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Concerto for Trumpet and Wind Ensemble - Complete Parts
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Concerto for Trumpet and Wind Ensemble - Score - Score Only
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.914417 Composed by Bryan Starkwea…
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Concert Band - Level 5 - Digital Download SKU: A0.914417 Composed by Bryan Starkweather. Contemporary,Standards. Score and parts. 29 pages. Bryan Starkweather #4286957. Published by Bryan Starkweather (A0.914417). Originally written for trumpet virtuoso Dr. Thomas R. Smith, director of music at Florida Southwestern College. Approximate running time, 10 minutes. Written in four styles: jazz, Latin, bugle corps, and march/fanfare. Range is G3-F6.For comments, questions, corrections, or special requests, please email me at bryan32483@gmail.com for any and all info, or visit https://www.facebook.com/Canvas-Music-Productions-134274459972325/ I love hearing from my customers! I'm always happy to help in any way I can, including modifying a piece to suit your needs.
$4.99
4.61 €
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Concert band
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Bryan Starkweather
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Concerto for Trumpet and Wind Ensemble - Score - Score Only
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Bryan Starkweather
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SheetMusicPlus
Concertutti Brevis (concerto for trumpet and wind ensemble)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.734889 Composed by Joseph Hasper.…
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Concert Band - Level 3 - Digital Download SKU: A0.734889 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 73 pages. Joseph Hasper #4621359. Published by Joseph Hasper (A0.734889). Concertutti Brevis is a virtuoso piece for trumpet that deliberately uses every kind of technical and artistic difficulty. There are tricky fingerings, awkward leaps, fast runs, intricate rhythms, and a host of challenges for the trumpet player. There is literally nowhere to hide any technical deficiencies in this piece.
$39.00
36.03 €
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Concert band
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Joseph Hasper
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Concertutti Brevis
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Joseph Hasper
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.16 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.67 €
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Orchestra
#
Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.98 €
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Orchestra
#
Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Concerto for Concert Band (2011) full score
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Le…
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Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
9.23 €
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Concert band
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
BACH: Trio Sonata No. 5 BWV 529 for Brass Trio
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.552680 Composed by Johann Sebas…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.552680 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 65 pages. Jmsgu3 #6508475. Published by jmsgu3 (A0.552680). Brass Trio: 2 Trumpets in C, 1 Bass Trombone. Duration: ca. 12:20, Score: 37 pagesJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
30.44 €
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Brass ensemble
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Johann Sebastian Bach
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BACH: Trio Sonata No. 5 BWV 529 for Brass Trio
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jmsgu3
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SheetMusicPlus
Concertutti (Concerto for 3 Trumpets and Concert Band)
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.734878 Composed by Joseph Hasper.…
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Concert Band - Level 5 - Digital Download SKU: A0.734878 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 110 pages. Joseph Hasper #4293625. Published by Joseph Hasper (A0.734878). Concertutti  is a triple concerto for 3 Bb trumpets (with optional flugelhorn) and concert band. The solo parts are advanced, technical, difficult, and hugely fun to play! The band parts are modest in range and difficulty, designed to be playable by a good high school band. Duration: 8'00.Concertutti is a portmaneau, a made-up word combining concerto (a composition for one or more soloists with a large ensemble) and tutti (everyone). To my knowledge this is the first concerto for three trumpets to have been composed in the past 250 years. (The only other triple concertos in the repertoire are one by J.S. Bach and two by Antonio Vivaldi.) Concertutti was commissioned by The Northwest Passage Trumpet Trio and was premiered by them on May 3, 2019 with the Grove City College Wind Ensemble under the direction of Dr. Jeffrey Tedford. A revised version was performed by The Northwest Passage Trumpt Trio on June 30, 2019 with the Hollidaysburg Community Band, under the direction of Doug Stephens. The current edition is a second revision, with the chief differences of being over three minutes shorter and sporting a new coda.
