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You've selected:
Did You See Me Coming
Sheetmusic to print
29 sheet music found
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1
26
Did You See Me Coming
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772907 Composed by Chris L…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772907 Composed by Chris Lowe and Neil Tennant. Arranged by Paul Ayres. Contemporary. Octavo. 11 pages. Paul Ayres #5320749. Published by Paul Ayres (A0.772907). One of four Pet Shop Boys songs (Did you see me coming, A different point of view, Home and Dry, I wouldn't normally do this kind of thing) expertly arranged for mixed choir and organ by award-winning British arranger Paul Ayres (www.paulayres.co.uk)
$2.99
2.68 €
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Choral SATB
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Chris Lowe and Neil Tennant
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Did You See Me Coming
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Paul Ayres
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SheetMusicPlus
Did You See Me Coming
Piano, Vocal and Guitar
Digital Download SKU: HX.365419 By Pet Shop Boys. Pop. Piano/Vocal/Guitar (Piano Ac…
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Digital Download SKU: HX.365419 By Pet Shop Boys. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 7 pages. Published by Hal Leonard Europe (HX.365419).
$4.99
4.47 €
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Piano, Vocal and Guitar
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Pet Shop Boys
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Did You See Me Coming
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Hal Leonard Europe
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SheetMusicPlus
Didn't See It Coming
Digital Download SKU: A0.1068058 Composed by Shoshana Feinsten. Arranged by Shoshan…
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Digital Download SKU: A0.1068058 Composed by Shoshana Feinsten. Arranged by Shoshana Feinstein. Blues,Rock. Full Performance. Duration 319. Defiant Diva #6100847. Published by Defiant Diva (A0.1068058). Cant fool me no nonsense Im done with you love song.
$3.99
3.58 €
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Shoshana Feinsten
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Didn't See It Coming
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Defiant Diva
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.58 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Home And Dry
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772904 By Pet Shop Boys. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772904 By Pet Shop Boys. By Christopher Sean Lowe and Neil Francis Tennant. Arranged by Paul Ayres. Dance. Octavo. 12 pages. Paul Ayres #5320733. Published by Paul Ayres (A0.772904). One of four Pet Shop Boys songs (Did you see me coming, A different point of view, Home and Dry, I wouldn't normally do this kind of thing) expertly arranged for mixed choir and organ by award-winning British arranger Paul Ayres (www.paulayres.co.uk)
$2.99
2.68 €
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Choral SATB
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Pet Shop Boys
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Home And Dry
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Paul Ayres
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SheetMusicPlus
I Wouldn't Normally Do This Kind Of Thing
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772906 By Pet Shop Boys. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772906 By Pet Shop Boys. By Christopher Lowe and Neil Tennant. Arranged by Paul Ayres. Dance. Octavo. 14 pages. Paul Ayres #5320739. Published by Paul Ayres (A0.772906). One of four Pet Shop Boys songs (Did you see me coming, A different point of view, Home and Dry, I wouldn't normally do this kind of thing) expertly arranged for mixed choir and organ by award-winning British arranger Paul Ayres (www.paulayres.co.uk)
$2.99
2.68 €
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Choral SATB
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Pet Shop Boys
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I Wouldn't Normally Do This Kind Of Thing
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Paul Ayres
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SheetMusicPlus
A Different Point Of View
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772905 Composed by Christo…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.772905 Composed by Christopher Sean Lowe and Neil Francis Tennant. Arranged by Paul Ayres. Contemporary. Octavo. 12 pages. Paul Ayres #5320743. Published by Paul Ayres (A0.772905). One of four Pet Shop Boys songs (Did you see me coming, A different point of view, Home and Dry, I wouldn't normally do this kind of thing) expertly arranged for mixed choir and organ by award-winning British arranger Paul Ayres (www.paulayres.co.uk)
$2.99
2.68 €
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Choral SATB
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Christopher Sean Lowe and Neil Francis Tennant
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A Different Point Of View
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Paul Ayres
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SheetMusicPlus
Pet Shop Boys: Did You See Me Coming - voice, piano or guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Pet Shop Boys for voice, piano or guitar of MEDIUM skil…
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Instantly printable sheet music by Pet Shop Boys for voice, piano or guitar of MEDIUM skill level. / pop
$8.97
8.04 €
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Piano, Vocal and Guitar
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Pet Shop Boys
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Virtualsheetmusic
Brethren, We Have Met To Worship--clarinet solo
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1074954 Composed by Will…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1074954 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679217. Published by Beka Wilson (A0.1074954). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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Clarinet and Piano
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William Moore
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Brethren, We Have Met To Worship--clarinet solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--trumpet solo
Trumpet, Piano
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.1074967 Composed by Willi…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.1074967 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679230. Published by Beka Wilson (A0.1074967). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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Trumpet, Piano
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William Moore
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Brethren, We Have Met To Worship--trumpet solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--flute solo
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1074956 Composed by William Moore.…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1074956 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679219. Published by Beka Wilson (A0.1074956). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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Flute and Piano
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William Moore
