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Concerto for Piccolo and Band
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Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.12 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Concerto for Piccolo and Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.931769 Composed by Antonio Vivald…
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Concert Band - Level 4 - Digital Download SKU: A0.931769 Composed by Antonio Vivaldi. Arranged by Yves Bouillot. Baroque. Score and parts. 107 pages. Yves Bouillot #6863375. Published by Yves Bouillot (A0.931769). If you want to make your Piccolo shine, then you have to play this concerto by Vivaldi: brilliant, virtuoso and joyful... Grade 5 (soloist) / Grade 4 (Orchestra)
$18.00
16.59 €
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Concert band
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Antonio Vivaldi
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Concerto for Piccolo and Band
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Yves Bouillot
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SheetMusicPlus
Concerto for Organ and Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1136568 Composed by G.F. Haendel.…
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Concert Band - Level 3 - Digital Download SKU: A0.1136568 Composed by G.F. Haendel. Arranged by Yves Bouillot. Baroque. Score and parts. 51 pages. Yves Bouillot #731875. Published by Yves Bouillot (A0.1136568). After the violin and the piccolo, I propose here a new original solo instrument accompanied by a concert band: the organ. G.F. Handel wrote 6 concertos for organ Op. 4 between 1735 and 1736. It seemed interesting to me to propose a version for the concert band. Grade 3 for the orchestra.
$25.00
23.05 €
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Concert band
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G
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Concerto for Organ and Concert Band
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Yves Bouillot
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SheetMusicPlus
Concerto for Concert Band (2011) full score
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Le…
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Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
9.21 €
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Concert band
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Trumpet Concerto in Eb
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.775244 Composed by Guiseppe Tarti…
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Concert Band - Level 2 - Digital Download SKU: A0.775244 Composed by Guiseppe Tartini. Arranged by Alex Wilson. Baroque. Score and parts. 120 pages. Alexander Wilson #4370282. Published by Alexander Wilson (A0.775244). Originally the Violin Concerto in E major, D.53, Guiseppe Tartini’s concerto was transcribed for the piccolo trumpet by Maurice André and has remained a popular repertoire choice for trumpet players ever since. All three movements of the work are here arranged in the key of Eb (not D!) for piccolo trumpet in Bb and wind band (including 2 flute parts, oboe, bassoon, 3 clarinets, bass clarinet, 2 alto saxes, tenor sax, bari sax, 2 trumpets, 2 horns, 2 trombones, BC and TC euphonium, tuba, and timpani). Performance time is generally around 10 or 11 minutes. Please note that the parts for the accompanying ensemble are at an early intermediate level, as indicated on this page, but the solo part for piccolo trumpet is very challenging.
$20.00
18.44 €
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Concert band
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Guiseppe Tartini
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Trumpet Concerto in Eb
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Alexander Wilson
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SheetMusicPlus
Concerto for Trumpet and Wind Ensemble - Complete Parts
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.914418 Composed by Bryan Starkwea…
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Concert Band - Level 5 - Digital Download SKU: A0.914418 Composed by Bryan Starkweather. Contemporary,Standards. Score and parts. 82 pages. Bryan Starkweather #4286975. Published by Bryan Starkweather (A0.914418). Originally written for trumpet virtuoso Dr. Thomas R. Smith, director of music at Florida Southwestern College. Approximate running time, 10 minutes. Written in four styles: jazz, Latin, bugle corps, and march/fanfare. Range is G3-F6.Parts are: Piccolo, Flute 1/2, Oboe, Clarinet 1/2/3/Bass, Bassoon, Alto/Tenor/Bari Sax, Horn 1/2/3/4, Solo Bb Trumpet, Bb Trumpet 1/2/3, Trombone 1/2/3(Bass), Euphonium, Tuba, Timpani. Percussion 1/2/3. Oboe, Bassoon, and Horn parts are cued if not available.For comments, questions, corrections, or special requests, please email me at bryan32483@gmail.com for any and all info, or visit https://www.facebook.com/Canvas-Music-Productions-134274459972325/ I love hearing from my customers! I'm always happy to help in any way I can, including modifying a piece to suit your needs.
