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Dat Dere - Full Score
SheetMusicPlus
Sheetmusic to print
41 sheet music found
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26
Dat Dere
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893303 By Julian Cannonball …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893303 By Julian Cannonball Adderley. By Bobby Timmons. Arranged by Rob Ames. Jazz. Score. 10 pages. Rob Ames #6273627. Published by Rob Ames (A0.893303). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase.  Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.
$4.99
4.54 €
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Piano, Voice
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Julian Cannonball Adderley
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Dat Dere
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Rob Ames
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SheetMusicPlus
Dat Dere
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1319737 By Julian Cannonball Adderl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1319737 By Julian Cannonball Adderley. By Bobby Timmons and Oscar Brown, Jr. Arranged by Sebastian Lafarge. 20th Century,Blues,Early Music,Jazz,Ragtime. Score. 2 pages. Sebastián Lafarge #908292. Published by Sebastián Lafarge (A0.1319737).
$6.99
6.36 €
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Piano solo
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Julian Cannonball Adderley
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Dat Dere
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Sebastián Lafarge
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SheetMusicPlus
Coventry Carol - Concert Band with Optional Vocal, Piano and Strings Score and Parts PDF
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.750801 Composed by 16th Century E…
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Concert Band - Level 3 - Digital Download SKU: A0.750801 Composed by 16th Century English Christmas Carol. Arranged by Brendan Elliget MAGA 537. A Cappella,Christmas. Score and parts. 50 pages. BJE Music #3603901. Published by BJE Music (A0.750801). Coventry Carol - Concert Band (With optional Vocal, Piano and String Parts) Score and Parts PDFThe Coventry Carol is an English Christmas carol dating from the 16th [or 15th] century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children.
$30.00
27.29 €
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Concert band
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16th Century English Christmas Carol
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Coventry Carol - Concert Band with Optional Vocal, Piano and Strings Score and Parts PDF
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BJE Music
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SheetMusicPlus
Andate con ella. Tango por Alfredo Ernesto Dalton y Norberto Horacio Ramos
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1120958 By Alfredo Ernesto Dalton. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1120958 By Alfredo Ernesto Dalton. By Norberto Horacio Ramos. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #722148. Published by Juan Carlos Cortés Aguirre (A0.1120958). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. AntologÃa especial con tangos y valses cantados por Enrique Campos. Andate con ella. Tango Letra: Alfredo Dalton (Alfredo Ernesto Dalton) Música: Norberto Horacio Ramos RECITADO: No te creas ser más hombre, porque reaccionas asÃ. Llámala, andate con ella, que es ir detrás de una estrella, que al final, te hará feliz... INTRODUCCIÓN: Hacé lo que te digo, no dejes que se vaya, no ves que no hay derecho, que la trates asÃ. Bastante has torturado, su amor, su fe, su alma, llamala te lo ruego, haceme caso a mÃ. Por qué le reprochaste, mil cosas que no existen, mil cosas que dijeron, la gente por ahÃ, acaso la conoces, acaso vos la viste, no ves que a vos te hacen, lo que me han hecho a mÃ. Andate con ella, no seas cobarde, llamala te digo, después será tarde, llenala de besos, de amor, de cariño, no sea que un dÃa después, te arrepientas, y llores de pena, lo mismo que un niño. Llamala te digo, hacelo por mÃ… Y andate con ella… Que serás feliz. RECITADO: Yo sé por experiencia, lo que te están haciendo, mil cosas me contaban, buscando la maldad, hacÃan de su vida, el mundo más horrendo, la gente me decÃa: ¿Por qué, por qué no la dejás? CANTADO: Y sin embargo hermano, luché por su cariño, traté de comprenderla, su vida me contó. Te juro por mis ojos, no estoy arrepentido, la quiero más que nunca, con todo el corazón. Llámala te digo, hacelo por mÃ, y andate con ella, que serás feliz.