$69.00
63.74 €
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Concert band
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Joseph Hasper
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Concertutti
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Joseph Hasper
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SheetMusicPlus
Trumpet Concerto in Eb
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.775244 Composed by Guiseppe Tarti…
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Concert Band - Level 2 - Digital Download SKU: A0.775244 Composed by Guiseppe Tartini. Arranged by Alex Wilson. Baroque. Score and parts. 120 pages. Alexander Wilson #4370282. Published by Alexander Wilson (A0.775244). Originally the Violin Concerto in E major, D.53, Guiseppe Tartini’s concerto was transcribed for the piccolo trumpet by Maurice André and has remained a popular repertoire choice for trumpet players ever since. All three movements of the work are here arranged in the key of Eb (not D!) for piccolo trumpet in Bb and wind band (including 2 flute parts, oboe, bassoon, 3 clarinets, bass clarinet, 2 alto saxes, tenor sax, bari sax, 2 trumpets, 2 horns, 2 trombones, BC and TC euphonium, tuba, and timpani). Performance time is generally around 10 or 11 minutes. Please note that the parts for the accompanying ensemble are at an early intermediate level, as indicated on this page, but the solo part for piccolo trumpet is very challenging.
$20.00
18.48 €
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Concert band
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Guiseppe Tartini
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Trumpet Concerto in Eb
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Alexander Wilson
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SheetMusicPlus
[Tacke] Landschaft mit Kanonen
Concert band
Concert Band - Digital Download SKU: A0.952856 Composed by Daniel Tacke. Contempora…
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Concert Band - Digital Download SKU: A0.952856 Composed by Daniel Tacke. Contemporary. Score and parts. 22 pages. American Composers Alliance Inc. #4625233. Published by American Composers Alliance Inc. (A0.952856). A concerto for trumpet, violin and wind ensemble. Instrumentation: solo trumpet, solo violin, wind ensemble 3.3.3.3 4.2.3.1 (3) perc.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$17.95
16.58 €
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Concert band
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Daniel Tacke
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[Tacke] Landschaft mit Kanonen
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American Composers Alliance Inc.
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SheetMusicPlus
Adagio from Concerto in d for Oboe - A Marcello transcr. JS Bach (Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Euphonium,Horn,Tuba - Level 4 - Digital Download SKU: A0.802677 Comp…
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Brass Ensemble Euphonium,Horn,Tuba - Level 4 - Digital Download SKU: A0.802677 Composed by Allesandro Marcello. Arranged by Peet du Toit. Baroque. Score and parts. 11 pages. Peet du Toit #6361995. Published by Peet du Toit (A0.802677). Born in Venice, Marcello was the son of a senator. As such, he enjoyed a comfortable life that gave him the scope to pursue his interest in music. He was a contemporary of Tomaso Albinoni. He held concerts in his hometown and also composed and published several sets of concertos, including six concertos under the title of La Cetra (The Lyre), as well as cantatas, arias, canzonets, and violin sonatas. Marcello, being a slightly older contemporary of Antonio Vivaldi, often composed under the pseudonym Eterio Stinfalico, his name as a member of the celebrated Arcadian Academy (Pontificia Accademia degli Arcadi). He died in Padua in 1747.Alessandro's brother was the more well-known Benedetto Marcello, also a composer.Although most of his works are infrequently performed today, Marcello is regarded as a very competent composer. His La Cetra concertos are unusual for their wind solo parts, concision and use of counterpoint within a broadly Vivaldian style, according to Grove, placing them as a last outpost of the classic Venetian Baroque concerto.[citation needed]The Concerto for Oboe and Strings in D minor op. 1, S D935, is an early 18th-century concerto for oboe, strings and continuo. Perhaps his best-known work. Its worth was affirmed by Johann Sebastian Bach who transcribed it for harpsichord (BWV 974). A number of editions have been published, including an edition in C minor because the baroque oboe played a whole tone lower than the modern oboe.Here is a take on brass instruments, with a basic or an advanced version for the euphonium soloist. Enjoy!