$49.99
46.09 €
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Concert band
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Bryan Starkweather
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Concerto for Trumpet and Wind Ensemble - Complete Parts
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Bryan Starkweather
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.21 €
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.21 €
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Orchestra
#
Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
#
Thomas Oboe Lee
#
SheetMusicPlus
3 Famous Baroque Works for 2 Trumpets (solo parts Vivaldi & Manfredini Concertos, Francheschini
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.817141 Composed by Antoni…
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Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.817141 Composed by Antonio Vivaldi, Francesco Manfredini, and Petronio Franceschini. Arranged by Charles Deckerr. Baroque,Instructional,Standards. Score. 67 pages. Charles Decker Music Press #3926163. Published by Charles Decker Music Press (A0.817141). For ambitious trumpeters who want to expand their solo repertoire and technique, this 60-page collection (solo parts only, no keyboard accompaniment), of Three Famous Baroque Works for Two Trumpets by Italian composers Vivaldi, Manfredini and Franceschini who wrote brilliantly exciting music for solo trumpets, provides study and performance editions for the three most frequently performed and recorded trumpet duo works of the Baroque era. Each work has a complete set of trumpet parts in C, D, piccolo B-flat and A to provide performers parts for the instrument they prefer to use and practical study material for enhancing transposition capabilities necessary when encountering baroque works published in various keys. Optional trumpet parts for the second movement of the Manfredini Concerto and concluding measures of the third movement of the Vivaldi Concerto are provided.  All have suggested dynamics and no ornamentation except for cadential trills and a single ornament added to the final two measures of the Manfredini Concerto. No keyboard accompaniment parts are provided. See also my edition collection of Four Famous Eb Trumpet Concertos with E-flat & B-flat solo parts only to Haydn, Hummel, Neruda, Sasche Concertos with Charles Decker Music Press at Sheet Music Plus. If looking for trumpet solo features with brass quintet see Charles Decker Music Press SMP editions of Clarke’s Carnival of Venice, Sasche Concertino for Eb Cornet of 1871 , and opera arias by Puccini Che Gelida Manina from La Boheme , Verdi Caro Nome from Rigoletto and Rossini Non Piu Mesta from Cinderella. Use this link to Kendor Music to see my trumpet feature brass quintet arrangements of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$14.95
13.78 €
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2 Trumpets (duet)
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Antonio Vivaldi, Francesco Manfredini, and Petronio Franceschini
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3 Famous Baroque Works for 2 Trumpets
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Charles Decker Music Press
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SheetMusicPlus
Four Famous Concertos for E-Flat Trumpet by Haydn, Hummel, Neruda & Sasche (Eb & Bb solo parts only)
Trumpet (band part)
Trumpet Solo - Level 5 - Digital Download SKU: A0.817140 Composed by Franz Joseph H…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.817140 Composed by Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche. Arranged by Charles Decker. Classical,Contest,Festival,Historic,Instructional,Romantic Period. Individual part. 53 pages. Charles Decker Music Press #3905635. Published by Charles Decker Music Press (A0.817140). Now in in one collection are the four famous concertos for E-flat trumpet by Franz Josef Haydn (1796), Johann Nepomuk Hummel (1803), Johann Baptiste Neruda (ca. 1750) and Sasche (1871) that are the core of the trumpet's solo literature edited with dynamics, articulations, and new cadenzas. This essential collection for ambitious trumpeters comes with two sets of solo parts for E-flat trumpet and B-flat trumpet with no piano accompaniment. For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) and Supplemental Practice Approaches for Trumpet, as well as my First Technical Studies for Trumpet for young students, all with Charles Decker Music Press at Sheet Music Plus. To further expand your solo literature knowledge see my collection at Sheet Music Plus of Three Famous Baroque Works for Two Trumpets which has D, C, piccolo A and B-flat trumpet solo parts for the frequently performed Vivaldi and Manfredini Concertos and Francheschini Sonata. If looking for more trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this like to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$14.99
13.82 €
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Trumpet (band part)
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Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche
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Four Famous Concertos for E-Flat Trumpet by Haydn, Hummel, Neruda & Sasche
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Charles Decker Music Press
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SheetMusicPlus
Vivaldi RV455 Concerto in F major. Solo oboe / trumpet parts.
