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Dia Tonic Flute
Sheetmusic to print
55 sheet music found
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Dia Tonic Flute
Flute
Flute Solo - Level 3 - Digital Download SKU: A0.805959 Composed by Martin Stolz. In…
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Flute Solo - Level 3 - Digital Download SKU: A0.805959 Composed by Martin Stolz. Instructional,Jazz. Individual part. 6 pages. Martin Stolz #3418067. Published by Martin Stolz (A0.805959). Dia Tonic is a AABA form in the style of many Jazz standards with a transcribed solo for flute. It only contains chords from C major. The purpose ist to internalise the chords of one key!Get the play-along here: https://www.sheetmusicplus.com/title/dia-tonic-flute-play-along-digital-sheet-music/20684919?ac=1.
$2.99
2.76 €
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Flute
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Martin Stolz
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Dia Tonic Flute
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Martin Stolz
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SheetMusicPlus
Dia Tonic Flute Play-Along
Flute - Digital Download SKU: A0.1069844 Composed by Martin Stolz. Instructional,Ja…
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Flute - Digital Download SKU: A0.1069844 Composed by Martin Stolz. Instructional,Jazz. Accompaniment. Duration 189. Martin Stolz #3418069. Published by Martin Stolz (A0.1069844). This is the play-along for my composition Dia Tonic for Flute.
$1.99
1.84 €
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Martin Stolz
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Dia Tonic Flute Play-Along
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Martin Stolz
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SheetMusicPlus
Complete Pan Flute Book
Pan Flute
Pan Flute - Beginning- Intermediate - Digital Download Composed by Costel Puscoiu. T…
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Pan Flute - Beginning- Intermediate - Digital Download Composed by Costel Puscoiu. Technique, Theory and Reference. Complete. Flute, Fife and Oboe. E-book. 208 pages. Mel Bay Publications - Digital Sheet Music #95679EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619116092. 8.5 X 11 inches.<br> <br> A very comprehensive book study into the pan flute. This book, made in cooperation with the Dutch Ministry of Culture, covers such topics as the history of the pan flute, today's pan flute, posture and embouchure, breathing, extending and improving tone quality, intervals, the technique of chromatics, staccato, legato, vibrato, diatonic scales, adjacent and nearby keys, arpeggios, difficult keys, technical formulas, ornaments, chromatic scales and exercises, special effects, phrasing and difficult technical exercises. This is an essential book for the pan flutist.
$27.99
25.88 €
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Pan Flute
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Costel Puscoiu
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Complete Pan Flute Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
A Tonal Lexicon for Flute
Flute
Flute Solo - Level 4 - Digital Download SKU: A0.837512 Composed by Brett L. Wery. I…
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Flute Solo - Level 4 - Digital Download SKU: A0.837512 Composed by Brett L. Wery. Instructional. Individual part. 96 pages. Sonata Grendel Publishing #6710119. Published by Sonata Grendel Publishing (A0.837512). A Tonal Lexicon for Flute is a complete method for scale and arpeggio training on flute. It contains the basic vocabulary of tonal music and includes: · Chromatic Scales· Diminished Scale· Dominant Seventh Chords· Dorian Scales· Full-Range Major Scales· Full-Range Melodic Minor Scales· Fully-Diminished Seventh Chords· Half-Diminished Seventh Chords· Harmonic Minor Scales· Major Scales· Major Seventh Chords· Major Triads· Melodic Minor Scale in Thirds· Melodic Minor Scales· Minor Seventh Chords· Minor Triads· Mixolydian Scales· Natural Minor Scales· Scales in Thirds· Scales in Trills· Whole Tone Scales Scales and arpeggios are ordered so that they progress logically, one to the other. This order contextualizes the melodic and harmonic structures so that the performer begins to develop a natural sense of how the scales and arpeggios function within a tonal framework. The scales and arpeggios are divided into three large units that include both major and minor keys, easy and difficult keys. The close relationship of each key is emphasized to build automaticity in fingering patterns. Enharmonic keys are represented in both spellings and non-diatonic scales such as whole tone and chromatic scales are spelled as they would be found in each of the fifteen key signatures. The use of octave designation symbols is avoided so that the player is able to acclimate themselves to the many ledger lines sometimes found in flute music. This is an essential book for any serious flute player who wishes to build reading acuity and fluency in any tonal setting.
