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Take A Deep Breath
Mixed Percussion Bassoon,Cello,Clarinet,Cymbals,Flute,Horn,Piano,Trombone,Trumpet,Viola,Vi…
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Mixed Percussion Bassoon,Cello,Clarinet,Cymbals,Flute,Horn,Piano,Trombone,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.1466288 Composed by Marian Fernandez. 21st Century,Film/TV. Accompaniment. Duration 174. Marian Fernandez #1044869. Published by Marian Fernandez (A0.1466288). Take a Deep Breath es una pieza musical que nace de un momento de introspección y necesidad de calma. Esta composición refleja la travesía emocional de atravesar periodos de oscuridad y estrés. A través de una rica orquestación instrumental, la pieza guía al oyente desde la sensación de agobio y desesperanza hacia un renacer de esperanza y motivación. El objetivo principal de Take a Deep Breath es representar ese viaje transformador, cómo nos sentimos atrapados en la oscuridad para luego, al detenernos un momento y respirar profundamente, encontrar la fuerza para emerger hacia nuestra mejor versión. Esta obra es ideal para acompañar escenas emotivas, de naturaleza, de motivación o de superación, proporcionando una banda sonora que resuena con la experiencia universal de buscar claridad y esperanza en tiempos difíciles, y celebrar la transición hacia un estado de renovación y fuerza interior.
$50.00
45.74 €
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Marian Fernandez
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Take A Deep Breath
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Marian Fernandez
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SheetMusicPlus
How Deep Is Your Love
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1296069 By Bee Gees. By Barry Gibb, Maur…
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Piano - Level 3 - Digital Download SKU: A0.1296069 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Piano. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886340. Published by Sérgio Matias da Cunha (A0.1296069). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, figuras rÃtmicas maiores que a semicolcheia, linhas de oitava, quiálteras e notas sincopadas, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$6.99
6.39 €
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Piano solo
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Bee Gees
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How Deep Is Your Love
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Sérgio Matias da Cunha
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SheetMusicPlus
Deep pad
Percussion Ensemble Piano - Digital Download SKU: A0.1081083 Composed by Lex g alex…
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Percussion Ensemble Piano - Digital Download SKU: A0.1081083 Composed by Lex g alex. Contemporary. Full Performance. Duration 190. Alexey #29991. Published by Alexey (A0.1081083).
$50.00
45.74 €
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Lex g alex
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Deep pad
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Alexey
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SheetMusicPlus
Parallel Tracks
Piano Quartet: piano, violin, viola, cello
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.29 €
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Piano Quartet: piano, violin, viola, cello
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Fooling Around
Digital Download SKU: A0.1065142 Composed by James Gilbert. Dance,Jazz,Pop,Rock. Fu…
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Digital Download SKU: A0.1065142 Composed by James Gilbert. Dance,Jazz,Pop,Rock. Full Performance. Duration 189. James Gilbert Music #436369. Published by James Gilbert Music (A0.1065142). Audio Recording The background music used in the YouTube video tutorial on how to use Reaper, VST instruments and MIDI to record a song. Consists of electronic synth like drums, deep bass and synth pad. If you purchase a copy, please offer a review. You can follow us on the following social media sites: YouTube for music software tutorials and more Twitter: @MusicByJames or click here Facebook: Like Us on Facebook We'd love to hear from you, visit JamesGilbertMusic.com and drop us a note.
$1.99
1.82 €
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James Gilbert
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Fooling Around
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James Gilbert Music
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.02 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Dig My Grave
Instrumental Duet Double Bass,Instrumental Duet,Low Voice - Level 5 - Digital Download …
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Instrumental Duet Double Bass,Instrumental Duet,Low Voice - Level 5 - Digital Download SKU: A0.1004159 Composed by Matthew Scott Phillips. Arranged by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 8 pages. Matthew Scott Phillips #6213087. Published by Matthew Scott Phillips (A0.1004159). Dig my grave with a silver spade, Dig my grave wide and deep. Dig my grave with a silver spade, Bury me beneath the willow tree. Dig my grave with a silver spade, Lay me down with a golden chain. It's a long, long lane, ain't got no end, It's a bad wind that never came. Well there's one kind favor I ask of you, See that my grave is kept clean. It's a long long lane, ain't got no end Longest lane there's ever been Dig my grave with a silver spade, Dig my grave wide and deep. Dig my grave with a silver spade, Bury me beneath the willow tree.
