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You've selected:
Coming Back Again
Sheetmusic to print
47 sheet music found
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Christ is Coming Back Again
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1496…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1496994 By Ramseyer Radio Ministry. By D. B. Towner. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Pop,Praise & Worship,Standards,World. 8 pages. Duration 172. J. Randolph Hall #4ir8HboVxLvqOlHc40xRLV. Published by J. Randolph Hall (A0.1496994). Key: Ab major.Towner was a 19th century hymnist and music department chairman from Pennsylvania. His song shares the joy and anticipation of the promised return of Christ. Section A is the verese. Sections B and C are the chorus. Repeats are optional. This piece should be played in both a martial and majestic manner.
$4.00
3.66 €
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Ramseyer Radio Ministry
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Christ is Coming Back Again
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J. Randolph Hall
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SheetMusicPlus
Coming Back Again
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1312679 By Matthew Bono. By Matthew…
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Piano Solo - Level 2 - Digital Download SKU: A0.1312679 By Matthew Bono. By Matthew Bono. Arranged by Matthew Bono. Blues,Christian,Contemporary,Jazz,Praise & Worship. Score. 1 pages. Matthew Bono Music #901528. Published by Matthew Bono Music (A0.1312679).
$2.49
2.28 €
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Piano solo
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Matthew Bono
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Coming Back Again
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Matthew Bono Music
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SheetMusicPlus
The Magi Are Coming accompaniment MP3
Violin and Piano
Piano,Violin - Digital Download SKU: A0.1068114 Composed by Bill Bridenback & Melis…
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Piano,Violin - Digital Download SKU: A0.1068114 Composed by Bill Bridenback & Melissa C. Westman. Children,Christian,Christmas. Accompaniment. Duration 160. Melissa C. Westman #36505. Published by Melissa C. Westman (A0.1068114). This is an accompaniment track for The Magi Are Coming, composed by Bill Bridenback and Melissa C. Westman. This joyful Christmas song tells the story of the Wise Men coming to worship Christ the King. The words are put to the traditional tune of When Johnny Comes Marching Home Again. New music is also added for the chorus. This fun song is arranged for a unison or two-part children’s choir. This MP3 was recorded on a music synthesizer and features the clever blending of keyboard and strings.
$3.99
3.65 €
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Violin and Piano
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Bill Bridenback & Melissa C
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The Magi Are Coming accompaniment MP3
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Melissa C. Westman
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SheetMusicPlus
Coming Back Again by Palisade - Piano/Vocal/Chords
Piano, Voice
Performed by: Palisade: Coming Back Again Digital Sheetmusic - instantly downloadable shee…
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Performed by: Palisade: Coming Back Again Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 7 pages -- CCM~~Christian~~Contemporary Gospel
$5.50
5.03 €
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Piano, Voice
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Palisade
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Piano/Vocal/Chords
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Musicnotes
It Won't Be Long
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841660 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841660 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3473273. Published by Andrew Mc Donald (Macka Records) (A0.841660). It Won't be Long is a song about the fact Jesus is coming back again and it won't be long before it happens.By the time He returns we will be hankering for it to occur. This world will be ending and will not be a pretty sight.
$4.99
4.56 €
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Piano, Voice
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the time He returns we will be hankering for it to occur
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Andrew Mc Donald
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It Won't Be Long
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Andrew Mc Donald
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SheetMusicPlus
Do It Now!
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841467 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841467 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3470961. Published by Andrew Mc Donald (Macka Records) (A0.841467). Do it now, is about making a choice to follow Jesus, 'cause He's coming back again and then it will be too late to do so.
$4.99
4.56 €
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Piano, Voice
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Andrew Mc Donald
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Do It Now!
