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DEBUSSY Prélude
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Debussy: Prélude à l'après-midi d'un faune - symphonic wind
Bassoon,Clarinet,Double Bass,Flute,Oboe/English Horn - Level 5 - Digital Download SKU: …
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Bassoon,Clarinet,Double Bass,Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1377677 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Chamber,Classical. 62 pages. RayThompsonMusic #962154. Published by RayThompsonMusic (A0.1377677). Prélude à l'après-midi d'un faune arranged wind decet/dectet (double wind quintet/bass)Additional flute 3/cor anglais.(They are not essential and can be omitted)Prélude à l'après-midi d'un faune (L. 86), known in English as Prelude to the Afternoon of a Faun, is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret.The flute solo was played by Georges Barrère.The composition was inspired by the poem L'après-midi d'un faune by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of Western art music as well as a masterpiece of Impressionist composition. Pierre Boulez considered the score to be the beginning of modern music, observing that the flute of the faun brought new breath to the art of music.Debussy's work later provided the basis for the ballet Afternoon of a Faun choreographed by Vaslav Nijinsky and a later version by Jerome Robbins.
$29.95
26.82 €
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Claude Debussy
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Debussy: Prélude à l'après-midi d'un faune - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Debussy Preludes, Livre 1, L.117 Book 1, No.6 Des Pas sur la Neige - For Piano Solo Original
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1361973 Composed by Claude Debussy.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1361973 Composed by Claude Debussy. Arranged by poon. Classical. Score. 2 pages. Poon #946431. Published by poon (A0.1361973). Debussy Prélude in D Minor, Livre 1, L.117 Book 1, No.6 Des Pas sur la Neige - For Piano Solo Original.
$1.99
1.78 €
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Piano solo
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Claude Debussy
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Debussy Preludes, Livre 1, L.117 Book 1, No.6 Des Pas sur la Neige - For Piano Solo Original
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poon
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
17.87 €
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Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy (arr. Lee): Prélude à l'après-midi d'un faune, Full Score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude Debussy. Arranged by Yoon Jae Lee. 20th Century,Romantic Period. Score and parts. 33 pages. Ondine Press #1911907. Published by Ondine Press (A0.866060). Instrumentation: 1. 1. 2. 1 - 2. 0. 0. 0 - 1 perc. 1 hrp – str This arrangement of Debussy's ground-breaking masterwork is a welcome addition to the repertoire for chamber orchestras everywhere. Emphasizing the work’s intimate character, it remains faithful to the original without any loss of Debussy's use of instrumental colors. This arrangement is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Can be per performed with approximately 23 to 29 players. View perusal score: http://issuu.com/ondinepress/docs/debussy_prelude Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$30.00
26.87 €
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Chamber Orchestra
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Claude Debussy
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Debussy
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Ondine Press
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.88 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Preludes, Book I, L.117 - No. 8 The Girl with the Flaxen Hair
Flute
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Flute
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Debussy
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Tomplay
Preludes, Book I, L.117 - No. 8 The Girl with the Flaxen Hair (Original Version)
Piano solo
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3.99 €
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Piano solo
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Debussy
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Tomplay
Preludes, Book I, L.117 - No. 8 The Girl with the Flaxen Hair
Clarinet
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2.99 €
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Clarinet
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Debussy
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Tomplay
Preludes, Book II, L.123 - No. 5 Bruyères
Piano solo
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3.99 €
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Piano solo
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Debussy
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Tomplay
Preludes, Book I, L.117 - No. 6 Footprints In The Snow
Piano solo
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3.99 €
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Piano solo
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Debussy
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Tomplay
Preludes, Book II, L.123 - No. 10 Canope
Piano solo
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
3.99 €
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Piano solo
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Debussy
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Tomplay
Preludes, Book I, L.117 - No. 8 The Girl with the Flaxen Hair
Piano solo
