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Concerto for Concert Band
Sheetmusic to print
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1076
Trombone Concerto for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1309564 Composed by Pete Cross. A…
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Concert Band - Level 3 - Digital Download SKU: A0.1309564 Composed by Pete Cross. Arranged by Pete Cross. Classical. 135 pages. Robert Peter Cross #898728. Published by Robert Peter Cross (A0.1309564). A lot of trombone classical music is transcribed from orchestral works. I have written this for Concert Band performances, In a good key for the armature performer. But enough to be a challenge.
$40.00
36.33 €
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Concert band
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Pete Cross
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Trombone Concerto for Concert Band
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Robert Peter Cross
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SheetMusicPlus
Concerto for Concert Band (2011) full score
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Le…
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Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
9.07 €
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Concert band
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
45.4 €
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Concert band
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A
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
Concerto for Concert Band (2011) Clarinet in Eb
Concert band
Concert Band - Digital Download SKU: A0.869706 Composed by Thomas Oboe Lee. Contemp…
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Concert Band - Digital Download SKU: A0.869706 Composed by Thomas Oboe Lee. Contemporary. Score and parts. 5 pages. Thomas Oboe Lee #6026535. Published by Thomas Oboe Lee (A0.869706).
$1.99
1.81 €
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Concert band
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Concertutti (Concerto for 3 Trumpets and Concert Band)
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.734878 Composed by Joseph Hasper.…
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Concert Band - Level 5 - Digital Download SKU: A0.734878 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 110 pages. Joseph Hasper #4293625. Published by Joseph Hasper (A0.734878). Concertutti  is a triple concerto for 3 Bb trumpets (with optional flugelhorn) and concert band. The solo parts are advanced, technical, difficult, and hugely fun to play! The band parts are modest in range and difficulty, designed to be playable by a good high school band. Duration: 8'00.Concertutti is a portmaneau, a made-up word combining concerto (a composition for one or more soloists with a large ensemble) and tutti (everyone). To my knowledge this is the first concerto for three trumpets to have been composed in the past 250 years. (The only other triple concertos in the repertoire are one by J.S. Bach and two by Antonio Vivaldi.) Concertutti was commissioned by The Northwest Passage Trumpet Trio and was premiered by them on May 3, 2019 with the Grove City College Wind Ensemble under the direction of Dr. Jeffrey Tedford. A revised version was performed by The Northwest Passage Trumpt Trio on June 30, 2019 with the Hollidaysburg Community Band, under the direction of Doug Stephens. The current edition is a second revision, with the chief differences of being over three minutes shorter and sporting a new coda.
$69.00
62.66 €
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Concert band
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Joseph Hasper
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Concertutti
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Joseph Hasper
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SheetMusicPlus
Neruda - Trumpet Concerto in E-flat transcribed for Concert Band in 3 movements (Score and Parts)
Concert band
Concert Band - Digital Download SKU: A0.733204 Composed by Johann Baptist Georg Ner…
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Concert Band - Digital Download SKU: A0.733204 Composed by Johann Baptist Georg Neruda. Arranged by Andrew Loeffler. Classical. Score and parts. 216 pages. Ayotte Custom Musical Engravings #4595867. Published by Ayotte Custom Musical Engravings (A0.733204). The third of the great Classical-Era trumpet concertos (following Haydn and Hummel), transcribed for concert band by Andrew M. Loeffler. Includes solo parts in Eb, Bb, and C.
$250.00
227.05 €
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Concert band
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Johann Baptist Georg Neruda
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Neruda - Trumpet Concerto in E-flat transcribed for Concert Band in 3 movements
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Haydn - Trumpet Concerto in Eb transcribed for Concert Band - First Movement (Score and Parts)
Concert band
Concert Band - Digital Download SKU: A0.733206 Composed by Franz Joseph Haydn. Arra…
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Concert Band - Digital Download SKU: A0.733206 Composed by Franz Joseph Haydn. Arranged by Andrew Loeffler. Classical. Score and parts. 98 pages. Ayotte Custom Musical Engravings #4595897. Published by Ayotte Custom Musical Engravings (A0.733206). The first of the three great Classical-Era trumpet concertos (along with Hummel and Neruda), transcribed for concert band by Andrew Loeffler.
