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Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.873045 Composed by Sally Wh…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.873045 Composed by Sally Whitwell. Contemporary. Octavo. 10 pages. Sally Whitwell #5197447. Published by Sally Whitwell (A0.873045). I composed Dissolved over the stiflingly hot and humid Sydney summer of 2018-2019. It’s all about finding relief from the heat by plunging your body into the sea at twilight. I went with some friends to Sydney’s Coogee Beach one late afternoon, just as the sun was setting. We parked in a side street and walked barefoot across the road, still warm from a full day of blazing sunlight, over the prickly grass, down the concrete steps onto the soft sand and into the ocean. The feeling of being cleansed by this salt water was so strong, I felt compelled to write a song about it. Sally Whitwell Long shadows stretch into still summer nights The atmosphere lays heavy, liquefied Warmth rising from the asphalt, once alight From the sun, now disappearing Drawn to dark water, we become amphibian Bare toes swallowed by waves on wet sand Deionisation, we hold it in our hands And the fever’s disappearing We are dissolved The water absolving us We are evolving On the ever revolving earth Ever evolving, revolving, dissolving Water abating and we’re dissipating As the world turns and our hearts burn With love
$1.99
1.86 €
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Choral 3-part
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Sally Whitwell
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Dissolved
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Sally Whitwell
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SheetMusicPlus
Dissolve by Dario D'aversa - Piano Solo
Piano solo
Performed by: Dario D'aversa: Dissolve Digital Sheetmusic - instantly downloadable sh…
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Performed by: Dario D'aversa: Dissolve Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 4 pages -- Solo Instrumental~~Indie Pop~~Alternative Pop/Rock~~Electropop
$5.99
5.59 €
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Piano solo
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Dario D'aversa
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Piano Solo
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Musicnotes
Pure Imagination
String Orchestra - Level 3 - Digital Download SKU: A0.1391838 By Mormon Tabernacle …
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String Orchestra - Level 3 - Digital Download SKU: A0.1391838 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Davison Yon. 20th Century,Contemporary,Film/TV,Holiday,Standards. 12 pages. Davison Yon #975318. Published by Davison Yon (A0.1391838). Indulge in an enchanting musical experience with this meticulously crafted arrangement of Pure Imagination, featured prominently in the cinematic masterpiece Wonka. Tailored for string orchestra, this rendition is an exquisite blend of artistry and precision, designed to transport both performers and audiences into the captivating world of Willy Wonka's imagination.Central to the arrangement is a mesmerizing violin solo, delicately executed to capture the essence of wonder and charm inherent in the iconic melody. The soloist's nuanced interpretation infuses the performance with depth and emotion, inviting listeners on a journey through a realm where the extraordinary becomes possible.Not to be overshadowed, the viola section assumes a prominent role, gracefully carrying the melodic line with poise and resonance. Their contributions lend a lush, sonorous quality to the ensemble, providing a robust foundation upon which the musical narrative unfolds.Whether performed live on stage or enjoyed through a recorded medium, this arrangement of Pure Imagination promises to captivate discerning audiences with its blend of sophistication and charm. Prepare to be transported to a world where the boundaries of reality dissolve, and the magic of music reigns supreme.
$49.99
46.64 €
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Mormon Tabernacle Choir
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Pure Imagination
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Davison Yon
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SheetMusicPlus
Chorale Prelude on Nettleton (Come, thou fount of every blessing)
Organ
Instrumental Solo,Organ - Digital Download SKU: A0.1372217 Composed by Chris Kovari…
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Instrumental Solo,Organ - Digital Download SKU: A0.1372217 Composed by Chris Kovarik. Classical,Praise & Worship,Sacred. Individual part. 7 pages. Chris Kovarik #956479. Published by Chris Kovarik (A0.1372217). Nettleton (composed 2017, duration ca. 3’ 20”) is a multi-sectional work that presents the hymn tune in a variety of moods and textures, from quiet and gentle to loud and brash. Sections tend to dissolve into one another, with no breaks in the pulse, keeping the pace moving. The overall mood is quite happy, if not triumphant.Technical note: while this is generally a loud piece, fairly unambiguously intended as a postlude, it nonetheless plays easier than it sounds.
$3.99
3.72 €
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Organ
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Chris Kovarik
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Chorale Prelude on Nettleton
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Chris Kovarik
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SheetMusicPlus
Dissolve
Drums
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1323013 By Absofacto. By Curtis…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1323013 By Absofacto. By Curtis Williams, Henry Burrell, James Varner, and Jonathan Visger. Arranged by COPYDRUM. Pop. Score. 3 pages. COPYDRUM #911287. Published by COPYDRUM (A0.1323013).
$5.00
4.67 €
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Drums
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Absofacto
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Dissolve
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COPYDRUM
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SheetMusicPlus
BEHOLD HE IS COMING (SATB) – Revelation 1:7
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and B♭ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (B♭)-all is reconciled in a final Amen!
