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Credo: Score
Sheetmusic to print
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Organ: Et Incarnatus Est from Mass In B Minor (BWV 232, Credo – No. 16) - J.S. Bach
Organ
Organ - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750)…
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Organ - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Aubrey Tucker. Baroque Period, Christian, Sacred, Funeral, Recital. Score. 4 pages. Published by Aubrey Tucker
My arrangement for organ of the five-part chorus 'Et Incarnatus Est' from Bach's 'Mass In B Minor' (BWV 232, Credo – No. 16). The included registration is only a suggestion and is left entirely to the organist’s discretion depending on the specification of the instrument. An mp3 file of the full score is available to listen to or watch via my YouTube Channel.
$5.95
5.42 €
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Organ
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Johann Sebastian Bach
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Organ: Et Incarnatus Est from Mass In B Minor
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Aubrey Tucker
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SheetMusicPlus
Credo: Score
Concert band
Concert Band - Digital Download SKU: AX.98-DB1543S Composed by William Owens. Score…
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Concert Band - Digital Download SKU: AX.98-DB1543S Composed by William Owens. Score. 20 pages. Alfred Music - Digital Sheet Music #98-DB1543S. Published by Alfred Music - Digital Sheet Music (AX.98-DB1543S). UPC: 674398231423.
$6.00
5.46 €
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Concert band
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William Owens
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Credo: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mass in G Major - Domine Deus - Alto´s Aria - Fullscore and parts
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1292861 Composed by Carlos Se…
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String Orchestra - Level 3 - Digital Download SKU: A0.1292861 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Easter,Sacred. Score and Parts. 8 pages. Hélder Bento #883458. Published by Hélder Bento (A0.1292861). Domine Deus - Aria for Alto from Mass in G Major, Carlos Seixas - Fullscore and partsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$5.00
4.55 €
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String Orchestra
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Carlos Seixas
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Mass in G Major - Domine Deus - Alto´s Aria - Fullscore and parts
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Hélder Bento
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SheetMusicPlus
Mass in G Major - Laudamus Te - Fullscore and parts
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1290728 Composed by Carlos Se…
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String Orchestra - Level 3 - Digital Download SKU: A0.1290728 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Latin,Religious,Sacred. Score and Parts. 8 pages. Hélder Bento #881433. Published by Hélder Bento (A0.1290728). Laudamus te - Aria for Soprano from Mass in G Major, Carlos Seixas - Fullscore and partsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$5.00
4.55 €
#
String Orchestra
#
Carlos Seixas
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Mass in G Major - Laudamus Te - Fullscore and parts
#
Hélder Bento
#
SheetMusicPlus
Mass in G Major - Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and Parts
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1485456 Composed by Carlos S…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1485456 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religious,Sacred. 7 pages. Hélder Bento #1062513. Published by Hélder Bento (A0.1485456). Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and PartsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$7.00
6.37 €
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Chamber Orchestra
#
Carlos Seixas
#
Mass in G Major - Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and Parts
#
Hélder Bento
#
SheetMusicPlus
Credo
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.975962 Composed by Adam Re…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.975962 Composed by Adam Reifsteck. A Cappella,Contemporary. Octavo. 17 pages. Adam Reifsteck #2028273. Published by Adam Reifsteck (A0.975962). The haunting and suspenseful Credo from Adam Reifsteck's concert mass Missa Cor Inflammatus. Scored for a cappella SSAATTB with tenor solo. Public performances must be licensed through Broadcast Music, Inc.
$2.99
2.72 €
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Choral SATB
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Adam Reifsteck
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Credo
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Adam Reifsteck
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
Brass quartet : 2 trumpets, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
45.48 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Guillaume de Machaut, 1300-1377
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2 Trombones 1
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Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Brass quartet : 2 trumpets, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.48 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Guillaume de Machaut, 1300-1377
#
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.48 €
#
Flute, Oboe, Clarinet, Bassoon
#
Guillaume de Machaut, 1300-1377
#
Bassoon Duo
#
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Flute Quartet: 4 flutes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…
(+)
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.48 €
#
Flute Quartet: 4 flutes
#
Guillaume de Machaut, 1300-1377
#
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.48 €
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Clarinet Quartet: 4 clarinets
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.48 €
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String Quartet: 2 violins, viola, cello
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Credo
Soloists (SMezATB), children's choir, mixed choir and orchestra - Digital Download SKU:…
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Soloists (SMezATB), children's choir, mixed choir and orchestra - Digital Download SKU: S9.Q6944 For Soli (Soprano, Mezzo Soprano, Alto, Tenor, Bass), Children’s Choir, Mixed Choir and Orchestra. Composed by Krzysztof Penderecki. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 60 minutes. Schott Music - Digital #Q6944. Published by Schott Music - Digital (S9.Q6944). Latin.Romantische Anklänge und avantgardistische Techniken, filigrane Vokal- und Instrumentalsoli sowie kraftvolle Chor- und Orchesterpassagen – in Krzysztof Pendereckis „Credo“ vereinigen sich vier Jahrzehnte eigener musikalischer Erfahrung und zwei Jahrhunderte Musikgeschichte. Als Penderecki, einer der populärsten und produktivsten Gegenwartskomponisten, 1996 von Helmuth Rilling den Auftrag erhielt, eine Messe zu schreiben, stellte er den für ihn wichtigsten Teil, das „Credo“, ins Zentrum seines Schaffens. Es entwickelte sich schließlich zu einem eigenständigen Werk, weil es alle ursprünglich geplanten Dimensionen sprengte.Picc. · 2 · 2 · Engl. Hr. · 2 (2. auch Es-Klar.) · Bassklar. · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (6 hg. Beck. · Beckenpaar · 3 Tamt. · Boo-bam · 5 Tomt. · Tamb. · Rührtr. · gr. Tr. m. Beck. · 3 Kirchengl. · Kuhgl. · Röhrengl. · Schellenbaum · Trgl.-baum · Glsp. · Marimba) (4 Spieler) - Hfe. · Cel. · Klav. · Org. - Str. Im Saal: 2 Hr. in F · 2 Trp. in D · 2 Trp. in C · 3 Pos.
