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Doctor JerBear--The Entertainer--Intermediate/Advanced Clawhammer Banjo
Banjo
Banjo - Level 4 - Digital Download SKU: A0.1002644 Composed by Scott Joplin (1868-1…
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Banjo - Level 4 - Digital Download SKU: A0.1002644 Composed by Scott Joplin (1868-1917). Arranged by Doctor JerBear. Ragtime. Score. 10 pages. Doctor JerBear #6480693. Published by Doctor JerBear (A0.1002644). This is a clawhammer banjo arrangement of Scott Joplin's The Entertainer. While plectrum banjo (4-string) was a very common instrument in traditional ragtime and jazz, they unfortunately never really were adapted to 5-string banjo styles. For ragtime in particular, the driving syncopation fits well with the heavy droning of clawhammer. .
$4.99
4.6 €
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Banjo
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Scott Joplin
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Doctor JerBear--The Entertainer--Intermediate/Advanced Clawhammer Banjo
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Doctor JerBear
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SheetMusicPlus
Fanfare for Uncommon Brass for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1236328 By Kevin Ure. By Kevin Ure. 21st Century. Brass Band. 25 pages. UreMusic #831842. Published by UreMusic (A0.1236328). Fanfare for Uncommon Brass is a lively and festive piece for brass band that celebrates the diversity and beauty of brass instruments. Composed by Kevin Ure, this piece features a variety of brass sounds and rhythms that create a joyful and energetic atmosphere. The piece is suitable for intermediate to advanced brass bands and can be used for concerts, festivals, or ceremonies. Fanfare for Uncommon Brass is a great way to showcase the brilliance and versatility of brass music.This piece can be performed royalty-free for educational or non-profit performances, we ask that you contact kevin (at) uremusic.com for permission. Some commercial projects may require a licensing or performance fee.
$74.99
69.13 €
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Kevin Ure
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Kevin Ure, this piece features a variety of brass sounds and rhythms that create a joyful and energetic atmosphere
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Fanfare for Uncommon Brass for Brass Band
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UreMusic
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SheetMusicPlus
Doxology - Old One Hundredth - advanced piano solo, REV. 10/2023
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.491442 Composed by Thomas Ken. Arra…
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Piano Solo - Level 5 - Digital Download SKU: A0.491442 Composed by Thomas Ken. Arranged by Gayle Gould. Easter,Sacred,Traditional. Score. 4 pages. Gayle Gould #106984. Published by Gayle Gould (A0.491442). Advanced level. This challenging piano solo sets forth the praise of our God in an exciting arrangement of the Old Hundredth tune commonly known as The Doxology. Tempo changes and interwoven melodies add to the excitement.2023 Revision: One minor change in the arrangement, fingering and engraving errors corrected.
$4.95
4.56 €
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Piano solo
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Thomas Ken
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Doxology - Old One Hundredth - advanced piano solo, REV. 10/2023
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Gayle Gould
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SheetMusicPlus
A Poor Wayfaring Man of Grief (advanced piano)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.986762 Composed by George Coles (17…
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Piano Solo - Level 4 - Digital Download SKU: A0.986762 Composed by George Coles (1792-1858), Johannes Bowman (BowString Music). Arranged by Johannes Bowman (BowString Music). Sacred. Score. 5 pages. BowString Music #6400027. Published by BowString Music (A0.986762). This is an arrangement of the 19th-century hymn A Poor Wayfaring Man of Grief. The hymn was popular in 1800s America and is now a hymn commonly used by the Church of Jesus Christ of Latter-Day Saints. .