$1.99
1.86 €
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Choral SATB
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Burattino innamorato
Piano solo
Piano Solo - Digital Download SKU: A0.976875 Composed by Monica Bergo. Children,Con…
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Piano Solo - Digital Download SKU: A0.976875 Composed by Monica Bergo. Children,Contemporary. Score. 6 pages. Monica Bergo #3244245. Published by Monica Bergo (A0.976875). 2017 Holiday Contest EntryPUPPET IN LOVE Months and then years of this shelf People passing and laughing at me Old, torn, there is never a child Who wants to buy me to shake him Wax heart in this body of mine But an emotion I can also feel I quiver in love for those eyes, a small doll you are And I never get tired of looking at you You who have a lit light bulb in that your red heart, tell me if It will shine a bit 'for me Puppet in love Be careful that your heart it can dissolve to the heat while she calls you love Strange mockery of fate your dream is nearby and You can not love her anymore And a wax tear down Small doll, small doll I that wanted to love you Now that I can do melted is this my heart And I can not feel anything but pain more Here I stand, with the heart and a dream tigthen in hand Infuse life into this body of mine Only with you I feel alive me too piece of wood, spirit does not With you comes alive It is an explosion, it is clear madness And I know for sure that you'll be mine Maybe not now, in this reality But one day will happen Puppet in love Sweet summer wind Long nights lit And the morning light it will find my puppet Always there on the shelf No heart, no love, no nothing to hope You will dance with me like if I was free from my wires I will dance with you and there is no limit to your dreams The small doll that has already decided Ripping her heart from the breast out and gives it to him If you love me only half ... a only heart just enough The bulb will shine for us It will turn in a star It will be a refuge for people like us to love never stops Sunshine On that shelf My puppet now where is ? Dirty wax can no longer serve, rests in the fire his ashes Turned off the light of a bulb My small doll no longer shine ... You will dance with me like I was free from my wires I will dance with you and there is no limit to your dreams ... .. Monica Bergo
$3.99
3.72 €
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Piano solo
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Monica Bergo
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Burattino innamorato
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Monica Bergo
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SheetMusicPlus
L'alchimista
Piano solo
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99
3.72 €
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Piano solo
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
PUPPET IN LOVE
Piano solo
Piano Solo - Digital Download SKU: A0.1012731 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012731 Composed by Monica Bergo. Contemporary. Score. 7 pages. Moni Bergo #5743213. Published by Moni Bergo (A0.1012731). Music and song composed by mePUPPET IN LOVE Months and then years of this shelf People passing and laughing at me Old, torn, there is never a child Who wants to buy me to shake him Wax heart in this body of mine But an emotion I can also feel I quiver in love for those eyes, a small doll you are And I never get tired of looking at you You who have a lit light bulb in that your red heart, tell me if It will shine a bit 'for me Puppet in love Be careful that your heart it can dissolve to the heat while she calls you love Strange mockery of fate your dream is nearby and You can not love her anymore And a wax tear down Small doll, small doll I that wanted to love you Now that I can do melted is this my heart And I can not feel anything but pain more Here I stand, with the heart and a dream tigthen in hand Infuse life into this body of mine Only with you I feel alive me too piece of wood, spirit does not With you comes alive It is an explosion, it is clear madness And I know for sure that you'll be mine Maybe not now, in this reality But one day will happen Puppet in love Sweet summer wind Long nights lit And the morning light it will find my puppet Always there on the shelf No heart, no love, no nothing to hope You will dance with me like if I was free from my wires I will dance with you and there is no limit to your dreams The small doll that has already decided Ripping her heart from the breast out and gives it to him If you love me only half ... a only heart just enough The bulb will shine for us It will turn in a star It will be a refuge for people like us to love never stops Sunshine On that shelf My puppet now where is ? Dirty wax can no longer serve, rests in the fire his ashes Turned off the light of a bulb My small doll no longer shine ... You will dance with me like I was free from my wires I will dance with you and there is no limit to your dreams ... .. Monica Bergo
$5.00
4.67 €
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Piano solo
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Monica Bergo
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PUPPET IN LOVE
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Moni Bergo
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SheetMusicPlus
Amazing Grace (my Chains Are Gone)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1225384 By Chris Tomlin. B…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1225384 By Chris Tomlin. By Chris Tomlin, John Newton, Louie Giglio, and Traditional American Melody. Arranged by Dan Garrett. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Daniel Garrett #821460. Published by Daniel Garrett (A0.1225384). This contemporary SATB divisi with piano arrangement provides much of the sound of today's professional a cappella renditions, but in a more approachable format for moderately advanced to advanced high school, church and community choirs. Written 250 years ago, the poetry and music of Amazing Grace make it one of the most recognizable and beloved hymns of all time. In 2006, Chris Tomlin was asked to provide the title composition for the movie, Amazing Grace, a docudrama about William Wilberforce's efforts in Parliament to end the British transatlantic slave trade. Inspired by the movie's subject, Tomlin added a powerful refrain, My Chains Are Gone, and a transcendent new verse. Refrain: My chains are gone, I've been set free, My God, my Savior has ransomed me. And like a flood, His mercy reigns. Unending love, Amazing Grace. Verse: The Earth shall soon dissolve like snow, The sun forbear to shine, But God, Who called me here below, Will be forever mine.
