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Tenor Saxophone and Piano
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You've selected:
Dia Tonic Tenor Saxophone
Sheetmusic to print
18 sheet music found
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1
Dia Tonic Tenor Saxophone
Saxophone (band part)
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.805957 Composed by Martin…
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Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.805957 Composed by Martin Stolz. Instructional,Jazz. Individual part. 2 pages. Martin Stolz #3418051. Published by Martin Stolz (A0.805957). Dia Tonic is a AABA form in the Style of many Jazz standards with a transcribed solo for tenor saxophone. It only contains chords from Bb major (C major for tenor saxophone). The purpose ist to internalise the chords of one key!Get the play-along here: https://www.sheetmusicplus.com/title/dia-tonic-tenor-saxophone-play-along-digital-sheet-music/206849...
$2.99
2.76 €
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Saxophone (band part)
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Martin Stolz
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Dia Tonic Tenor Saxophone
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Martin Stolz
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SheetMusicPlus
Dia Tonic Tenor Saxophone Play-Along
Tenor Saxophone - Digital Download SKU: A0.1069842 Composed by Martin Stolz. Instru…
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Tenor Saxophone - Digital Download SKU: A0.1069842 Composed by Martin Stolz. Instructional,Jazz. Accompaniment. Duration 189. Martin Stolz #3418061. Published by Martin Stolz (A0.1069842). This is the play-along for my composition Dia Tonic for tenor saxophone.
$1.99
1.84 €
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Martin Stolz
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Dia Tonic Tenor Saxophone Play-Along
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Martin Stolz
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SheetMusicPlus
The First Noel for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Tradi…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
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Tenor Saxophone and Piano
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Traditional
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The First Noel for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Sonata "Funtasies" for Tenor Saxophone and Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Br…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
13.86 €
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Tenor Saxophone and Piano
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Sy Brandon
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Sonata "Funtasies" for Tenor Saxophone and Piano
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Sy Brandon
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SheetMusicPlus
The Big Book of Pentatonics & Fourths
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,P…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95
18.45 €
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Eric Bolvin
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The Big Book of Pentatonics & Fourths
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ERIC V BOLVIN
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.25 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Feeling Good
Tenor Saxophone and Piano
Acoustic Guitar,Drum Set,Electric Bass Guitar,Flute,Piano,Tenor Saxophone - Level 3 - Digi…
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Acoustic Guitar,Drum Set,Electric Bass Guitar,Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1349008 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. Contemporary,Country. Full Performance. Duration 193. Eugene W. Hairston #933745. Published by Eugene W. Hairston (A0.1349008). Song: Feeling GoodTime: 3:12Year: 2023Album: Diatonic ChromaticismGenre: CountryStyle: Mid Tempo InstrumentalCopyrights: Eugene W. Hairston.
$1.99
1.84 €
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Tenor Saxophone and Piano
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Eugene W
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Feeling Good
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Eugene W. Hairston
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SheetMusicPlus
Sax Quartet No. 1 (2018) RTHILL
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1026288 Composed by Richard T. Hill. 20th Century,Contemporary. 114 pages. Richard T. Hill #6049687. Published by Richard T. Hill (A0.1026288). An Intermediate to Advanced composition for sax quartet that utilizes syncopated rhythms and mostly pandiatonic melodies for music that is contemporary and idiomatic for the instruments while holding the interest of both players and audience. 114 pages.
$14.99
13.86 €
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Saxophone Quartet: 4 saxophones
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Richard T
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Sax Quartet No. 1
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Richard T. Hill
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.25 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
YOU'RE JUST BUBBLES 'Alice in Wonderland' for Show Bands
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.975948 Composed by Lee Holt. Arra…
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Concert Band - Level 2 - Digital Download SKU: A0.975948 Composed by Lee Holt. Arranged by Lee Holt. Broadway,Children,Musical/Show. Score and parts. 34 pages. Lee Holt #2965091. Published by Lee Holt (A0.975948). Perfect for your Senior School Production; 'YOU'RE JUST BUBBLES' (The Caterpillar song)- Song 3 of 8 is the mystical, surreal bubble blowing Caterpillar song. An original arrangement consisting of chromatic scales and diatonic harmonies. The song is written for a 14-piece Show band with instruments that include: flute, alto saxophone, tenor saxophone, violin, cello,trombone,lead guitar, rhythm guitar, bass, piano and drum set and auxiliary percussion consisting of suspended cymbal and glockenspiel. The song is guaranteed to set the scene to your school 'Alice In Wonderland' production. Ideal for lower intermediate level Primary or Secondary school bands. .