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Brethren, We Have Met To Worship--flute solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--horn solo
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.1074957 Composed by William …
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French Horn,Piano - Level 4 - Digital Download SKU: A0.1074957 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679220. Published by Beka Wilson (A0.1074957). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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French Horn and Piano
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William Moore
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Brethren, We Have Met To Worship--horn solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--viola solo
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1074969 Composed by William Moore.…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1074969 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679232. Published by Beka Wilson (A0.1074969). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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Viola, Piano
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William Moore
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Brethren, We Have Met To Worship--viola solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--alto sax solo
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1074948 Composed by Willi…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1074948 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679206. Published by Beka Wilson (A0.1074948). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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Alto Saxophone and Piano
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William Moore
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Brethren, We Have Met To Worship--alto sax solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--tenor sax solo
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1074961 Composed by Will…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1074961 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679224. Published by Beka Wilson (A0.1074961). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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Tenor Saxophone and Piano
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William Moore
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Brethren, We Have Met To Worship--tenor sax solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--cello solo
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1074952 Composed by William Moore.…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1074952 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679215. Published by Beka Wilson (A0.1074952). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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Cello, Piano
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William Moore
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Brethren, We Have Met To Worship--cello solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--oboe solo
Oboe, Piano (duet)
Oboe,Piano - Level 4 - Digital Download SKU: A0.1074960 Composed by William Moore. …
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Oboe,Piano - Level 4 - Digital Download SKU: A0.1074960 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679223. Published by Beka Wilson (A0.1074960). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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Oboe, Piano (duet)
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William Moore
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Brethren, We Have Met To Worship--oboe solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--violin solo
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1074972 Composed by William Moore…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1074972 Composed by William Moore. Arranged by Beka Wilson. Sacred. 7 pages. Beka Wilson #679235. Published by Beka Wilson (A0.1074972). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
8.95 €
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Violin and Piano
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William Moore
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Brethren, We Have Met To Worship--violin solo
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Beka Wilson
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SheetMusicPlus
Brethren, We Have Met To Worship--piano solo
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1074974 Composed by William Moore. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1074974 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score. 4 pages. Beka Wilson #679237. Published by Beka Wilson (A0.1074974). This advanced instrumental solo can be played as is, or begun at measure 20 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 4 pages. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$4.99
4.47 €
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Piano solo
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William Moore
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Brethren, We Have Met To Worship--piano solo
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Beka Wilson
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.4 €
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Orchestra
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Angels Came Singing - an original hymn for SATB voices
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701496 Composed by Kevin G. P…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701496 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3135415. Published by Kevin G. Pace (A0.701496). An original hymn. Could be used as a Christmas or an Easter hymn. Text by Krista Pace below.YouTube video: https://youtu.be/s21oDdYj2HcGreat are the words of prophets of old Who spoke of a King to come as foretold; A Savior, Redeemer, to rule and to reign; Taking our sorrow, grief, loss, and pain. Angels came singing, sent from above Revealing as promised, our Father’s love; Teaching the world of His plan for all men That through God’s own Son, we’d come home again. Chosen of God, a virgin so fair Was blessed from on high, a Son she would bear, And call His name Jesus, for He was the One; His life to offer, Thy will be done. Angels came singing, sent from above Declaring glad tidings, our Father’s love; Shepherds and wise men would reverently bend For Jesus was born, the Savior of men. Women did come, their spices prepared; Still grieving the loss of life thus not spared. Then, finding the tomb with the stone rolled away Void of His body, cried in dismay. Angles came singing, sent from above Why seek ye the living? Our Father’s Love Rising, thus breaking the death bands to give A promise of life to all who would live. Seeking for truth, he knelt down to pray; Disturbed by the strife of men in his day. A pillar of light shone around this young boy; Christ and His Father answered in joy. Angels came singing, sent from above; Proclaiming the good news, our Father’s love; Full restoration of truth to the Earth; That all may rejoice, His gift of great worth. This Christmas (Easter) day, I ponder anew His birth, life, and death; my covenants true, And His resurrection that leads to my own; Prophets still leading, guiding me home. Angels are singing, sent from our home Protecting our children, loved ones who roam. One day we'll join them to sing in His light. He’s coming again in glory and might.