$5.00
4.61 €
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Piano solo
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George Coles
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A Poor Wayfaring Man of Grief
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BowString Music
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SheetMusicPlus
Prognosis for Brass Trio
Brass Trio
Brass Trio - Advanced - Digital Download Composed by Henry Wolking. 21st Century. Sco…
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Brass Trio - Advanced - Digital Download Composed by Henry Wolking. 21st Century. Score, Set of Parts. 34 pages. Published by Cherry Classics Music
Here is what composer Henry Wolking says about his new work, Prognosis for Brass Trio:<br> <br> Prognosis For Brass Trio is an eight-minute four-movement work for trumpet with flugelhorn double, trombone, and tuba. At this stage of my writing career, Prognosis has become a fairly common word heard and directed to myself, family, and friends. As such, I feel obliged to offer a few prognoses of my own for one of my long-standing and favored brass chamber music groups. Each movement is titled and informed by a particular prognosis.<br> <br> The first movement, Chromatic Disorder, is, well, highly chromatic, and rhythmically active. The second, Common Tone Cold, is a melodic, gentle lullaby. The third, Take A PentaTonic, is a 6/8 romp of pentatonic scales connected by common tones. The fourth, Your Bill, Payable In C Notes, is an active closer that uses, the note C in every beat and cord of the entire movement. I predict you’ll feel much better after playing or listening to these prognoses.<br> <br> Instrumentation is for Trumpet/Flugelhorn, Trombone and Tuba. This work is about 8 minutes in length and appropriate for advanced performers.
$25.00
23.05 €
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Brass Trio
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Henry Wolking
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Prognosis for Brass Trio
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Cherry Classics Music
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SheetMusicPlus
Achieving Guitar Artistry - Contemporary Baroque Etudes
Guitar
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by Wi…
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Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by William Bay. Achieving Guitar Artistry. Baroque. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM26EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117549.<br> <br> The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.
$17.99
16.59 €
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Guitar
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William Bay
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Achieving Guitar Artistry - Contemporary Baroque Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
La Feria-clarinet quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet, 4 Bb Clarinets - Advanced Intermediate - Digital Download Compose…
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Clarinet Quartet, 4 Bb Clarinets - Advanced Intermediate - Digital Download Composed by Paul Lacome. Arranged by Phil Beaman. Romantic Period, European, Recital. Score, Set of Parts. 39 pages. Published by Phil Beaman
La Feria (The Fair) is a Spanish fiesta! All the sights and sounds of a traditional Spanish street festival. <br> Paul Lacome wrote mostly operas-bouffes, light comic operas. That same drama and delight comes through in this piece. Originally written for orchestra, there have been many popular arrangements for band. I have arranged it for Clarinet Quartet without losing any of the Spanish tradition or dramatic character of the piece. <br> The Suite is in 3 sections. The first is entitled Los Toros (The Bulls). The running of the bulls is a tradition of nearly every Spanish fair. This highly energetic and rhythmic section is traditional Spanish fiesta music at its best. The second section is entitled La Reja (loosely-The Gate). This one is in the form of a Serenade. Every fair has a street barred off with a special archway entrance or gate. Inside, tents are set up serving local wine. Strolling street musicians will visit each tent and serenade. This section is scaled back dynamically and also in texture to imitate the solo or duo strolling musician. For the B theme of this section I move the melody to the Clarinet 3 part down low. I like to amuse myself and think of this brief growling melody as a tipsy patron of the tent singing back to the musicians. The street musicians then quickly resume their original song. The final section is entitled La Zarzuela. The Zarzuela is a uniquely Spanish comic opera that is heavy on dance and spoken dialogue. It has much in common with the American vaudeville shows. This section is in the form of a brisk waltz, another high energy rhythmic dance where Clarinet 2 takes the B theme melody. <br> This piece is of Advanced Intermediate difficulty due to constant movement, articulations, rhythm, and range. Clarinet 1 in particular uses the full range of the instrument. <br> 21 page score, 4 pages @ part, 38 pages total booklet<br> 4:30 minutes<br> temporary MIDI recording
$18.95
17.47 €
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Clarinet Quartet: 4 clarinets
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Paul Lacome
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La Feria-clarinet quartet
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Phil Beaman
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SheetMusicPlus
Canon in D for solo violin
Violin
Violin - Advanced - Digital Download Composed by Johann Pachelbel (1653-1706). Arrang…
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Violin - Advanced - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Inacio Saldanha. Baroque Period, Etudes and Exercises, Technique Training, Recital. Individual Part. 3 pages. Published by Inacio Saldanha
Pachelbel's Canon is the common name for an accompanied canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue für 3 Violinen mit Generalbaß) (PWC 37, T. 337, PC 358), sometimes referred to as Canon and Gigue in D or Canon in D. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from the 19th century.<br> <br> Pachelbel's Canon, like his other works, although popular during his lifetime, went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-François Paillard chamber orchestra gained popularity over the next decade, and in the 1970s the piece began to be recorded by many ensembles; by the early 1980s its presence as background music was deemed inescapable. From the 1970s to the late 2010s, elements of the piece, especially its chord progression, were used in a variety of pop songs. Since the 1980s, it has also been used frequently in weddings and funeral ceremonies in the Western world.<br> <br> The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne.