$100.00
90.82 €
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Concert band
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Franz Joseph Haydn
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Haydn - Trumpet Concerto in Eb transcribed for Concert Band - First Movement
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Clarinet Concerto in B-flat major
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.935506 Composed by Karol KurpiÃ…â…
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Concert Band - Level 4 - Digital Download SKU: A0.935506 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 67 pages. Kazys Daugela #6666179. Published by Kazys Daugela (A0.935506). Karol Kurpiński (1785-1857) was a romanticist and one of the most revered composers before Frédéric Chopin, and helped to lay the foundations of a national style and prepared the ground for Polish music of the Romantic period. He’s a largely forgotten figure, but in his day he was Warsaw’s leading opera composer. A single-movement concerto by Weber’s Polish contemporary Karol Kurpiński is skilfully written, with a melancholy slow section whose melody is attractive. Elsewhere, the piece isn’t without its moments of note-spinning and overlong harmonic sequences, but it’s a welcome discovery nevertheless. The premiere of the work took place on the eve of Kurpiński's departure from Paris in 1823. Up to date only the first movement of the Clarinet Concerto, in the sonata allegro form with three themes, has survived. Concerto will be a fine way to demonstrate the clarinetist's potential for brilliant display and heartfelt lyricism.
$30.00
27.25 €
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Concert band
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Karol Kurpiński
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Clarinet Concerto in B-flat major
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Kazys Daugela
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SheetMusicPlus
Clarinet Concerto in B-flat major
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.935505 Composed by Karol KurpiÃ…â…
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Concert Band - Level 4 - Digital Download SKU: A0.935505 Composed by Karol Kurpiński (1785-1857). Arranged by Kazys Daugėla. Romantic Period. Score and parts. 280 pages. Kazys Daugela #6666171. Published by Kazys Daugela (A0.935505). Karol Kurpiński (1785-1857) was a romanticist and one of the most revered composers before Frédéric Chopin, and helped to lay the foundations of a national style and prepared the ground for Polish music of the Romantic period. He’s a largely forgotten figure, but in his day he was Warsaw’s leading opera composer. A single-movement concerto by Weber’s Polish contemporary Karol Kurpiński is skilfully written, with a melancholy slow section whose melody is attractive. Elsewhere, the piece isn’t without its moments of note-spinning and overlong harmonic sequences, but it’s a welcome discovery nevertheless. The premiere of the work took place on the eve of Kurpiński's departure from Paris in 1823. Up to date only the first movement of the Clarinet Concerto, in the sonata allegro form with three themes, has survived. Concerto will be a fine way to demonstrate the clarinetist's potential for brilliant display and heartfelt lyricism.
$159.99
145.3 €
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Concert band
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Karol Kurpiński
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Clarinet Concerto in B-flat major
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Kazys Daugela
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SheetMusicPlus
CONCERTO FOR HORN - S. R. Mercadante - solo horn part only (full band accomp. available separately)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.859735 Composed by Saverio Raffae…
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Concert Band - Level 3 - Digital Download SKU: A0.859735 Composed by Saverio Raffaele Mercadante (1795? - 1870). Arranged by Brian Harris. 19th Century,Classical,Romantic Period,Standards. 4 pages. Bandroom.com Publications #553447. Published by Bandroom.com Publications (A0.859735). Written around 1820 by Italian composer Saverio Raffaele Mercadante, this engraving of his CONCERTO FOR HORN is in the original key and has been meticulously edited. Consisting of two sections, the beautiful, plaintive opening slow section (Larghetto alla Siciliano) is about 2.5 minutes in length and works well as a stand-alone feature to showcase the sonority of the horn. It would be perfect for a talented high school player. The concluding fast section (Allegretto brillante) is bubbly, delightful, and quite technically challenging in a few spots. The concert band / wind ensemble accompaniment (available separately) is scored to prevent overpowering the soloist and will work with smaller groups for senior recitals, etc. NOTE: This download is for the 4-page SOLO PART ONLY. If you wish to purchase the band parts and full score, please visit www.bandroom.com. This SOLO PART will also work with the Kuyper setting for piano accompaniment. The score and parts are error-free, as I spent considerable time in editing and making corrections to the parts while it was prepared for performance. This SOLO PART has tightly-cropped margins so it will print as large as possible on letter-sized paper. You can view the conductor score and sample parts as well as listen to a live recording of the work on my website (URL above) or on YouTube at https://youtu.be/NuMFb5p5Kfk____________________________ ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years. Many of his arrangements and compositions are available here as digital downloads and from www.bandroom.com ____________________________
$10.00
9.08 €
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Concert band
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Saverio Raffaele Mercadante
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CONCERTO FOR HORN - S. R. Mercadante - solo horn part only
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Bandroom.com Publications
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SheetMusicPlus
Grieg - Piano Concerto in A minor (Second Movement) transcribed for concert band
Concert band
Concert Band - Digital Download SKU: A0.733200 Composed by Edvard Grieg (1843-1907)…
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Concert Band - Digital Download SKU: A0.733200 Composed by Edvard Grieg (1843-1907). Arranged by Marc Oliver. Romantic Period. Score and parts. 38 pages. Ayotte Custom Musical Engravings #4268797. Published by Ayotte Custom Musical Engravings (A0.733200). Grieg - Piano Concerto in A minor (Second Movement) transcribed for concert band by Marc Oliver .
