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535 sheet music found
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526
Jésus de Nazareth
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Piano, Voice
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EASY
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Charles Francois Gounod
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Jésus de Nazareth
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Schott Music - Digital
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SheetMusicPlus
Voice and piano - easy to intermediate - Digital Download SKU: S9.Q21029 Composed by Charles Francois Gounod. This edition: Sheet music. Downloadable. Sc...
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Voice and piano - easy to intermediate - Digital Download SKU: S9.Q21029 Composed by Charles Francois Gounod. This edition: Sheet music. Downloadable. Schott Music - Digital #Q21029. Published by Schott Music - Digital (S9.Q21029). Charles Gounod war eine Ausnahmeerscheinung in der französischen Musikgeschichte des 19. Jahrhunderts und einer der führenden Komponisten des Second Empire. Gounod war sehr religiös, im Alter wandte er sich wieder verstärkt der Kirchenmusik zu. Seine Oratorien im lyrischen Stil waren sehr erfolgreich. Am bekanntesten jedoch dürfte die „Méditation sur le 1er prélude de Bach“ sein – eine Melodie, die er 1852 auf das Präludium C-Dur des 1. Teils des Wohltemperierten Klaviers von J. S. Bach für Violine und Klavier schrieb und 1859 mit dem Text des „Ave Maria“ unterlegte. Dieses „Ave Maria von Bach/Gounod“ wurde zu einem der weltweit populärsten Stücke der klassischen Musik. Auch „Jésus von Nazareth“ hat eine fließende, bisweilen schwerelose Melodik, die frei von großen Sprüngen und extremen Lagen ist. Die Stimme kommt durch die einfache, sich unterordnende melodische Begleitung zur Geltung.
$4.99
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Clémence de Grandval
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Clémence de Grandval: Ronde d
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabr...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Clémence de Grandval
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Clémence de Grandval: Ronde d
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabr...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
Wachet auf, ruft uns die Stimme für Posaunenquartett
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Brass Quartet: 4 trombones
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ADVANCED
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Sacred music
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Johann Sebastian Bach
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Jörg Richter
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im
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Wachet auf, ruft uns die Stimm
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Jörg Richter
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SheetMusicPlus
Brass Ensemble,Trombone Quartet - Level 5 - Digital Download SKU: A0.798691 Composed by Johann Sebastian Bach. Arranged by Jörg Richter. Baroque,Prais...
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Brass Ensemble,Trombone Quartet - Level 5 - Digital Download SKU: A0.798691 Composed by Johann Sebastian Bach. Arranged by Jörg Richter. Baroque,Praise & Worship,Sacred. Score and parts. 9 pages. Jörg Richter #5335473. Published by Jörg Richter (A0.798691). Das Arrangement für Posaunenquartett basiert auf dem Satz von Johann Sebastian Bach.Wachet auf, ruft uns die Stimme ist ein Kirchenlied von Philipp Nicolai aus dem Jahre 1599, veröffentlicht im Anhang seines Buches Freudenspiegel des ewigen Lebens. Die Melodie zitiert eine Wendung aus der seinerzeit bekannten Silberweise des Nürnberger Schuhmachers und Meistersängers Hans Sachs. Es findet sich heute im Evangelischen Gesangbuch (EG 147, 3. Strophe mit Choralsatz von Johann Sebastian Bach zusätzlich EG 535 als Abschluss des Stammteils) als Eröffnung des Abschnitts Ende des Kirchenjahres, was seiner Stellung als Hauptlied für den Ewigkeitssonntag entspricht; im alten Gotteslob (Nummer 110) stand es, wie im alt-katholischen Gesangbuch Eingestimmt (E 304) hingegen im Abschnitt Advent. Im am 1. Adventssonntag 2013 eingeführten neuen Gotteslob ist das Lied unter der Nummer 554 in der Rubrik „Die himmlische Stadt (Eschatologie) eingeordnet, im Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz unter Nr. 850, im freikirchlichen Gesangbuch Feiern und Loben unter Nr. 287 und im Mennonitischen Gesangbuch unter Nr. 414. (Aus: Wikipedia.org).
$4.99
Wachet auf, ruft uns die Stimme für Horn Quartett
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Brass Quartet: 4 horns
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ADVANCED
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Sacred music
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Johann Sebastian Bach
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Jörg Richter
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Wachet auf, ruft uns die Stimm
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Jörg Richter
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SheetMusicPlus
French Horn Quartet Horn - Level 5 - Digital Download SKU: A0.798693 Composed by Johann Sebastian Bach. Arranged by Jörg Richter. Baroque,Praise & Wor...
