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You've selected:
Collected Works for Guitar
Sheetmusic to print
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1
Collected Works for Guitar
Guitar
In reprints of first editions & engraved from manuscripts. Composed by Antonio J. …
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In reprints of first editions & engraved from manuscripts. Composed by Antonio J. Manjón. Downloadable. Chanterelle #Q581818. Published by Chanterelle
English.<br> <br> A contemporary of Albéniz, the highly literate blind guitarist Manjón (1866-1919) apparently started his guitar studies with a pupli of Aguado. He enjoyed a high reputation. A young Miguel Llobet was so impressed after hearing him that he decided to dedicate himself to the guitar and Austín Barrios asked him for lessons. We are proud to present this volume of Manjón's music which combines both Flamenco and Latin-American elements to give an innovative and unique blend of guitar music. Revised edition 2023.
$40.99
36.81 €
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Guitar
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Antonio J
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engraved from manuscripts
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Collected Works for Guitar
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Chanterelle
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SheetMusicPlus
The Collected Works for Guitar
1 or 2 guitars - intermediate to advanced - Digital Download SKU: S9.Q771615 Fac…
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1 or 2 guitars - intermediate to advanced - Digital Download SKU: S9.Q771615 Facsimile. Composed by Carlos García Tolsa. Downloadable. Edition Chanterelle - Digital #Q771615. Published by Edition Chanterelle - Digital (S9.Q771615). English • Spanish.Apparently Arcas' favourite pupil and 'Indisputably the most brilliant musician and guitarist in America of his time' according to Ricado Muñoz in his 'La Historia de la Guitarra', Buenos Aires, 1930.
$27.99
25.14 €
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Carlos García Tolsa
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The Collected Works for Guitar
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Edition Chanterelle - Digital
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SheetMusicPlus
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Guitar
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Im…
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.<br> <br> For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.<br> <br> These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.<br> <br> The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.<br> <br> As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.<br> <br> Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95
15.22 €
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Guitar
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Ernesto Garcia de Leon
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Ernesto García de León - 20 Estudios
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Michael Lorimer Editions
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SheetMusicPlus
Collected Works for Guitar Vol. 8
Guitar - intermediate to advanced - Digital Download SKU: S9.Q577141 Guitar Solo…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q577141 Guitar Solos. Composed by Fernando Sor. Fernando sor - guitar - collection. Downloadable. Op. 8. Schott Music - Digital #Q577141. Published by Schott Music - Digital (S9.Q577141). English.This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.
$22.99
20.65 €
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Fernando Sor
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Collected Works for Guitar Vol. 8
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Schott Music - Digital
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SheetMusicPlus
Collected Works for Guitar
Guitar SKU: PR.ECH0433 Facsimile and Urtext. Composed by Antonio Manjon. Wit…
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Guitar SKU: PR.ECH0433 Facsimile and Urtext. Composed by Antonio Manjon. With Standard notation. 192 pages. Chanterelle #ECH0433. Published by Chanterelle (PR.ECH0433).
$51.95
46.65 €
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Antonio Manjon
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Collected Works for Guitar
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Chanterelle
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SheetMusicPlus
In The Bleak Midwinter for solo guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1101385 Composed by Gustav Holst. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1101385 Composed by Gustav Holst. Arranged by Simon James. 20th Century,Christmas,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #704780. Published by DML (A0.1101385). In the Bleak Midwinter is a poem by the English poet Christina Rossetti, commonly performed as a Christmas carol. The poem was published, under the title A Christmas Carol, in the January 1872 issue of Scribners Monthly and was first collected in book form in Goblin Market, The Prince's Progress and Other Poems (Macmillan, 1875). In 1906, Gustav Holst composed a setting of Rossetti's words (titled Cranham) in The English Hymnal which is sung throughout the world and is the basis of this arrangement. A wonderful tune that works well on the guitar as a solo piece. The arrangement makes extensive use of open strings and I have indicated this wherever it is important.
$2.99
2.69 €
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Guitar
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Gustav Holst
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In The Bleak Midwinter for solo guitar
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DML
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SheetMusicPlus
Complete Works of Agustin Barrios Mangore for Guitar Vol. 1
Guitar
Composed by Agustin Barrios Mangore (1885-1944). Edited by Rico Stover. For Guitar (Classi…
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Composed by Agustin Barrios Mangore (1885-1944). Edited by Rico Stover. For Guitar (Classical). Complete. Classic. Advanced. E-book. 264 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609741419. The product of decades of scholarly investigation, Volume 1 contains 67 musical works by the virtuoso Paraguayan guitarist Agustin Barrios Mangore (1885-1944). This is the first edition of Barrios music based on all available sources: manuscripts, phonograph recordings and published editions (pre-1970s). Written in standard notation only, the two volumes of this definitive collection are illustrated with period photographs, concert programs and Barrios own drawings. The legacy of Barrios is one of the most important and outstanding contributions ever made to the classic guitar, and it is with great pride that Mel Bay Publications offers here for the first time in one edition the collected works of Agustin Barrios Mangore.
$34.99
31.42 €
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Guitar
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Agustin Barrios Mangore
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Complete Works of Agustin Barrios Mangore for Guitar Vol. 1
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
The Collected Works for Guitar
Hammond Organ 2 SKU: PR.ECH0435 Facsimile. Composed by Carlos Garcia Tolsa. …
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Hammond Organ 2 SKU: PR.ECH0435 Facsimile. Composed by Carlos Garcia Tolsa. With Standard notation. 96 pages. Chanterelle #ECH0435. Published by Chanterelle (PR.ECH0435).