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Piano solo
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Debussy
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Tomplay
Préludes, Book I, L.117 - No. 8 The Girl with the Flaxen Hair
Violin
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4.99 €
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Violin
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Debussy
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Tomplay
Préludes, Book I, L.117 - No. 10 The Submerged Cathedral (La Cathédrale engloutie)
Piano solo
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3.99 €
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Piano solo
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Debussy
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Tomplay
Préludes, Book I, L.117 - No. 8 The Girl with the Flaxen Hair
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Piano solo
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Debussy
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Tomplay
DEBUSSY Prélude (Suite Bergamasque) for string orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.963669 Composed by Claude Deb…
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String Orchestra - Level 4 - Digital Download SKU: A0.963669 Composed by Claude Debussy. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 17 pages. Ian Butterworth #5793659. Published by Ian Butterworth (A0.963669). An effective arrangement of the 1st movement from the Suite: Bergamasque: interesting parts for all instruments.  Copying of individual parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$9.99
8.95 €
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String Orchestra
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Claude Debussy
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DEBUSSY Prélude
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Ian Butterworth
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SheetMusicPlus
Claude Debussy: Prélude à L'Après-midi d'un Faune, - Bb clarinet and piano
Clarinet and Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.533456 Composed by Claude Debus…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.533456 Composed by Claude Debussy. Arranged by Paul Wehage. 20th Century,Concert,Standards. Score and part. 27 pages. Musik Fabrik Music Publishing #2967881. Published by Musik Fabrik Music Publishing (A0.533456). Debessy's impressionist masterpiece, arranged for Bb clarinet and piano by Paul Wehage
$15.95
14.28 €
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Clarinet and Piano
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Claude Debussy
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Claude Debussy: Prélude à L'Après-midi d'un Faune, - Bb clarinet and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Prélude à "L'après-midi d'un faune" for Wood5+Piano and Marimba(with Vibraphone):
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.921412 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.921412 Composed by Claude Debussy. Arranged by Isao Tsuruhara. 20th Century. 15 pages. TsuruharaMusic #5988543. Published by TsuruharaMusic (A0.921412). Arranged for Flute,Oboe,Clarinet in A,Bassoon,Horn in F, Piano and Marimba(with Vibraphone) by Isao Tsuruhara
$29.99
26.86 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Claude Debussy
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Claude Debussy: Prélude à "L'après-midi d'un faune" for Wood5+Piano and Marimba(with Vibraphone):
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TsuruharaMusic
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SheetMusicPlus
Bruyeres (from Préludes / Book 2, L. 123:5) - As played By Víkingur Ólafsson
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.597507 By Claude Debussy and VÃk…
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Piano Solo - Level 3 - Digital Download SKU: A0.597507 By Claude Debussy and VÃkingur Ólafsson. By Claude Debussy. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #6331203. Published by Flavio Regis Cunha (A0.597507). Are you an aspiring pianist looking for that special piece to bring out your technical and artistic abilities? Look no further – VÃkingur Ólafsson's interpretation of Claude Debussy's 'Bruyeres' (from Préludes / Book 2, L. 123:5) is sure to impress!  With its graceful melodies, beautiful ambiance and intricate form, it's easy to see why 'Bruyeres' remains one of Debussy's most beloved pieces. Now you can take your skill as a pianist to the next level with VÃkingur Ólafsson's performance of the work – and share his mesmerising journey through the music.  Easy to read and follow, use the sheet music to dazzle your friends and bring Debussy's 'Bruyeres' into your own practice room. Order now and find out why this is a must-have for amateurs and professionals alike!Advanced Intermediate Level.Format: Concert 9 x 12 inches.5 Pages.Program NotesBruyeres is a short musical composition for solo piano written by the French composer Claude Debussy. It is one of the pieces included in his second book of Préludes, and is marked Allegretto ma non troppo. This piece has been described as “Pastoraleâ€, due to its innocent melodic lines and its depictions of a rural landscape. The piece begins with a rather dreamy, wistful melody. From there, the piece develops as it moves into more complex harmonic shapes, and its energy increases with the building little rhythms. By the end, the music has worked its way into a dynamic and exciting climax. This piece is a great example of Debussy’s masterful skill in transforming ordinary sounds into something larger and more beautiful; something that truly captures the emotion of being in a field of heather.