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French Horn Quartet Horn - Level 5 - Digital Download SKU: A0.798693 Composed by Johann Sebastian Bach. Arranged by Jörg Richter. Baroque,Praise & Worship,Sacred. 6 pages. Jörg Richter #5349485. Published by Jörg Richter (A0.798693). Das Arrangement für Horn Quartett basiert auf dem Satz von Johann Sebastian Bach.Wachet auf, ruft uns die Stimme ist ein Kirchenlied von Philipp Nicolai aus dem Jahre 1599, veröffentlicht im Anhang seines Buches Freudenspiegel des ewigen Lebens. Die Melodie zitiert eine Wendung aus der seinerzeit bekannten Silberweise des Nürnberger Schuhmachers und Meistersängers Hans Sachs. Es findet sich heute im Evangelischen Gesangbuch (EG 147, 3. Strophe mit Choralsatz von Johann Sebastian Bach zusätzlich EG 535 als Abschluss des Stammteils) als Eröffnung des Abschnitts Ende des Kirchenjahres, was seiner Stellung als Hauptlied für den Ewigkeitssonntag entspricht; im alten Gotteslob (Nummer 110) stand es, wie im alt-katholischen Gesangbuch Eingestimmt (E 304) hingegen im Abschnitt Advent. Im am 1. Adventssonntag 2013 eingeführten neuen Gotteslob ist das Lied unter der Nummer 554 in der Rubrik „Die himmlische Stadt (Eschatologie) eingeordnet, im Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz unter Nr. 850, im freikirchlichen Gesangbuch Feiern und Loben unter Nr. 287 und im Mennonitischen Gesangbuch unter Nr. 414. (Aus: Wikipedia.org).
$4.99
Isla de las Mujeres
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Robert Wolf
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Isla de las Mujeres
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Roba Music Verlag
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SheetMusicPlus
Accordion / piano / bass / guitar / saxophone / clarinet / trumpet / flute / violin - Digital Download SKU: RX.9783980220064 Composed by Robert Wolf. Wor...
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Accordion / piano / bass / guitar / saxophone / clarinet / trumpet / flute / violin - Digital Download SKU: RX.9783980220064 Composed by Robert Wolf. World Music. With Text Language: German. 20 pages. Published by Roba Music Verlag (RX.9783980220064). ISBN 978-3-9802-2006-4.Quadro Nuevo touren seit 1996 durch die Lander der Welt und gaben bereits uber 2500 Konzerte. In dieser Zeit hat das Instrumental-Quartett abseits der gangigen Genre-Schubladen eine ganz eigene Sprache der Tonpoesie entwickelt. Sie ist gepragt von der leidenschaftlichen Liebe zum Instrument und von grosster Spielfreude. Das Geheimnis ist Hingabe: Selten hat man erlebt, dass Musik mit so viel Spannung, Verve und Einfuhlungsvermogen in fremde Kulturen dargeboten wird. Dies ist eine Komposition des ehemaligen Ensemblemitglieds Robert Wolf fur das mehrfach ausgezeichnete Album Tango Bitter Sweet des international erfolgreichen Ensembles. In dieser Gesamtausgabe sind die Noten fur Akkordeon (oder Klavier), Bass, Gitarre und Klarinette (oder andere Instrumente in C, Bb, oder Eb) enthalten.
$13.49
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Chamber Orchestra
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INTERMEDIATE
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Thomas Graf
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Instrumentation:
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
German Spring Song Collection - 5 Concert Pieces - Clarinet Quintet
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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trad
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Thomas Graf
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568682 Composed by trad./ Mozart. Arranged by Thomas Graf. Classical...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568682 Composed by trad./ Mozart. Arranged by Thomas Graf. Classical,Folk,Multicultural,Romantic Period,World. 108 pages. Thomas Graf - the-hit-factory.com #3042139. Published by Thomas Graf - the-hit-factory.com (A0.568682). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Instrumentation: Clarinet 1/2 in Bb, Clarinet 3 in Bb/Eb (Alto), Basset Horn/Clarinet 4 in Bb/Eb (Alto), Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/a3HO_xPiVSA
$25.99
German Spring Song Collection - 5 Concert Pieces - Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Traditional
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Thomas Graf
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.568661 Composed by Traditional. Arranged by Thomas Graf. Folk,World. Score...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.568661 Composed by Traditional. Arranged by Thomas Graf. Folk,World. Score and parts. 158 pages. Thomas Graf - the-hit-factory.com #3038929. Published by Thomas Graf - the-hit-factory.com (A0.568661). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der BauerPart II Alle Vöglein sind schon daPart III Der Mai ist gekommenPart IV Komm lieber MaiPart V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Instrumentation: Tpt 1/2 in Bb/C, Horn in F/EB/Bb, Trombone C/Bb, Tuba/Bass in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N.... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/m-6te62TheE
$22.99
Esprit De Francaise
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Randy A
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Randy A
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Esprit De Francaise
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Randy A. Steinberg
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.870384 Composed by Randy A. Steinberg. Arranged by Randy A. Steinberg. Contemporary. Score and parts. 1...