$25.25
23.35 €
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Flute
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Brett L
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A Tonal Lexicon for Flute
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Sonata Grendel Publishing
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SheetMusicPlus
3 Aires for Flute and Piano
Flute and Piano
Small Ensemble Flute,Oboe,Piano,Violin - Digital Download SKU: A0.951052 Composed b…
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Small Ensemble Flute,Oboe,Piano,Violin - Digital Download SKU: A0.951052 Composed by Jason Sullivann. Contemporary,Instructional. Score and parts. 17 pages. Green Bicycle Music #3546735. Published by Green Bicycle Music (A0.951052). This set of pieces is for advanced beginners and intermediate players. Originally written for Flute, it is also playable by Violin and perhaps Oboe (some breathing and register changes might be necessary for Oboe). The themes are simple, melodic, and diatonic. They are useful for developing breath control, vibrato, and lyric phrasing. They are quite at home in a studio recital setting and have also been used as Offertories in Church services.
$8.00
7.4 €
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Flute and Piano
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Jason Sullivann
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3 Aires for Flute and Piano
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Green Bicycle Music
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SheetMusicPlus
The Big Book of Pentatonics & Fourths
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,P…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95
18.45 €
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Eric Bolvin
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The Big Book of Pentatonics & Fourths
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ERIC V BOLVIN
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SheetMusicPlus
OCTET for flutes
Woodwind Ensemble Flute - Digital Download SKU: A0.1024000 Composed by Daniel Robin…
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Woodwind Ensemble Flute - Digital Download SKU: A0.1024000 Composed by Daniel Robinson/EtherGun. Contemporary. 48 pages. EtherGun Publishing #485685. Published by EtherGun Publishing (A0.1024000). OCTET is a delicate piece in a style of dense broadly pandiatonic polyphony, influenced by Palestrina, Dufay and Gyorgi Ligeti. Difficulty for individual player is intermediate.
$4.99
4.61 €
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Daniel Robinson/EtherGun
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OCTET for flutes
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EtherGun Publishing
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SheetMusicPlus
Minimally Fantastic Suite for Two Flutes and Viola
Flute,Viola - Level 3 - Digital Download SKU: A0.1121997 Composed by Steven Kudlo. …
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Flute,Viola - Level 3 - Digital Download SKU: A0.1121997 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 29 pages. Steven Mark Kudlo #723166. Published by Steven Mark Kudlo (A0.1121997). Chamber music in six movements, about 14 minutes in length. Is polystylistic and uses fairly simple minimal techniques (repetition). The overall impression is neoclassic, though each movement has pandiatonic, tonal, and expressionistic sections. Not too heavy, and not too difficult for intermediate players. Very tightly constructed.
$5.99
5.54 €
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Steven Kudlo
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Minimally Fantastic Suite for Two Flutes and Viola
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Steven Mark Kudlo
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.4 €
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String Trio: violin, viola, cello
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
All Glory, Laud and Honor Trio for Flute, Harp and Piano
Small Ensemble Flute,Harp,Piano - Level 3 - Digital Download SKU: A0.803987 Compose…
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Small Ensemble Flute,Harp,Piano - Level 3 - Digital Download SKU: A0.803987 Composed by Theodulph of Orléans, Melchoir Teschner and harmonized by J. S. Bach. Arranged by Serena O'Meara. Baroque,Easter,Multicultural,Sacred,Spiritual,World. Score and parts. 20 pages. O'Meara Music #6091813. Published by O'Meara Music (A0.803987). In 820 Louis the Pious, Emperor of the Holy Roman Empire heard Theodulph of Orleans singing his hymn while under house arrest. Louis was so inspired by the hymn that he released Theodulph. In 1603 Melchoir Teschner set the hymn tune to new lyrics. J. S. Bach created the harmonization that is commonly used. John Mason Neale translated it intoEnglish. This joyous hymn is in the key of Bb. You will receive the Score plus separate flute, harp, and piano parts. The piano part is also playable on organ or pedal harp. The harp part is clearly marked for lever and pedal changes. Lever harpists will play the glissando in the fourth verse diatonically.