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Andrew Mc Donald
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SheetMusicPlus
February
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.828263 Composed by Paul Thurmond. N…
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Piano Solo - Level 3 - Digital Download SKU: A0.828263 Composed by Paul Thurmond. New Age,Pop,Sacred,Spiritual. Score. 3 pages. Paul Thurmond #4969097. Published by Paul Thurmond (A0.828263). Use: Prelude, Offertory, CommunionI have a nice view from my studio window on the second floor of my house. It overlooks our big backyard, some trees and brush, a couple of fields, and some small mountains in the distance. My studio is set up so that as I play I can look outside.This year in Tennessee we’ve had more snow than normal. There have been many school closings. Even Tennessee Tech shut down at times, which hardly ever happens.So I’ve had some opportunities to sit in my studio in the middle of the day, look out my window at the beautiful falling snow, and write music.I began today’s piece a few weeks ago, during one of the largest snowfalls I’ve seen since I moved here from Wisconsin. I composed a few measures that I liked, couldn’t think of where to go next, and put it aside for a time. For the next few days I kept coming back to it, always liking what I had already written, but not able to add anything new.Then we had another snowfall. This time I was able to finish the basic structure of the piece, but I got stuck when I started to polish it up.A couple of days ago it snowed yet again, and I completed the work and recorded it.Today is Saturday, and it’s not snowing as I write this. However, they’re predicting more snow on Monday, which is usually the day I edit my blog posts. [Last minute update: No snow on Monday, although we did get 2 inches of rain.]Apparently, this piece owes its existence to frozen precipitation. I considered naming it Paean to the Snow Muses, but I think I’ll stick with my original title, February.
$4.99
4.56 €
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Piano solo
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Paul Thurmond
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February
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Paul Thurmond
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
In the Bleak Midwinter
Harp
Lever Harp - Level 2 - Digital Download SKU: A0.1346677 By Anna Hagen. By Gustav Ho…
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Lever Harp - Level 2 - Digital Download SKU: A0.1346677 By Anna Hagen. By Gustav Holst. Arranged by Anna Hagen. Christian,Christmas,Classical,Holiday,Traditional. Score. 4 pages. Anna Hagen, Harpist #931456. Published by Anna Hagen, Harpist (A0.1346677). A beautifully simple arrangement of Holst's tender Christmas Carol for lever or pedal harp. Built from single notes in contrary motion, it's easy for beginner to learn but rich with expression and harmonies that keep an advanced performer coming back to it again and again.This three minute arrangement balances the vivid stillness and devotion present in Rossetti's lyrics. Assign it as a new holiday piece for your students or add it to your performance for a church or background or put it in your personal repertoire for a gentle winter moment.Beginner to IntermediateKey of GThree Minutes.
$5.50
5.03 €
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Harp
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Anna Hagen
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In the Bleak Midwinter
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Anna Hagen, Harpist
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SheetMusicPlus
Comin' Home to Mama
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1362537 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1362537 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 21st Century,Christian,Contemporary,Country,Folk. Score. 6 pages. Kevin G. Pace #946987. Published by Kevin G. Pace (A0.1362537). A fun, country-style song about good memories of mom and coming home again.  Music by Kevin G. Pace.  Text by Kathryn W. Hales.Text:The teacher said I had done a good job, And applied a bright shiny star, At the To the top of the grammar school paper, I cannot wait to show it to Ma.â€The coach said that old cut was nothin at all, Though it might just leave a scar. “You've just gotta be tough, he said with voice so gruff, I know Mama's kiss can heal from a far. Chorus: I'm comin' back home to you, Mama, Though my steps have taken me so far, Oh, praise for a star and a kiss for a scar, I am comin' back home to where you are. . I've grown now, moved on or so they say, Cut those old apron strings, Though your hair is as snow, your voice so low, Your face such sweet memories bring.  Across the wide world I've traveled, The miles between us are long, But through the years, the fears, and through the tears, Your smile floats to me like a song.Chorus:Ending:When life's road gets rough And the goin' gets so tough, Home will be wherever; Wherever you are.
$3.99
3.65 €
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Piano, Voice
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Kevin G
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Wherever you are.
