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You've selected:
Der Rose Bitte
Sheetmusic to print
6 sheet music found
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1
Das Ist Die Liebe Der Matrosen
Brass Ensemble Horn - Level 5 - Digital Download SKU: A0.798685 By Andre Rieu. By R…
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Brass Ensemble Horn - Level 5 - Digital Download SKU: A0.798685 By Andre Rieu. By Robert Gilbert and Werner Richard Heymann. Arranged by Jörg Richter. 20th Century,Film/TV,Pop. Score and parts. 10 pages. Jörg Richter #5334117. Published by Jörg Richter (A0.798685). Ein Arrangement des vor allem durch die Comedian Harmonists berühmt gewordenen Liedes Das ist die Liebe der Matrosen von Werner Richard Heymann für Horn Quintett. (Bitte beachten: Die Stimmen sind nicht angeordnet wie im Orchester üblich, also 1. und 3. Horn sind die hohen Stimmen, 2. und 4. Horn sind die tiefen. Da es sich um eine Bearbeitung für Quintett handelt, sind die Stimmen durchnummeriert wie im Posaunensatz.).
$14.99
13.73 €
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Andre Rieu
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Das Ist Die Liebe Der Matrosen
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Jörg Richter
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SheetMusicPlus
Das Ist Die Liebe Der Matrosen
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.798687 By Andre Rieu. By Robert Gilbert and Werner Richard Heymann. Arranged by Jörg Richter. 20th Century,Film/TV,Pop. 12 pages. Jörg Richter #5334651. Published by Jörg Richter (A0.798687). Ein Arrangement des vor allem durch die Comedian Harmonists berühmt gewordenen Liedes Das ist die Liebe der Matrosen von Werner Richard Heymann für Saxophon Quintett. (Alt 1 - 3, Tenor 1 + 2, Bariton. Bitte beachten: Die 3. Stimme ist als Alt 3 und Tenor 1 verfügbar).
$14.99
13.73 €
#
Saxophone Quintet: 5 Saxophones
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Andre Rieu
#
Das Ist Die Liebe Der Matrosen
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Jörg Richter
#
SheetMusicPlus
Der Rose Bitte
Piano, Voice
Voice and piano - intermediate - Digital Download SKU: S9.Q53458 Composed by Luise …
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Voice and piano - intermediate - Digital Download SKU: S9.Q53458 Composed by Luise Adolpha Le Beau. This edition: Sheet music. Downloadable. Schott Music - Digital #Q53458. Published by Schott Music - Digital (S9.Q53458). German.
$2.99
2.74 €
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Piano, Voice
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Luise Adolpha Le Beau
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Der Rose Bitte
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Schott Music - Digital
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SheetMusicPlus
Das Mädchen Op. 95, No. 1 (TTEE + Soloist)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1025896 Composed by Johannes Br…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1025896 Composed by Johannes Brahms. Arranged by Coleman Alexander. Classical. Score and parts. 17 pages. Coleman Alexander #5709741. Published by Coleman Alexander (A0.1025896). A dark and then bright lied by Brahms about how a maiden would rather kiss a young man than an elderly one.Here are the strange lyrics. The maiden stood by the mountain slope; the mountain reflected her face, and the maiden spoke to her reflection: Truly, my face, O you my worry, if, my white face, I knew that someday an old man would kiss you, then I would go to the green mountain, pick all the wormwood in the mountains, press the bitter water out of the wormwood, and wash you, O my face, with that water, so that you would be bitter when the old man kissed you! But if, my white face, I knew that someday a young man would kiss you, then I would go to the green garden, pick all the roses in the garden, press the fragrant water out of the roses, and wash you, O my face, with that water, so that you would be fragrant when the youth kissed you!
$7.99
7.32 €
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Brass ensemble
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Johannes Brahms
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Das Mädchen Op. 95, No. 1
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Coleman Alexander
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
Tenor voice
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.53 €
#
Tenor voice
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
(+)
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.53 €
#
Baritone voice, Piano
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
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