$9.50
8.78 €
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Concert band
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Lee Holt
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YOU'RE JUST BUBBLES 'Alice in Wonderland' for Show Bands
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Lee Holt
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SheetMusicPlus
TEA FOR YOU 'Alice in Wonderland' for Show Bands
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.975950 Composed by Lee Holt. Arra…
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Concert Band - Level 2 - Digital Download SKU: A0.975950 Composed by Lee Holt. Arranged by Lee Holt. Broadway,Children,Musical/Show. Score and parts. 51 pages. Lee Holt #2965131. Published by Lee Holt (A0.975950). Perfect for your Senior School Production; 'TEA FOR YOU' Song 7 of 8 is the Mad Hatter's penultimate show finishing song. All the cast are involved as a chorus is this original arrangement consisting of chromatic scales and diatonic harmonies, this song has a ballad feel with key theatrical features. Set for a 14-piece Show band, complete with Conductor's score and instruments that include: flute, alto saxophone, tenor saxophone, violin, cello,trombone,lead guitar, rhythm guitar, bass, piano and drum set, auxiliary percussion consisting of: suspended cymbal and glockenspiel. The song is guaranteed to set the scene to your 'Alice In Wonderland' production. Ideal for lower intermediate level Primary or Secondary school bands.
$9.50
8.78 €
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Concert band
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Lee Holt
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'TEA FOR YOU'
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TEA FOR YOU 'Alice in Wonderland' for Show Bands
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Lee Holt
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SheetMusicPlus
SPEAK ROUGHLY 'Alice in Wonderland' for Show Bands
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.975949 Composed by Lee Holt. Arra…
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Concert Band - Level 2 - Digital Download SKU: A0.975949 Composed by Lee Holt. Arranged by Lee Holt. Broadway,Children,Musical/Show. Score and parts. 28 pages. Lee Holt #2965107. Published by Lee Holt (A0.975949). Perfect for your Senior School Production; 'SPEAK ROUGHLY' Song 5 of 8 is the Chef's Dish of disaster song Full of humour, fun and light entertainment. An original arrangement consisting of chromatic scales and diatonic harmonies, this song is filled with fun, energy and joyful lyrics that are sure to get your audience really warmed up with a laugh a minute. Set for a 14-piece Show band, complete with Conductor's score and instruments that include: flute, alto saxophone, tenor saxophone, violin, cello,trombone,lead guitar, rhythm guitar, bass, piano and drum set, auxiliary percussion consisting of: suspended cymbal and glockenspiel. The song is guaranteed to set the scene to your 'Alice In Wonderland' production. Ideal for lower intermediate level Primary or Secondary school bands.
$9.50
8.78 €
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Concert band
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Lee Holt
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'SPEAK ROUGHLY'
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SPEAK ROUGHLY 'Alice in Wonderland' for Show Bands
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Lee Holt
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SheetMusicPlus
COMPLETE MUSICAL SCORE 'Alice in Wonderland' for Show Bands
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.975951 Composed by Lee Holt. Arra…
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Concert Band - Level 2 - Digital Download SKU: A0.975951 Composed by Lee Holt. Arranged by Lee Holt. Broadway,Children,Musical/Show. Score and parts. 211 pages. Lee Holt #2965155. Published by Lee Holt (A0.975951). Perfect for your Senior School Production; includes NOT TOO FAR FROM HOME, COOL CAT, YOU'RE JUST BUBBLES, KITCHEN CLATTER, SPEAK ROUGHLY, WILL YOU WON'T YOU and TEA FOR YOU. Seven songs perfect for your next school production! All are original arrangements consisting of chromatic scales and diatonic harmonies, this song is filled with fun, energy and joyful lyrics that are sure to get your audience really warmed up with a laugh a minute. Set for a 14-piece Show band, complete with Conductor's score and instruments that include: flute, alto saxophone, tenor saxophone, violin, cello,trombone,lead guitar, rhythm guitar, bass, piano and drum set, auxiliary percussion consisting of: suspended cymbal and glockenspiel. This music is guaranteed to set the scene to your 'Alice In Wonderland' production. Ideal for lower intermediate level Primary or Secondary school bands.