$4.99
4.56 €
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Matthew Scott Phillips
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Dig My Grave
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Matthew Scott Phillips
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SheetMusicPlus
4 Preludes for the Piano - Opus 3
Piano solo
Piano Solo - Digital Download SKU: A0.1119216 Composed by Eamon Mukhopadhyay. Conte…
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Piano Solo - Digital Download SKU: A0.1119216 Composed by Eamon Mukhopadhyay. Contemporary. Score. 15 pages. Eamon Mukhopadhyay #720630. Published by Eamon Mukhopadhyay (A0.1119216). These preludes showcase certain environments that are represented by specific musical features. Prelude No. 1 in C Major The Sunrise was composed to represent the picture and environment of the sun rising. It never uses the traditional C major triad, and instead substitutes the C major mediant (the third scale degree of C major) with surrounding harmonic colors. Prelude No. 2 in C Minor Mystics in the Forest is a study of touch and melodic outlining. Only in the first measure exists the resemblance of a C minor chord (a minor thirteenth) using the mediant (the third scale-degree of a scale). Prelude No. 3 in E-Flat Major The Spring Story completely uses staccato melodic articulations with the sustain pedal to produce a colorful environment throughout the piece, representative of spring. It never resolves into the traditional E-Flat major triad (or extended E-Flat chord) after the first measure. Prelude No. 4 in A-Flat Major Childhood Memories uses accented, deep bass notes and staccato melodic articulation to create a nostalgic environment. Like Prelude No. 3, it never resolves into the traditional triad (or extended chord) based on the tonic of the key signature.
$1.99
1.82 €
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Piano solo
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Eamon Mukhopadhyay
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4 Preludes for the Piano - Opus 3
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Eamon Mukhopadhyay
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SheetMusicPlus
Prelude No. 4 in A-Flat Major "Childhood Memories" - Opus 3 Number 4
Piano solo
Piano Solo - Digital Download SKU: A0.1119210 Composed by Eamon Mukhopadhyay. Conte…
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Piano Solo - Digital Download SKU: A0.1119210 Composed by Eamon Mukhopadhyay. Contemporary. Score. 3 pages. Eamon Mukhopadhyay #720491. Published by Eamon Mukhopadhyay (A0.1119210). This piece uses accented, deep bass notes and staccato melodic articulation to create a nostalgic environment. Like Prelude No. 3, it never resolves into the traditional triad (or extended chord) based on the tonic of the key signature.
$1.99
1.82 €
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Piano solo
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Eamon Mukhopadhyay
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Prelude No. 4 in A-Flat Major "Childhood Memories" - Opus 3 Number 4
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Eamon Mukhopadhyay
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SheetMusicPlus
Pierrot, or Harlequin?
Guitar - Advanced - Digital Download SKU: ZY.DO-1555 Composed by Stephen Goss. Scor…
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Guitar - Advanced - Digital Download SKU: ZY.DO-1555 Composed by Stephen Goss. Score. 15 pages. Les Editions Doberman-Yppan (digital) #DO 1555. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1555). Pierrot, or Harlequin? (2023) is based on stock characters from the Italian commedia dell’arte tradition. Columbina has a choice of partner – Pierrot, or Harlequin? Or maybe she will select neither of them. In this set of triple variations, Pierrot and Harlequin compete for Columbina's attention and favour. Pierrot is deep, quiet, thoughtful, and loving, but sometimes melancholic. Harlequin is light-hearted, extrovert, and fun to be with, but somewhat shallow and brash. Columbina herself is coquettish, impulsive, and unpredictable. How will the story end between these imperfect characters? The performer gets to select one of three possible endings as the piece nears its conclusion.Pierrot, or Harlequin? was commissioned by the International Guitar Festival Homenaje 2023. The premiere was given by Giacomo Susani at Barco Teatro, Padova, Italy, on 10th November 2023.Pierrot, or Harlequin? (2023) est basé sur des personnages de la tradition italienne de la commedia dell’arte. Columbina a le choix entre deux partenaires – Pierrot ou Harlequin? Ou peut-être ne choisira-t-elle aucun des deux. Dans cette série de variations en trio, Pierrot et Harlequin rivalisent pour l'attention et les faveurs de Columbina. Pierrot est profond, calme, réfléchi et aimant, mais parfois mélancolique. Harlequin est enjoué, extraverti, amusant à être avec, mais quelque peu superficiel et effronté. Columbina elle-même est coquette, impulsive et imprévisible. Comment se terminera l'histoire entre ces personnages imparfaits? Le performer a le choix entre trois fins possibles alors que la pièce approche de sa conclusion.Pierrot, or Harlequin? a été commandé par le Festival International de Guitare Homenaje 2023. La première a été donnée par Giacomo Susani au Barco Teatro, Padoue, Italie, le 10 novembre 2023.
$9.95
9.1 €
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Stephen Goss
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Pierrot, or Harlequin?