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Concert Band - Level 4 - Digital Download SKU: A0.870384 Composed by Randy A. Steinberg. Arranged by Randy A. Steinberg. Contemporary. Score and parts. 101 pages. Randy A. Steinberg #1920361. Published by Randy A. Steinberg (A0.870384). Show off your French Horn section with this highly entertaining medley of French songs that evoke the spirit of France! See if the audience can identify the popular and familiar tunes included throughout this arrangement such as: – Fanfare La Peri – Paul Dukas – Pavanne For A Dead Princess – Maurice Ravel – Gymnopede #1 – Erik Satie – Aquarium from Carnival of the Animals – Camille Saint Saens – American In Paris – George Gershwin – Fetes – Claude Debussy – Fascination Waltz – F.D. Marchetti – Farandole – Georges Bizet – Can-Can – Jacques Offenbach – Organ Concerto – Camille Saint Saens – La Marseillaise (French National Anthem) - Claude Joseph Rouget de Lisle – Frere Jacques – Jacques Clement Many of these tunes come fast and furious. Some are hidden, played together, or combined with other melodies. See if the audience can guess them all. A concert work that goes over very well with almost any audience! 2016 Arrangement New Release.
$45.00
Spring Time (Flute - Duet | Backing Track)
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Chris VandenBerg
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Spring Time
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Chris-VandenBerg
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SheetMusicPlus
Flute - Level 4 - Digital Download SKU: A0.1498698 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-VandenBerg #10...
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Flute - Level 4 - Digital Download SKU: A0.1498698 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-VandenBerg #1074962. Published by Chris-VandenBerg (A0.1498698). Music students love to play duets. Especially when they are accompanied by rousing backing tracks. That's why Chris VandenBerg has created a wealth of wonderful new duets to inspire music schools and music associations. These songs are ideal for musical auditions. Whether as instrumental solos, duets, with or without accompanying backing track.Sheet Musik is available for this Backing Track. Please search for:Spring Time - Chris VandenBerg - Flute DuetMusikschüler lieben es im Duett zu spielen. Vor allem wenn sie von mitreißenden Playbacks begleitet werden. Deshalb gibt es von Chris VandenBerg eine Fülle wunderschöner, neuer Duette, die im Unterricht an Musikschulen und in Musikvereinen für Begeisterung sorgen. Diese Songs eignen sich hervorragend für musikalische Vorspiele. Ob als Instrumentalsolo, im Duett, mit oder ohne Begleitplayback.Für dieses Playback sind Noten verfügbar. Bitte suchen Sie nach:Spring Time - Chris VandenBerg - Flute Duethttps://www.chris-vandenberg.de
$5.99
Spring Time (Clarinet - Duet | Backing Track)
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Chris VandenBerg
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Spring Time
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Chris-VandenBerg
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SheetMusicPlus
B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1498362 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-Vand...
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B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1498362 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-VandenBerg #1074702. Published by Chris-VandenBerg (A0.1498362). Music students love to play duets. Especially when they are accompanied by rousing backing tracks. That's why Chris VandenBerg has created a wealth of wonderful new duets to inspire music schools and music associations. These songs are ideal for musical auditions. Whether as instrumental solos, duets, with or without accompanying backing track.Sheet Musik is available for this Backing Track. Please search for:Spring Time - Chris VandenBerg - Clarinet DuetMusikschüler lieben es im Duett zu spielen. Vor allem wenn sie von mitreißenden Playbacks begleitet werden. Deshalb gibt es von Chris VandenBerg eine Fülle wunderschöner, neuer Duette, die im Unterricht an Musikschulen und in Musikvereinen für Begeisterung sorgen. Diese Songs eignen sich hervorragend für musikalische Vorspiele. Ob als Instrumentalsolo, im Duett, mit oder ohne Begleitplayback.Für dieses Playback sind Noten verfügbar. Bitte suchen Sie nach:Spring Time - Chris VandenBerg - Clarinet Duethttps://www.chris-vandenberg.de
$5.99
Spring Time (Alto Saxophone - Duet | Backing Track)
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Chris VandenBerg
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Spring Time
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Chris-VandenBerg
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SheetMusicPlus
Alto Saxophone - Level 4 - Digital Download SKU: A0.1498041 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-Vande...