$69.99
63.56 €
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Concert band
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Edvard Grieg
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Grieg - Piano Concerto in A minor
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concerto for Oboe in G Minor, Op. 9 No. 8
Oboe (band part)
Oboe Solo - Level 4 - Digital Download SKU: A0.955159 Composed by Tomaso Albinoni (…
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Oboe Solo - Level 4 - Digital Download SKU: A0.955159 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Individual part. 7 pages. Chamber Ensemble of Minnesota, Inc. #5869733. Published by Chamber Ensemble of Minnesota, Inc. (A0.955159). Oboe solo part of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$7.00
6.36 €
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Oboe (band part)
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Tomaso Albinoni
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Concerto for Oboe in G Minor, Op. 9 No. 8
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.79 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Concert and Contest Collection - Trumpet/Cornet/Baritone (Trumpet/Cornet/Baritone T.C. Solo Part)
Bb Cornet, Trumpet, or Baritone T.C. - Solo Part Baritone T.C.; Cornet; Trumpet - Grade 3-…
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Bb Cornet, Trumpet, or Baritone T.C. - Solo Part Baritone T.C.; Cornet; Trumpet - Grade 3-4 SKU: HL.4471730 Solo Book Only - Bb Cornet, Trumpet or Baritone T.C.. Edited by Himie Voxman. Concert Band Method. Rubank Solo Collection. Classical, Contest, Solos. Softcover. 24 pages. Rubank Publications #RUBL294A. Published by Rubank Publications (HL.4471730). ISBN 9781423445531. UPC: 073999717303. 9.0x12.0x0.096 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. Also available: • Solo Book - Baritone B.C. (HL04471750) • Piano Accompaniment Book (HL04471740) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) - Cornet/Trumpet (HL04002518) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) - Baritone B.C. (HL04470007) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) - Baritone T.C. (HL04002586) Contents: Air Gai (Berlioz) • Andante and Allegro (Clérisse) • Andante from Concerto in Eb (Haydn) • Calm as the Night (C. Böhm) • Concertino (Ostransky) • Dedication (R. Strauss) • Élégie (Duquesne) • L'Allegro (Koepke) • Morceau de Concours (Alary) • My Regards (Llewellyn) • Orientale (Barat) • Petite Pièce Concertante (Balay) • Premier Solo de Concours (Maniet) • Romance in Eb (Ostransky) • Sarabanda and Gavotta (Corelli) • Serenade (O. Böhme).
Song List: Calm As The Night (Still Wie Die Nacht) Air Gai (Berlioz) Andante & Allegro (Clerisse) Andante (Concerto In E Flat) Haydn Concertino (Ostransky) Elegie (Duquesne) L'allegro (Koepke) Morceau De Concours (Alary) My Regards (Llewellyn) Orientale (Barat) Prem.Solo De Concours (Maniet) Romance In E Flat (Ostransky) Serenade,Op.22,No.1 (Bohme) Zueignung Petite Piece Concertante Sarabande And Gavotte, Op. 5 Andante And Allegro
$9.99
9.07 €
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Cornet
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Concert and Contest Collection - Trumpet/Cornet/Baritone
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Rubank Publications
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SheetMusicPlus
Concert and Contest Collection for Baritone T.C.