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Comin' Home to Mama
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Kevin G. Pace
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SheetMusicPlus
Uphill Heart - Score Only
Large Ensemble - Level 3 - Digital Download SKU: A0.535366 By Roy LaVern. By Jacob …
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Large Ensemble - Level 3 - Digital Download SKU: A0.535366 By Roy LaVern. By Jacob Sumpter. A Cappella,Broadway,Contemporary,Folk,Musical/Show,Spiritual. Score and parts. 10 pages. Roy LaVern #145501. Published by Roy LaVern (A0.535366). Text from poem Alumnus Football by Grantland Rice You'll find the road is long and rough, with soft spots far apart, Where only those can make the grade who have the Uphill Heart. And when they stop you with a thud or halt you with a crack, Let Courage call the signals as you keep on coming back. Keep coming back, and though the world may romp across your spine, Let every game's end find you still upon the battling line; For when the One Great Scorer comes to mark against your name, He writes - not that you won or lost - but how you played the Game. I own the rights to the music / score, not the lyrics.
$9.99
9.14 €
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Roy LaVern
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Uphill Heart - Score Only
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Roy LaVern
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SheetMusicPlus
Let All Things Praise the Lord
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1416727 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1416727 Composed by Charles Wesley-AMSTERDAM, Foundry Collection, 1742. Arranged by Ken Litton. Christian,Contest,Festival,Religious,Sacred,Traditional. 45 pages. Artist of Note, Inc. #998390. Published by Artist of Note, Inc. (A0.1416727). Praise the Lord Who Reigns AboveCharles Wesley-AMSTERDAM, Foundry Collection, 1742SATB Choir, Organ/Keyboard, Opt. Brass & PercussionLooking for something just a bit different/reduced from the concertato form, and even easier to learn to kick off the choir season?Based on Praise the Lord Who Reigns Above this arrangement, entitled Let All Things Praise the Lord is faithful to the original including a stanza omitted in most hymnals that speaks of the choir as a battle-worthy leadership unit in worship.The text, based on Psalm 150 by English pastor Charles Wesley, was originally published in his brother, John Wesley’s Founder Collection of 1742 in conjunction the tune AMSTERDAM (which carried annotations and adaptations from a German tune). Immediately following the choir, brass, percussion and organ/keyboard fanfare, opportunity is given to the congregation to participate in the liturgy. The middle section is original music that wings the emotion/meaning of the text to a more meditative stream and back again—via a reprise of the opening fanfare—to the rousing finale with a creative descant that appears not only in Soprano/Tenor, but also (for a change) in Alto and Bass. And, with a little attention from the conductor and choir the congregation can stay in it until the final release!Included are parts for: Choir, Organ/Keyboard, Bb Trumpets, F Horn, Trombones, Bass Trombone/Tuba and Percussion: Mallets/Tympani (2 players) as well as alternate parts for Baritone B.C., Baritone T.C., Eb Alto Saxophone, Bb Tenor Saxophone and Eb Baritone Saxophone.Available where you go for the best in downloadable resources, including:Sheet Music DirectSheet Music PlusComing soon!And via your local music dealer.Also…check out other titles from Artist of Note, Inc. and East of the Altar!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$1.99
1.82 €
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Choral SATB
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Charles Wesley-AMSTERDAM, Foundry Collection, 1742
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Let All Things Praise the Lord
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Artist of Note, Inc.
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SheetMusicPlus
Jesus Loves Me ( piano arrangement)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1393648 Composed by A.B. Warner and…
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Piano Solo - Level 2 - Digital Download SKU: A0.1393648 Composed by A.B. Warner and W.B. Bradbury. Arranged by JChen. 21st Century,Children,Christian,Classical,Traditional. Score. 4 pages. Rejoice Creative Music Studio #977111. Published by Rejoice Creative Music Studio (A0.1393648). Jesus Loves Me is a familiar Christian hymn loved by people of all ages. This is a piano arrangement for the early intermediate pianist. It starts off simply. By the second verse, the texture gets more complex with some modulation. It builds up to a climax during the return of the chorus, before coming back to a quiet close again.
$3.99
3.65 €
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Piano solo
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the second verse, the texture gets more complex with some modulation
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A
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Jesus Loves Me
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Rejoice Creative Music Studio
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SheetMusicPlus
The Other Side
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841875 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841875 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3479029. Published by Andrew Mc Donald (Macka Records) (A0.841875). The Other Side is a song about after death walking into the light on the other side of life. Some people have experienced dying for a short period and walking into the light before coming back on the operating table again.They have an out of body experience and say there is peace there. I say it is heaven with Jesus on the other side.