Trumpet (band part)
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 5 - Digital Download SK…
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 5 - Digital Download SKU: A0.865027 Composed by Antonio Vivaldi. Arranged by Rhodri Tomos. Baroque. Individual part. 52 pages. RT Music Ltd #6304231. Published by RT Music Ltd (A0.865027). Vivaldi RV455 Concerto in F major. Solo oboe / trumpet parts pdf for piccolo trumpet in Bb, trumpets in Eb, C & Bb for 1. Allegro 2. Grave 3. Allegro.
$24.99
23.04 €
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Trumpet (band part)
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Antonio Vivaldi
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Bb for 1
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Vivaldi RV455 Concerto in F major. Solo oboe / trumpet parts.
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RT Music Ltd
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SheetMusicPlus
Vivaldi RV534 Concerto in C major. Solo oboe / trumpet parts.
Trumpet (band part)
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 4 - Digital Download SK…
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 4 - Digital Download SKU: A0.865026 Composed by Antonio Vivaldi. Arranged by Rhodri Tomos. Baroque. Individual part. 36 pages. RT Music Ltd #6304227. Published by RT Music Ltd (A0.865026). Vivaldi RV534 Concerto in C major. Solo oboe 1 / trumpet 1 part for piccolo trumpet in Bb, trumpets in Eb, C & Bb for 1. Allegro 2. Largo 3. Allegro.
$24.99
23.04 €
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Trumpet (band part)
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Antonio Vivaldi
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Bb for 1
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Vivaldi RV534 Concerto in C major. Solo oboe / trumpet parts.
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RT Music Ltd
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SheetMusicPlus
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble) - Score Only
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1339375 Composed by Masakazu YAMA…
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Concert Band - Level 4 - Digital Download SKU: A0.1339375 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 31 pages. Motch Music #925066. Published by Motch Music (A0.1339375). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$50.00
46.1 €
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Concert band
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Masakazu YAMAMOTO
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Shadow in a harlequin
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Motch Music
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SheetMusicPlus
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1339368 Composed by Masakazu YAMA…
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Concert Band - Level 4 - Digital Download SKU: A0.1339368 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 85 pages. Motch Music #925059. Published by Motch Music (A0.1339368). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$200.00
184.38 €
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Concert band
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Masakazu YAMAMOTO
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Shadow in a harlequin
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Motch Music
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SheetMusicPlus
LIVING PULSE for Saxophone Quartet and Concert Band/Wind Ensemble
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.770394 Composed by Ivan Marini. C…
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Concert Band - Level 4 - Digital Download SKU: A0.770394 Composed by Ivan Marini. Contemporary,Multicultural,World. Score and parts. 152 pages. Www.dalsegno.eu #4756671. Published by www.dalsegno.eu (A0.770394). Concerto for saxophone quartet and band, from Minimal music to Tango.Complete set with score and parts: Solos (Soprano or Alto 1, Alto 2, Tenor, Bari), Piccolo, Flute 1+2, Oboe 1+2, Bassoon 1+2, Clarinets 1+2+3+bass, Trumpets 1+2+3, F Horns 1+2+3+4, Trombones 1+2+3, Euphonium/Baritone, Tuba, String Bass, Timpani, Heartbeat, Percussions 1+2+3 .Other transpositions (e.g. Bb Trombones TC) available for free at simply request. Euphoniums already provided in Bb (TC) and C (BC). Arrangement for percussion ensemble and saxophone quartet also available.Duration ca. 9 mins., 152 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$99.99
92.18 €
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Concert band
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Ivan Marini
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LIVING PULSE for Saxophone Quartet and Concert Band/Wind Ensemble
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www.dalsegno.eu
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SheetMusicPlus
Flûte en suite
Flute and Piano
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and …
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
51.62 €
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Flute and Piano
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Handel HWV287 - Concerto in G minor - solo parts
Trumpet (band part)
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Digital Download SKU: A0.8649…
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Digital Download SKU: A0.864987 Composed by George Frideric Handel. Arranged by Rhodri Tomos. Baroque. Individual part. 27 pages. RT Music Ltd #5024595. Published by RT Music Ltd (A0.864987). Handel HWV287 - Concerto in G minor - solo parts for 1. Grave 2. Allegro 3. Largo 4. Allegro for Oboe / C trumpet, Bb trumpet, Eb trumpet and Bb piccolo trumpet.
