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septi?me regrettent!!!, Petite Valse,F?tes galantes, and Pr?lude ? ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pell?as et M?lisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orph?e-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint S?bastien and La Bo?te ? joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr? Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr? Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.16 €
#Piano solo
#Claude Debussy/Robert Orledge
#Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#Musik Fabrik Music Publishing
#SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Pr?lude,Premi?re Fanfare, and La Mort de Cord?lia,Toomai des ?l?phants, Rodrigue et Chim?ne: Pr?lude ? l?acte 1p. Le Martyre de Saint S?bastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pell?as et M?lisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orph?e-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint S?bastien and La Bo?te ? joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr? Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr? Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.16 €
#Piano solo
#Claude Debussy/Robert Orledge
#Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#Musik Fabrik Music Publishing
#SheetMusicPlus
DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Impressionistic, Post-Romantic, Recital. 8 pages. Published by Diamond S Music
DOCTOR GRADUS AD PARNASSUM from ?Children?s Corner Suite? by CLAUDE DEBUSSY for PIANO SOLO. The Latin phrase gradus ad Parnassum means "steps to Parnassus?. Debussy composed Children's Corner between 1906 and 1908. This piece is actually a rather ingenious study in finger independence with a Twentieth Century vocabulary. In the middle, the pianist slows down and tries his material in other keys for exercise. Debussy's Doctor Gradus Ad Parnassum is of intermediate difficulty and requires experienced fingers. The pianist gets wilder toward the end and finishes the piece with a bang. Debussy told his publisher that the movement should be played "very early in the morning".This edition also includes a short biography of Debussy and some facts about the piece.
Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.99
4.38 €
#Piano solo
#Claude Debussy (1862-1918)
#DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
#Diamond S Music
#SheetMusicPlus
Clair de Lune (Claude Debussy)
2 Guitars (duet)
Guitar Duo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1…
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Guitar Duo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Bisdre Santos. Impressionistic, Repertoire, Classroom, Wedding, Recital. Individual Part, Lead Sheet, Set of Parts. 7 pages. Published by Bisdré Santos
Composed by Claude Debussy (1862-1918). Transcribed by Bisdr? Santos from the recording of John Williams and Julian Bream. Impressionistic, Romantic, Post-Romantic, Repertoire, Classroom, Concert.
$5.00
4.38 €
#2 Guitars (duet)
#Claude Debussy (1862-1918)
#Santos
#Clair de Lune
#Bisdré Santos
#SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph B?dier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because B?dier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35
9.08 €
#Piano solo
#Claude Debussy/Robert Orledge
#Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
#Musik Fabrik Music Publishing
#SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph B?dier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because B?dier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95
17.5 €
#Orchestra
#Claude Debussy/Robert Orledge
#Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
# Musik Fabrik Music Publishing
#SheetMusicPlus
Debussy and Satie Piano Favorites Collection - Piano Solo
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arr…
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Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arranged by Debussy, Satie. 20th Century, Romantic Period, Contemporary Classical, Impressionistic, Recital. 47 pages. Published by Diamond S Music
Debussy and Satie Piano Favorites Collection- Piano Solo. This is a collection of 9 popular Piano Solos by Claude Debussy and Erik Satie. The contents are: SATIE: Gymnop?die No. 1-3 DEBUSSY: Claire de Lune, Arabesques No. 1 and 2, R?verie, and 2 pieces from ?The Children?s Corner? - Doctor Gradus ad Parnassum, and Golliwog?s Cakewalk. Also contains a short bio of each composer, Debussy and Satie. 41 pages of music.
$14.99
13.15 €
#Piano solo
#Claude Debussy, Erik Satie
#Debussy and Satie Piano Favorites Collection - Piano Solo
#SheetMusicPlus
"Clair De Lune" by Claude Debussy in C Major, Easy version
Easy Piano
Composed by Claude Debussy (1862-1918). Arranged by Leah Ginzburg. Impressionistic, …
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Composed by Claude Debussy (1862-1918). Arranged by Leah Ginzburg. Impressionistic, Repertoire, World, European, Recital. Lead Sheet, Score, Sheet Music Single, Solo Part. 4 pages. Published by Leah Ginzburg
$6.99
6.13 €
#Easy Piano
#Claude Debussy (1862-1918)
#"Clair De Lune" by Claude Debussy in C Major, Easy version
# Leah Ginzburg
#SheetMusicPlus
Clair de lune from Suite Bergamasque by Claude Debussy for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Composed by Claude Debussy (1862-1918). 20th Century, Repertoire, European, Wedding,…
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Composed by Claude Debussy (1862-1918). 20th Century, Repertoire, European, Wedding, Recital. Score, Set of Parts. 19 pages. Published by Woods Only
$9.99
8.76 €
#Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#Claude Debussy (1862-1918)
#Clair de lune from Suite Bergamasque by Claude Debussy for Woodwind Quintet
#SheetMusicPlus
RÊVERIE - CLAUDE DEBUSSY - FOR CLARINET IN Bb AND GUITAR
Clarinet, Guitar (duet)
By FALLAHIN SCORE EDITIONS. By Claude Debussy (1862-1918). Arranged by Marcelo Fallahi…
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By FALLAHIN SCORE EDITIONS. By Claude Debussy (1862-1918). Arranged by Marcelo Fallahin. Classical. Score and parts. 11 pages. Fallahin Score Editions #139780. Published by Fallahin Score Editions
$30.00
26.31 €
#Clarinet, Guitar (duet)
#FALLAHIN SCORE EDITIONS
#RÊVERIE - CLAUDE DEBUSSY - FOR CLARINET IN Bb AND GUITAR
#Fallahin Score Editions
#SheetMusicPlus
Clair de lune by Debussy - 15 String Harp
Harp
Harp, 15 String harp, celtic harp - Early Intermediate - Digital Download Composed by Cl…
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Harp, 15 String harp, celtic harp - Early Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Kitty M. Y. Leung. 20th Century, Impressionistic, Repertoire, Wedding, Recital. Score, Sheet Music Single, Solo Part. 4 pages. Published by Kitty M.Y.Leung
Clair de lune by Debussy arranged for 15 String Harp range from Middle C.
Key: Eb
Suitable for Small Harp with or without levers.
For the Harp without levers, pre-tune in Eb major (C, D, Eb, F, G, Ab, Bb, C).
$4.99
4.38 €
#Harp
#Claude Debussy (1862-1918)
#Clair de lune by Debussy - 15 String Harp
#SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Easy Piano
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des ?l?phants), in others they are piano reductions of orchestral scores
(like F?tes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
premi?re recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95
17.5 €
#Easy Piano
#Claude Debussy/Robert Orledge
#Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
#Musik Fabrik Music Publishing
#SheetMusicPlus
Clair de Lune Debussy Woodwind Quartet
Flute, Oboe, Clarinet, Bassoon
Woodwind Quartet - Easy/Beginner - Digital Download Composed by Claude Debussy (186…
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Woodwind Quartet - Easy/Beginner - Digital Download Composed by Claude Debussy (1862-1918). 20th Century, Impressionistic, Etudes and Exercises, Classroom, European. Score. 3 pages. Published by KrahenfuBlieder
Debussy's famous Clair de Lune adapted and revised so that beginners of all levels can perform the work, is in a tonally eased and reduced version, giving priority to the main theme of the piece. This version was made for woodwind quartet, for beginners who intend to learn the original work in the future.
$4.99
4.38 €
#Flute, Oboe, Clarinet, Bassoon
#Claude Debussy (1862-1918)
#Clair de Lune Debussy Woodwind Quartet
#KrahenfuBlieder
#SheetMusicPlus
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