$4.99
4.56 €
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Piano, Voice
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Andrew Mc Donald
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The Other Side
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Andrew Mc Donald
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SheetMusicPlus
Two Tagore Songs
Choral SATB
SATB chorus divisi - Digital Download SKU: BJ.1231 Composed by Enrico Miaroma. Secu…
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SATB chorus divisi - Digital Download SKU: BJ.1231 Composed by Enrico Miaroma. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1231. Published by Bo Ejeby Forlag - Digital (BJ.1231). 8.27 x 11.7 inches.Contents:My song FarewellTwo compositions to lyrics by Indian Nobel Laureate Rabindranath Tagore: My Song and Farewell. Enrico Miaroma, Italian composer and choral conductor, writes about the pieces: Farewell was composed in 2011 for a youth choir of 45 young adults, working and having fun together in Arco (Trentino), for one marvellous week together with Gary Graden and myself. My aim was to compose a piece that young choristers would appreciate after intense and joyful days together. Through my music I wanted to share the range of emotions and the hardship of parting when they were to go home to their native countries again. The choice of such a beautiful and evocative text helped me a great deal to achieve this. Farewell is recorded by S:t Jacobs Chamber Choir and Gary Graden on the cd To the Field of Stars (Footprint Records FRCD 083). My Song is like a little brother to Farewell. From the very beginning, I had a strong feeling that the assonance between the words of the title, 'my song', and 'my son', was intended by the poet. Throughout the composing process, this kept coming back to me, bringing my little son, Giovanni, who is four years old, to mind. I would like My song to be a gift from a father to his son, for his future life: 'This song of mine, my child, will wind its music around you'.John Quinn, MusicWeb International on Enrico Miaroma and Farewell: The choral writing is rich and he harnesses the emotions in the text most effectively. It's an eloquent piece, very well written for voices and it conveys well, I think, some of the emotions of valediction, including dignity..
$4.80
4.39 €
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Choral SATB
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Enrico Miaroma
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Two Tagore Songs
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
How Can You Mend A Broken Heart
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802643 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 19 pages. Peet du Toit #6169575. Published by Peet du Toit (A0.802643). How Can You Mend a Broken Heart is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.Barry and Robin Gibb wrote the song in August 1970 with Lonely Days when the Gibb brothers had reconvened following a period of break-up and alienation. Robin came to my place, says Barry, and that afternoon we wrote 'How Can You Mend a Broken Heart' and that obviously was a link to us coming back together. We called Maurice, finished the song, went to the studio and once again, with only 'Broken Heart' as a basic structure, we went in to the studio with that and an idea for 'Lonely Days', and those two songs were recorded that night.Here is a brass quintet version for you - a flügelhorn solo, with percussion. Enjoy this golden oldie!
$21.00
19.21 €
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Bee Gees
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How Can You Mend A Broken Heart
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Peet du Toit
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SheetMusicPlus
We're A Family
Mixed Percussion,Strings Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,E…
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Mixed Percussion,Strings Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,Flute,Glockenspiel,Harp,Horn,Marimba,Medium Voice,Oboe,Percussion,Piano and Keyboard,Piccolo,Synthesizer,Tin Whistle,Tuba,Vibraphone - Digital Download SKU: A0.1156761 By Charli Robinson, Hi-5, Kellie Crawford, Nathan Foley, Stevie Nicholson, and Sun Pezzimenti. By Chris Harriott and Tamra Palmer. Arranged by Amphibia Cultural Legacy. Broadway,Disco,Film/TV,Musical/Show,New Age,Singer/Songwriter. 7 pages. Amphibia Cultural Legacy #757093. Published by Amphibia Cultural Legacy (A0.1156761). Amphibia Cultural Legacy has done it again with their latest remix of Hi-5's hit song; We're A Family. The track, originally released in 2008, has been given a new lease of life with additional instruments added by the talented artists at Amphibia Cultural Legacy. The result is a fresh take on an old classic that will get people dancing.The remix combines traditional and modern instruments, including drums, guitar, and keyboard. These elements combine to create a unique sound that perfectly complements the catchy lyrics of the original song. We're A Family celebrates the love and bond between family members and friends. With this new remix by Amphibia Cultural Legacy, listeners can enjoy the song's uplifting message while also experiencing a fresh sound that will keep them coming back for more.