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Alto Saxophone - Level 4 - Digital Download SKU: A0.1498041 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-VandenBerg #1074382. Published by Chris-VandenBerg (A0.1498041). Music students love to play duets. Especially when they are accompanied by rousing backing tracks. That's why Chris VandenBerg has created a wealth of wonderful new duets to inspire music schools and music associations. These songs are ideal for musical auditions. Whether as instrumental solos, duets, with or without accompanying backing track.Sheet Musik is available for this Backing Track. Please search for:Spring Time - Chris VandenBerg - Alto Sax DuetMusikschüler lieben es im Duett zu spielen. Vor allem wenn sie von mitreißenden Playbacks begleitet werden. Deshalb gibt es von Chris VandenBerg eine Fülle wunderschöner, neuer Duette, die im Unterricht an Musikschulen und in Musikvereinen für Begeisterung sorgen. Diese Songs eignen sich hervorragend für musikalische Vorspiele. Ob als Instrumentalsolo, im Duett, mit oder ohne Begleitplayback.Für dieses Playback sind Noten verfügbar. Bitte suchen Sie nach:Spring Time - Chris VandenBerg - Alto Sax Duethttps://www.chris-vandenberg.de
$5.99
Die With A Smile
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Bruno Mars And Lady Gaga
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Jeff Tincher
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Die With A Smile
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Jeff Tincher
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SheetMusicPlus
Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1492445 By Bruno Mars And Lady Gaga. By Andrew Wotman (Andrew Watt), Dernst Emil...
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Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1492445 By Bruno Mars And Lady Gaga. By Andrew Wotman (Andrew Watt), Dernst Emile, James Fauntleroy, Peter Gene Hernandez, and Stefani Germanotta. Arranged by Jeff Tincher. Contemporary,Pop. 19 pages. Jeff Tincher #1069122. Published by Jeff Tincher (A0.1492445). This is the latest (8/17/24) single from Bruno Mars with Lady Gaga. In the original key, this song is a mellow ballad that premiered at #1 on the popvortex (iTunes) chart. Duration = 4:19. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Die With A Smile
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Saxophone Quartet: 4 saxophones
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EASY
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Bruno Mars And Lady Gaga
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Jeff Tincher
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Die With A Smile
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Jeff Tincher
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1492441 By B...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1492441 By Bruno Mars And Lady Gaga. By Andrew Wotman (Andrew Watt), Dernst Emile, James Fauntleroy, Peter Gene Hernandez, and Stefani Germanotta. Arranged by Jeff Tincher. Contemporary,Pop. 19 pages. Jeff Tincher #1069119. Published by Jeff Tincher (A0.1492441). This is the latest (8/17/24) single from Bruno Mars with Lady Gaga. In the original key, this song is a mellow ballad that premiered at #1 on the popvortex (iTunes) chart. Duration = 4:19. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Voices of Spring Waltz op. 410 by J. Strauss II
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Johann Strauss Jr
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Alessandro Macrì
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Voices of Spring Waltz op. 410
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Chr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 38 pages. Music Macri Editions #5871333. Published by Music Macri Editions (A0.931268). Voices of Spring (Voci di Primavera) op. 410, è un valzer di Johann Strauss (figlio).Nell'inverno del 1882-83 il compositore fu invitato a comporre un valzer vocale per il celebre soprano austriaco Bianca Bianchi (il cui vero nome era Bertha Schwarz), al tempo un acclamato membro del Wiener Hopfoperntheater (Teatro dell'opera reale di Vienna).Il valzer fu eseguito per la prima volta al Theater an der Wien il 1º marzo 1883 ad un concerto di beneficenza per la fondazione degli indigenti dell'Impero austro-ungarico fondata dall'imperatore Francesco Giuseppe e dall'imperatrice Elisabetta.Strauss, dopo il successo che aveva ottenuto con i suoi valzer corali, fu felice di scrivere un brano per sola voce e il librettista Richard Genée, che aveva giàcollaborato con il compositore nell'operetta Eine Nacht in Venedig (Una notte a Venezia) del 1883, scrisse anche il testo per il nuovo valzer.L'autunno del 1882 vide Strauss impegnato a Budapest per curare la prima rappresentazione dell'operetta Der lustige Krieg (L'allegra Guerra; 1881). Durante lo svolgimento di una delle serate in onore della visita del musicista viennese, fu Strauss stesso ad esibirsi al pianoforte con un altro degli illustri ospiti della serata: Franz Liszt. I due compositori si conoscevano giàmolto bene da almeno 30 anni (Strauss aveva dedicato il suo valzer Abschieds-Rufe op. 179 a Liszt nel gennaio del 1856) e si incontrarono in numerose altre occasioni. Fu questa visita che fornì l'ispirazione per la scrittura del valzer Frühlingsstimmen.Successivamente il valzer venne arrangiato da Johann in versione solamente orchestrale e fu eseguito in questa forma, oggi celeberrima, da Eduard Strauss durante uno dei suoi concerti al Musikverein nel 1883.Nel 1934 il valzer fu riutilizzato per l'operetta postuma (con musiche di Strauss jr.) Die Tänzerin Fanny Elßler.Durante il Concerto di Capodanno del 1987, Herbert von Karajan, inserì nel programma il valzer Frühlingsstimmen eseguendolo nella versione vocale originale con il soprano Kathleen Battle.