$7.99
7.37 €
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Violin
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Johann Pachelbel (1653-1706)
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Canon in D for solo violin
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Inacio Saldanha
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SheetMusicPlus
Canon (Pachelbel) (Bb) (French Horn Quintet)
Horn Ensemble
French Horn Quintet - Advanced Intermediate - Digital Download Composed by Johann Pac…
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French Horn Quintet - Advanced Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Regis Bookshar. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 27 pages. Published by Regis Bookshar
is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's "Canon", was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a French Horn Quintet. Three French Horns play the melody in canon while the ostinato accompaniment is played by the other two French Horns. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's "Canon" have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's "Canon" will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
18.44 €
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Horn Ensemble
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Johann Pachelbel (1653-1706)
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Canon
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.63 €
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Trumpet
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.63 €
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Trumpet
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Cello Chords, Rhythms and Backups for Fiddle Tunes
Cello
Cello - Intermediate - Advanced - Digital Download Composed by Renata Bratt. Fiddle T…
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Cello - Intermediate - Advanced - Digital Download Composed by Renata Bratt. Fiddle Tunes. E-book and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #30783MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119987.<br> <br> Eclectic cellist, Renata Bratt, has written the ultimate book for the fiddling cellist, this time from the perspective of an accompanist. Herein, youll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session, not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek, Jenny Dang the Weaver, The Water Is Wide, The Girl I left Behind Me, The Road to California, Masons Apron, and Green Grows the Laurel plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup, bluegrass bass style, 2 and 3-note chords and arpeggios in the common fiddling keys, one and two-measure rhythmic bowing patterns, the Charleston rhythm, the traveling beat, and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book, a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author.
$14.99
13.82 €
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Cello
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Renata Bratt
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Cello Chords, Rhythms and Backups for Fiddle Tunes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Gustav Mahler - Adagietto (from Symphony No. 5) - Piano Solo
Piano solo
Piano Solo - Advanced - Digital Download Composed by Gustav Mahler (1860-1911). Arran…
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Piano Solo - Advanced - Digital Download Composed by Gustav Mahler (1860-1911). Arranged by Mario Stallbaumer. 20th Century, Romantic Period, Funeral, Recital. 6 pages. Published by Mario Stallbaumer
The Adagietto from Gustav Mahler's Symphony No. 5 makes for a wonderful piano arrangement!<br> <br> This is an accurate piano transcription of the full piece, created with great passion and attention to detail.<br> <br> Please note: Although the "Adagietto" is a very slow piece, there are quite challenging parts in this arrangement, so it can only be recommended to experienced piano players.<br> <br> The Adagietto is the fourth movement from Gustav Mahler's fifth Symphony, which he composed in the years 1901 and 1902.<br> Considered an expression of his love for his wife Alma, the Adagietto became arguably his most famous composition, and is frequently performed by the world's greatest orchestras.<br> <br> Leonard Bernstein famously conducted the Adagietto at Robert F. Kennedy's funeral.<br> It also became a common theme for the remembrance of the 9/11 terror attacks.<br> <br> Played by only the orchestra's string section and a solo harp, the Adagietto is certainly one of the most beautiful compositions ever written, and it makes for a magnificent piano piece!