Saxhorn and Piano
Book with Online Media Baritone T.C. - Grade 3-4 SKU: HL.4002586 Solo Book with …
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Book with Online Media Baritone T.C. - Grade 3-4 SKU: HL.4002586 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Classical, Contest, Solos. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.4002586). ISBN 9781423477259. UPC: 884088166120. 9.0x12.0x0.09 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each book offers a superb variety of solos customized for that instrument, and most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to: � Full-performance and accompaniment-only audio tracks � PDF piano accompaniment - download and print only what you need � PLAYBACK A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary Contents: Air Gai (Berlioz) � Andante and Allegro (Clérisse) � Andante from Concerto in Eb (Haydn) � Calm as the Night (C. Böhm) � Concertino (Ostransky) � Dedication (R. Strauss) � �légie (Duquesne) � L'Allegro (Koepke) � Morceau de Concours (Alary) � My Regards (Llewellyn) � Orientale (Barat) � Petite Pièce Concertante (Balay) � Premier Solo de Concours (Maniet) � Romance in Eb (Ostransky) � Sarabanda and Gavotta (Corelli) � Serenade (O. Böhme) Also available: � Solo Book - Bb Cornet/Trumpet or Baritone T.C. (HL04471730) � Solo Book - Baritone B.C. (HL04471750) � Piano Accompaniment Book (HL04471740) � Solo Book with Online Media - Baritone B.C. (HL04470007) � Solo Book with Online Media - Bb Cornet/Trumpet (HL04002518).
Song List: Calm As The Night (Still Wie Die Nacht) Air Gai (Berlioz) Andante and Allegro (Clerisse) Andante (Concerto In E Flat) Haydn Concertino (Ostransky) Elegie (Duquesne) L'allegro (Koepke) Morceau De Concours (Alary) Orientale (Barat) Prem.Solo De Concours (Maniet) Romance In E Flat (Ostransky) Petite Piece Concertante Sarabande And Gavotte, Op. 5 Andante And Allegro
$16.99
15.43 €
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Saxhorn and Piano
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Concert and Contest Collection for Baritone T.C.
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Rubank Publications
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SheetMusicPlus
Piano Concerto no.21 The Andante - Concert band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.977760 Composed by Wolfgang Amade…
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Concert Band - Level 3 - Digital Download SKU: A0.977760 Composed by Wolfgang Amadeus Mozart. Arranged by Terry Lewis. Classical. Score and parts. 58 pages. Terry lewis #6443731. Published by Terry lewis (A0.977760). The Andante from Mozart's Piano Concerto no 21.Arranged for Concertband, Full Score and parts included in the PDF
$19.99
18.15 €
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Concert band
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Wolfgang Amadeus Mozart
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Piano Concerto no.21 The Andante - Concert band
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Terry lewis
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SheetMusicPlus
Concerto grosso Op. 6, No. 8 'Christmas Concerto' - II. Allegro
Orchestra
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Orchestra
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Corelli
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Tomplay
Concerto grosso Op. 6, No. 8 'Christmas Concerto' - IV. Vivace
Orchestra
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Orchestra
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Corelli
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Tomplay
Concerto grosso Op. 6, No. 8 'Christmas Concerto' - II. Allegro
Orchestra
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
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Orchestra
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Corelli
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Tomplay
Concerto grosso Op. 6, No. 8 'Christmas Concerto' - IV. Vivace
Orchestra
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Orchestra
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Corelli
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Tomplay
Concerto grosso Op. 6, No. 8 'Christmas Concerto' - II. Allegro
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Orchestra
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Corelli
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Tomplay
Concerto grosso Op. 6, No. 8 'Christmas Concerto' - II. Allegro
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
29.99 €
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Orchestra
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Corelli
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Tomplay
Concerto grosso Op. 6, No. 8 'Christmas Concerto' - IV. Vivace
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
29.99 €
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Orchestra
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Corelli
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Tomplay
Concerto grosso Op. 6, No. 8 'Christmas Concerto' - II. Allegro
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
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Corelli
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Tomplay
Concerto grosso Op. 6, No. 8 'Christmas Concerto' - II. Allegro
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
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Corelli
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Tomplay
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