$7.99
7.27 €
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Piano solo
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Alfredo Ernesto Dalton
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Andate con ella. Tango por Alfredo Ernesto Dalton y Norberto Horacio Ramos
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Tamo daleko
2 Accordions
Accordion duet - Easy/Beginner - Digital Download Arranged by Zoran Radanovic. Worl…
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Accordion duet - Easy/Beginner - Digital Download Arranged by Zoran Radanovic. World, Folk, European. Score. 4 pages. Published by Zoran Radanovic
I made this arrangement for most famous song from ex Yugoslavia and from Balkan. I wrote for two accordion or for two solo instruments with bass, fingering and with lyrics.<br> Ich habe diese Arrangement für berühmteste Lied aus ex Jugoslawien und aus Balkan gemacht. Ich habe für zwei Akkordeon oder für zwei solo Instrumente mit Bass, Fingersatz und Text geschrieben.<br> Ovaj aranzman sam napravio za najpoznatiju pesmu iz bivse Jugoslavije i Balkana. Napisao sam ju za dve harmonike ili za dva solo instrumenta sa basom, prstometom i tekstom.<br> Tamo daleko is a Serbian folk song which was composed on the Greek island of Corfu in 1916 to commemorate the Serbian Army's retreat through Albania during World War I. It is played in triple metre and begins solemnly in a minor key before switching to the relative major of the dominant key in the third line of the first verse, symbolizing hope before returning to the tonic minor key from the beginning. The lyrics to the song come in multiple versions, all of which end with the line "long live Serbia!" <br> Tamo daleko (kyrillisch: Тамо далеко; Deutsch: Dort, weit weg) ist ein traditionelles serbisches Lied aus dem Ersten Weltkrieg. Das Lied wird als Hymne der serbischen Soldaten betrachtet, die außerhalb Serbiens für ihr Land kämpften.<br> Tamo daleko wird von einem serbischen Soldaten gesungen, der auf Korfu stationiert ist. Die Streitkräfte Serbiens hatten sich über Nordalbanien auf die Insel zurückgezogen und wurden von den Mittelmächten bekämpft.Der Soldat singt von seinem Heimatdorf, der zerstörten Kirche, in der er heiratete, und dem katastrophalen Rückzug seiner Kameraden, von denen viele an Kälte, Hunger und Krankheiten starben.Das Lied ist auch eines der beliebtesten nostalgischen Lieder der serbischen Einwanderer, die nach dem Zweiten Weltkrieg nach Amerika zogen. Für diese Menschen bezieht sich das Lied auf die Entfernung zu ihrem Heimatland.<br> Balkan music - serbian music - Balkan Musik - serbische Musik - Balkanska muzika - srpska muzika
$4.89
4.45 €
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2 Accordions
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Tamo daleko
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Zoran Radanovic
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SheetMusicPlus
Angels We Have Heard on High - Christmas Carol Arrangement for Solo Piano with Narration by Stephen R Dalrymple, minimalist style
Piano solo
Piano Solo - Digital Download Arranged by Stephen R. Dalrymple (Dalrymple Designs). C…
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Piano Solo - Digital Download Arranged by Stephen R. Dalrymple (Dalrymple Designs). Contemporary Classical, Minimalism, Christmas. Score. 8 pages. Published by Dalrymple Designs
Angels We HaveHeard on High (minimalist)<br> <br> Christmas carolarrangement for piano solo with narration by Stephen R Dalrymple<br> <br> sequenced by thecomposer<br> <br> © 2018, ℗ 2020 Stephen R Dalrymple<br> <br> In 2017 I began researching andwriting a university level music textbook explaining contemporary classicalmusic composition techniques. In 2018 I finished the 300+ page manuscript and usedit to teach two university music course in Haiti that year.<br> <br> It had been many years since I hadtaken the course myself, and needed to add to my knowledge of late 20thCentury and early 21st Century classical music composition techniques.During my research I grew interested in a classical music minimalist styleinfluenced by Terry Riley and Philip Glass. I have tried to use some of theirideas in this composition. There are 10 sections that can be repeated,reordered, and combined so that the performer actually makes a contribution tothe creation of the work.