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You've selected:
Dialogue Baroque
Sheetmusic to print
220 sheet music found
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201
Bach Johann Christian Dialogue
Easy Piano
Easy Piano - Level 3 - Digital Download SKU: A0.1498180 By Benjamin Choupak. By J.C…
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Easy Piano - Level 3 - Digital Download SKU: A0.1498180 By Benjamin Choupak. By J.Ch. Bach. Arranged by Benjamin Choupak. Baroque. Score. 2 pages. Musictake #1074491. Published by Musictake (A0.1498180).
$4.99
4.6 €
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Easy Piano
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Benjamin Choupak
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Bach Johann Christian Dialogue
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Musictake
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SheetMusicPlus
A Dialogue between Thirsis and Dorinda (When Death shall part us from these kids)
Vocal duet, Piano
Voice Duet Soprano voice,Tenor Voice - Digital Download SKU: A0.1094659 Composed by…
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Voice Duet Soprano voice,Tenor Voice - Digital Download SKU: A0.1094659 Composed by Matthew Locke. Arranged by Early Music Scores. Baroque. 6 pages. Early Music Scores #698729. Published by Early Music Scores (A0.1094659). Two voices (soprano and tenor) and continuo: composed by Matthew Locke (c.1621-1677). From Choice Ayres, First Book, Playford, 1676. Edited by Felipe Dias. 6 pages.
$6.99
6.44 €
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Vocal duet, Piano
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Matthew Locke
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A Dialogue between Thirsis and Dorinda
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Early Music Scores
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SheetMusicPlus
Echo (Dialogue) (Downloadable)
Brass Quartet and Organ - Medium - Digital Download SKU: MQ.20-616-4E Composed by V…
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Brass Quartet and Organ - Medium - Digital Download SKU: MQ.20-616-4E Composed by Various. Arranged by Charles E. Callahan Jr. Baroque. 19 pages. MorningStar Music Publishers - Digital Sheet Music #20-616-4E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-616-4E).
$17.00
15.67 €
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Various
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Echo
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Dialogue Baroque
2 French horns (duet)
French Horn Duet Horn - Level 4 - Digital Download SKU: A0.1244909 By Conzon. By Sa…
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French Horn Duet Horn - Level 4 - Digital Download SKU: A0.1244909 By Conzon. By Samuel Scheidt. Arranged by Philippe HERVE. 19th Century. Score. 3 pages. Philippe HERVE #839833. Published by Philippe HERVE (A0.1244909). Oeuvre pour 2 cors.
$10.00
9.22 €
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2 French horns (duet)
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Conzon
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Dialogue Baroque
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Philippe HERVE
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SheetMusicPlus
ANTHOLOGY OF ORGAN MASTERPIECES - 9th Volume (of 10) - look at the list of songs inside
Organ
Organ - Digital Download Composed by Various. Arranged by Marcello Meneguzzo. Romanti…
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Organ - Digital Download Composed by Various. Arranged by Marcello Meneguzzo. Romantic Period, Classical Period, Baroque Period, Renaissance. Score. 105 pages. Published by Renato Tagliabue
Index of the 9th volume<br> <br> ANONIMO .......................................... Obra defalsas .............................. pag. 72<br> <br> BABOU Thomas ................................. Fantaisiedes trompettes basses et hautes “ 91<br> <br> BABOU Thomas ................................. Tantumergo ................................. “ 86<br> <br> BASSANI Giovanni ............................ Fantasia....................................... “ 68<br> <br> BEST William Thomas ....................... Allpeople that on earth do dwell ... “ 74<br> <br> BEST William Thomas ....................... O praisethe Lord with one consent “ 76<br> <br> BOËLLMANN Léon ........................... Toccata (dalla « Suite Gothique ») “ 39<br> <br> de GRIGNY Nicolas ............................ Duo ............................................. “ 59<br> <br> de GRIGNY Nicolas ............................ Dialogue...................................... “ 62<br> <br> de GRIGNY Nicolas ............................ Dialoguepour la communion ......... “ 64<br> <br> LEYDING Georg Dietrich.................... Praeludium .................................. “ 26<br> <br> LEYDING Georg Dietrich.................... Praeludium .................................. “ 33<br> <br> RICHTER Ernest Friedrich ................ Wernur den lieben Gott lässt walten “ 50<br> <br> RICHTER Ernest Friedrich ................ OGott, du frommer Gott ............... “ 88<br> <br> SCHERER Sebastian Anton ............... Intonazioni................................... “ 7<br> <br> SCHUMANN Robert ........................... Fugaterza (dalle seifughe sul nome Bach) “ 22<br> <br> SWEELINCK Jan Pieterszoon ............. Ballo del granduca ....................... “ 17<br> <br> TAGLIASASSI Giambattista ............... Adagio.......................................... “ 70<br> <br> VIERNE Louis .................................... Communion.................................. “ 53<br> <br> VIERNE Louis .................................... Berceuse...................................... “ 56<br> <br> WECKMANN Matthias ....................... Toccatavel præludium................... “ 78<br> <br> WECKMANN Matthias ....................... Toccata ........................................ “ 81<br> <br> WIDOR Charles Marie ....................... Toccata ........................................ “ 95<br> <br> ANONIMO .......................................... Obra defalsas .............................. pag. 72<br> <br> BABOU Thomas ................................. Fantaisiedes trompettes basses et hautes “ 91<br> <br> BABOU Thomas ................................. Tantumergo ................................. “ 86<br> <br> BASSANI Giovanni ............................ Fantasia....................................... “ 68<br> <br> BEST William Thomas ....................... Allpeople that on earth do dwell ... “ 74<br> <br> BEST William Thomas ....................... O praisethe Lord with one consent “ 76<br> <br> BOËLLMANN Léon ........................... Toccata (dalla « Suite Gothique ») “ 39<br> <br> de GRIGNY Nicolas ............................ Duo ............................................. “ 59<br> <br> de GRIGNY Nicolas ............................ Dialogue...................................... “ 62<br> <br> de GRIGNY Nicolas ............................ Dialoguepour la communion ......... “ 64<br> <br> LEYDING Georg Dietrich.................... Praeludium .................................. “ 26<br> <br> LEYDING Georg Dietrich.................... Praeludium .................................. “ 33<br> <br> RICHTER Ernest Friedrich ................ Wernur den lieben Gott lässt walten “ 50<br> <br> RICHTER Ernest Friedrich ................ OGott, du frommer Gott ............... “ 88<br> <br> SCHERER Sebastian Anton ............... Intonazioni................................... “ 7<br> <br> SCHUMANN Robert ........................... Fugaterza (dalle seifughe sul nome Bach) “ 22<br> <br> SWEELINCK Jan Pieterszoon ............. Ballo del granduca ....................... “ 17<br> <br> TAGLIASASSI Giambattista ............... Adagio.......................................... “ 70<br> <br> VIERNE Louis .................................... Communion.................................. “ 53<br> <br> VIERNE Louis .................................... Berceuse...................................... “ 56<br> <br> WECKMANN Matthias ....................... Toccatavel præludium................... “ 78<br> <br> WECKMANN Matthias ....................... Toccata ........................................ “ 81<br> <br> WIDOR Charles Marie ....................... Toccata ........................................ “ 95
$19.90
18.35 €
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Organ
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Various
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ANTHOLOGY OF ORGAN MASTERPIECES - 9th Volume
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Renato Tagliabue
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SheetMusicPlus
Les tendres plaintes (for Piano Solo) as played by Víkingur Ólafsson
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Flavio Regis Cunha. Baroque Period, Repertoire, Recital. Score. 8 pages. Published by Flavio Regis Cunha
Les tendres plaintes (for Piano Solo) as played by Víkingur Ólafsson<br> <br> “For me, Rameau is up there with Handel, Scarlatti, and second only to Bach,” says Ólafsson. “It is simply genius keyboard writing.” His new album ‘Debussy Rameau’ juxtaposes Rameau’s music with that of Debussy, describing it as a “dialogue” between the two composers. He said that together they “defeat time and space with music”. What follows Debussy’s tender apologies on the album are Rameau’s tender complaints in ‘Les Tendres Plaintes’ from his Suite in D. In fact, tenderness was also the word evoked by Debussy to describe what he admired so deeply in Rameau – “Delicate and charming tenderness”, to be exact. Watch Víkingur Ólafsson performing Jean-Philippe Rameau’s ‘Les tendres plaintes’.“Ólafsson’s interpretations inhabit a unique, distinct and extraordinary world all their own.” – Gramophone
$6.99
6.44 €
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Piano solo
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Jean-Philippe Rameau
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Les tendres plaintes
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Flavio Regis Cunha
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Clarinet and Piano
Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed b…
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Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007246. Published by ACORDO Sheet Music (A0.1426546). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and clarinet. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.32 €
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Johann Sebastian Bach
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Clarinet and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Flute, Clarinet and Piano
Level 3 - Digital Download SKU: A0.1426547 Composed by Johann Sebastian Bach. Arran…
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Level 3 - Digital Download SKU: A0.1426547 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007247. Published by ACORDO Sheet Music (A0.1426547). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for flute and clarinet. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.32 €