$25.50
23.56 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Allesandro Marcello
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Adagio from Concerto in d for Oboe - A Marcello transcr. JS Bach
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Peet du Toit
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SheetMusicPlus
Concerto pour trompette 1er mvt - Trumpet concerto 1er mvt
Concert band
Concert Band - Digital Download SKU: A0.980549 Composed by Xavier ARDOUREL. Contemp…
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Concert Band - Digital Download SKU: A0.980549 Composed by Xavier ARDOUREL. Contemporary. Score and parts. 32 pages. Xavier ARDOUREL #3461659. Published by Xavier ARDOUREL (A0.980549). Concerto pour trompette 1er mvt - Trumpet concerto 1er mvtPour trompette ut et orchestre d'harmonie - For solo trumpet in C and wind ensembleLa trompette gît dans la poussière d'après un poème de R. TAGORESolo trptt ut - Piccolo - 2 Fls - Hbt - Bsn - 2 Cls - Cl B - 2 Sax A - Sax T - Sax B - 2 Trps sib - 2 Cors F - 2 Trbs - Trb B - Euph ut - Euph sib (partie supplémentaire) - Tub ut - Timbales - Tam-Tam
$15.50
14.32 €
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Concert band
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Xavier ARDOUREL
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Concerto pour trompette 1er mvt - Trumpet concerto 1er mvt
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Xavier ARDOUREL
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SheetMusicPlus
Concerto pour trompette 3ème mvt - Trumpet concerto 3 mvt
Concert band
Concert Band - Digital Download SKU: A0.980551 Composed by Xavier ARDOUREL. Contemp…
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Concert Band - Digital Download SKU: A0.980551 Composed by Xavier ARDOUREL. Contemporary. Score and parts. 59 pages. Xavier ARDOUREL #3461663. Published by Xavier ARDOUREL (A0.980551). Concerto pour trompette 3ème mvt - Trumpet concerto 3 mvtPour trompette ut et orchestre d'harmonie - For solo trumpet in C and wind ensembleAlors de mes mains dépouillées, je saisirai ta trompette d'après un poème de R. TAGORE Trptt ut - Piccolo - 2 Fls - Hbt - Bsn - 2 Cls - Cl B - 2 Saxs A - Sax T - Sax B - 3 Trptts sib - 2 Cors F - 2 Trbs - Trb B - Euph ut - Euph sib (partie supplémentaire) - Tuba ut - Timbales - Xylo -
$15.50
14.32 €
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Concert band
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Xavier ARDOUREL
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Concerto pour trompette 3ème mvt - Trumpet concerto 3 mvt
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Xavier ARDOUREL
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SheetMusicPlus
Concerto pour trompette 2ème mvt - Trumpet concerto 2 mvt
Concert band
Concert Band - Digital Download SKU: A0.980550 Composed by Xavier ARDOUREL. Contemp…
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Concert Band - Digital Download SKU: A0.980550 Composed by Xavier ARDOUREL. Contemporary. Score and parts. 32 pages. Xavier ARDOUREL #3461661. Published by Xavier ARDOUREL (A0.980550). Concerto pour trompette 2ème mvt - Trumpet concerto 2 mvtPour trompette ut et orchestre d'harmonie - For solo trumpet in C and wind ensembleLa nuit ne chantait-elle pas sa berceuse aux étoiles ? ô toi; rose d'un rouge sang, mes pavots de sommeil ont pâli et se sont fanés ! d'après un poème de R. TAGORETrptt ut - Piccolo - 2 Fls - Hbt - Bsn - 2 Cls - Cl B - 2 Saxs A - Sax T - Sax B - 2 Trptt sib - 2 Cors F - 2 Trbs - Trb B - Euph ut - Euph sib (partie supplémentaire) - Tuba ut - Timbales - Vibra - Cloches Tub -
$15.50
14.32 €
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Concert band
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Xavier ARDOUREL
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Concerto pour trompette 2ème mvt - Trumpet concerto 2 mvt
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Xavier ARDOUREL
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SheetMusicPlus
Intermediate Music for Four, Christmas Part 3 for Clarinet or Trumpet in Bb 73133
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.530439 Arra…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.530439 Arranged by Daniel Kelley. Baroque,Christmas,Classical,Concert,Standards. 49 pages. Last Resort Music Publishing #3602763. Published by Last Resort Music Publishing (A0.530439). Fantastic and festive arrangements of Chistmas and Hanukkah songs for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Each part is sold separately.Table of ContentsA La Nanita Nana Angels From The Realm Of Glory The Boar's Head Carol Christmas Day in the Morning Christ Was Born On Christmas Day Coventry Carol The First Noel I Wonder As I Wander O Come, All Ye Faithful The Twelve Days of Christmas Up On The Housetop Christ-Child is Born O Christmas Tree Christmas Concerto from Concerto Grosso, Op. 6 #8 For Unto Us A Child Is Born Joy To The World Pastoral Symphony Pifa from The Messiah Fum, Fum, Fum The Song of the Birds Gesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages Hark! The Herald Angels Sing He Is Born, The Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells O Holy Night, Cantique de Noel O Little Town of Bethlehem Sleigh Ride from German Dance, K. 605 #3 Wexford Carol