$24.99
23.04 €
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Trumpet (band part)
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George Frideric Handel
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Handel HWV287 - Concerto in G minor - solo parts
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RT Music Ltd
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SheetMusicPlus
Albinoni Concerto Bb major Op.7 No.3 - solo trumpets and piccolo trumpet parts
Trumpet (band part)
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 4 - Digital Download SK…
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 4 - Digital Download SKU: A0.865006 Composed by Tomaso Giovanni Albinoni (1671-1751). Arranged by Rhodri Tomos. Baroque. Individual part. 36 pages. RT Music Ltd #6047223. Published by RT Music Ltd (A0.865006). Albinoni Concerto Bb major Op.7 No.3 - solo trumpets and piccolo trumpet parts for trumpet in C (oboe), trumpet in Bb, trumpet in Eb and piccolo trumpet in Bb for 1. Allegro Moderato 2. Adagio 3. Allegro.
$24.99
23.04 €
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Trumpet (band part)
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Tomaso Giovanni Albinoni
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Albinoni Concerto Bb major Op.7 No.3 - solo trumpets and piccolo trumpet parts
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RT Music Ltd
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SheetMusicPlus
Concerto pour trompette 1er mvt - Trumpet concerto 1er mvt
Concert band
Concert Band - Digital Download SKU: A0.980549 Composed by Xavier ARDOUREL. Contemp…
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Concert Band - Digital Download SKU: A0.980549 Composed by Xavier ARDOUREL. Contemporary. Score and parts. 32 pages. Xavier ARDOUREL #3461659. Published by Xavier ARDOUREL (A0.980549). Concerto pour trompette 1er mvt - Trumpet concerto 1er mvtPour trompette ut et orchestre d'harmonie - For solo trumpet in C and wind ensembleLa trompette gît dans la poussière d'après un poème de R. TAGORESolo trptt ut - Piccolo - 2 Fls - Hbt - Bsn - 2 Cls - Cl B - 2 Sax A - Sax T - Sax B - 2 Trps sib - 2 Cors F - 2 Trbs - Trb B - Euph ut - Euph sib (partie supplémentaire) - Tub ut - Timbales - Tam-Tam
$15.50
14.29 €
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Concert band
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Xavier ARDOUREL
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Concerto pour trompette 1er mvt - Trumpet concerto 1er mvt
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Xavier ARDOUREL
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SheetMusicPlus
Concerto pour trompette 3ème mvt - Trumpet concerto 3 mvt
Concert band
Concert Band - Digital Download SKU: A0.980551 Composed by Xavier ARDOUREL. Contemp…
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Concert Band - Digital Download SKU: A0.980551 Composed by Xavier ARDOUREL. Contemporary. Score and parts. 59 pages. Xavier ARDOUREL #3461663. Published by Xavier ARDOUREL (A0.980551). Concerto pour trompette 3ème mvt - Trumpet concerto 3 mvtPour trompette ut et orchestre d'harmonie - For solo trumpet in C and wind ensembleAlors de mes mains dépouillées, je saisirai ta trompette d'après un poème de R. TAGORE Trptt ut - Piccolo - 2 Fls - Hbt - Bsn - 2 Cls - Cl B - 2 Saxs A - Sax T - Sax B - 3 Trptts sib - 2 Cors F - 2 Trbs - Trb B - Euph ut - Euph sib (partie supplémentaire) - Tuba ut - Timbales - Xylo -
$15.50
14.29 €
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Concert band
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Xavier ARDOUREL
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Concerto pour trompette 3ème mvt - Trumpet concerto 3 mvt
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Xavier ARDOUREL
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SheetMusicPlus
Concerto pour trompette 2ème mvt - Trumpet concerto 2 mvt
Concert band
Concert Band - Digital Download SKU: A0.980550 Composed by Xavier ARDOUREL. Contemp…
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Concert Band - Digital Download SKU: A0.980550 Composed by Xavier ARDOUREL. Contemporary. Score and parts. 32 pages. Xavier ARDOUREL #3461661. Published by Xavier ARDOUREL (A0.980550). Concerto pour trompette 2ème mvt - Trumpet concerto 2 mvtPour trompette ut et orchestre d'harmonie - For solo trumpet in C and wind ensembleLa nuit ne chantait-elle pas sa berceuse aux étoiles ? ô toi; rose d'un rouge sang, mes pavots de sommeil ont pâli et se sont fanés ! d'après un poème de R. TAGORETrptt ut - Piccolo - 2 Fls - Hbt - Bsn - 2 Cls - Cl B - 2 Saxs A - Sax T - Sax B - 2 Trptt sib - 2 Cors F - 2 Trbs - Trb B - Euph ut - Euph sib (partie supplémentaire) - Tuba ut - Timbales - Vibra - Cloches Tub -