$2.99
2.76 €
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Piano solo
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Gustav Mahler (1860-1911)
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Gustav Mahler - Adagietto
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Mario Stallbaumer
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SheetMusicPlus
Clef and Key Studies for Clarinet
Clarinet
Clarinet - Advanced Intermediate - Digital Download Composed by Brett L. Wery. Roma…
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Clarinet - Advanced Intermediate - Digital Download Composed by Brett L. Wery. Romantic Period, Classical Period, Method, Etudes and Exercises, Technique Training. Individual Part. 292 pages. Published by Sonata Grendel Publishing
Clefand Key Studies for Clarinet is intended toprovide a comprehensive grounding in the melodic and harmonic gestures of eachkey center so that “muscle memory” and automaticity aid in the development ofclef reading and transposition skills. Performers should find themselvesreading transpositions the same way they read treble and bass clefs—with noongoing, intervening calculation; transposing musical gestures, not individualnotes. In addition to over five hundred scales and arpeggios and over two hundredshort technical exercises, Clef and KeyStudies for Clarinet provides a wealth of slow melodic studies aimed atdeveloping tone and intonation. All exercises are placed within the context ofkeys and tonal centers so that the performer develops a vocabulary of musicalstructures that share a common syntax.<br> <br> <br> <br> Clefand Key Studies for Clarinet isdesigned to be adaptable for a number of pedagogical and professional purposes.Work one key at a time or one key signature (major plus following relativeminor) at a time. Pick and choose which clefs to focus on or ignore the exoticclefs altogether. Use clef studies and transposition drills as warm up tunes.Use the extensive indexing to create personalized practice routines. There aremany ways to apply the drills and exercises in Clef and Key Studies forClarinet to meet each performer’s goals and objectives.
$35.95
33.14 €
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Clarinet
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Brett L
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Clef and Key Studies for Clarinet
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Sonata Grendel Publishing
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SheetMusicPlus
Don't Start Now - Pop String Quartet with Rhythm Section parts
String Quartet: 2 violins, viola, cello
String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Li…
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String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 pages. Published by ViolinVagabond Music
This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!<br> <br> "If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.<br> <br> Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.<br> <br> This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:<br> <br> - Cool collaborations with non-classical musicians.<br> <br> - Making peace and finally finding common ground with those heathens who use frets to play in tune.<br> <br> - Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!<br> <br> - You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.<br> <br> - You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.<br> <br> ... and the list goes on.<br> <br> Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!<br> <br> Performance time - approximately 3:00, longer if you want to vamp the outro<br> <br> Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$24.99
23.04 €
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String Quartet: 2 violins, viola, cello
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Dua Lipa, Dallas String Quartet
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Don't Start Now - Pop String Quartet with Rhythm Section parts
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ViolinVagabond Music
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.63 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
Piano Sonata No. 8 in C minor, Op. 13. "Pathétique" - Beethoven - Full Sonata
Piano solo
Piano Solo - Advanced - Digital Download Composed by Ludwig van Beethoven (1770-1827)…
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Piano Solo - Advanced - Digital Download Composed by Ludwig van Beethoven (1770-1827). Classical Period, Repertoire, Recital. Sheet Music Single. 26 pages. Published by Diamond S Music
Piano Sonata No. 8 in C minor, Op. 13 - Beethoven, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. Although commonly thought to be one of the few works to be named by the composer himself, it was actually named Grande sonate pathétique (to Beethoven's liking) by the publisher, who was impressed by the sonata's tragic sonorities. Prominent musicologists debate whether or not the Pathétique may have been inspired by Mozart's piano sonata K. 457, since both compositions are in C minor and have three very similar movements. The second movement, "Adagio cantabile", especially, makes use of a theme remarkably similar to that of the spacious second movement of Mozart's sonata. However, Beethoven's sonata uses a unique motif line throughout, a major difference from Haydn or Mozart’s creation. This is the original Beethoven arrangement of this sonata.<br> <br> Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.21 €