<br> <br> Playing the piano at church behind areading of Luke 2, was my first experiment in this new form of music. When Ireturned home, I began to experiment in writing down the experience andrefining the work according to these minimalist ideas. The composition could beperformed with or without the narration, with a single narrator in a singlelanguage, or with the narration in multiple languages and/or with multiplevoices.<br> <br> Suitable for preludes,offertories, concerts, personal meditation. Includes 2 versions 1) piano score,letter size 2) piano score, small pageformat for performing from 10.1 inch tablet. UpdatedDecember 2020.<br> <br> (Note: Tell your computer whichpages you want to print. There are programs online that will allow you to splitpdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.09 €
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Piano solo
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Angels We Have Heard on High - Christmas Carol Arrangement for Solo Piano with Narration by Stephen R Dalrymple, minimalist style
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Dalrymple Designs
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SheetMusicPlus
Coventry Carol - Traditional (Voice & Ukulele)
Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - Digital Download SKU: A0.908385 Composed by Traditional. Arranged by John M. Licari. Christmas,Instructional,Sacred,Standards. Score and parts. 4 pages. Music Preparation Services #4987589. Published by Music Preparation Services (A0.908385). Coventry CarolTraditional; Arranged by John M. Licari (Voice & Ukulele)Music Preparation Services www.musicprepsevices.com See my other arrangements here: https://www.sheetmusicplus.com/publishers/music-preparation-services-sheet-music/3005054The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children. The music contains a well-known example of a Picardy third (G major cadence in the key of G minor). The author is unknown; the oldest known text was written down by Robert Croo in 1534, and the oldest known setting of the melody dates from 1591.[1] There is an alternative, modern setting of the carol by Kenneth Leighton, and another by Philip Stopford. (Taken from the Wikipedia Entry).This arrangement is for voice and ukulele (melody and chords).
$1.99
1.81 €
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Traditional
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Arranged by John M
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Coventry Carol - Traditional
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Music Preparation Services
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SheetMusicPlus
The Seasons
Mixed choir (SSSSAAAATTTTBBBB) - difficult - Digital Download SKU: S9.Q2830 Song…
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Mixed choir (SSSSAAAATTTTBBBB) - difficult - Digital Download SKU: S9.Q2830 Songs on poems of Scardanelli. Composed by Heinz Holliger. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 60 minutes. Schott Music - Digital #Q2830. Published by Schott Music - Digital (S9.Q2830). Fur eine Auffuhrung ist immer ein vollstandiger Jahreszyklus aus den zur Verfugung stehenden Liedern auszuwahlen (fur jede Jahreszeit ein Lied). Die romischen Ordnungszahlen konnen beliebig gemischt werden. Es kann mit jeder beliebigen Jahreszeit begonnen werden. Die Reihenfolge der Jahreszeiten bleibt aber immer (Winter) - Fruhling - Sommer - Herbst - Winter - (Fruhling) etc. Im Rahmen eines ganzen Programms konnen auch zwei oder sogar drei verschiedene Zyklen von je vier Liedern aufgefuhrt werden, jedoch nur, wenn die einzelnen Zyklen durch andere Werke voneinander getrennt werden. Die Titel der Lieder (ohne romische Zahlen) sollen vor Beginn des jeweiligen Liedes von dem Sprecher angesagt werden, der am Schluss auch die Signatur und die Datierung liest.Für eine Aufführung ist immer ein vollständiger Jahreszyklus aus den zur Verfügung stehenden Liedern auszuwählen (für jede Jahreszeit ein Lied). Die römischen Ordnungszahlen können beliebig gemischt werden. Es kann mit jeder beliebigen Jahreszeit begonnen werden. Die Reihenfolge der Jahreszeiten bleibt aber immer (Winter) - Frühling - Sommer - Herbst - Winter - (Frühling) etc. Im Rahmen eines ganzen Programms können auch zwei oder sogar drei verschiedene Zyklen von je vier Liedern aufgeführt werden, jedoch nur, wenn die einzelnen Zyklen durch andere Werke voneinander getrennt werden. Die Titel der Lieder (ohne römische Zahlen) sollen vor Beginn des jeweiligen Liedes von dem Sprecher angesagt werden, der am Schluss auch die Signatur und die Datierung liest.