$15.50
14.29 €
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Concert band
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Xavier ARDOUREL
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Concerto pour trompette 2ème mvt - Trumpet concerto 2 mvt
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Xavier ARDOUREL
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SheetMusicPlus
Baston concerto no.2 - solo parts
Trumpet (band part)
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 4 - Digital Download SK…
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 4 - Digital Download SKU: A0.864983 Composed by John Baston. Arranged by Rhodri Tomos. Baroque. Individual part. 32 pages. RT Music Ltd #5024531. Published by RT Music Ltd (A0.864983). John Baston's Concerto no.2 - solo parts for 1. Allegro 2. Adagio 3. Presto for flute / recorder / trumpet in C, trumpet in Bb, trumpet in Eb and piccolo trumpet in Bb.
$24.99
23.04 €
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Trumpet (band part)
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John Baston
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Baston concerto no.2 - solo parts
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RT Music Ltd
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SheetMusicPlus
Bach BWV1060R Double Concerto in D minor - oboe / piccolo trumpet solo parts
Trumpet (band part)
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 5 - Digital Download SK…
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 5 - Digital Download SKU: A0.865022 Composed by Johann Sebastian Bach. Arranged by Rhodri Tomos. Baroque. Individual part. 43 pages. RT Music Ltd #6253239. Published by RT Music Ltd (A0.865022). Bach BWV1060R Double Concerto in D minor - oboe / piccolo trumpet in Bb / trumpet in Eb, C or Bb solo parts for 1. Allegro 2. Adagio 3. Allegro.
$24.99
23.04 €
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Trumpet (band part)
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Johann Sebastian Bach
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Bach BWV1060R Double Concerto in D minor - oboe / piccolo trumpet solo parts
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RT Music Ltd
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SheetMusicPlus
Bach BWV1056R. Concerto in G minor solo sheet music Oboe, piccolo trumpet & trumpet
Trumpet (band part)
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 5 - Digital Download SK…
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Level 5 - Digital Download SKU: A0.865017 Composed by Johann Sebastian Bach. Arranged by Rhodri Tomos. Baroque. Individual part. 39 pages. RT Music Ltd #6100089. Published by RT Music Ltd (A0.865017). Bach BWV1056R. Concerto in G minor solo sheet music Oboe, piccolo trumpet in Bb & trumpet in Eb & Bb for 1. Moderato 2. Largo 3. Presto.
$24.99
23.04 €
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Trumpet (band part)
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Johann Sebastian Bach
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trumpet in Eb &
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Bach BWV1056R. Concerto in G minor solo sheet music Oboe, piccolo trumpet & trumpet
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RT Music Ltd
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SheetMusicPlus
Bach BWV971 Italian Concerto - Movement 1 trumpet solo parts
Trumpet (band part)
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Digital Download SKU: A0.8649…
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - Digital Download SKU: A0.864981 Composed by Johann Sebastian Bach. Arranged by Rhodri Tomos. Baroque. Individual part. 23 pages. RT Music Ltd #5024529. Published by RT Music Ltd (A0.864981). Bach BWV 971 - Italian Concerto - Movement 1 solo trumpet parts for trumpet in Bb, C, Eb and piccolo trumpet in Bb.
$14.99
13.82 €
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Trumpet (band part)
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Johann Sebastian Bach
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Bach BWV971 Italian Concerto - Movement 1 trumpet solo parts
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RT Music Ltd
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SheetMusicPlus
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