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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1
Air from 'Rinaldo' (arr. for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1303104
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1303104 By George Frideric Handel. By George Frideric Handel. Arranged by Andrew Lamb. Opera. 19 pages. Andrew Lamb #892694. Published by Andrew Lamb (A0.1303104). Introducing Air from Rinaldo by George Frideric Handel, skillfully arranged for Brass Quintet! 🎺🎶🌟 Instrumentation:2 Trumpets 🎺French Horn 📯Trombone 🎶Tuba 🎵🎶 Level of Difficulty: Medium-Easy🎯 Potential Uses: 🎼 This arrangement is perfect for a wide range of musical settings, including: Concerts 🎤 Recitals 🎻 Educational purposes 📚 📜 About Air from Rinaldo: Air from Rinaldo is a timeless piece from the opera Rinaldo, composed by the legendary George Frideric Handel in 1711. This arrangement captures the essence of Handel's majestic composition and brings it to life with the brilliance and power of a Brass Quintet. The piece's rich history, inspired by Torquato Tasso's epic poem, Gerusalemme liberata, is a tale of love, war, and redemption set during the First Crusade.🎼 Handel's Legacy: George Frideric Handel, a German-British Baroque composer, is celebrated for his operas, oratorios, anthems, concerti grossi, and organ concertos. He was a musical genius who left an indelible mark on the world of classical music. His compositions have influenced countless musicians and composers over the centuries, including giants like Mozart, Beethoven, and Brahms.â Why Choose This Arrangement: This arrangement for Brass Quintet allows you to experience Handel's music in a new and vibrant way. The majestic brass instruments breathe life into the timeless melody, making it suitable for various musical settings and occasions. Whether you're performing on stage or teaching the next generation of musicians, this arrangement will captivate and inspire.📢 Get ready to elevate your musical repertoire with this iconic piece by George Frideric Handel. Add Air from Rinaldo for Brass Quintet to your collection today!🎵 Don't miss out on this opportunity to bring Handel's brilliance to your ensemble. Like and subscribe to stay updated on our latest arrangements and musical offerings. 🎶.
$8.00
7.2 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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George Frideric Handel
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Air from 'Rinaldo'
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Andrew Lamb
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SheetMusicPlus
Nessun Dorma (for tenor and symphonic band)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1145793 Composed by Giacomo Pucci…
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Concert Band - Level 3 - Digital Download SKU: A0.1145793 Composed by Giacomo Puccini. Arranged by Juan José Peláez Vilanova. 20th Century,Classical,Contest,Festival,Opera,Romantic Period. Score and parts. 43 pages. John Joseph #745992. Published by John Joseph (A0.1145793). Giacommo Puccini, represents the union of Italian and German opera traditions, greatly influenced by Verdi, of whom he is considered his successor, and also by Wagner, Bizet, and Debussy. The main feature of his style was the eclecticism, the incorporation and assimilation of various languages and resources in his profession. Many of the musical concepts, as well as the connection between music and the stage, were the harbinger of what would rule in film music a few decades later. Puccini tooks from the French opera, under the influence of Bizet and Massenet, the taste for the exotic and historical location of his operas. In the case of Turandot, set in ancient China, the opera tells the story of the cruel princess Turandot who, in revenge for a sullied ancestor, beheads her suitors if three riddles are not answered. An unknown prince –Calaf– postulates by answering her three enigmas and challenging her to be the one to find out her name. Turandot orders that no one sleep in Peking until the name of the prince is known, Calaf, who has issued the challenge that if his name is not discovered, princess Turandot must marry him. At the beginning of the third act, the prince sings the aria –Nessun Dorma– convinced that the princess's efforts to discover his name will be in vain. Puccini began the composition in January 1921 and in March 1924 he had already completed the opera up to the final duet. However, a few months later he would pass away, leaving unfinished sketches of the end of Turandot. Franco Alfano was commissioned to finish it, premiering it two years later, in 1926. Currently, it is the fourth most performed Puccini opera worldwide, after the well-known trio La Boheme, Tosca and Madama Butterfly.
$15.00
13.49 €
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Concert band
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Giacomo Puccini
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Nessun Dorma
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John Joseph
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Soprano voice, Piano
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Maurice Ravel
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
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