$55.99
50.93 €
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Heinz Holliger
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The Seasons
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Schott Music - Digital
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SheetMusicPlus
Confucius Said...å”å說...String Trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Digital Download SKU: A0.903776 Composed by Alan Edga…
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String Ensemble,String Trio - Digital Download SKU: A0.903776 Composed by Alan Edgar. 20th Century,Contemporary,Holiday,Multicultural,World. Score and parts. 14 pages. Alan Edgar Ted Moon #6561443. Published by Alan Edgar Ted Moon (A0.903776). CONFUCIUS SAID: STRING TRIO violin, viola, cello. An interpretation of some of the annual ceremonial music honouring the great Chinese philosopher. Quotations of his sayings about music are included, for a performer to speak. This piece is inspired by the Confucius Birthday Ceremony, probably dating from the Chou Dynasty, 1046-221BCE.  The music, called Shao Music, has been played in all its magnificence since then. The event is highly choreographed and controlled musically, aiming to reflect and celebrate Confucius' philosphies of peace. Traditional Chinese music is primarily melodic, and western ears may feel the lack of harmonic richness. A player should read out the Confucius quotation at the beginning of each movement.   How to play... The melody and some of the bass line consists of the rows of pitch-classes in verses 1 and 2 of Honouring Confucius (Ta Tsai Kung-Tzu)  I have introduced rhythmic variety, harmony and some phasing and use the traditional pentatonic scale as rendered by the Chinese classical music instruments-drums, bells, flutes, and strings. The flute symbolises balance.  A man without...is a very short saraband, a courtly dance using all the pitches of verse 2 in order, with the strings muted.   It was by music... uses major triad fanfares where possible, with an occasional portamento.  Music produces a special... is a sensuous waltz: as with most of the movements, I have shamelessly used a tonal harmony under the notes of verse 4 (illustrated).  When music and courtesy... plays the notes of Verse 6 in quintuple time over a drone.  If one should desire...is a barefoot parade (gymnopedie?) in Satie's style.    Duration 7 minutes. Â
$6.00
5.46 €
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String Trio: violin, viola, cello
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Alan Edgar
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Confucius Said...å”å說...String Trio
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Alan Edgar Ted Moon
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SheetMusicPlus
Waldteufel. Bambuco No 4 Opus 1 No 21
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1120124 By Juan Carlos Cortés Ag…
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Piano Solo - Level 4 - Digital Download SKU: A0.1120124 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés Aguirre. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #721440. Published by Juan Carlos Cortés Aguirre (A0.1120124). Composición por: JUAN CARLOS CORTÉS A. Basado sobre temas melódicos del Vals Los patinadores del genial compositor francés Emil Waldteufel, con ritmo tradicional de Bambuco Colombiano en compás de 3/4. Composición con carácter derivado en derecho de autor, que data del año 1989, pero digitalizada el 30 de Marzo de 2012. Cabe destacar que tan caracterÃstico apellido francés se pronuncia foneticamente: Valtùlfel (Algunos pronuncian: Valtólfel).
$7.99
7.27 €
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Piano solo
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Juan Carlos Cortés Aguirre
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Waldteufel. Bambuco No 4 Opus 1 No 21
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Tambores de Chambacú - Cumbiamba por Lucho (Luis Eduardo) Bermúdez (Acosta)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1120576 By Luis Eduardo Bermúdez…
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Piano Solo - Level 4 - Digital Download SKU: A0.1120576 By Luis Eduardo Bermúdez Acosta. By Luis Eduardo Bermúdez Acosta. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #721822. Published by Juan Carlos Cortés Aguirre (A0.1120576). Transcripción para Piano Solo por: Juan Carlos Cortés A. Obra que data del año 1939, dedicada al popular sector de la ciudad de Cartagena de Indias denominado como Chambacú. Grabado con la voz de la célebre cantante de San Bernardo, Cundinamarca y criada en Icononzo, Tolima: Matilde DÃaz y acompañado por la orquesta del propio compositor. Cumbiamba: Cumbia es apocope (Pérdida de una o varias letras al final de una palabra) de cumbiamba, este término tiene relación con la voz antillana cumbancha que en Cuba se significa jolgorio o parranda, ambas se deriva de la voz negra cumbe, baile negro de la Guinea continental española o kumba palabra que según el antropólogo Fernando Ortiz significa hacer ruido. La Cumbia tiene su dominio en todo la costa norte de Colombia, partiendo de Cartagena, donde se supone tiene su nacimiento aunque en El Banco, Plato, Mompox y Cienaga, también reclaman ese derecho. Esta danza tradicional se extendió por todo el departamento de BolÃvar para seguir a Sucre, Córdoba, Cesar, Atlántico y Magdalena. Generalmente se confunde cumbia con cumbiamba pero en la practica son dos cosas diferentes, ya que cumbiamba se refiere al festival o lugar donde se baila, no solo cumbia; si no otros ritmos como bullerengue, mapalé, porro, etc. También se le llama cumbiamba a las comparsas que bailan cumbia en los carnavales de Barranquilla. En el Magdalena también se le dice asà a la reunión de bailadores de cumbia, en tanto es la tonada musical y coreográfica, aire tÃpico predominante en todo el litoral atlántico. Cumbia Tradicional del Caribe Colombiano inscrita en la Lista Representativa de Patrimonio Cultural de la Nación (2022).
