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Dedicated to William R
Sheetmusic to print
9 sheet music found
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The Lord's Prayer - SATB
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Choral SATB
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EASY
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Sacred music
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Douglas Clark
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The Lord's Prayer - SATB
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Glass Bottom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1019980 Composed by Douglas Clark. Christian,Gospel,Praise & Worship,Sacred. Octavo. 2 pages. Gl...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1019980 Composed by Douglas Clark. Christian,Gospel,Praise & Worship,Sacred. Octavo. 2 pages. Glass Bottom Music #5213323. Published by Glass Bottom Music (A0.1019980). A stunning original arrangement of the Lord's Prayer, set for SATB. Dedicated to William R. Shoppell, and the New Jersey Chamber Singers.
$3.99
The Lord's Prayer - SSAATTBB
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Choral SATB
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INTERMEDIATE
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Sacred music
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Christian contemporary
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Douglas Clark
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The Lord's Prayer - SSAATTBB
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Glass Bottom Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1019977 Composed by Douglas Clark. Christian,Contemporary,Praise & Worship,Sacred. Octavo...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1019977 Composed by Douglas Clark. Christian,Contemporary,Praise & Worship,Sacred. Octavo. 2 pages. Glass Bottom Music #5033395. Published by Glass Bottom Music (A0.1019977). A stunning original arrangement of the Lord's Prayer, set for SSAATTBB. Dedicated to William R. Shoppell, and the New Jersey Chamber Singers.
$4.25
The Lord's Prayer - Woodwind Octet
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Chamber Orchestra
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BEGINNER
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Christian contemporary
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Sacred music
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Douglas Clark
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Dedicated to William R
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The Lord's Prayer - Woodwind O
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Glass Bottom Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1019972 Composed by Douglas Clark. Contemporary,Sacred. Score and parts. 13 pages. Glass Bottom Mu...
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1019972 Composed by Douglas Clark. Contemporary,Sacred. Score and parts. 13 pages. Glass Bottom Music #4354433. Published by Glass Bottom Music (A0.1019972). A stunning original arrangement of the Lord's Prayer, set for Woodwind Ensemble (2 Oboes, 2 Bb Clarinets, 2 Horns in F, 2 Bassoons). Dedicated to William R. Shoppell, and the New Jersey Chamber Singers.
$43.99
March: Helping Hands (Rob Bushnell) - Brass Band
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Rob Bushnell
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March: Helping Hands
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99
All Of Me
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String Quartet: 2 violins, viola, cello
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EASY
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Soul/R&B
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John Legend
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Inacio Saldanha
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All Of Me
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Inacio Saldanha
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SheetMusicPlus
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.798101 By John Legend. By John Stephens and Toby Gad. Arranged by Inacio Saldanha. R &...
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.798101 By John Legend. By John Stephens and Toby Gad. Arranged by Inacio Saldanha. R & B,Soul. Score and parts. 16 pages. Inacio Saldanha #5197261. Published by Inacio Saldanha (A0.798101). All of Me is a hit song by American singer John Legend from his fourth studio album Love in the Future (2013). It is dedicated to Legend's wife Chrissy Teigen. All of Me first aired on American mainstream urban radio as the album's third single on August 12, 2013.On the week ending May 16, 2014, it peaked at number one on the Billboard Hot 100 becoming his first number-one single in the United States. It knocked off Happy by Pharrell Williams, which had spent 10 weeks at number one. The song peaked at number two in the United Kingdom, South Africa and New Zealand and topped the charts in Australia, Canada, Ireland, Portugal, Sweden, Switzerland and the Netherlands. It became the second best-selling song of 2014 in the United States with 4.67 million copies sold for the year, as well as the third best-selling song in the United Kingdom. All of Me was the third best-selling song of 2014 with 12.3 million equivalent-units worldwide (sales plus streaming), according to the IFPI.A remix of the song (Tiësto's Birthday Treatment remix), featuring EDM artist Tiësto, was released in January 2014 and won the 2015 Grammy Award for Best Remixed Recording, Non-Classical, while another remix was done in March of that year by trance artist Dash Berlin. A live version of the song was nominated for Best Pop Solo Performance, losing to Williams' Happy.Arranged for String Quartet. Key of F# minor. Early intermediate.
$14.99
Fantasia on St. Dunstan's Tune by William R. Ward - Solo Organ
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Organ
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William R. Ward
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Fantasia on St. Dunstan's Tune
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Musicnotes
William R. Ward - Fantasia on St. Dunstan's Tune - Dedicated To John Mcintosh Digital Sheetmusic - instantly downloadable sheet music plus an interactive, ...
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William R. Ward - Fantasia on St. Dunstan's Tune - Dedicated To John Mcintosh Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Solo Organ, instruments: Organ; 17 pages -- Sacred~~Religious~~Church
$7.50
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
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