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You've selected:
Dances in Six-Eight
Sheetmusic to print
9 sheet music found
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1
Dances in Six-Eight
Violin, Cello (duet)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.8…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.836163 Composed by Traditional. Arranged by Edna J. Bloom. Instructional,World. Score and parts. 5 pages. Bloom Musicnotes #3690727. Published by Bloom Musicnotes (A0.836163). Part of the Compound Meter Project, Dances in Six-Eight begins with simple 8th notes. It progresses through the basic rhythm combinations used in the six-eight time signature, ending with an example using both duple and triple groupings. There are six attractive dance melodies presented in both all treble and all bass formats. This document will be a handy tool to introduce and reinforce compound meter in both classroom and private instruction. .
$2.99
2.71 €
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Violin, Cello (duet)
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Traditional
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Dances in Six-Eight
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Bloom Musicnotes
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SheetMusicPlus
Six-Eight
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1378329 Composed by Matyas Seiber. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1378329 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional. Score. 1 pages. Thomas Swee Chin #962952. Published by Thomas Swee Chin (A0.1378329). Mátyás Seiber's Six-Eight from Easy Dances Vol. 2 is a spirited and engaging piece that captures the lively essence of a dance in 6/8 time signature. As part of the Easy Dances series, this composition is tailored to intermediate pianists, offering accessible yet musically rewarding material.The piece unfolds with a buoyant and rhythmic melody, characterized by its jaunty syncopations and energetic pace. Seiber's skillful use of the 6/8 time signature creates a sense of momentum and forward motion, evoking the lively atmosphere of a dance hall.Throughout the piece, Seiber incorporates playful rhythmic patterns and dynamic contrasts, keeping the music vibrant and engaging from start to finish. The melodic lines are catchy and memorable, inviting listeners to tap their feet and sway along with the music.Harmonically, Six-Eight features a blend of traditional tonalities and modern jazz-inflected chords, adding depth and richness to the overall sound. The harmonies provide a colorful backdrop for the melody, enhancing its expressive impact and giving pianists ample opportunity for interpretation and expression.Whether performed as a standalone piece or as part of a set, Six-Eight is sure to delight audiences with its infectious energy and irresistible charm. It is a testament to Seiber's ability to create music that is both accessible and artistically satisfying, making it a welcome addition to any pianist's repertoire.
$4.80
4.35 €
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Piano solo
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Matyas Seiber
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Six-Eight
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Thomas Swee Chin
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SheetMusicPlus
The Four Seasons in the Basque Country
Concert band
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
90.67 €
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
Variations in D major on “Procession of the Sardar” from Caucasian Sketches, Suite No. 1, Opus 10
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1486010 Composed by Mikhail Mikhayl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1486010 Composed by Mikhail Mikhaylovich Ippolitov-Ivanov. Arranged by Constance Shelengian. 20th Century. Score. 8 pages. Constance Shelengian #1063063. Published by Constance Shelengian (A0.1486010). Procession of the Sardar was composed in 1894 by Mikhail Ippolitov-Ivanov (1859-1935). The melody is derived from Russian composer Ippolitov-Ivanov's Caucasian Sketches, Suite No. 1, Op. 10, Movement 4. In these variations, the opening eight-bar theme provided the inspiration for the work. Armenians identify with the theme as a patriotic song Zeitountsiner or Arevn Yelav, Zeitountsiner (The sun rose, people of Zeitoun). In this arrangement for piano, the five variations in D major are a step lower, suited for the intermediate player. The original key for orchestra is E major. Techniques of motivic development include changes in: style, tonality, harmonization, meter (5/4) and tempo. The last variation is an homage to the Armenian composer Komitas Vardapet (1869-1935), based on his “Dance #1” from Six Dances for Piano.Extensive background notes provided.Duration: 4:38.
$5.99
5.43 €
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Piano solo
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Mikhail Mikhaylovich Ippolitov-Ivanov
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Variations in D major on “Procession of the Sardar” from Caucasian Sketches, Suite No. 1, Opus 10
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Constance Shelengian
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SheetMusicPlus
Five Dances from Terpsichore for Easy Piano
Easy Piano
Composed by Michael Praetorius et al. Arranged by Colin Kirkpatrick. Instructional, …
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Composed by Michael Praetorius et al. Arranged by Colin Kirkpatrick. Instructional, Renaissance. Score. 11 pages. Colin Kirkpatrick Publications #690673. Published by Colin Kirkpatrick Publications
Here’s a great way to explore some of the most popular European dance music of the early seventeenth century. This book contains easy piano arrangements of several dances from dance collection entitled Terpsichore published by Michael Praetorius in 1612. At the time he was one of the most famous musicians in Germany and the publication consisted of over three hundred dances in four, five and six parts. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available. The five dances in this set actually include eight different numbers. These arrangements are based on the original 1612 publication, which did not include dynamics, phrasing or articulations. Any shown in these arrangements are the suggestion of the arranger. The keyboard parts have been fully fingered though fingering is omitted from repeated sections to encourage the player to memorize them. If the music is being played on a digital piano, the harpsichord sound (if available) might sound more authentic. The music is printed in fairly large easy-to-read notation and this collection would be ideal for the elementary keyboard player. The audio sample contains (1) Volta (2) Two Courantes and (3) La Bourée.