$20.00
18.29 €
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Charli Robinson, Hi-5, Kellie Crawford, Nathan Foley, Stevie Nicholson, and Sun Pezzimenti
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We're A Family
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Amphibia Cultural Legacy
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SheetMusicPlus
I'm Trying to Be Like Jesus
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Per…
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Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
$9.99
9.14 €
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Piano solo
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Janice Kapp Perry
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I'm Trying to Be Like Jesus
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Mark Gubler
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SheetMusicPlus
Four Dimensions for Piano
Piano solo
Piano Solo - Digital Download SKU: A0.1033214 Composed by Mark Wilson. Contemporary…
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Piano Solo - Digital Download SKU: A0.1033214 Composed by Mark Wilson. Contemporary. Score. 27 pages. Mark Wilson #6268685. Published by Mark Wilson (A0.1033214). When my friend, the composer and pianist Neil Crossland, asked me to write a work for him to perform, he requested that I give the piece a distinctly Scottish flavour. Perhaps as a consequence, hailing from Scotland as I do, the resulting work is distinctly autobiographical in nature. This is a challenging piece, aimed at advanced players. The four movements reflect the preoccupations of four stages of (my) life as seen in hindsight. The word dimensions in the piece's title refers to facets of my own character. The first movement, Complications, represents the self-image of the young. The music is adventurous and academic, full of the potential of a life yet to be lived and the earnest self obsession of youth. The second movement, Romance, is the search for love, though seen through the lens of memory and therefore touched with sadness. The third, Transience, shows the uncertainties of middle age, so full of frustration and of nostalgia. This movement contains my setting of the Jacobian poem Will Ye No Come Back Again?. The last movement, Revelry, blows away the uncertainties of the third movement with the driving energy of a Scottish reel. Perhaps increasing age brings a certain perspective; what does it matter if you have more past than future? Just get up and dance and let Dr. Music sweep your cares away. The piece features a musical fragment (first heard in bar 26 of the first movement) which has been the cause of much amusement between Neil Crossland and myself over the years. Neil has been composing music since his teens but the art has only much more recently become a big part of my life. However, musical ideas have always had a tendency to come into my head and, several years ago, I decided to play these two bars to Neil. Every so often, in the years that followed, he would teasingly ask me how my new piece was coming on, knowing full well that I'd have to admit that my magnum opus was still only two bars long! By setting the melodic fragment at the heart of this composition I have finally ensured that he can tease me about it no longer. More importantly, I hope that Neil enjoys our little in-joke.The audio file for this work is beautifully performed by the work's dedicatee, Neil Crossland.
$9.99
9.14 €
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Piano solo
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setting the melodic fragment at the heart of this composition I have finally ensured that he can tease me about it no longer
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Mark Wilson
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Four Dimensions for Piano
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Mark Wilson
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SheetMusicPlus
Yesterday Once More
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John …
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Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
6.39 €
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Piano solo
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The Carpenters
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Illumine le tenebre
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sa…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99
3.65 €
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Choral SATB
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Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Honolulu, I'm Coming Back AGain
Piano, Voice
Composed by David S. Lindeman. Fraternal organizations, Couples, Beaches, Boats, Symbols, …
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Composed by David S. Lindeman. Fraternal organizations, Couples, Beaches, Boats, Symbols, Emblems, Uniforms, Travel, Happiness. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11100). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.48 €
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Piano, Voice
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David S
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Honolulu, I'm Coming Back AGain
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Candlemas Carol
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. B…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdrop’s folk names is ‘Eve’s Comforter’; another ‘Maid of February’. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. When Eve and Adam left Eden fair, the snow and ice lay ev’rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. A teardrop fell from Eve’s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heaven’s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: ‘Amen!’ in praise of Winter’s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Eden’s perpetual summer, they wandered, despondently, into Earth’s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.
$100.00
91.47 €
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Choral SSAA
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Alan Wagstaff
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Candlemas Carol
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Alan Wagstaff
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SheetMusicPlus
The Cross Kirk and the lang walk
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
36.59 €
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
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