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Johann Sebastian Bach
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Flute, Clarinet and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for two Clarinets and Piano
Bassoon,Clarinet,Piano - Level 3 - Digital Download SKU: A0.1426548 Composed by Joh…
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Bassoon,Clarinet,Piano - Level 3 - Digital Download SKU: A0.1426548 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007248. Published by ACORDO Sheet Music (A0.1426548). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Clarinets. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.32 €
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Johann Sebastian Bach
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for two Clarinets and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Cor Anglais and Piano
English Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426549 Composed by Jo…
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English Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426549 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007249. Published by ACORDO Sheet Music (A0.1426549). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Oboe and Cor Anglais. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.32 €
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Johann Sebastian Bach
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Cor Anglais and Piano
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ACORDO Sheet Music
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SheetMusicPlus
" Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Flute and Piano "
Bassoon,Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1422054 Composed by J…
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Bassoon,Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1422054 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1003395. Published by ACORDO Sheet Music (A0.1422054). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and flute.  The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.32 €
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Johann Sebastian Bach
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" Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Flute and Piano "
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Violin and Piano
Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1417698 Composed by Jo…
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Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1417698 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #999237. Published by ACORDO Sheet Music (A0.1417698). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The cello part is the same as the piano's left hand and is optional.
$3.60
3.32 €
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Johann Sebastian Bach
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Violin and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Don't Blame Me
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1501693 By KHALED MANDI. By KHALED …
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Piano Solo - Level 2 - Digital Download SKU: A0.1501693 By KHALED MANDI. By KHALED MANDI. Arranged by KHALED MANDI. 21st Century,Baroque,Classical,Multicultural,Traditional,World. Score. 3 pages. KHALED ALTAMIMI #1077558. Published by KHALED ALTAMIMI (A0.1501693). Don't Blame Me is a piano piece written in a polyphonic style, portraying a musical dialogue between the right and left hands. Each hand presents a distinct musical perspective, engaging in an escalating argument. Through contrasting tones and tense harmonies, both sides convey blame and reproach within a complex musical structure. As the piece progresses, the dialogue gradually seeks resolution, leading to a state of musical stability.
$5.99
5.52 €
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Piano solo
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KHALED MANDI
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Don't Blame Me
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KHALED ALTAMIMI
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SheetMusicPlus
Serafin Que Con Dulce Armonia
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1143138 By Simon James. By Joan Cererol…
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Guitar - Level 2 - Digital Download SKU: A0.1143138 By Simon James. By Joan Cererols. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 18 pages. DML #743497. Published by DML (A0.1143138). Joan Cererols (1618 – 1680) was a Spanish composer and Benedictine monk. Cererols was born in Martorell. He entered the choir school Escolania de Montserrat around 1626. Cererols took his first steps in music under the direction of Father Joan Marc, a famous organist. He is known today chiefly for a single villancico, the beautiful marizápalos a lo divino - SerafÃn que con dulce armonÃa . The marizápalos was a song with a special harmonic pattern that often served as a framework for improvisation. This arrangement is for guitar quartet and solo guitar (Guitar 5). The quartet parts are easy, the solo guitar part is more challenging. The piece is fascinating, at times a dialogue between the solo guitar and the quartet but at other times the quartet splits into two giving a dialogue between three groups.