$7.99
7.27 €
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Piano solo
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Luis Eduardo Bermúdez Acosta
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Tambores de Chambacú - Cumbiamba por Lucho
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Coventry Carol - Traditional (Voice & Guitar) - Arranged by John M. Licari
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.908412 Composed by Traditional. Arranged by John M. Licari. Christmas,Concert,Instructional,Renaissance,Standards. Score and parts. 4 pages. Music Preparation Services #6129687. Published by Music Preparation Services (A0.908412). Coventry CarolTraditional; Arranged by John M. Licari (Voice & Ukulele)Music Preparation Services www.musicprepsevices.com See my other arrangements here: https://www.sheetmusicplus.com/publishers/music-preparation-services-sheet-music/3005054The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children.
$1.99
1.81 €
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Traditional
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Arranged by John M
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Coventry Carol - Traditional
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Music Preparation Services
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SheetMusicPlus
Coventry Carol
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1285267 Composed by Trad. Arrange…
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Concert Band - Level 3 - Digital Download SKU: A0.1285267 Composed by Trad. Arranged by Mel Alexander. Christmas,Historic,Religious,Traditional. Score and Parts. 40 pages. Mel Alexander #876382. Published by Mel Alexander (A0.1285267). The Coventry Carol is an English Christmas carol dating from the 16th Century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearman and Tailors. The carol refers to the massacre of the innocents, in which King Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children.This setting opens with a verse of basic harmonisation, moving onto a more contrapuntal second verse, followed by a bass section lead in verse three. The final verse is tutti with a solo trumpet descant.
$39.99
36.37 €
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Concert band
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Trad
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Coventry Carol
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Mel Alexander
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SheetMusicPlus
Tamo daleko - for Bb trumpet duet
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1088658 Composed by serbi…
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1088658 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Traditional,Wedding,World. Score. 10 pages. Zoran Radanovic #692865. Published by Zoran Radanovic (A0.1088658). I made this arrangement for most famous song from ex Yugoslavia and from Balkan. I wrote for two Bb trumpets and with lyrics. WITH SET OF PARTS. Ich habe diese Arrangement für berühmteste Lied aus ex Jugoslawien und aus Balkan gemacht. Ich habe für zwei Bb Trumpets und Text geschrieben. MIT PARTITUREN. Ovaj aranzman sam napravio za najpoznatiju pesmu iz bivse Jugoslavije i Balkana. Napisao sam ju za dve Bb trube i tekstom.SA PARTITURAMA. Tamo daleko is a Serbian folk song which was composed on the Greek island of Corfu in 1916 to commemorate the Serbian Army's retreat through Albania during World War I. It is played in triple metre and begins solemnly in a minor key before switching to the relative major of the dominant key in the third line of the first verse, symbolizing hope before returning to the tonic minor key from the beginning. The lyrics to the song come in multiple versions, all of which end with the line long live Serbia! Tamo daleko (kyrillisch: Тамо далеко; Deutsch: Dort, weit weg) ist ein traditionelles serbisches Lied aus dem Ersten Weltkrieg. Das Lied wird als Hymne der serbischen Soldaten betrachtet, die außerhalb Serbiens für ihr Land kämpften. Tamo daleko wird von einem serbischen Soldaten gesungen, der auf Korfu stationiert ist. Die Streitkräfte Serbiens hatten sich über Nordalbanien auf die Insel zurückgezogen und wurden von den Mittelmächten bekämpft.Der Soldat singt von seinem Heimatdorf, der zerstörten Kirche, in der er heiratete, und dem katastrophalen Rückzug seiner Kameraden, von denen viele an Kälte, Hunger und Krankheiten starben.Das Lied ist auch eines der beliebtesten nostalgischen Lieder der serbischen Einwanderer, die nach dem Zweiten Weltkrieg nach Amerika zogen. Für diese Menschen bezieht sich das Lied auf die Entfernung zu ihrem Heimatland.