$18.50
17.09 €
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Flute, Oboe, Clarinet, Bassoon
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Intermediate Music for Four, Christmas Part 3 for Clarinet or Trumpet in Bb 73133
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Last Resort Music Publishing
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SheetMusicPlus
Music for Four - Volume 1 - Part 3 Clarinet in Bb 70133
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530441…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530441 Composed by Various. Arranged by Daniel Kelley. Concert,Contemporary,Graduation,Holiday,Wedding. 46 pages. Last Resort Music Publishing #3603717. Published by Last Resort Music Publishing (A0.530441). Music for Four, Volume 1 - Baroque, Classical & Romantic FavoritesPart 3 for Clarinet in Bb #70133DD*25 Fantastic arrangements for quartet with flexible instrumentation including composers like Bach, Gluck, Faure, Wagner, Mendelssohn and more! Perfect for Weddings, Receptions, Concerts and more! Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Parts are sold separately and as sets. Table of ContentsAve Maria, adapted by Gounod (Bach) Jesu, Joy of Man's Desiring (Bach) Suite #3 in D Major - Air, Bourree, Gavotte, Gigue, Overture (Bach) Trumpet Voluntary (Clarke) Berceuse from Dolly Suite Op. 56 (Faure) Sicilienne from Pelleas et Melisande, Op. 78 (Faure) Minuet & Dance of the Blessed Spirits from Orpheus (Gluck) Water Music Suite - Air, Allegro, Andante, Hornpipe (Handel) Regrets from Songs Without Words Op. 19, #2 (Mendelssohn) Spring-Song from Songs Without Words Op. 62, #6 (Mendelssohn) Andante from Piano Concerto #21, K. 467 (Mozart) Romanza from Eine Kleine Nachtmusik, K. 525 (Mozart) Canon (Pachelbel) Andante from String Quartet Rosamunde (Schubert) Danses des petit cygnes from Swan Lake (Tschaikovsky) Theme from Swan Lake (Tschaikovsky) Londonderry Air (Traditional Irish) Bridal Chorus from Act III of Lohengrin (Wagner)
$18.50
17.09 €
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Clarinet Quartet: 4 clarinets
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Various
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Music for Four - Volume 1 - Part 3 Clarinet in Bb 70133
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Last Resort Music Publishing
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SheetMusicPlus
Music for Four, Volume 2, Part 4 - Bass Clarinet 70243DD
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530270…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530270 Composed by Various. Arranged by Daniel Kelley. 20th Century,Baroque,Classical,Romantic Period,Wedding. 43 pages. Last Resort Music Publishing #3221037. Published by Last Resort Music Publishing (A0.530270). Part 4 for Bass Clarinet in Bb - 25 Masterful arrangements for quartet with flexible instrumentation including composers like Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more! A must have for any quartet! Perfect for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsArioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Nocturne from String Quartet #2 in D Major (Borodin) Prelude from Op. 28, #4 (Chopin) Prelude from Op. 28, #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Am Camin from Kinderscenen, Op. 15, #8 (Schumann) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi)www.lastresortmusic.com
$18.50
17.09 €
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Clarinet Quartet: 4 clarinets
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Various
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Music for Four, Volume 2, Part 4 - Bass Clarinet 70243DD
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Last Resort Music Publishing
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SheetMusicPlus
Music for Three, Volume 1 Score 50199
Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arr…
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Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score and parts. 83 pages. Last Resort Music Publishing #329230. Published by Last Resort Music Publishing (A0.720843). Music for Three, Volume 1 - Score (Part 1-3 in Score Form in C) Baroque, Classical & Romantic Favorites Includes works by Bach, Beethoven, Handel, Mouret, Pachelbel, Wagner and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2 & 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played! Includes 35 arrangements. Table of Contents Air on the G String from Suite #3 in D Major (Bach) Arioso from Cantata #156 (Bach) Ave Maria adapted by Charles Gounod from WTC (Bach) Prelude #1 (Bach) Gigue from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Minuet in G (Beethoven) Trumpet Voluntary (Clarke) Gavotte (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) Largo from Xerxes (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) Air, Allegro, Andante, Bourree, Finale from Water Music Suite (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Waltz from Waves of the Danube, #1 (Ivanovici) Elegie from Incidental Music to Les Erinnyes (Massenet) Rondeau from Sinfonies de Fanfares (Mouret) Allegro, Menuetto, Romanza, Rondo from Eine Kleine Nachtmusik, String Quartet in G Major, K. 525 (Mozart) Canon (Pachelbel) Adagio from Octet in F Major, Op. 166 (Schubert) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Moment Musical from Op. 94, #3 (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Presto from Sonatina in F Major (Telemann) Allegro, Adagio, Finale from Concerto Grosso in D Minor, Op. 3, #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner) Available Parts 50111 Part 1 Flute or Oboe or Violin 50113 Part 1 Clarinet in Bb 50121 Part 2 Flute or Oboe or Violin 50122 Part 2 Viola 50123 Part 2 Clarinet in Bb 50131 Part 3 Cello or Bassoon 50140 Keyboard or Guitar 50199 Score Published by lastresortmusic.com.
$39.95
36.91 €
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Various
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Music for Three, Volume 1 Score 50199
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Last Resort Music Publishing
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SheetMusicPlus
Concerto in F minor for Trumpet & Wind Ensemble
Small Ensemble Clarinet,Flute,Trumpet - Level 5 - Digital Download SKU: A0.810881 C…
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Small Ensemble Clarinet,Flute,Trumpet - Level 5 - Digital Download SKU: A0.810881 Composed by Bohme, Oskar. Arranged by Bergler, Geoffrey. Romantic Period. Score and parts. 424 pages. Gordon Cherry #3667971. Published by Gordon Cherry (A0.810881). Oskar Bohme's famous Concerto in F minor, beautifully transcribed by Trumpeter Geoffrey Bergler of the Seattle Symphony. This version has been meticulously edited by Jeff and sounds beautiful in the Wind Ensemble setting. Instrumentation is: Solo Trumpet, Piccolo, 2 Flutes, 2 Oboes, 3 Clarinets, Bass Clarinet, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones and Tuba
$86.00
79.45 €
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Bohme, Oskar
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Concerto in F minor for Trumpet & Wind Ensemble
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Gordon Cherry
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SheetMusicPlus
Clarinet Concerto in A major, K.622 Mov.2
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1262380 Composed by Wolfgang Amad…
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Concert Band - Level 4 - Digital Download SKU: A0.1262380 Composed by Wolfgang Amadeus Mozart. Arranged by Sungok Cho. Classical. Score and Parts. 49 pages. Schomusic #855420. Published by schomusic (A0.1262380). Composed by Wolfgang Amadeus Mozart. Arranged by Sungok Cho. For Wind Ensemble.INSTRUMENTATION Solo Clarinet in A Flute OboeEb Clarinet Bb Clarinet 1 Bb Clarinet 2 Bb Bass Clarinet Bassoon Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone Baritone Saxophone Bb Trumpet 1 Bb Trumpet 2 F Horn 1 F Horn 2 Trombone Bass Trombone Euphonium Tuba Double BassÂÂ
$50.00
46.19 €
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Concert band
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Wolfgang Amadeus Mozart
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Clarinet Concerto in A major, K.622 Mov.2
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schomusic
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SheetMusicPlus
Intermediate Music for Four, Christmas, Part 2 - Alto Sax in Eb 73125
Small Ensemble Alto Saxophone,B-Flat Clarinet,Bassoon,Cello,Flute,Oboe/English Horn,Piano,…
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Small Ensemble Alto Saxophone,B-Flat Clarinet,Bassoon,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1141324 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. Score and parts. 48 pages. Last Resort Music Publishing #741639. Published by Last Resort Music Publishing (A0.1141324). Part 2 for Alto Sax in Eb 73125 Fantastic and festive arrangements of Chistmas and Hanukkah songs for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played. Table of Contents A La Nanita Nana Angels From The Realm Of Glory The Boar's Head Carol Christmas Day in the Morning Christ Was Born On Christmas Day Coventry Carol The First Noel O Come, All Ye Faithful The Twelve Days of Christmas Up On The Housetop Christ-Child is Born O Christmas Tree Christmas Concerto from Concerto Grosso, Op. 6 #8 For Unto Us A Child Is Born Joy To The World Pastoral Symphony Pifa from The Messiah Fum, Fum, Fum The Song of the Birds Gesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages Hark! The Herald Angels Sing He Is Born, The Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells O Holy Night, Cantique de Noel O Little Town of Bethlehem Sleigh Ride from German Dance, K. 605 #3 Wexford Carol Please visit lastresortmusic.com for a full list of available parts!