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Piano solo
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Ludwig van Beethoven
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Piano Sonata No. 8 in C minor, Op. 13. "Pathétique" - Beethoven - Full Sonata
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Diamond S Music
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone and Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.35 €
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Trombone and Piano
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Antonio J
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London Town Fantasy for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Baroque Guitar Anthology 2
Guitar
Guitar - intermediate to advanced - Digital Download 25 Guitar and Lute Pieces. This …
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Guitar - intermediate to advanced - Digital Download 25 Guitar and Lute Pieces. This edition: Sheet music. Schott Anthology Series. Downloadable. Op. Vol. 2. Schott Music - Digital #Q54501. Published by Schott Music - Digital
English - French - German.<br> <br> The second volume of this anthology series contains 25 original works by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis. Including pieces by Corbetta, Falkenhagen, Gallot and Weiss, amongst others, it offers a wide stylistic range of works, many of which are rarely available. The collection is suitable for students of c.4-5 years of playing experience, or those of grades 3-4 level (UK and Commonwealth). The book also includes composer biographies and teaching notes on each of the pieces.<br> <br> Also available:<br> <br> Baroque Guitar Anthology:<br> Vol 1 - ED 13357<br> Vol 3 - ED 13446<br> Vol 4 - ED 13489<br> Romantic Guitar Anthology:<br> Vol 1 - ED 13110<br> Vol 2 - ED 13111<br> Vol 3 - ED 13112<br> Vol 4 - ED 13113<br> <br> <br> <br> BAROQUE GUITAR ANTHOLOGIES - press reviews<br> <br> This is a significant contribution to Baroque literature... teacher and student are the lucky beneficiaries of this great collection. Jens, Stuart and Schott are all to be congratulated. - COLIN TOMMIS, EUROPEAN GUITAR TEACHERS ASSOCIATION
$16.99
15.66 €
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Guitar
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Baroque Guitar Anthology 2
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Schott Music - Digital
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.74 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Bela Bartok (1881-1945)
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 7 - 14) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Flute, Oboe, Clarinet, Bassoon, Horn in F - Advanced Intermediate - Digital Download…
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Flute, Oboe, Clarinet, Bassoon, Horn in F - Advanced Intermediate - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Modern, Folk, European, Recital. Score, Set of Parts. 25 pages. Published by RayThompsonMusic
Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107, commonly known by its Hungarian name, Magyar parasztdalok([ˈmɒɟɒr ˈpɒrɒstˌdɒlok]).<br> My arrangement for standard wind quintet is based on the piano music.<br> <br> The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes. The movements in my arrangement are as follows:(7-14)<br> <br> Old Dance Tunes<br> 7.Allegro<br> 8 Allegretto<br> 9 Allegretto<br> 10 L'istesso tempo<br> 11 Assai moderato<br> 12 Allegretto<br> 13 Poco più vivo – Allegretto Allegro<br> 14 Allegro
$14.95
13.78 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Bela Bartok (1881-1945)
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Bartók: Fifteen Hungarian Peasant Songs, Sz.71
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RayThompsonMusic
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SheetMusicPlus
Making Our Dreams Come True
Dulcimer
Mountain Dulcimer - Advanced Intermediate - Digital Download By Cyndi Grecco. Arrange…
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Mountain Dulcimer - Advanced Intermediate - Digital Download By Cyndi Grecco. Arranged by Larry Conger. Tablature. 4 pages. Published by Larry Conger/Dulcimerican Music
The theme song from the 1970s hit TV show Laverne & Shirley is arranged for solo mountain dulcimer in 1-5-8 or DAD tuning. It can be somewhat challenging for the intermediate level player due to its syncopated rhythms that are commonly associated with modern day pop songs.<br> <br> Three pages. Tablature, standard musical notation, lyrics and guitar accompaniment chords are included.<br> <br> Be sure to check out additional mountain dulcimer arrangements by Larry Conger on Sheet Music Plus.