$3.99
3.63 €
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2 Trumpets (duet)
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serbian folk song
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Tamo daleko - for Bb trumpet duet
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Zoran Radanovic
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SheetMusicPlus
E intanto fuori piove
Piano Trio,String Ensemble - Digital Download SKU: A0.976888 Composed by Monica Ber…
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Piano Trio,String Ensemble - Digital Download SKU: A0.976888 Composed by Monica Bergo. Contemporary. Score and parts. 61 pages. Monica Bergo #3407377. Published by Monica Bergo (A0.976888). E INTANTO FUORI PIOVE Respiri così piano non mi vuoi disturbare aspetti che un sorriso ti possa illuminare sei dolce e delicato un angelo smarrito ti guardo e ho male al cuore e intanto fuori piove mentre mi stai a guardare respiro il tuo sapore e come fosse un mare m'immergo nel dolore dei voli tuoi inibiti dei sogni calpestati ti avrei potuta amare e intanto fuori piove Mi manca il fiato in questa stanza io ormai non riesco neanche a respirare e bussi al mio castello senza un re ma adesso io non posso farti entrare ed è lontano il giorno in cui per te sacrificavo tutto e offrivo il cuore ricordo bene le parole tue non sono un uomo , dai lasciami andare ora hai capito da che parte stai ma ero così stanca di aspettare e briciole d'amore su di noi 2 Peter Pan cresciuti mai le stelle più brillano più in fretta poi scompaiono pianeti che piangono e i miei colori sciolgono la pioggia che spegnerà le fantasie tue inutili regalami un'altra età ed occasioni nuove fuori piove mi incateni in questo limbo di domande e di rimpianto preferivo il tuo silenzio e sono strega e poi regina di un reame senza incanto non tornare nel mio mondo se trasformi l'acqua in pianto piove dentro me nell'anima ferma qui immobile cerco la tua immagine ma non sei più quel ragazzo fragile che inventava favole e scrutava nuvole chi sei ora? resto qui in bilico abbracciata a un incubo nel mio modo atipico di cadere penso a te e precipito sola in questo baratro l'apertura d'ali mi fa planare Accordi cullano e note accarezzano anime danzano al ritmo di un brivido suono per ciò che poteva e non è suono solo per te straziami, illudimi fammi decidere se senza un sogno si può sopravvivere cala il sipario del tempo su noi strani attori di un poi andato in scena (mai) come una malattia che non si cura e che non guarirà (sei dentro me) cuore che scalpita e perde i suoi battiti mente che scivola su questi attimi (e vola via) catene stridono su questa nostra età mani si sfiorano e intanto fuori piove (e dentro me) fragile il margine tra sogno e realtà sottile il limite tra corpo e anima (e ti vorrei) in dimensioni ancora da vivere amami se vorrai ma non so ancora dove e intanto fuori piove e stringo forte il filo di un aquilone in mano un volo di pensieri mentre sei già lontano i sensi miei impazziti inghiotto i miei sospiri e intanto spunta il sole ma dentro di me ..piove.. &n.