$12.00
11.1 €
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Theodulph of Orléans, Melchoir Teschner and harmonized by J
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All Glory, Laud and Honor Trio for Flute, Harp and Piano
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O'Meara Music
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SheetMusicPlus
Come, Holy Ghost, Trio for Flute, Harp, Piano
Flute,Folk Harp,Lever Harp,Organ,Pedal Harp,Piano - Level 3 - Digital Download SKU: A0.…
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Flute,Folk Harp,Lever Harp,Organ,Pedal Harp,Piano - Level 3 - Digital Download SKU: A0.1088200 Composed by Louis Lambillotte, SJ. Arranged by Serena O'Meara. Easter,Praise & Worship,Sacred,Spiritual,Traditional. 16 pages. O'Meara Music #692451. Published by O'Meara Music (A0.1088200). Rabanus Maurus, 776-856, penned the words of Veni, Creator Spiritus. Louis Lambillotte, SJ, 1796-1855, set the four verses to music. The hymn tune is named Lambillotte. You will receive the Score plus separate parts. The piano part may be played on organ or pedal harp. The lever harp will play the opening glissando diatonically.
$10.00
9.25 €
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Louis Lambillotte, SJ
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Come, Holy Ghost, Trio for Flute, Harp, Piano
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O'Meara Music
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SheetMusicPlus
Minimally Fantastic Suite for Flute, Harpsichord, and Bass
Double Bass,Harpsichord,Piccolo - Level 3 - Digital Download SKU: A0.1115826 Compos…
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Double Bass,Harpsichord,Piccolo - Level 3 - Digital Download SKU: A0.1115826 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 41 pages. Steven Mark Kudlo #717543. Published by Steven Mark Kudlo (A0.1115826). A composition about 14 minutes in length, in six movements, it is combining different styles of minimalism in an overall neoclassical sound. Each movement has three different types of styles: pandiatonic, expressionistic, and tonal. All conflict is resolved at the end of each movement. It's intermediate in difficulty. Dynamic changes are done by having instruments drop out and come in. The flutist is given ample time to breathe.
$5.99
5.54 €
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Steven Kudlo
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Minimally Fantastic Suite for Flute, Harpsichord, and Bass
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Steven Mark Kudlo
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SheetMusicPlus
Trio for Flute, Clarinet, and Horn
Small Ensemble Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.676767 By Essex…
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Small Ensemble Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.676767 By Essex Winds. By Ronald Beckett. 20th Century,Classical,Contest,Festival,Instructional. Score and parts. 15 pages. Ronald Beckett #285686. Published by Ronald Beckett (A0.676767). The Trio appears on the Arcady CD “A Beckett Miscellany†from 2002. Originally written for a high school trio, the work is simple to assemble and has been a favourite of amateurs and professionals alike. A version is also available for violin, oboe, and cello. Listening to these charming suites, epilogues, fantasias, dances, toccatas, and trios by Canadian composer Ronald Beckett makes one realize just how far the neo-tonal counter-revolution has come. Written over a 23-year period, these are cheery, player-friendly 'works to be shared' (in the composer's words) employing baroque counterpoint, occasional minirealist rhythms, and lots of diatonic tunes. Arcady, a chamber group founded by Beckett himself, plays with bubbly energy. -American Record Guide If Ron Beckett's music is half as much fun to write as it is to hear, he must go around smiling all the time -Richard Todd, Ottawa Citizen.
$38.00
35.14 €
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Essex Winds
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Trio for Flute, Clarinet, and Horn
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Ronald Beckett
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.25 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Guitar Trio No. 5 in A Minor with Flute and Cello "The Run"
Flute,Guitar,Violin - Digital Download SKU: A0.926021 Composed by Ken Turley. 20th …
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Flute,Guitar,Violin - Digital Download SKU: A0.926021 Composed by Ken Turley. 20th Century,Contemporary. 33 pages. Ken Turley #5218663. Published by Ken Turley (A0.926021). Three movements, varying moods of wistful and energetic, diatonic yet defy categorization,. Challenging and exciting for all three instruments. Great performance piece. Flute part can be played by violin.