$5.99
5.52 €
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Guitar
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Simon James
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Serafin Que Con Dulce Armonia
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DML
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SheetMusicPlus
Spring (from The Four Seasons Concerto No. 1 in E major, RV 269) / Antonio Vivaldi
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491281 Composed by Antonio V…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491281 Composed by Antonio Vivaldi. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV,Wedding. Score. 4 pages. Japan Duo Notes #1068019. Published by Japan Duo Notes (A0.1491281). Title: Spring (from The Four Seasons Concerto No. 1 in E major, RV 269) by Antonio Vivaldi – Flute Duet ArrangementDescription:Celebrate the arrival of Spring with this delightful flute duet arrangement of Antonio Vivaldi’s iconic Concerto No. 1 in E major from The Four Seasons. One of the most beloved pieces in the classical repertoire, Vivaldi’s Spring is full of bright, joyful melodies that capture the essence of nature’s rebirth. This arrangement for two flutes brings Vivaldi’s timeless work to life, allowing both players to share in the playful and lively spirit of the original violin concerto.Key Features:Composer: Antonio VivaldiArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 4 pagesThis flute duet arrangement of Spring from The Four Seasons preserves the vibrant energy and melodic charm of Vivaldi’s masterpiece. With intricate harmonies and interwoven melodies, both flutes engage in a musical dialogue that mirrors the original concerto’s celebration of nature and the joy of springtime. Ideal for concerts, recitals, and special events, this arrangement is a perfect showcase of baroque elegance and vitality.Why Choose This Arrangement?Faithful Adaptation: Captures the bright and energetic spirit of Vivaldi’s Spring from The Four Seasons, arranged for two flutes with attention to detail.Versatile and Joyful: Suitable for a range of performances, from formal recitals to spring-themed concerts and celebratory occasions.Musically Engaging: Ideal for intermediate to advanced flutists, offering a rewarding blend of technical challenge and expressive performance.Embrace the vibrant energy of Vivaldi’s Spring with this beautifully arranged flute duet. This arrangement brings one of classical music’s most iconic works to your flute repertoire, perfect for flutists seeking a lively and joyful performance piece.Keywords: Antonio Vivaldi, Spring, The Four Seasons, Concerto No. 1, flute duet, flute sheet music, baroque music, classical music, Vivaldi arrangements, intermediate flute music, concert flute duet, recital music, joyful flute music.
$5.99
5.52 €
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2 Flutes (duet)
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Antonio Vivaldi
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Spring
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Japan Duo Notes
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SheetMusicPlus
bwv anh 113 minuet in F sheet music Horn and Bassoon
French horn and Basson (duet)
Bassoon,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1347198 By Joha…
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Bassoon,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1347198 By Johann Sebastian Bach. By Anonymous. Arranged by Arezzo Music. Baroque,Chamber,Children,Early Music,Traditional. 3 pages. Arezzo Music #931996. Published by Arezzo Music (A0.1347198). Bwv anh 113 minuet in F sheet music Horn and BassoonThe Minuet in F (BWV Anh. 113), often attributed to Johann Sebastian Bach, is a charming Baroque piece celebrated for its elegance and grace. This particular arrangement for Horn and Bassoon infuses the composition with a unique blend of resonant and contrasting tones. The warm, smooth timbre of the Horn blends harmoniously with the deep, rich tones of the Bassoon, creating a delightful dialogue between the instruments. This rendition offers musicians a chance to explore the subtle nuances of Baroque music while embracing the distinctive characteristics of the Horn and Bassoon. It's an engaging piece ideal for performances or for those seeking a beautiful addition to their musical repertoire.bwv anh 113 minuet in F sheet music Horn and Bassoon  Â
$3.99
3.68 €
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French horn and Basson (duet)
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Johann Sebastian Bach
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bwv anh 113 minuet in F sheet music Horn and Bassoon
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Arezzo Music
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SheetMusicPlus
bwv anh 113 minuet in F sheet music Flute and Cello
Flute, Violoncello
Cello,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1347214 By Johan…
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Cello,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1347214 By Johann Sebastian Bach. By Anonymous. Arranged by Arezzo Music. Baroque,Chamber,Children,Early Music,Traditional. 3 pages. Arezzo Music #932013. Published by Arezzo Music (A0.1347214). Bwv anh 113 minuet in F sheet music Flute and CelloThe Minuet in F (BWV Anh. 113), widely attributed to Johann Sebastian Bach, is an exquisite Baroque composition that embodies elegance and sophistication. This particular arrangement for Flute and Cello beautifully merges the enchanting, melodious tones of the Flute with the deep, resonant voice of the Cello. Through this collaboration, the piece radiates a delicate balance of grace and depth, offering a charming interplay between the two instruments. This rendition presents an opportunity for musicians to explore the nuances of Baroque music, exhibiting the distinct qualities of the Flute and Cello, resulting in a captivating musical dialogue that's perfect for performance or for enriching one's musical repertoire.bwv anh 113 minuet in F sheet music Flute and Cello
$3.99
3.68 €
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Flute, Violoncello
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Johann Sebastian Bach