$3.99
3.63 €
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Monica Bergo
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E intanto fuori piove
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Monica Bergo
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SheetMusicPlus
Un desiderio per Natale
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.976839 Composed by Monica Bergo. Ch…
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Piano Solo - Level 3 - Digital Download SKU: A0.976839 Composed by Monica Bergo. Children,Christmas,Contemporary. Score. 7 pages. Monica Bergo #3235511. Published by Monica Bergo (A0.976839). 2017 Holiday Contest Entry Un desiderio per Natale Un desiderio per Natale Chi non ce l’ha? Ma qui ogni anno è sempre uguale Non si avvererà È una cosa semplice (per me) Nulla di impossibile (prezzo non c’è) Guardo le vetrine ma non c’è nulla che fa per me A chi potrei chiedere, non so Mischio un po’ le favole, ce la farò Christmas Carol e Aladdin E avrò il mio genio di Natale Ci vuole un soffio di vento Un pizzico di rimpianto Qualche fiocco di neve Sparso qua e là E del Sahara la sabbia Un granello di rabbia La magia delle notti di Ali Babà Esce dalla polvere , è qua Scintillante lampada, chi ne uscirà Effetti speciali e poi Abracadabra …..è Babbo Natale Ho fatto un po’ confusione Ho sbagliato pozione Cambierò direzione Riproverò le ali di una fatina il luccichio della brina qualche urlo di strega mescolerò e arriverà Natale ed anche per me sarà un giorno speciale E arriverà Natale Ed ecco il mio sogno diventa reale le regole le sai: 3 desideri, ma non puoi usarne uno per avere i miei poteri. Non posso interferire con l’amore e i suoi drammi, non posso far tornare indietro i tuoi anni E non posso uccidere, né rubare, e da questa lampada vorrei scappare Solo il mio padrone mi può liberare non lo fanno mai, nemmeno tu potrai come vorrei riempirmi gli occhi di luce ed il cuore d’amore smarrita io mentre vivo sospesa in quest’aria d’attesa scende una lacrima la tristezza inspiegabile i fantasmi che appaiono e non so cosa dire , non riesco a spiegare Abracadabra desidero che Questa mia mente continui a volare E la bambina che è dentro di me Viva per sempre e non voglia svanire mai Ma che antipatico il mio genio Se n’è andato già E mi mancava un desiderio Chi mi rimborserà ? È una cosa semplice (per me) Nulla di impossibile (prezzo non c’è) Vorrei che nella vita mia Rimanga tutto così com’è Con tutte le imperfezioni Errate valutazioni E le scelte sbagliate in giovane età Mi volto indietro e mi appare Tutto un po’ da rifare Guardo avanti e sorrido a quello che ho E arriverà Natale Ma tanto per me Ogni giorno è speciale E arriverà Natale Finita l’attesa non è poi così male Abracadabra desidero che Questa mia vita rimanga com’è! Genio! Senti, c’è stato un malinteso…in realtà i primi 2 desideri…erano insieme, era…uno solo! Quindi, facendo i calcoli…ne manca ancora uno!! Genio, desidero che tu sia libero! Possiamo imprigionare nella lampada Babbo Natale? …No eh …ok ok come non detto… Monica Bergo
$3.99
3.63 €
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Piano solo
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Monica Bergo
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Un desiderio per Natale
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Monica Bergo
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SheetMusicPlus
Rota
4 Tr. (od. 4 Sopranblockfl.) · 2 Pos. (od. Gamben od. Bratschen) · Fg. ad lib.  
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4 Tr. (od. 4 Sopranblockfl.) · 2 Pos. (od. Gamben od. Bratschen) · Fg. ad lib. – 4 P. S. (Glsp. [Sopr., Alt, mehrfach besetzt]) · Trgl. · Beck. [Cymb.] · gr. Tr. · Schellentr. (10 Spieler) – 2 Git. (mehrfach besetzt) – Violoncelli · Kontrabässe mixed choir (STBar) and instruments - easy - Digital Download SKU: S9.Q2721 Sumer is icumen in. Composed by Carl Orff. This edition: score. Downloadable, Score. Duration 4 minutes. Schott Music - Digital #Q2721. Published by Schott Music - Digital (S9.Q2721). Old English.The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon, whose verses greet the advent of summer. An accompanying note elucidates the artistic layer-like construction of the sound structure: a two-voice foundation of bell-like, swinging pendulum tones supports an upper structure of four voices which enter at equal time intervals. The note terms the canon rota - round -, which makes reference to the turning, circling movement of the constantly pulsating sound. The circular figure originates in a vital, ages-old moving force in music-making, and it demands a dance-like execution. But the canon is also, through the interaction of the strictly ordered voice entries, convivially bound musical form. Carl Orff was able to choose no better fitting musical form for the Greetings to Youth at the Olympic Games 1972 in Munich than the medieval rota. In the connexion of the singing voices with the Orff instruments, today in world-wide use, a testimony of European tradition sounds in a living present.
