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You've selected:
Debussy: Children
Sheetmusic to print
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Claude Debussy: Children's Corner for piano solo
Piano solo
Instantly downloadable sheet music by Claude Debussy for piano solo of MEDIUM skill level.…
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Instantly downloadable sheet music by Claude Debussy for piano solo of MEDIUM skill level. Contents: childrens corner,children's corner, Golliwoggs, cake walk, cakewalk / classical,french
$6.75
6.22 €
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Piano solo
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Claude Debussy
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Virtualsheetmusic
Debussy: Children's Corner No.2 "Jimbo's Lullaby" - symphonic wind
Large Ensemble - Level 3 - Digital Download SKU: A0.553924 Composed by Claude Debus…
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Large Ensemble - Level 3 - Digital Download SKU: A0.553924 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Children,Instructional,Romantic Period. Score and parts. 18 pages. RayThompsonMusic #6167431. Published by RayThompsonMusic (A0.553924). Children's Corner, L. 113, is a six-movement suite for solo piano by Claude Debussy. It was published by Durand in 1908, and was first performed by Harold Bauer in Paris on 18 December that year. In 1911, an orchestration by André Caplet was premiered and subsequently published.This is the 2nd piece in Debussy's Children's Corner.- Jimbo's Lullaby. This work describes an elephant, Jumbo, who came from the French Sudan and lived briefly in the Jardin des Plantes in Paris around the time of Debussy's birth. Debussy quotes the French lullaby Do, do, l'enfant do, several times in the course of the piece.It is a beautiful lullaby with some dark moments and whole-tone passages in the middle.Called Jumbo's Lullaby on Caplet's Orchestration.Arranged double wind quintet/bass.This piece features the double bass
$14.95
13.78 €
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Claude Debussy
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Debussy: Children's Corner No.2 "Jimbo's Lullaby" - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Le Petit Berger / Claude Debussy
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1493304 Composed by Claude De…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1493304 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical. Score. 2 pages. Japan Duo Notes #1069962. Published by Japan Duo Notes (A0.1493304). Title: Le Petit Berger by Claude Debussy – Flute Duet ArrangementDescription:Explore the whimsical charm of Claude Debussy’s Le Petit Berger with this delightful flute duet arrangement. Originally part of Debussy's Children's Corner, this piece captures the innocence and playful spirit of a young shepherd, characterized by Debussy's signature Impressionist style.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis arrangement translates the light-hearted and imaginative melodies of the original piano piece into a charming duet for two flutes. Both parts offer engaging, expressive lines that allow flutists to bring out the playful character and delicate nuances of Debussy's writing.Why Choose This Arrangement?Impressionist Delight: Perfect for flutists who enjoy exploring the rich textures and colors of Impressionist music.Balanced and Playful: Each flute part complements the other, creating a balanced and interactive musical dialogue.Ideal for Performances: A wonderful addition to recitals, concerts, or educational settings, offering a piece that is both fun to play and pleasing to the audience.Keywords: Debussy Le Petit Berger flute duet, Debussy flute arrangement, flute duet sheet music, intermediate flute music, classical flute duet, Debussy Children's Corner flute, Impressionist flute duet, Debussy flute transcription.
$4.99
4.6 €
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2 Flutes (duet)
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Claude Debussy
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Le Petit Berger / Claude Debussy
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Japan Duo Notes
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SheetMusicPlus
Debussy: Children's Corner No.3 "Serenade of the Doll" (original key) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553920 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Instructional. Score and parts. 21 pages. RayThompsonMusic #6137905. Published by RayThompsonMusic (A0.553920). Children's Corner, L. 113, is a six-movement suite for solo piano by Claude Debussy. It was published by Durand in 1908, and was first performed by Harold Bauer in Paris on 18 December that year. In 1911, an orchestration by André Caplet was premiered and subsequently published.Debussy composed Children's Corner between 1906 and 1908. He dedicated the suite to his daughter, Claude-Emma (known as Chou-Chou),who was born on 30 October 1905 in Paris.This is my arrangement for double wind quintet of the the 3rd piece called 'Serenade of the Doll Written in triple meter, is marked Allegretto ma non troppo (moderately fast, but not too fast). It is a description of a porcelain doll and features the Chinese pentatonic scale throughout. This arrangement is in the original key and utilises clarinets in A. (Alternative parts for clarinets in Bb are provided)
$14.95
13.78 €
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Claude Debussy
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Debussy: Children's Corner No.3 "Serenade of the Doll"
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RayThompsonMusic
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SheetMusicPlus
Debussy: Children's Corner No.3 "Serenade of the Doll" (transposed into F) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553921 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Instructional. Score and parts. 25 pages. RayThompsonMusic #6137937. Published by RayThompsonMusic (A0.553921). Children's Corner, L. 113, is a six-movement suite for solo piano by Claude Debussy. It was published by Durand in 1908, and was first performed by Harold Bauer in Paris on 18 December that year. In 1911, an orchestration by André Caplet was premiered and subsequently published.Debussy composed Children's Corner between 1906 and 1908. He dedicated the suite to his daughter, Claude-Emma (known as Chou-Chou),who was born on 30 October 1905 in Paris.This is my arrangement for double wind quintet of the the 3rd piece called 'Serenade of the Doll Written in triple meter, is marked Allegretto ma non troppo (moderately fast, but not too fast). It is a description of a porcelain doll and features the Chinese pentatonic scale throughout. This arrangement is transposed into F from the the original key of E and utilises clarinets in Bb.