$15.00
DIES IRAE from REQUIEM by G. Verdi
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Capp...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilitàoperistica tutta verdiana. E in verità, i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualitàdrammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolaritàdi Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensitàe impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00
Voices Of Spring for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Classical
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Johann Strauss Jr
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Diego Marani
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Voices Of Spring for Clarinet
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527644 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classica...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527644 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. 35 pages. Diego Marani #3052399. Published by Diego Marani (A0.527644). Frühlingsstimmen, Op. 410 (Spring's Voices, or commonly Voices of Spring) is an orchestral waltz, with optional solo soprano voice, written in 1882 by Johann Strauss II.Strauss dedicated the work to the pianist and composer Alfred Grünfeld. The famous coloratura soprano Bertha Schwarz (stage name Bianca Bianchi) sang this concert aria at a grand matinée charity performance at the Theater an der Wien in aid of the Emperor Franz Josef and Empress Elisabeth Foundation for Indigent Austro-Hungarian subjects in Leipzig. The waltz was not a great success at its premiere, but was more successful when performed on Strauss' tour of Russia in 1886. This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.2017 Chamber Music Contest Entry
$19.90
Clémence de Grandval : Two pieces for violin and piano
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Violin and Piano
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Classical
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval : Two pi
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Digital Download SKU: A0.1366622 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Romantic Period. 29 pages. Mus...
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Piano,Violin - Digital Download SKU: A0.1366622 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Romantic Period. 29 pages. Musik Fabrik Music Publishing #950961. Published by Musik Fabrik Music Publishing (A0.1366622). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe. This work was written for Paul Viardot, the son of Pauline and a well-known violin virtuoso during La Belle époque.1. Andantino2. Danse Bohêmienne.
$15.95
Clémence de Grandval : Suite for flute and piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval : Suite
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Pe...
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Flute,Piano - Level 4 - Digital Download SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score and part. 79 pages. Musik Fabrik Music Publishing #950947. Published by Musik Fabrik Music Publishing (A0.1366608). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.1. Prélude2. Scherzo3. Menuet4. Romance5. Finale.
$24.95
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Up Jumped Spring [Reharmonized version] (arr. Jack Grassel)
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Melody line, (Lyrics) and Chords
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Jazz
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Freddie Hubbard
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Jack Grassel
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Up Jumped Spring [Reharmonized
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.475094 By Freddie Hubbard. Arranged by Jack Grassel. Jazz,Pop,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Le...
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Digital Download SKU: HX.475094 By Freddie Hubbard. Arranged by Jack Grassel. Jazz,Pop,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.475094).
$1.99
Up Jumped Spring (Low Voice)
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Melody line, (Lyrics) and Chords
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Jazz
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Freddie Hubbard
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Up Jumped Spring
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Hal Leonard - Digital
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SheetMusicPlus
Voice - Digital Download SKU: HX.1301272 By Freddie Hubbard. This edition: scorch. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital...
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Voice - Digital Download SKU: HX.1301272 By Freddie Hubbard. This edition: scorch. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #883310. Published by Hal Leonard - Digital (HX.1301272).
$1.99
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Therese Brenet
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Thérèse Brenet: Poème de Ja
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standar...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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String Orchestra
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Contemporary
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Therese Brenet
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Thérèse Brenet: Poème de Ja
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Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music P...
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
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