$5.00
4.62 €
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Ken Turley
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Guitar Trio No. 5 in A Minor with Flute and Cello "The Run"
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Ken Turley
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SheetMusicPlus
Disparition IV
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.921447 Composed by Mat Kim. Contem…
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Flute,Piano - Level 4 - Digital Download SKU: A0.921447 Composed by Mat Kim. Contemporary. Score and part. 3 pages. Mat Kim #3896155. Published by Mat Kim (A0.921447). The fourth in a series of explorations of tonality that is missing a specific diatonic scale degree. In this piece, a flute and two pianos avoid the leading tone of the tonic scale.
$7.99
7.39 €
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Flute and Piano
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Mat Kim
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Disparition IV
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Mat Kim
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SheetMusicPlus
Debussy: Danse bohémienne - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1372535 Composed by Claude Debussy. Arranged by Ray Thompson. 19th Century,Romantic Period. 11 pages. RayThompsonMusic #956846. Published by RayThompsonMusic (A0.1372535). Debussy: Danse bohémienne La Danse bohémienne (Bohemian Dance) is a piano piece composed in the late summer of 1880. This is the composer's first published piano work. It was judged by Tchaikovsky as follows...It's really a very nice thing, though really too short; not one thought is expressed through to the end and the form is extremely messy and devoid of wholeness ...  It was written when he was eighteen years old for Nadejda von Meck, Tchaikovsky's rich and generous patroness. Frank Dawes writes of the Danse bohémienne, there is perhaps a mild gipsiness that may have been picked up from the gipsy singers at the Moscow cabarets that Debussy is reputed to have frequented. In texture the piece has something of the salon style of Tchaikovsky, though very much simplified. This straightforward piece, in B minor and 2/4 time, isn't altogether without a few dashes of polka rhythm, but its only notable point of originality comes in the coda, where a tonic chord over a submediant pedal point highlights the interval of a major seventh, possible slightly Russian in character.The score was first published in 1932 by Schott (Maintence), then by Henle (1991, ed. Ernst-Günter Heinemann) and Durand (2000, ed. Roy Howat)It is arranged for standard wind quintet.
$14.95
13.82 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Claude Debussy
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Debussy: Danse bohémienne - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Interstellar
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.912635 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
$5.00
4.62 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
Disparition II
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.921444 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.921444 Composed by Mat Kim. Contemporary. 5 pages. Mat Kim #3896151. Published by Mat Kim (A0.921444). The second in a series of explorations of tonality that is missing a specific diatonic scale degree. In this piece, a wind quintet avoids the dominant note of the tonic key.
$7.99
7.39 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mat Kim
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Disparition II
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Mat Kim
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SheetMusicPlus
Minimally Fantastic Suite for Woodwind Quartet No. 1
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122364 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 42 pages. Steven Mark Kudlo #723522. Published by Steven Mark Kudlo (A0.1122364). A combination of styles in each of its six movements: pandiatonic, expressionistic, and common practice harmony. At intermediate skill levels, this composition could be used to generate interest in the abovementioned styles. It's polystylistic, as well as using repetitive techniques characteristic of postminimalism. At about 18 1/2 minutes in length, it could be an in-depth study for high school or college musicians. The overall impression is neoclassical. Lots of meter changes.
$5.99
5.54 €
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Flute, Oboe, Clarinet, Bassoon
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Steven Kudlo
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Minimally Fantastic Suite for Woodwind Quartet No. 1
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Steven Mark Kudlo
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SheetMusicPlus
Minimally Fantastic Suite for Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1128135 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 40 pages. Steven Mark Kudlo #728747. Published by Steven Mark Kudlo (A0.1128135). Of intermediate difficulty, this work is in six movements at a length of about 15 minutes. It is polystylistic and minimal. It uses repetitive form in a creative way, all based on the form of the first movement. The three styles used are pandiatonic, expressionistic, and common practice harmony within every movement. Every movement ends with concordant passages, which are also interspersed within each movement. The composition could be used to demonstrate these three styles of harmony. There are multiple meters, some of them unusual, like 5/4 or 7/8, and there is usually a meter change within the movements. Each movement has its dominating key, even though the composition is not based on the key system, but instead, something called functional polystylism is used as a substitute for key relations within each movement. The first and second themes are in different styles, even different meters. Overall, the feel is neoclassic. Dynamics range from mp to f, though within each movement instruments may drop out for the sake of contrast.
