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Colours Of My Life
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You've selected:
Colours Of My Life
Sheetmusic to print
16 sheet music found
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1
COLOURS OF MY DAY
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Contemporary
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FERDINAND SABIDOR PANERIO
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COLOURS OF MY DAY
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Ferdinand Sabidor Panerio
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.1029248 Composed by FERDINAND SABIDOR PANERIO. Contemporary. Score and parts. 1 pages. Ferdinand Sabidor Paneri...
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Small Ensemble - Digital Download SKU: A0.1029248 Composed by FERDINAND SABIDOR PANERIO. Contemporary. Score and parts. 1 pages. Ferdinand Sabidor Panerio #4785791. Published by Ferdinand Sabidor Panerio (A0.1029248). FOR THOSE MOTIVATES OTHERS NOT TO GIVES UP EASILY IN LIFE.
$1.99
Colours Of My Life
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Choral TTBB
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INTERMEDIATE
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The Seekers
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Andrew Emmet
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Colours Of My Life
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1323496 By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Andrew Emme...
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1323496 By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Andrew Emmet. A Cappella,Folk,Pop. 6 pages. Andrew J Emmet #911723. Published by Andrew J Emmet (A0.1323496). TTBB A Cappella arrangement.Tenor 1 goes up to A.Bass 2 goes down to F#.
$4.25
Colours Of My Life
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Choral 3-part
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INTERMEDIATE
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The Seekers
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Andrew Emmet
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Colours Of My Life
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1321361 By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Andrew Emmet...
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1321361 By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Andrew Emmet. A Cappella,Folk,Pop. 5 pages. Andrew J Emmet #909819. Published by Andrew J Emmet (A0.1321361). SSA A Cappella arrangement.
$4.25
Colours Of My Life
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Choral SATB
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INTERMEDIATE
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The Seekers
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Andrew Emmet
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Colours Of My Life
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1321360 By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Andrew Emme...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1321360 By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Andrew Emmet. A Cappella,Folk,Pop. 6 pages. Andrew J Emmet #909818. Published by Andrew J Emmet (A0.1321360). SATB A Cappella arrangement.
$4.25
Colours Of My Life
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Choral 3-part
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INTERMEDIATE
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The Seekers
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Andrew Emmet
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Colours Of My Life
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1321597 By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Andrew Emmet...
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1321597 By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Andrew Emmet. A Cappella,Folk,Pop,Spiritual. 5 pages. Andrew J Emmet #910071. Published by Andrew J Emmet (A0.1321597). SAB A Cappella arrangement.
$4.25
Colours Of My Life
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Choral SATB
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EASY
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Rock
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The Seekers
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Michael Gordon Bennett
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Colours Of My Life
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MGB Choral Music
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SheetMusicPlus
By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Michael Gordon Bennett. Contemporary, Folk, Pop. Octavo. 12 pages. MGB Choral Mu...
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By The Seekers. By David Thomas Reilly and Judith Durham. Arranged by Michael Gordon Bennett. Contemporary, Folk, Pop. Octavo. 12 pages. MGB Choral Music #692542. Published by MGB Choral Music
$2.39
In My Life
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Easy Piano
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BEGINNER
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Rock
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The Beatles
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DecPlay Ltd
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In My Life
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DecPlay Ltd
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SheetMusicPlus
Piano - Level 1 - Digital Download SKU: A0.1253096 By The Beatles. By John Lennon and Paul McCartney. Arranged by DecPlay Ltd. Contemporary,Folk,Pop,Rock...
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Piano - Level 1 - Digital Download SKU: A0.1253096 By The Beatles. By John Lennon and Paul McCartney. Arranged by DecPlay Ltd. Contemporary,Folk,Pop,Rock,Standards. DecPlay Piano. 2 pages. DecPlay Ltd #846844. Published by DecPlay Ltd (A0.1253096). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano.The same song sheet enables beginner and advanced playing styles, in any musical key.For more details and a FREE video lesson go to www.DecPlay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords.).