$55.99
50.98 €
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Krzysztof Penderecki
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Credo
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Schott Music - Digital
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SheetMusicPlus
"Credo" for SATB choir, solist voices and organ - From Missa Solemnis
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.516508 Composed by Santino…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.516508 Composed by Santino Cara. Sacred. Octavo. 29 pages. Santino Cara #13543. Published by Santino Cara (A0.516508). The Credo in unum Deum for SATB choir, solo voices and organ, is the third part of the Missa Solemnis, composed in Rome in 1999 by Santino Cara and published in 2001 In the full score of the Credo is inserted also the separate part for choir and soloist voices.
$8.80
8.01 €
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Choral SATB
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Santino Cara
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"Credo" for SATB choir, solist voices and organ - From Missa Solemnis
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Santino Cara
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SheetMusicPlus
Toccata: I Believe in One God (Credo III)
Organ
Organ - Level 5 - Digital Download SKU: A0.1351199 By Mary Beth Bennett. By Mary Be…
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Organ - Level 5 - Digital Download SKU: A0.1351199 By Mary Beth Bennett. By Mary Beth Bennett. 21st Century,Religious,Sacred. Score. 12 pages. School Sisters of St. Francis #934180. Published by School Sisters of St. Francis (A0.1351199). An organ composition by Mary Beth Bennett* was commissioned by the School Sisters of St. Francis to celebrate the 100th Anniversary of the Dedication of St. Joseph Chapel (2017) — Milwaukee, Wisconsin. The composition features the Gregorian Chant Credo III, Sr. Theophane Hytrek's Blessing of St. Francis, and soggetto cavato (note assignments) on School Sisters of St. Francis.  Resident organist, Sr. Mary Jane Wagner OSF, performs the piece on the St. Joseph Chapel Casavant (1981) Opus 3493 III/35R.    *Mary Beth Bennett is a recognized performer, improviser and composer living in historic Richmond, Virginia. She serves on the adjunct music faculty of the University of Richmond, and is Organist at Second Baptist Church in Richmond, Virginia.
$16.99
15.47 €
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Organ
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Mary Beth Bennett
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Toccata: I Believe in One God
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School Sisters of St. Francis
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SheetMusicPlus
Credo in Unum Deum for Brass Quintet and Organ
Brass Quintet: 2 trumpets, horn, trombone, tuba
Small Ensemble Organ - Level 4 - Digital Download SKU: A0.785327 Composed by Victor…
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Small Ensemble Organ - Level 4 - Digital Download SKU: A0.785327 Composed by Victoria, Tomas Luis. Arranged by Dorm 40 Music. A Cappella,Renaissance. Score and parts. 54 pages. Dorm40music.com #3559553. Published by dorm40music.com (A0.785327). This Credo was taken from a Mass by Spanish Renaissance composer Tomas Luis Victoria for acapella chorus. It is arranged for brass quintet and organ and is a wonderful pseudo-antiphonal work to perform for any occasion, secular or sacred.