$22.00
20.32 €
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Various
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Intermediate Music for Four, Christmas, Part 2 - Alto Sax in Eb 73125
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Last Resort Music Publishing
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SheetMusicPlus
Concerto in E-flat for Trumpet
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Trumpet - Level 5 - Digital Download SK…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Trumpet - Level 5 - Digital Download SKU: A0.1007975 Composed by Franz Joseph Haydn. Arranged by John M. Laverty. Contemporary. Score and parts. 173 pages. Zephyrwindmusic.com #4346009. Published by zephyrwindmusic.com (A0.1007975). This is an arrangement of Haydn's Concerto for Trumpet with a harmoniemusik accompaniment (pairs of wind instruments).
$30.00
27.71 €
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Franz Joseph Haydn
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Concerto in E-flat for Trumpet
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zephyrwindmusic.com
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SheetMusicPlus
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00
92.38 €
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Chamber Orchestra
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Arkady Leytush
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Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
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Arkady Leytush
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SheetMusicPlus
Conversation Concerto No.3 - for flute and orchestra [parts for woodwind and brass]
Large Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Trombone,Trumpet - Level 4 - Digital Downl…
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Large Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.938456 Composed by Colin Bayliss. Contemporary. Score and parts. 31 pages. Colin Bayliss #21223. Published by Colin Bayliss (A0.938456).
$12.00
11.09 €
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Colin Bayliss
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Conversation Concerto No.3 - for flute and orchestra [parts for woodwind and brass]
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Colin Bayliss
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SheetMusicPlus
Concertino per Violino e Sedici Strumenti (2017)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Trombone,Trum…
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.869544 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 120 pages. Thomas Oboe Lee #3131035. Published by Thomas Oboe Lee (A0.869544). A couple of years I caught Eric Hewitt conducting Kurt Weill's Concerto, opus 12 for violin and wind orchestra, plus 4 double basses. Markus Placci was the soloist. I was so impressed by the work that I told Eric and Markus I want to write a similar work for them. The end result is my Concertino per Violino e Sedici Strumenti (2017).Kurt Weill's version has the following instruments.2 flutes1 oboe2 clarinets2 bassoons2 horns1 trumpettimpani3 percussions4 double bassesMine is a bit different:1 flute, doubling on piccolo1 oboe2 clarinets2 bassoons2 trumpets2 horns2 trombonesTimpani (3)Percussion (snare drum, 2 triangles)2 double bassesConcertino is in three movements.1. Introduction; moderato, TRIO2. Adagio3. Vivace, TRIOAudio link: https://thomasoboelee.bandcamp.com/album/concertino-per-violino-e-sedici-strumenti-2017Video link: https://youtu.be/uzaBA3FalGg
$9.99
9.23 €
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Thomas Oboe Lee
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moderato, TRIO
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Concertino per Violino e Sedici Strumenti
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Thomas Oboe Lee
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SheetMusicPlus
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