$4.99
4.6 €
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Dulcimer
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Cyndi Grecco
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Making Our Dreams Come True
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Larry Conger/Dulcimerican Music
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SheetMusicPlus
Guitar Picking Tunes - Flatpicking Classics
Guitar notes and tablatures
Guitar - Intermediate- Advanced - Digital Download Folk. Book and online audio. 60 pag…
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Guitar - Intermediate- Advanced - Digital Download Folk. Book and online audio. 60 pages. Mel Bay Publications - Digital Sheet Music #30825MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455686. 8.75 x 11.75 inches.<br> <br> Here is a collection of flatpicking arrangements with a fresh approach. Commonly played fiddle tunes like Bill Cheatham, Chinquapin Hunting, June Apple, and many others, are explored in new ways with variations that progress musically into extended arrangements. Techniques such as cross-picking, floating notes, harmonics, and other devices pertinent to flatpicking are presented in a musical context. Guitarists will gain new insights into flatpicking technique, style, and arranging while expanding their repertoire and building their vocabulary of licks and phrases. The book and online audio recordings also present original concepts for solo guitar within the flatpicking idiom. Written in standard notation and tablature. Includes access to online audio.
$14.99
13.82 €
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Guitar notes and tablatures
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Guitar Picking Tunes - Flatpicking Classics
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mack The Knife (from The Threepenny Opera) for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download Arranged by Rob…
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Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download Arranged by Robert Newth. Score, Set of Parts. 11 pages. Published by Robert Newth
Die Moritat vom Mackie Messer, more commonly known as Mack the Knife, is a song by Kurt Weill and Bertolt Brecht from their play The Threepenny Opera, which was first performed in Berlin in 1928. This song was hastily written before opening night for the lead actor, who complained that his character didn't have a good introduction. Mack the Knife quickly became a jazz standard, and has now been covered countless times by artists such as Frank Sinatra, Robbie Williams, Louis Armstrong, and Ella Fitzgerald.<br> <br> This arrangement is for standard clarinet quartet of 3 Bb clarinets and 1 bass clarinet. The PDF download contains a full score and all four parts.<br> <br> If you've enjoyed this arrangement, please leave a review!
$12.99
11.98 €
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Clarinet Quartet: 4 clarinets
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Mack The Knife
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Robert Newth
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SheetMusicPlus
She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
Choral 3-part
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.890639 Composed by S…
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.890639 Composed by Stella ter Hart. Arranged by Stella ter Hart. 20th Century,Folk,Standards. 12 pages. Stella ter Hart #3455153. Published by Stella ter Hart (A0.890639). This hauntingly beautiful and artistic arrangement of She's Like the Swallow contains the original, very old Newfoundland folk text very rarely used due to it's tragic story line. It is in the genre of beware the uncaring man common in folk songs of Europe which served to teach and warn young girls about the dangers of infatuation. This genre travelled to the United States and Canada in the 1700's. The expression apron low/apron high is a common thread in this genre and refers to being pregnant. She's Like the Swallow tells the tragic tale of a young girl who has fallen in love with, no doubt, a handsome but uncaring man. The story is told from each character's perspective plus an observer (narrator). The girl ultimately creates her own funeral bower of rose petals (ripping them off in desperation as she frantically runs through a garden), lies down on this 'bed of roses' and dies.  You have probably heard this song many times without ever knowing the true meaning due to significant verses left out. You will need a skilled accompanist! The accompaniment utilizes significant word painting throughout to highlight the haunting melody line. Word painting depicts the swallow, uncaring cruelty, desperation, blindly going in circles, anger, church bells and fading away/dying. The conductor is free to take liberties with the tempi and dynamics in order to create a unique interpretation that will resonate with their own choral group. This arrangement of She's Like the Swallow is an exceptional festival or competition piece and one that should be in the repertoire of every skilled women's choir! Duration:  4 minutes                                                                               Key: C minor (plus modulations)                                                                                    Level: intermediate/early advanced composer contact:  www.stellaterhart.com
$2.75
2.54 €
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Choral 3-part
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Stella ter Hart
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She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
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Stella ter Hart
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SheetMusicPlus
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