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bwv anh 113 minuet in F sheet music Flute and Cello
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Arezzo Music
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SheetMusicPlus
Partita No. 4 in D Major, BWV 828
Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411059 …
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Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 89 pages. Songburd Music #993405. Published by Songburd Music (A0.1411059). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 4 in D Major (BWV 828) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue.Notably, Bach’s keyboard Partita No. 4 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$89.99
82.96 €
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Johann Sebastian Bach
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Partita No. 4 in D Major, BWV 828
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Songburd Music
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SheetMusicPlus
Partita No. 1 in B-Flat Major, BWV 825
Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411052 …
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Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 53 pages. Songburd Music #993398. Published by Songburd Music (A0.1411052). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 1 in B-Flat Major (BWV 825) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 1 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99
55.31 €
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Johann Sebastian Bach
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Partita No. 1 in B-Flat Major, BWV 825
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Songburd Music
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SheetMusicPlus
Partita No. 3 in A Minor, BWV 827
Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1397731 …
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Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 64 pages. Songburd Music #981022. Published by Songburd Music (A0.1397731). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 3 in A Minor (BWV 827) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 3 is comprised of movements based on Renaissance dance forms— allemande, corrente, sarabande, and gigue—each influenced by the step-pattern of that specific dance.  These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99
55.31 €
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Johann Sebastian Bach
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Partita No. 3 in A Minor, BWV 827
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Songburd Music
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. A…
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String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. Jmsgu3 #3464715. Published by jmsgu3 (A0.549211). A musical monument: the first composition to employ dynamics. Instrumentation: 2 violins, 1 viola, 5 cellos 1 double bass. Arranged in two antiphonal choirs: I - string quartet, II - cello choir w/bass. The double bass part assumes low c extension; however, a non-extension bass part is included.Giovanni Gabrieli's Sonata Pian e Forte is essential as it represents the shift from the Renaissance to the Baroque period. It is part of his 1597 Sacrae symphoniae, which contains sixty-three choral and instrumental works, many in multi-choir formations. It is the first known composition in history to employ dynamics, with Gabrieli using specific notation to indicate instrumentation and experimenting with assembling massive instrumental forces into isolated groups separated by space. This innovation contributed heavily to the Baroque Concertato style and the development of the sonata, a musical form that came into general use toward the end of the sixteenth century. The structure of the piece is defined by the dialogue between two instrumental choirs, making it a key example of Gabrieli's influential contributions to the transition in musical style during his time.
$47.95
44.21 €
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
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jmsgu3
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SheetMusicPlus
To One in Paradise - Vocal Duet
Vocal duet, Piano
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1…
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1308011 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. 21st Century,Baroque,Historic,Romantic Period,Singer/Songwriter. 4 pages. Richard deCosta #897288. Published by Richard deCosta (A0.1308011). Haunting electronica rendition of Poe's To One in ParadiseEmbark on a melodious journey through Edgar Allan Poe's To One in Paradise with this captivating vocal duet. The neo-Baroque intricacies entwined within the score escort the listeners back to a time of ornate expressions and profound emotions. The composition is laden with melodious arcs that ascend to euphoric peaks and descend into contemplative valleys, echoing the poignant essence of Poe's verses. The vocalists, enveloped in a tender dialogue, weave through the stanzas, their voices entwining with grace, and delving into the sorrow and hope inked in the poet's words. This piece is a heartfelt ode to the ethereal beauty of cherished memories and the melancholy of lost love. A timeless narrative that resonates through the ages, waiting to be unveiled by the emotive prowess of passionate performers.To One in ParadiseBy Edgar Allan PoeThou wast that all to me, love,For which my soul did pine—A green isle in the sea, love,A fountain and a shrine,All wreathed with fairy fruits and flowers,And all the flowers were mine.Ah, dream too bright to last!Ah, starry Hope! that didst ariseBut to be overcast!A voice from out the Future cries,“On! on!â€â€”but o’er the Past(Dim gulf!) my spirit hovering liesMute, motionless, aghast!For, alas! alas! with meThe light of Life is o’er!No more—no more—no more—(Such language holds the solemn seaTo the sands upon the shore)Shall bloom the thunder-blasted tree,Or the stricken eagle soar!And all my days are trances,And all my nightly dreamsAre where thy grey eye glances,And where thy footstep gleams—In what ethereal dances,By what eternal streams.