$14.95
13.78 €
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Claude Debussy
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Debussy: Children's Corner No.3 "Serenade of the Doll"
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RayThompsonMusic
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SheetMusicPlus
Debussy: Children's Corner No.2 "Jimbo's Lullaby" - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553168 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 9 pages. RayThompsonMusic #2027003. Published by RayThompsonMusic (A0.553168). The 2nd piece in Debussy's Children's Corner. This work describes an elephant, Jumbo, who came from the French Sudan and lived briefly in the Jardin des Plantes in Paris around the time of Debussy's birth. Debussy quotes the French lullaby Do, do, l'enfant do, several times in the course of the piece.
$11.95
11.02 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Claude Debussy
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Debussy: Children's Corner No.2 "Jimbo's Lullaby" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Impressionistic, Post-Romantic, Recital. 8 pages. Published by Diamond S Music
DOCTOR GRADUS AD PARNASSUM from ‘Children’s Corner Suite’ by CLAUDE DEBUSSY for PIANO SOLO. The Latin phrase gradus ad Parnassum means "steps to Parnassus”. Debussy composed Children's Corner between 1906 and 1908. This piece is actually a rather ingenious study in finger independence with a Twentieth Century vocabulary. In the middle, the pianist slows down and tries his material in other keys for exercise. Debussy's Doctor Gradus Ad Parnassum is of intermediate difficulty and requires experienced fingers. The pianist gets wilder toward the end and finishes the piece with a bang. Debussy told his publisher that the movement should be played "very early in the morning".This edition also includes a short biography of Debussy and some facts about the piece.<br> <br> Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.99
4.6 €
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Piano solo
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Claude Debussy (1862-1918)
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DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
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Diamond S Music
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SheetMusicPlus
Debussy Children's Corner - Doctor Gradus ad Parnassum - Original With Fingered
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1267891 Composed by Claude Debussy.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1267891 Composed by Claude Debussy. Arranged by poon. Classical. Score. 9 pages. Poon #860440. Published by poon (A0.1267891). Debussy Children's Corner - Doctor Gradus ad Parnassum - For Piano Solo Original With Fingered.
$1.99
1.83 €
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Piano solo
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Claude Debussy
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Debussy Children's Corner - Doctor Gradus ad Parnassum - Original With Fingered
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poon
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SheetMusicPlus
Debussy: Children's Corner No.5 "The Little Shepherd" - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553918 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Holiday,Standards. 8 pages. RayThompsonMusic #6114377. Published by RayThompsonMusic (A0.553918). Children's Corner, L. 113, is a six-movement suite for solo piano by Claude Debussy. It was published by Durand in 1908, and was first performed by Harold Bauer in Paris on 18 December that year. In 1911, an orchestration by André Caplet was premiered and subsequently published.This is an arrangement of the 5th piece.- The Little Shepherd (Le petite berger) It depicts a shepherd with his flute. There are three solos and three commentaries following them. The first solo has a breath mark at the end. This piece has different modes in it and uses dissonances which resolve into tonality.Arranged standard wind quintet.Transposed into Bb from original A, so clarinet part remains in C, as in original orchestration .