$49.99
46.23 €
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Concert band
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Lee Holt
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COMPLETE MUSICAL SCORE 'Alice in Wonderland' for Show Bands
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Lee Holt
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SheetMusicPlus
A Day Off
Drum Set,Electric Bass Guitar,Electric Guitar,Flugelhorn,Flute,Tenor Saxophone,Trumpet - L…
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Drum Set,Electric Bass Guitar,Electric Guitar,Flugelhorn,Flute,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1348971 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. Contemporary,Jazz. Full Performance. Duration 341. Eugene W. Hairston #933704. Published by Eugene W. Hairston (A0.1348971). Song: A Day OffTime: 5:41Year: 2023Album: Diatonic ChromaticismGenre: JazzStyle: Slow BalladCopyrights: Eugene W. Hairston.
$1.99
1.84 €
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Eugene W
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A Day Off
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Eugene W. Hairston
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SheetMusicPlus
Fuzzy Logic
Drum Set,Electric Bass Guitar,Flugelhorn,Flute,String Synthesizer,Tenor Saxophone - Level …
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Drum Set,Electric Bass Guitar,Flugelhorn,Flute,String Synthesizer,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1349002 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. Contemporary,Funk,Jazz. Full Performance. Duration 207. Eugene W. Hairston #933739. Published by Eugene W. Hairston (A0.1349002). Song: Fuzzy LogicTime: 3:28Year: 2023Album: Diatonic ChromaticismGenre: JazzStyle: Mid-Tempo FunkCopyrights: Eugene W. Hairston.
$1.99
1.84 €
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Eugene W
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Fuzzy Logic
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Eugene W. Hairston
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SheetMusicPlus
Night Life
Cabasa,Congas,Cowbell,Drum Set,Electric Bass Guitar,Electronic Keyboard,Flugelhorn,Flute,M…
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Cabasa,Congas,Cowbell,Drum Set,Electric Bass Guitar,Electronic Keyboard,Flugelhorn,Flute,Medium-Low Voice,Percussion 1,Shaker,Synthesizer,Tenor Saxophone,Timbales - Level 5 - Digital Download SKU: A0.1349005 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. Contemporary,Funk,Jazz,Multicultural,World. Full Performance. Duration 212. Eugene W. Hairston #933742. Published by Eugene W. Hairston (A0.1349005). Song: Night LifeTime: 3:32Year: 2023Album: Diatonic ChromaticismGenre: JazzStyle: Smooth Funk JazzCopyrights: Eugene W. Hairston.
$1.99
1.84 €
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Eugene W
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Night Life
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Eugene W. Hairston
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SheetMusicPlus
Sunshine & Smiles
Acoustic Guitar,Bongos,Drum Set,Electric Bass Guitar,Electric Guitar,Flute,Synthesizer,Ten…
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Acoustic Guitar,Bongos,Drum Set,Electric Bass Guitar,Electric Guitar,Flute,Synthesizer,Tenor Saxophone,Wind Chimes - Level 3 - Digital Download SKU: A0.1348982 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. Jazz,Latin. Full Performance. Duration 236. Eugene W. Hairston #933717. Published by Eugene W. Hairston (A0.1348982). Song: Sunshine & SmilesTime: 3:56Year: 2023Album: Diatonic ChromaticismGenre: Latin JazzStyle: Breezy, Uptempo JazzCopyrights: Eugene W. Hairston.
$1.99
1.84 €
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Eugene W
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Sunshine & Smiles
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Eugene W. Hairston
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SheetMusicPlus
A Winter Jam
Acoustic Guitar,Drum Set,Electric Bass Guitar,Electric Guitar,Flute,Tambourine,Tenor Saxop…
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Acoustic Guitar,Drum Set,Electric Bass Guitar,Electric Guitar,Flute,Tambourine,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1348974 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. Country,Pop. Full Performance. Duration 170. Eugene W. Hairston #933710. Published by Eugene W. Hairston (A0.1348974). Song: A Winter JamTime: 2:50Year: 2023Album: Diatonic ChromaticismGenre: CountryStyle: Medium Tempo Country RockCopyrights: Eugene W. Hairston.
$1.99
1.84 €
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Eugene W
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A Winter Jam
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Eugene W. Hairston
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SheetMusicPlus
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