$4.99
4.52 €
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Easy Piano
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Michael Praetorius et al
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Five Dances from Terpsichore for Easy Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Wir bauen eine Stadt
Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. …
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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
$15.99
14.5 €
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Paul Hindemith
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Wir bauen eine Stadt
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Schott Music - Digital
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SheetMusicPlus
A Collection of New Cotillions First Set - CONDUCTOR'S SCORE ONLY
Concert band
Concert Band (optional solo piano) - intermediate - Digital Download SKU: AQ.AMC-WB-003…
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Concert Band (optional solo piano) - intermediate - Digital Download SKU: AQ.AMC-WB-003SCO Composed by Francis Johnson. Arranged by Kenneth Amis. Music of Black Composers and Artists. Conductor score. 40 pages. Amis Musical Circle - Digital #AMC-WB-003SCO. Published by Amis Musical Circle - Digital (AQ.AMC-WB-003SCO). 11 x 17 inches.The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.
$12.00
10.88 €
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Concert band
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Francis Johnson
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A Collection of New Cotillions First Set - CONDUCTOR'S SCORE ONLY
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Amis Musical Circle - Digital
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SheetMusicPlus
The Danserye Suite for Symphonic Brass Ensemble & Percussion
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.811243 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.811243 Composed by Tielman Susato. Arranged by Andrew Poirier. Baroque,Classical,Renaissance. Score and parts. 189 pages. Gordon Cherry #6424533. Published by Gordon Cherry (A0.811243). In 1551 while residing in Antwerp, Susato composed a collection of sixty popular dances, La Danserye for a four-part instrumental group. Andrew Poirier has selected and deftly arranged eight of these Renaissance dances titled The Danserye Suite for 13-part Symphonic Brass Ensemble and Percussion for advanced performers:1. La Mourisque2. Bergeret3. Les Quatre Branles4. Trombonen5. Den hoboecken dans6. Ronde & Aliud7. Basse danse: Mon desir8. Pavane: La BattailleInstrumentation is for: 4 Trumpets (incl. Piccolo & Flugelhorns), 4 Horns, 3 Trombones with opt. Euphonium, Tuba, Percussion (3 performers).Mr. Poirier's arrangement is the first for this sized group and is dedicated to the Vancouver Brass Orchestra debut performance in 2019.The first movement, La Mourisque is beautifully performed by the VBO on the soundtrack sample below.
$45.00
40.8 €
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Jazz Ensemble
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Tielman Susato
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Aliud
7
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The Danserye Suite for Symphonic Brass Ensemble & Percussion
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Gordon Cherry
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SheetMusicPlus
ZATTEN Concerto for Trumpet with Piano accompaniment
Trumpet, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. …
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. 21st Century. Piano Reduction, Solo Part. 24 pages. Published by Cherry Classics Music
Zatten was commissioned in 2005 by Trumpeter Paul Neebe during the composer's vacation to do ancestral research in the town of Zatten, currently part of Poland.<br> <br> Roger Petrich writes the following about his Zatten Concerto for Trumpet:<br> <br> "The 'DNA' of this compostion tracks back to my great-grandfather and the tiny Plattdeutsch village where he was born. Zatten, [then] located in the eastern part of Berlin/Brandenburg is in an area of forest and small farms dating back to the 1600's. My grandfather R. T. Petrich, whose initials I bear, was six years old when he, along with his parents, sister, and older brother left Prussia to start a new life in the USA.<br> <br> My own childhood memories include many visits to the family homestead in Dakota Territory, where I used to play in the barn which hosted many summer dances. The Dakota sky was vast by day, and nights could become magical with the addition of the Northern Lights. Though not a professional musician, my father kept up his trumpet playing all his life. In a special way it was his "voice" - a sound that deeply imprinted all my growing up years. All of this is mixed together in my Zatten Concerto"<br> <br> The Zatten Concerto is in three movements, the two outer movements faster and the middle is a Largo. This work is written for Trumpet in C and is appropriate for advanced performers.<br> <br> The title Zatten (the name of the small village in Germany where his family was located before immigrating to the USA) is spelled out in Morse Code in the very opening eight bars of the work. The Concerto is originally written for Trumpet and String Orchestra, this version using a reduction for Piano.
$30.00
27.2 €
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Trumpet, Piano
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Petrich, Roger
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ZATTEN Concerto for Trumpet with Piano accompaniment
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Cherry Classics Music
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SheetMusicPlus
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