$9.95
9.17 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Claude Debussy
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Debussy: Children's Corner No.5 "The Little Shepherd" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Debussy: Children's Corner No.1 "Doctor Gradus ad Parnassum" - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century, Repe…
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Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century, Repertoire, Children's Music. Score, Set of Parts. 14 pages. Published by RayThompsonMusic
$14.95
13.78 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Claude Debussy (1862-1918)
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Debussy: Children's Corner No.1 "Doctor Gradus ad Parnassum" - wind quintet
#
RayThompsonMusic
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SheetMusicPlus
Debussy: Children's Corner: A selection of 5 pieces - wind quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century, Impr…
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Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century, Impressionistic, Repertoire, Children's Music, Wedding. Score, Set of Parts. 46 pages. Published by RayThompsonMusic
$17.95
16.55 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
Claude Debussy (1862-1918)
#
Debussy: Children's Corner: A selection of 5 pieces - wind quintet)
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RayThompsonMusic
#
SheetMusicPlus
Children's Corner L. 113 - No. 1 Doctor Gradus ad Parnassum
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
3.99 €
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Piano solo
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Debussy
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Tomplay
Children's Corner L. 113 - No. 6 Golliwog's Cake-walk
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
3.99 €
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Piano solo
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Debussy
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Tomplay
Children's Corner L. 113 - No. 5 The Little Shepherd
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
3.99 €
#
Piano solo
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Debussy
#
Tomplay
Children's Corner L. 113
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
4.99 €
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Piano solo
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Debussy
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Tomplay
Children's Corner L. 113 - No. 4 The Snow Is Dancing
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
3.99 €
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Piano solo
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Debussy
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Tomplay
Children's Corner L. 113 - No. 3 Serenade for the Doll
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
3.99 €
#
Piano solo
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Debussy
#
Tomplay
Children's Corner L. 113 - No. 2 Jimbo's Lullaby
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
3.99 €
#
Piano solo
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Debussy
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Tomplay
Debussy: Children's Corner No.6 "Golliwog's Cake Walk" - symphonic wind
Large Ensemble - Level 3 - Digital Download SKU: A0.553923 Composed by Claude Debus…
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Large Ensemble - Level 3 - Digital Download SKU: A0.553923 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Standards. Score and parts. 20 pages. RayThompsonMusic #6140917. Published by RayThompsonMusic (A0.553923).
$14.95
13.78 €
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Claude Debussy
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Debussy: Children's Corner No.6 "Golliwog's Cake Walk" - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Debussy: Children's Corner No.5 "The Little Shepherd" - clarinet trio
3 Clarinets (trio)
Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century, Impr…
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Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century, Impressionistic, Repertoire, Anniversary, Birthday. Score, Set of Parts. 6 pages. Published by RayThompsonMusic
$9.95
9.17 €
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3 Clarinets (trio)
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Claude Debussy (1862-1918)
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Debussy: Children's Corner No.5 "The Little Shepherd" - clarinet trio
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RayThompsonMusic
#
SheetMusicPlus
Debussy and Satie Piano Favorites Collection - Piano Solo
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arr…
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Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arranged by Debussy, Satie. 20th Century, Romantic Period, Contemporary Classical, Impressionistic, Recital. 47 pages. Published by Diamond S Music
Debussy and Satie Piano Favorites Collection- Piano Solo. This is a collection of 9 popular Piano Solos by Claude Debussy and Erik Satie. The contents are: SATIE: Gymnopédie No. 1-3 DEBUSSY: Claire de Lune, Arabesques No. 1 and 2, Rêverie, and 2 pieces from ?The Children?s Corner? - Doctor Gradus ad Parnassum, and Golliwog?s Cakewalk. Also contains a short bio of each composer, Debussy and Satie. 41 pages of music.
$14.99
13.82 €
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Piano solo
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Claude Debussy, Erik Satie
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Debussy and Satie Piano Favorites Collection - Piano Solo
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Golliwogg’s Cakewalk / Claude Debussy
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1492124 Composed by Claude De…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1492124 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Children,Classical,Film/TV,Ragtime. Score. 3 pages. Japan Duo Notes #1068797. Published by Japan Duo Notes (A0.1492124). Title: Golliwogg’s Cakewalk by Claude Debussy – Flute Duet ArrangementDescription:Bring a playful, lively charm to your next performance with this flute duet arrangement of Claude Debussy’s Golliwogg’s Cakewalk. Originally part of Debussy’s Children’s Corner suite, this piece is characterized by its syncopated rhythms and lighthearted, dance-like feel inspired by early ragtime music. Perfectly arranged for two flutes, this duet captures the energetic spirit and whimsical melodies that have made Golliwogg’s Cakewalk a beloved favorite.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 3 pagesThis arrangement allows two flutists to engage in the playful back-and-forth of Debussy’s original work, showcasing its syncopated rhythms, unexpected harmonies, and dynamic character. Ideal for recitals, concerts, or any performance needing a lively, upbeat classical piece.Why Choose This Arrangement?Lively Ragtime Rhythm: Enjoy the syncopated, dance-like rhythm of Debussy’s Golliwogg’s Cakewalk, now arranged for two flutes.Perfect for Fun Performances: Ideal for concerts, recitals, and informal performances where a light and joyful piece is needed.Intermediate to Advanced Challenge: Provides an engaging and fun challenge for intermediate to advanced flutists, with opportunities to showcase both technical skill and expressive playfulness.Infuse your performance with the upbeat energy of Debussy’s Golliwogg’s Cakewalk. This flute duet arrangement preserves the charm and wit of the original while allowing for a fun, dynamic interplay between both flutists.Keywords: Golliwogg’s Cakewalk, Claude Debussy, flute duet, classical music, ragtime, Children’s Corner, intermediate flute music, advanced flute music, lively flute pieces, concert music, recital music, flute sheet music.
$5.99
5.52 €
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2 Flutes (duet)
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Claude Debussy
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Golliwogg’s Cakewalk / Claude Debussy
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Japan Duo Notes
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SheetMusicPlus
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