$7.99
7.37 €
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Vocal duet, Piano
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Richard deCosta
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To One in Paradise - Vocal Duet
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Richard deCosta
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SheetMusicPlus
bwv anh 113 minuet in F sheet music Horn and Cello
Horn, Cello (duet)
Cello,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1347197 By Johann…
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Cello,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1347197 By Johann Sebastian Bach. By Anonymous. Arranged by Arezzo Music. Baroque,Chamber,Children,Early Music,Traditional. 3 pages. Arezzo Music #931995. Published by Arezzo Music (A0.1347197). Bwv anh 113 minuet in F sheet music Horn and CelloThe Minuet in F (BWV Anh. 113) is an exquisite piece often attributed to Johann Sebastian Bach. This sheet music arrangement for Horn and Cello beautifully showcases the charming interplay between these instruments. The Horn, with its warm and mellow tones, harmonizes delightfully with the rich, resonant sounds of the Cello. This arrangement skillfully combines the distinct characteristics of both instruments, offering a graceful interpretation of Bach's composition. It provides a wonderful opportunity for musicians to explore Baroque repertoire, offering a charming and expressive dialogue between the Horn and Cello, making it a delightful addition to performances or musical collections.   bwv anh 113 minuet in F sheet music Horn and CelloÂ
$3.99
3.68 €
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Horn, Cello (duet)
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Johann Sebastian Bach
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bwv anh 113 minuet in F sheet music Horn and Cello
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Arezzo Music
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SheetMusicPlus
Handel - Air in B Flat Major - Intermediate
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1117575 Composed by George Frideric…
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Piano Solo - Level 3 - Digital Download SKU: A0.1117575 Composed by George Frideric Handel. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score. 3 pages. Piacere Music Sheets #719113. Published by Piacere Music Sheets (A0.1117575). Opus/Catalog Number: HWV 471 Key/Tone: B-flat Major Movements/Sections: Aria Year/Date of Composition: 1710-1720 Difficulty: Grade 4/12 (Intermediate) Obs.: Handel's Air HWV 471 has a quiet, almost pastoral character. It features an imitative dialogue between both hands. According to the performance practice of the Baroque period, trills must begin ON the beat, on the upper auxiliary note. More on less repercussions may be played depending on the player's taste and ability.
$4.95
4.56 €
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Piano solo
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George Frideric Handel
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Handel - Air in B Flat Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Nach Dir, Herr, verlanget mich from Cantata, BWV 150) as played by Víkingur Ólafsson
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1499458 By Johann Sebastian Bach an…
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Piano Solo - Level 3 - Digital Download SKU: A0.1499458 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Sacred. Score. 3 pages. Flavio Regis Cunha #1075521. Published by Flavio Regis Cunha (A0.1499458). Immerse Yourself in the Majesty of Bach with Nach dir, Herr, verlanget mich For the pianists who yearn to explore the profound beauty of sacred music, here lies an opportunity to bring Bach's genius to life. Presenting the sheet music for J. S. Bach: Nach dir, Herr, verlanget mich from Cantata BWV 150, as interpreted by the extraordinary Víkingur Ólafsson.This is not just a piece of music; it’s an intimate dialogue with the divine. Every note, every phrase, carefully crafted by Bach, now brought to life through the delicate and insightful interpretation of Víkingur Ólafsson. Whether you’re performing in a majestic concert hall, a serene church, or the vibrant setting of a school, this arrangement will elevate your playing to new heights.With this music in your hands, you hold the key to a powerful expression of faith, longing, and hope. Bach's timeless composition will resonate deeply with both performers and audiences, allowing you to convey the intricate emotions that make his work so enduring.Let your piano sing with the spiritual depth and emotional clarity of Bach's masterpiece. Embrace the beauty, the challenge, and the profound artistry that this arrangement offers.Bring Bach's legacy to life in your next performance. Secure your copy today.Intermediate Level3 pagesDuration: 2 min.
$6.99
6.44 €
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Piano solo
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Johann Sebastian Bach and Víkingur Ólafsson
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Nach Dir, Herr, verlanget mich from Cantata, BWV 150) as played by Víkingur Ólafsson
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Flavio Regis Cunha
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SheetMusicPlus
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