$5.99
5.54 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Steven Kudlo
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Minimally Fantastic Suite for Wind Quintet
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Steven Mark Kudlo
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SheetMusicPlus
I Want You To Know
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1198960 By John Legend. By John St…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1198960 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. Score and part. 7 pages. BrassMagicMusic.com #798064. Published by BrassMagicMusic.com (A0.1198960). This catchy Reggae-style piece, originally made famous by John Legend, features solo Flute with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert G-major. Â The flute range in this arrangement spans from D5 to D6 [two ledger lines above the staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$5.00
4.62 €
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Flute and Piano
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John Legend
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I Want You To Know
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BrassMagicMusic.com
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SheetMusicPlus
Panorama, op. 79
Flute and Piano
Flute,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.938824 Composed …
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Flute,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.938824 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and individual part. 17 pages. Michael A Yenny #79993. Published by Michael A Yenny (A0.938824). A recital piece for the advanced or professional flutist. Features rapid finger work, cross fingerings, chromatic and diatonic scales, trills, and a 3 octave range (C4-C7). A chromatic-dissonant opening is followed by in-flight or soaring tonalities. One can hear a panorama view in this work. Duration: 3 minutes.
$1.99
1.84 €
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Flute and Piano
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Michael A Yenny
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Panorama, op. 79
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Michael A Yenny
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SheetMusicPlus
Fantasy-Suite for Mixed Quintet No. 2
Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.1194404 Composed by St…
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Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.1194404 Composed by Steven Kudlo. Chamber,Classical,Contemporary. 58 pages. Steven Mark Kudlo #793777. Published by Steven Mark Kudlo (A0.1194404). Functional polystylism in this ensemble (which includes two violins) results in a peaceful neoclassical environment; it's about 17 minutes long and combines neo-expressionist styling with tonal and neoimpressionist/pandiatonic music. Not difficult to play, but with exciting styles and instrument combinations, each movement is self-contained and ends with a tonal passage appropriate to the mood.
$8.99
8.31 €
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Steven Kudlo
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Fantasy-Suite for Mixed Quintet No. 2
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Steven Mark Kudlo
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SheetMusicPlus
Pitt Street Bridge - for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.778226 Composed by John McAlliste…
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Concert Band - Level 2 - Digital Download SKU: A0.778226 Composed by John McAllister. Contemporary,Folk,Instructional,Standards. Score and parts. 52 pages. John McAllister #6665567. Published by John McAllister (A0.778226). Pitt Street Bridge was commissioned by the Moultrie Middle School Band to be premiered at the 2020 SCMEA Conference. The remains of the Pitt Street Bridge lie in the Intercoastal Waterway and in what is now called Pickett Bridge Recreation Area. It is within walking distance from the middle school, and it is an integral part of Mt. Pleasant’s history. Originally designed as a trolley bridge that connected Sullivan’s Island and Mount Pleasant, Pitt Street Bridge is now a haven for recreation and relaxation. The lively melodies throughout the piece depict the festive activities that take place on Pitt Street Bridge. The piece opens as though one is standing on the Pitt Street Bridge, gazing out at the immensely beautiful surroundings. Slow and serene as the sun blankets the harbor and the marsh. The bridge has a tremendous history, dating back to the revolutionary war, which is where the melody begins. Deconstructed from part of Sir Peter Parker, a song about the Battle of Sullivan’s Island. A distant memory, this melody will find itself in many ways throughout (three notes rising diatonically followed by a falling 3rd). The woodwinds pattern in the opening (which also appears throughout), represents the ripples in the water, flowing gently back and forth. The military past of the bridge is hinted at in two ways. The snare in the opening, reminiscent of the rudimental style and several harmonies throughout that hint at an Americana style. As the piece picks up tempo, the hustle and bustle of 1920s Charleston comes to life. Harmonically, everything is still built off of the foundation of the original tune, but now we’re in bright and joyous times and people are transported to and from the island in the Roarin’ 20s. The optimism abounds until the climax of the piece as the bridge (musically speaking), fades into the past. At the finale, one is standing on the bridge with the distant melody still played on the flute.
$40.00
36.99 €
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Concert band
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John McAllister
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Pitt Street Bridge - for Concert Band
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John McAllister
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SheetMusicPlus
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