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Les Editions Doberman-Yppan
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SheetMusicPlus
Beauty And The Beast
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1460157 By Celine Dion & Peabo Brys…
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Piano Solo - Level 2 - Digital Download SKU: A0.1460157 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Karya Sucipta. Broadway,Children,Film/TV,Musical/Show,Pop,Standards. Score. 7 pages. Karya Sucipta #1039097. Published by Karya Sucipta (A0.1460157). The original soundtrack from the movie Beauty and The Beast was popularized by Celine Dion & Peabo Bryson in 1991. It was then popularized again in 2017 by Ariana Grande & John Legend. It is certain that this song is very memorable and full of deep meaning of love and is a memorable song for all time. Enjoy playing this piano solo with the imagination of true love. Thank You.Soundtrack asli dari film Beauty and The Beast dipopulerkan oleh Celine Dion & Peabo Bryson pada tahun 1991. Selanjutnya dipopulerkan lagi pada tahun 2017 oleh Ariana Grande & John Legend. Sudah pasti lagu ini sangat berkesan dan penuh makna cinta yang mendalam dan merupakan lagu kenangan sepanjang masa. Selamat memainkan piano solo ini dengan imajinasi cinta sejati. Terima Kasih.
$5.00
4.57 €
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Piano solo
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Celine Dion & Peabo Bryson
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Peabo Bryson in 1991
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Beauty And The Beast
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Karya Sucipta
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Full score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
17.84 €
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Chamber Orchestra
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Full score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Vocal score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
10.06 €
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Chamber Orchestra
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Vocal score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
3.66 €
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Chamber Orchestra
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.66 €
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Chamber Orchestra
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Viola part
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.66 €
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Chamber Orchestra
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Viola part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Double bass part
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.66 €
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Chamber Orchestra
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Double bass part
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Stefano Torchio
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SheetMusicPlus
Anti-Hero
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1426743 By Taylor Swift. By Jack An…
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Piano Solo - Level 2 - Digital Download SKU: A0.1426743 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Karya Sucipta. Hip-Hop,Pop,R & B,Singer/Songwriter. Score. 6 pages. Karya Sucipta #1007439. Published by Karya Sucipta (A0.1426743). Anti-Hero is one of Taylor Swift's songs from the album Midnights (2022) which won the Grammy Awards in 2024. This piano solo was arranged based on the original sheet music along with chords and lyrics. This song can always make you happy with its thick modern pop rhythm. Please play this piano solo with deep feeling. Have a nice day and thank you.Anti-Hero adalah salah satu lagu dari Taylor Swift dari Album Midnights (2022) yang memenangkan Grammy Awards di Tahun 2024. Piano solo ini diaransemen berpatokan pada partitur musik aslinya beserta chord dan liriknya. Lagu ini bisa membuat Anda selalu bahagia dengan irama pop modern yang kental. Silahkan Anda memainkan piano solo ini dengan perasaan yang mendalam. Semoga hari Anda selalu menyenangkan dan terima kasih.
$6.00
5.49 €
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Piano solo
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Taylor Swift
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Anti-Hero
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Karya Sucipta
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SheetMusicPlus
THE MUSIC OF DRIFTWOOD. For choir SATB and piano accompaniment
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.893969 Composed by Gabriel…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.893969 Composed by Gabriel Ruiz-Bernal. Contemporary. Octavo. 12 pages. Gabriel Ruiz-Bernal #6331867. Published by Gabriel Ruiz-Bernal (A0.893969). THE MUSIC OF DRIFTWOOD. For choir SATB and piano accompanimentSet to the poem of the same title, by Reed WhittemoreCommissioned by the College Park Arts Exchange. ​Allison Hughes, Music DirectorPREMIERED DECEMBER 17, 2019.POEM: THE MUSIC OF DRIFTWOOD. by Reed WhittemoreThe music of driftwood? Yes. It comes from deep water And floats with the wind in the foam and is beached and bleached,Lying still for a movement or two, then floating fartherTo enter the mind’s many chambers, as Mozart perhaps,Or Bach, or whatever -it changes,But always I like it.I think that it could beThe music of poetry, true to the temper and pulseOf each flutelike, bassoonlike image that pads or fluttersWithin in the midnight recesses, yet true tooTo its own poor selfless self, bare yet bearingFrom way, way over yonder its theme of old blossomings:Temples in orchards, rites, supplications, art.Information about how it was composed at:https://www.gabrielruizbernal.com/the-music-of-driftwood.html
$2.00
1.83 €
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Choral SATB
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Gabriel Ruiz-Bernal
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THE MUSIC OF DRIFTWOOD. For choir SATB and piano accompaniment
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Gabriel Ruiz-Bernal
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SheetMusicPlus
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