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You've selected:
Dance from Invocation and Dance
Sheetmusic to print
8 sheet music found
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1
Invocation & Dance - Score Only
Bassoon, Piano (duet)
Bassoon,Piano - Level 4 - Digital Download SKU: A0.1401689 Composed by Robert A. Ho…
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Bassoon,Piano - Level 4 - Digital Download SKU: A0.1401689 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score and part. 10 pages. Robert A. Howard #984859. Published by Robert A. Howard (A0.1401689). 'Invocation and Dance' begins with an introductory summons call from the bassoon (with piano chords), outlining the irregular metre feature of the whole work. Then follows the main dance section, in ternary form. Its main A section material centres around C (which returns with variation towards the end), and consists of a jaunty 7/8 bassoon theme, accompanied by unsettled piano harmonies. The contrasting central B section, in the dominant key, continues to explore irregular metre with 'hiccups' in the rhythm, as piano 'oom cha' chords support a bassoon melody based mainly on fourths. The opening invocation call recurs in slight variation at the end to bring the work full circle. Note: the score provided also serves as the piano part.Duration: 5 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$5.99
5.43 €
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Bassoon, Piano (duet)
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Robert A
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Invocation & Dance - Score Only
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Robert A. Howard
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SheetMusicPlus
Invocation and Dance (Downloadable Choral Score)
Choral TTBB
TTBB choir, piano or chamber orchestra (Orchestra Version I: Harp Piano four-hands, Timpan…
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TTBB choir, piano or chamber orchestra (Orchestra Version I: Harp Piano four-hands, Timpani/Vibraphone/Glockenspiel/Xylophone (two Players), Strings (min 3-2-2-2-1). Piano/Percussion Version II: Piano four-hands, Vibraphone/Glockenspiel/Xylophone (two Players)) - Digital Download SKU: MQ.4179-E Composed by David Conte. Score. 21 pages. E. C. Schirmer Music Company - Digital #4179-E. Published by E. C. Schirmer Music Company - Digital (MQ.4179-E). Based on a text drawn from Walt Whitman's When Lilacs Last at the Dooryard Bloom'd. A hymn to nature and the place of death within the cycle of life on earth. Choral score- for use with versions I & II.
$3.20
2.9 €
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Choral TTBB
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David Conte
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Invocation and Dance
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Invocation and Dance (Downloadable Choral Score)
Choral SATB
SATB choir, chamber orchestra or piano - Moderately Difficult - Digital Download SKU: M…
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SATB choir, chamber orchestra or piano - Moderately Difficult - Digital Download SKU: MQ.4378-E Composed by David Conte. 32 pages. E. C. Schirmer Music Company - Digital #4378-E. Published by E. C. Schirmer Music Company - Digital (MQ.4378-E). Based on a text drawn from Walt Whitman's When Lilacs Last at the Dooryard Bloom'd. A hymn to nature and the place of death within the cycle of life on earth. Invocation and Dance is included on the album Facing West: Choral Music of Conrad Susa and David Conte. Duration: 13:00.
$3.35
3.04 €
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Choral SATB
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David Conte
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Invocation and Dance
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Dance from Invocation and Dance (Downloadable Choral Score)
TTBB with piano or chamber orchestra - Digital Download SKU: MQ.4179B-E Composed by…
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TTBB with piano or chamber orchestra - Digital Download SKU: MQ.4179B-E Composed by David Conte. 15 pages. E. C. Schirmer Music Company - Digital #4179B-E. Published by E. C. Schirmer Music Company - Digital (MQ.4179B-E).
$2.85
2.58 €
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David Conte
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Dance from Invocation and Dance
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Sweet Angels Come Nearer: from Angel of Light
Choral SATB
SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: …
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SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8779-E Composed by Kevin Siegfried. All Saints/All Souls. 6 pages. E. C. Schirmer Music Company - Digital #8779-E. Published by E. C. Schirmer Music Company - Digital (MQ.8779-E). English.Sweet Angels Come Nearer is the opening movement of Angel of Light, a cantata based on Shaker texts and melodies. Adapted from a Shaker song from the 1870s, Sweet Angels Come Nearer serves as a gentle and inviting choral invocation. Throughout Shaker history, angels have played a significant role as messengers of guidance, strength, encouragement, and inspiration, often manifesting through the medium of song.
$2.25
2.04 €
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Choral SATB
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Kevin Siegfried
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Sweet Angels Come Nearer: from Angel of Light
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.4 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.58 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Piano Suite #1 (Ancient Scenes)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.976506 Composed by James Domine. 20…
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Piano Solo - Level 5 - Digital Download SKU: A0.976506 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 49 pages. Earth Music, Ltd. #2081751. Published by Earth Music, Ltd. (A0.976506). Based on the myth of Taliesin, the Ancient Scenes concert suite is made up of five piano solo arrangements extracted from the Legend complete ballet. These are the Invocation, Processional March, Fire Dance, Snake Dance (The Oracular Serpent) and Bacchanal. The music of the Invocation prepares for the reenactment of the myth of the Sun King, whose life and subsequent sacrifice is executed to placate the wrath of the Moon Goddess. According to legendary accounts, King Maelgwynhad determined to offer Taliesin as the sacrificial victim, and led him off in chains to the cadence of the Processional March to the dungeon at Dyganwy where along with Prince Elphin he was imprisoned. The King caused a great sacrificial funeral pyre to be built, stacked high with wood and stoked by burning embers taken from a fir tree, still smoldering from a winter’s storm lightning strike. The people of Gwynedd leapt in a furious sacrificial Fire Dance as Taliesin was brought enmeshed in a wicker cage to the edge of the pyre. A great snake appeared before the fire, coiling threateningly, and rearing up with a fearful hiss, spoke to Taliesin as the Snake Dance unfolds: Can you answer the riddle of the oracular serpent? As soon as Taliesin answered the correct mysterious formula in secret words only audible to the snake, the flames of the pyre roared back into life, and the serpent disappeared into fire to the sound of drums pounding an inexorable rhythm. King Maelgwyn was seized by his own soldiers and thrown without ceremony on the burning maelstrom, and led by the High Priest and the Council of Elders, Taliesin was proclaimed Sun King, who will reign for a period of seven years. All join in a great Bacchanal in celebration of the preservation of order in the universe.
$14.99
13.59 €
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Piano solo
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James Domine
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Piano Suite #1
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Earth Music, Ltd.
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SheetMusicPlus
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