$25.00
22.76 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Victoria, Tomas Luis
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Credo in Unum Deum for Brass Quintet and Organ
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dorm40music.com
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.12 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.06 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Credo for Trombone or Low Brass Trio
Brass Ensemble Bassoon,Euphonium,Tuba - Level 2 - Digital Download SKU: A0.508427 A…
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Brass Ensemble Bassoon,Euphonium,Tuba - Level 2 - Digital Download SKU: A0.508427 Arranged by Eric Burger Music. Baroque. Score and parts. 16 pages. Eric Burger Music #3884663. Published by Eric Burger Music (A0.508427). View the score with playback at: https://youtu.be/NDmRlRd__J8 Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trios are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$10.00
9.11 €
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Credo for Trombone or Low Brass Trio
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Eric Burger Music
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SheetMusicPlus
Hungarian Credo / Magyar Hiszekegy
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1161509 Composed by Béla Szaba…
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Concert Band - Level 2 - Digital Download SKU: A0.1161509 Composed by Béla Szabados. Arranged by Adrian Horvath. Folk,Patriotic,Praise & Worship,Sacred. Score and Parts. 25 pages. Horváth Adrián #761863. Published by Horváth Adrián (A0.1161509). Visit my website: https://www.hadrian.huInstrumentation: Full Score (A4 Portrait), Parts (A4 Portrait): Flute 1., 2., Oboe, Bassoon, Clarinet in Bb 1., 2., 3., Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1., 2., 3., Horn in F, Horn in Eb, Euphonium in Bb (T.C.), Euphonium in C (B.C.), Trombone 1., 2., 3., Tuba 1., 2.
$24.99
22.76 €
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Concert band
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Béla Szabados
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Hungarian Credo / Magyar Hiszekegy
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Horváth Adrián
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SheetMusicPlus
Petr Il'ich Chajkovskij - Io credo: risorgerò SATB
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.828726 Composed by Petr Il…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.828726 Composed by Petr Il'ich Chajkovskij, Tchaykovsky. Arranged by Guido Menestrina. Praise & Worship,Romantic Period. Octavo. 3 pages. Guido Menestrina #1818539. Published by Guido Menestrina (A0.828726). Testo liberamente adattato per la notte di Pasqua da Guido Menestrina; musica dalla Heruvimskaja Pesn' (Canto dei Cherubini) all'interno della Lityurgia di S.Giovanni Crisostomo, op. 41, di Petr Ilich Chajkovskij. Nell'adattamento del testo ho voluto ricreare anche con la parole una netta contrapposizione tra la prima parte (lo sconforto di Gesù sulla croce) e la seconda: la gioia della resurrezione. My Italian setting of P.I.Tchaykovsky's Cherubim's song from Liturgy of St. John Chrysostom, Op.41; Italian text tries to express the heavy opposition between Jesus's My God, my God, why hast thou forsaken me? and his (our) strong faith in resurrection (I believe: I will resurrect) Follow the score on youtube: https://youtu.be/08bWBUm_JE8.
$3.99
3.63 €
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Choral SATB
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Petr Il'ich Chajkovskij, Tchaykovsky
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Petr Il'ich Chajkovskij - Io credo: risorgerò SATB
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Guido Menestrina
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SheetMusicPlus
Verdi-Credo in un Dio,in F Major,from Otello,for Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.675389 Composed by Verdi Giu…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.675389 Composed by Verdi Giuseppe. Arranged by Open Cloud. Classical,Romantic Period. Score. 9 pages. Open Cloud #6661811. Published by Open Cloud (A0.675389). This product is a digital sheet music in PDF format. The music was composed by Verdi (Verdi Giuseppe), 1813-1901,for Voice and Piano, published by More Sheet Music Press.
$7.99
7.28 €
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Piano, Voice
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Verdi Giuseppe
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Verdi-Credo in un Dio,in F Major,from Otello,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Credo - The Eternal Calvary
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1022698 Composed by Edward Alstrom/…
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Jazz Combo - Level 3 - Digital Download SKU: A0.1022698 Composed by Edward Alstrom/Digby Dolben. Contemporary,Jazz,Sacred. Score and parts. 12 pages. Ed alstrom #3580397. Published by ed alstrom (A0.1022698). From the Cantata Purple Dusk At The Margins
$1.99
1.81 €
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Jazz combo
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Edward Alstrom/Digby Dolben
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Credo - The Eternal Calvary
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ed alstrom
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SheetMusicPlus
Credo for piano and flute
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1102549 Composed by Sergey Beltiuk…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1102549 Composed by Sergey Beltiukov. Classical,Contemporary,Film/TV. Score and part. 7 pages. BFG Publishing LLP #705962. Published by BFG Publishing LLP (A0.1102549).
$5.00
4.55 €
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Flute and Piano
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Sergey Beltiukov
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Credo for piano and flute
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BFG Publishing LLP
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SheetMusicPlus
String Quartet No. 24 (Credo)
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.8…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.862962 Composed by Jordan Grigg. 20th Century,Classical,Concert,Spiritual,Standards. Score and parts. 78 pages. Jordan Grigg #3089521. Published by Jordan Grigg (A0.862962). I 0:00II 4:05III 7:28IV 11:53V 16:45VI 22:07VII 30:53
$64.95
59.14 €
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String Quartet: 2 violins, viola, cello
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Jordan Grigg
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0:00
II 
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String Quartet No. 24
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Jordan Grigg
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SheetMusicPlus
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