$5.99
5.36 €
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Piano solo
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Claude Debussy and VÃkingur Ólafsson
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Bruyeres
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Flavio Regis Cunha
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.88 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Three Debussy Preludes for Bassoon Quartet
4 Bassoons
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 5 - Digital Download SKU: A0.955717
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 5 - Digital Download SKU: A0.955717 Composed by Claude Debussy. Arranged by Phil Thrift. 20th Century. 38 pages. Phil Thrift #5310217. Published by Phil Thrift (A0.955717). Claude Debussy’s two sets of Préludes for piano have always been among my favorites and I have selected these three from Livre 1 because they work well on low instruments. The first and third preludes can be played on four bassoons, but the second requires the fourth player to switch to contrabassoon, although an alternative bassoon part is included. If you are unfamiliar with the Préludes, I suggest you listen to some recordings first to get an idea of what these pieces are all about. You can then perhaps introduce your own ideas. Debussy specified the very slow tempo for Footprints…, but the other tempos are just my suggestions. Likewise, the translations of the less familiar French terms are mine, and you may wish to rethink them.
$7.99
7.16 €
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4 Bassoons
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Claude Debussy
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Three Debussy Preludes for Bassoon Quartet
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Phil Thrift
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SheetMusicPlus
Three Debussy Preludes for Euphonium Quartet
Euphonium
Euphonium Solo - Level 4 - Digital Download SKU: A0.955741 Composed by Claude Debus…
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Euphonium Solo - Level 4 - Digital Download SKU: A0.955741 Composed by Claude Debussy. Arranged by Phil Thrift. 20th Century,Classical. Individual part. 55 pages. Phil Thrift #6362953. Published by Phil Thrift (A0.955741). Claude Debussy’s two sets of Préludes for piano have always been among my favorites and I have selected these three from Livre 1 because they work well on low instruments. If you are unfamiliar with the Préludes, I suggest you listen to some recordings first to get an idea of what these pieces are all about. You can then perhaps introduce your own ideas. Debussy specified the very slow tempo for Footprints…, but the other tempos are just my suggestions. Likewise, the translations of the less familiar French terms are mine, and you may wish to rethink them. These pieces will really test your quartet’s ability to play together.The score is in bass clef, but alternative treble clef parts are included.
$7.99
7.16 €
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Euphonium
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Claude Debussy
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Three Debussy Preludes for Euphonium Quartet
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Phil Thrift
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SheetMusicPlus
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.13666…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (neÌe Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich
$14.95
13.39 €
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Claude Debussy
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Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
Suite Bergamasque, No. 1 Prélude (Symphonic Band)
Concert band
Concert Band - Digital Download SKU: A0.830747 Composed by Claude Debussy. Arranged…
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Concert Band - Digital Download SKU: A0.830747 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 131 pages. Richard Byrnes #4894471. Published by Richard Byrnes (A0.830747). Suite Bergamasque was composed around 1890. It was then revised and published in 1905. The title is derived from the city of Bergamo in the Italian Alps and serves as a tribute to French Baroque harpsichordists. It is comprised of 4 movements: Prélude, Menuet, Clair de lune, and Passepied.This festive prelude (Mvt. 1) offers a noble opening movement for this very famous suite.In addition to works by Debussy, we offer works by J.S. Bach, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$59.99
53.73 €
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Concert band
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Claude Debussy
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Suite Bergamasque, No. 1 Prélude
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Richard Byrnes
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SheetMusicPlus
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
Orchestra
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by…
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Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107. Published by RayThompsonMusic
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.<br> <br> This is my arrangement of that movement.based on Ravel's orchestration.<br> <br> Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass<br> Clarinet parts are for clarinets in A<br> Oboe 2 is for cor anglais
$14.95
13.39 €
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Orchestra
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Claude Debussy (1862-1918)
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Debussy: Sarabande
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RayThompsonMusic
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SheetMusicPlus
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