$1.99
1.78 €
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Kevin G
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Angels Came Singing - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Angels Came Singing, sacred choral music
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1339986 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1339986 Composed by Kevin G. Pace (ASCAP), Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 11 pages. Kevin G. Pace #925650. Published by Kevin G. Pace (A0.1339986). A glorious choral arrangement for Christmas or Easter.  Music by Kevin G. Pace.  Text by Krista Mason Pace.Text:Great are the words of prophets of oldWho spoke of a King to come as foretold;A Savior, Redeemer, to rule and to reign;Taking our sorrow, grief, loss, and pain.Angels came singing, sent from aboveRevealing as promised, our Father’s love;Teaching the world of His plan for all menThat through God’s own Son, we’d come home again.Chosen of God, a virgin so fairWas blessed from on high, a Son she would bear,And call His name Jesus, for He was the One;His life to offer, Thy will be done.Angels came singing, sent from aboveDeclaring glad tidings, our Father’s love;Shepherds and wise men would reverently bendFor Jesus was born, the Savior of men. Women did come, their spices prepared;Still grieving the loss of life thus not spared.Then, finding the tomb with the stone rolled awayVoid of His body, cried in dismay.Angles came singing, sent from aboveWhy seek ye the living? Our Father’s LoveRising, thus breaking the death bands to giveA promise of life to all who would live.Seeking for truth, he knelt down to pray;Disturbed by the strife of men in his day.A pillar of light shone around this young boy;Christ and His Father answered in joy.Angels came singing, sent from above;Proclaiming the good news, our Father’s love;Full restoration of truth to the Earth;That all may rejoice, His gift of great worth.This Christmas (Easter) day, I ponder anewHis birth, life, and death; my covenants true,And His resurrection that leads to my own;Prophets still leading, guiding me home.Angels are singing, sent from our homeProtecting our children, loved ones who roam.One day we'll join them to sing in His light.He’s coming again in glory and might.
$1.99
1.78 €
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Choral SATB
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Kevin G
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Angels Came Singing, sacred choral music
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Kevin G. Pace
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SheetMusicPlus
Alfie
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.500158 Composed by Dale Henry All…
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C Instrument - Level 4 - Digital Download SKU: A0.500158 Composed by Dale Henry Allison. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113341. Published by John Fries (A0.500158). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$3.99
3.58 €
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C Instruments
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Dale Henry Allison
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Alfie
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John Fries
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SheetMusicPlus
Alfie
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.501355 By Cher. By Burt Bacharach…
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C Instrument - Level 4 - Digital Download SKU: A0.501355 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #114249. Published by John Fries (A0.501355). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US). This arrangement includes the lyrics.
$3.99
3.58 €
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C Instruments
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Cher
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Alfie
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John Fries
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SheetMusicPlus
Alfie
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1193967 By Lily Allen…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1193967 By Lily Allen. By Greg Kurstin. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 2 pages. John Fries #793440. Published by John Fries (A0.1193967). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US). This arrangement includes the lyrics.
$4.99
4.47 €
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Piano, Vocal and Guitar
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Lily Allen
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Alfie
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John Fries
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SheetMusicPlus
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