$27.99
25.46 €
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Carl Orff
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Rota
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Schott Music - Digital
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SheetMusicPlus
Rota
4 Tr. (od. 4 Sopranblockfl.) · 2 Pos. (od. Gamben od. Bratschen) · Fg. ad lib.  
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4 Tr. (od. 4 Sopranblockfl.) · 2 Pos. (od. Gamben od. Bratschen) · Fg. ad lib. – 4 P. S. (Glsp. [Sopr., Alt, mehrfach besetzt]) · Trgl. · Beck. [Cymb.] · gr. Tr. · Schellentr. (10 Spieler) – 2 Git. (mehrfach besetzt) – Violoncelli · Kontrabässe mixed choir (STBar) and instruments - easy - Digital Download SKU: S9.Q9193 Sumer is icumen in. Composed by Carl Orff. This edition: choral score. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q9193. Published by Schott Music - Digital (S9.Q9193). Old English.The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon, whose verses greet the advent of summer. An accompanying note elucidates the artistic layer-like construction of the sound structure: a two-voice foundation of bell-like, swinging pendulum tones supports an upper structure of four voices which enter at equal time intervals. The note terms the canon rota - round -, which makes reference to the turning, circling movement of the constantly pulsating sound. The circular figure originates in a vital, ages-old moving force in music-making, and it demands a dance-like execution. But the canon is also, through the interaction of the strictly ordered voice entries, convivially bound musical form. Carl Orff was able to choose no better fitting musical form for the Greetings to Youth at the Olympic Games 1972 in Munich than the medieval rota. In the connexion of the singing voices with the Orff instruments, today in world-wide use, a testimony of European tradition sounds in a living present.
$4.99
4.54 €
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Carl Orff
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Rota
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Schott Music - Digital
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SheetMusicPlus
Are You A Passing Tourist?
Small Ensemble - Level 3 - Digital Download SKU: A0.1206180 Composed by Socrates Ar…
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Small Ensemble - Level 3 - Digital Download SKU: A0.1206180 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 24 pages. Socrates Arvanitakis #804377. Published by Socrates Arvanitakis (A0.1206180). Are You A Passing Tourist is one of the last songs of cycle ALL THAT BLUEALL THAT BLUE is the last song cycle of SUMMER BLAST 1The tags as ordered in the PDF are its superstructures.Dates in the PDF can also be and are in most cases structural elements of the song.Instrumentation: Solo Tenor, Flute, Violin or Mandolin, Violoncello, Classical Guitar, Acoustic Bass (all parts included)The MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.
$10.00
9.1 €
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Socrates Arvanitakis
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Are You A Passing Tourist?
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Socrates Arvanitakis
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SheetMusicPlus
Golden Cloud
Small Ensemble Acoustic Guitar - Level 3 - Digital Download SKU: A0.1206079 Compose…
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Small Ensemble Acoustic Guitar - Level 3 - Digital Download SKU: A0.1206079 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 14 pages. Socrates Arvanitakis #804274. Published by Socrates Arvanitakis (A0.1206079). BEFORE BLAST is a small song cycle standing independently  between the two big song sagas Theory X - LemoniaThe tags as ordered in the PDF are its superstructures.Dates in the PDF can also be and are in most cases structural elements of the song. The MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.
$9.00
8.19 €
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Socrates Arvanitakis
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Golden Cloud
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Socrates Arvanitakis
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SheetMusicPlus
String Trio No. 3 in A major
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 4 in E major
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio No. 6 in B flat major
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 6 in B flat major
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Artaria Editions
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SheetMusicPlus
String Trio No. 5 in C minor
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 2 in D major
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Artaria Editions
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