$3.99
A Forever Kind of Love (Sentimental Duo) for clarinet and guitar
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Clarinet, Guitar (duet)
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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A Forever Kind of Love
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577552 Composed by David Warin Solomons. 20th Century,Contempora...
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577552 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989193. Published by David Warin Solomons (A0.577552). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00
A Forever Kind of Love (Sentimental Duo) for flute and guitar
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Flute and Guitar
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INTERMEDIATE
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Contemporary
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David Warin Solomns
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A Forever Kind of Love
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577550 Composed by David Warin Solomns. 20th Century,Contemporary. ...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577550 Composed by David Warin Solomns. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989189. Published by David Warin Solomons (A0.577550). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00
A Forever Kind of Love (Sentimental Duo) for bassoon and guitar
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Guitar, Bassoon
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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A Forever Kind of Love
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577555 Composed by David Warin Solomons. 20th Century,Contemporar...
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Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577555 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989199. Published by David Warin Solomons (A0.577555). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00
A Forever Kind of Love (Sentimental Duo) for alto flute and guitar
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Flute and Guitar
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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A Forever Kind of Love
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577551 Composed by David Warin Solomons. 20th Century,Contempo...
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577551 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #1989191. Published by David Warin Solomons (A0.577551). Instrumental duo inspired by Neville Frenkiels' poem A forever kind of love There is no explaining all the changes inside just one person's lifetime too many kinds of pain don't even have a name There is no explaining the meaning of them all. Only questions ... but I do believe the slowly changing colours of the seasons clearly show how ev'ry thing in its turn must surrender and all things overflow into for ever An everlasting love, ev'rything ev'rything love The sung version (with my live performance) is also available on this site The sound sample here is an electronic preview. The pdf file contains score and parts.
$7.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Pictures at an exHERbition
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Wynwood Walls
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan...
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
Ale Vasserlech for mezzo, flute, cello and guitar (mp3)
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Carla Moraga
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David Warin Solomons
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Ale Vasserlech for mezzo, flut
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David Warin Solomons
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SheetMusicPlus
Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza TohÃ...
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Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo GarcÃa (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 177. David Warin Solomons #980048. Published by David Warin Solomons (A0.1396707). Based on a traditional Yiddish folk song[Lyrics - English version below]Ale vasserlech flisn avek, di gribelech blaybn leydik.   Nito aza mentsh oyf gor der velt, vos zol farsteyn mayn veytik. Di yorelech tsien, di yorelech flien, di tsayt geyt avek vi roych, un az ich dermon zich on dir, mayn zis lebn, geyt mir oys der ko'ech.Un aza meydele shpilt a libe, shpilt in ir alle farbn un az zi shpilt ir libe nit oys, ken zi cholile noch shtarbn. Un az de tepelech trinkenen oys blaybn zey ale leydik un az a meydele firt ir libe nit oys vert zi farfalln oyf eybik. All the little waters flow awayThe little ditches remain dryThere is nobody on this whole earthwho can understand my painThe years drag on, the years fleeTime goes away like smokeand when I think of you, my sweet lifeI lose my strengthAnd when a young girl plays at loveall the colours play in herand if she doesn't play her love for realshe can - God forbid - still die.And when the water jars run outthey all remain dryand when a young girl doesn't play her love for realshe will pine away for ever.
$4.50
Pirates of the Caribbean Medley - 5 Prints by Peter Hollens & Gardiner Sisters - A Cappella Choir
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Choral
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Peter Hollens & Gardiner Siste
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Pirates of the Caribbean Medle
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Musicnotes
Performed by: Peter Hollens & Gardiner Sisters: Pirates of the Caribbean Medley - Hoist the Colours - One Last Shot - Yo Ho (A Pirate's Life for Me) - ...
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Performed by: Peter Hollens & Gardiner Sisters: Pirates of the Caribbean Medley - Hoist the Colours - One Last Shot - Yo Ho (A Pirate's Life for Me) - My Jolly Sailor Bold - He's a Pirate Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: A Cappella Choir, instruments: Voice 1;Voice 2;Voice 3;Choir; 14 pages -- Movie/TV~~Choral~~Soundtrack~~A cappella
$2.99
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