$40.95
36.78 €
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Carlos Garcia Tolsa
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The Collected Works for Guitar
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Chanterelle
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SheetMusicPlus
The Collected Works for Guitar
Hammond Organ 2 SKU: PR.ECH9435 Facsimile. Composed by Carlos Garcia Tolsa. …
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Hammond Organ 2 SKU: PR.ECH9435 Facsimile. Composed by Carlos Garcia Tolsa. Score. With Standard notation. 96 pages. Chanterelle #ECH9435. Published by Chanterelle (PR.ECH9435).
$45.95
41.27 €
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Carlos Garcia Tolsa
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The Collected Works for Guitar
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Chanterelle
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SheetMusicPlus
The Collected Guitar Works Band 7
2 Guitars SKU: PR.ECH0407 Music for 2 Guitars. Composed by Napoleon Coste. S…
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2 Guitars SKU: PR.ECH0407 Music for 2 Guitars. Composed by Napoleon Coste. Set of parts. With Standard notation. 56 pages. Chanterelle #ECH0407. Published by Chanterelle (PR.ECH0407).
$27.95
25.1 €
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Napoleon Coste
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The Collected Guitar Works Band 7
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Chanterelle
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SheetMusicPlus
Fauré: Pavane Op. 50 for Piano Sextet
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
42.16 €
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Chamber Orchestra
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Gabriel Faure
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Fauré: Pavane Op. 50 for Piano Sextet
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jmsgu3
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SheetMusicPlus
El noi de la Mare ("The Child of the Mother")(Catalan Christmas Folksong)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.504171 Composed by Ar…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.504171 Composed by Arranged by Francisco (Francesc) Alió i Brea (1862-1908, Barcelona). Arranged by Alpin Smart (transcription for voice and guitar). Children,Christmas,Folk. Score. 1 pages. SmartWorks Publications #116102. Published by SmartWorks Publications (A0.504171). Another beautiful Catalan folk song (a Christmas tune - the Mother is, of course, Mary, mother of Christ), well-known to guitarists in Miguel Llobet's solo guitar arrangement from his 16 Folksong Settings. The arranger, Francesc Alió, not only collected and arranged Catalan folk songs, in 1892, he composed the Catalan national anthem, Els Segadors, based on a folk tune from his collection, Canciones populars catalones.
$4.99
4.48 €
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Piano, Vocal and Guitar
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Arranged by Francisco
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El noi de la Mare
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SmartWorks Publications
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SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
C Instruments
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.29 €
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C Instruments
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Various
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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Wold Meridian
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SheetMusicPlus
Scarborough Fair
Ukulele
Ukulele - Level 3 - Digital Download SKU: A0.1150609 By Unknown. By Unknown. Arrang…
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Ukulele - Level 3 - Digital Download SKU: A0.1150609 By Unknown. By Unknown. Arranged by neuhaus.fm. Celtic,Folk,Irish,Pop,Standards. Score. 1 pages. Neuhaus.fm #750788. Published by neuhaus.fm (A0.1150609). Scarborough Fair is a traditional English ballad. Author and composer of this song are unknown. In 1891 Frank Kidson published the lyrics in a Song-collection. The melody was collected by Mark Anderson (1874–1953) The song became famous again by the interpretation of Simon & Garfunkel in 1960. Travis picking is usually played in 4-4 time on guitar. I translated the Travis picking to a 3-4 time signature for Ukulele with this song. I would love to get some feedback how this transcription works for you.
$2.00
1.8 €
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Ukulele
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Unknown
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Scarborough Fair
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neuhaus.fm
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SheetMusicPlus
[Shultis] Experimental Music and Writings (1988 - 1994)
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.952664 Composed by Christopher Shult…
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Percussion Ensemble - Digital Download SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composers Alliance Inc. #4613527. Published by American Composers Alliance Inc. (A0.952664). A collection of early works and writings for various ensembles (mostly centered around percussion) as collected by the composer.Musical Works:1. motion/less for percussion solo2. Oneiro for percussion trio3. 64 Statements re and not re Child of Tree for solo percussion and audio tapes4. Pastorale for solo percussioin and Dancer5. Friends, for piano, crotales, and narrator6. Three Short Pieces i. Five, brass quintet ii. Four interludes from Downward Facing Dog, for piano solo iii. For Frank Bowen, solo flute7. Decline of the West, for female narrator and all-male heavy-metal band8. Metaphysics, for spoken voice and boom boxes, requiring 7 assistants9. Faith, for voice or any instrument10. Hope, for hand percussion, guitars, and voices (Version 2 of Decline of the West, when performed as part of the opera, Faith, Hope, and Love11. Love, for Seven Performers12. Do something/Do something else, for any number of performers13. Gesturing hands, for solo theremin14. Blindness, for solo marimba15. Written on the body, for musicians and dancersTexts:1. Synesthesia and the Re-integration of the Senses2. Experiment and Revolution, a primary role of percussion in American music3. The Politics of Improvisation
$19.95
17.92 €
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Percussion Ensemble
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Christopher Shultis
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[Shultis] Experimental Music and Writings
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American Composers Alliance Inc.
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SheetMusicPlus
Six Violin Duets, Op. 1
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
64.66 €
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2 Violins (duet)
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William Shield
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Six Violin Duets, Op. 1
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Artaria Editions
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SheetMusicPlus
Six Violin Duets, Op. 2
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
64.66 €
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2 Violins (duet)
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William Shield
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
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