$2.99
2.79 €
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Choral SATB
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Chris Tomlin
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Amazing Grace
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Daniel Garrett
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SheetMusicPlus
On a Far Horizon (for 3-6 octave handbell ensemble) (site license)
Handbells
Handbell - Level 4 - Digital Download SKU: A0.800616 Composed by Jason W. Krug. Pra…
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Handbell - Level 4 - Digital Download SKU: A0.800616 Composed by Jason W. Krug. Praise & Worship,Sacred. Score. 8 pages. Grassy Meadow Music #6668303. Published by Grassy Meadow Music (A0.800616). 3-6 Octaves, Level 3+Purchase of this item constitutes a site license -- permission is given to produce as many copies as needed for your ensemble only. Haunting harmonies and a melancholy melody feature prominently in the opening of this original work. A more optimistic middle section gives way to a series of building dissonant chords, which dissolve back into the opening figure. An excellent choice to work on musicality and expression!· Purchase of this PDF grants permission to broadcast or live stream performances.
$59.95
55.93 €
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Handbells
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Jason W
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On a Far Horizon
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Grassy Meadow Music
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SheetMusicPlus
Banjo Workshop
Banjo
Banjo - Beginning - Digital Download SKU: M0.93930EB Bluegrass. E-book. Mel Bay Pub…
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Banjo - Beginning - Digital Download SKU: M0.93930EB Bluegrass. E-book. Mel Bay Publications - Digital Sheet Music #93930EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93930EB). ISBN 9781513455426. 8.75 x 11.75 inches.Banjo Workshop was written with four important areas of the 5-string banjo technical and artistic development in mind: picking technique, personal style, creativity, and awareness of the instrument's key and tuning potential. Picking technique-Studies in Section 1 will equip you to dissolve the inhibiting notion that some songs are unplayable on the 5-string banjo. Any song is playable if the necessary technique has been learned and developed to accommodate it. Personal style-In Section 2 you will first explore several popular 3-finger sub-styles, seeing how each evolved and how they are all often intermixed within a given performer's own personal style. Through subsequent examples you will be made aware of style potential and the artistic necessity of developing your own personal style. Creativity-Through style development and improvisational skills taught in Section 3 you will begin to think and perform less like a mechanical follower and more like an artistic ground breaker. You will learn to modify arrangements; further, you will learn to create your own arrangements. Exploration of Non-G Keys and Tunings-In Section 4 you will find that playing in keys and tunings other than G are no less fun and no more difficult than playing the familiar G (bluegrass) tuning. Six non-G tunings will be explored, involving ten solos, including major, minor and modal tunings. The overall effort is to make you aware that you don't have to be a technical whiz nor a speed king in order to be a musical artist. If you can add something new and different, something enjoyable to listen to, you are an artist even if you are not yet an advanced-level player.
$19.99
18.65 €
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Banjo
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Banjo Workshop
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
As Steals the Morn
Large Ensemble Basso Continuo,Bassoon,Cello,Double Bass,Oboe,Piano,Soprano voice,Tenor Voi…
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Large Ensemble Basso Continuo,Bassoon,Cello,Double Bass,Oboe,Piano,Soprano voice,Tenor Voice,Viola,Violin - Digital Download SKU: A0.498649 Composed by George Frideric Handel. Arranged by José F. Anello. Baroque. Score and parts. 31 pages. Published by José F. Anello (A0.498649). From L'Allegro, Il Penderoso ed il Moderato this is the last duo of the Händel's Oda Pastoral. As steals the morn upon the night, And melts the shades away: So Truth does Fancy’s charm dissolve, And rising Reason puts to flight The fumes that did the mind involve, Restoring intellectual day. The meaning of The Heaven in music.
$8.12
7.58 €
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George Frideric Handel
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As Steals the Morn
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José F. Anello
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SheetMusicPlus
Maneo for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Digital Download SKU: A0.954085 Composed by Melody Dawning. Concer…
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Brass Ensemble - Digital Download SKU: A0.954085 Composed by Melody Dawning. Concert,Contemporary. Score and parts. 33 pages. Melody Dawning #3004801. Published by Melody Dawning (A0.954085). Maneo [pronounced MAH-nee-oh] is a Latin word meaning I remain or I await. The concept behind this piece is the process of waiting for and working toward the fulfillment of goals and dreams that seem far off, which requires both patience and persistence. The first movement, Patience, is painfully slow and full of dense, dissonant chords that avoid resolution. Although the melody wanders through several tonal centers, in many ways it feels as though it has not gone anywhere. However, as the movement progresses to a climax, the incessant tritone dissonance finally begins to dissolve. In the second movement, Persistence, the augmented triad dominates both harmonically and melodically for much of the piece, accompanied by relentless eighth-note motion. The main theme from the first movement appears first as an accompaniment figure, and later in a more prominent melodic role in combination with other motives used throughout the movement. A contrasting, dream-like middle section represents catching a glimpse of reaching the sought-after goal, and this theme returns towards the end in a triumphant finish. The two movements are played consecutively with no pause in between.
$25.00
23.33 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Melody Dawning
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Maneo for Brass Quintet
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Melody Dawning
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SheetMusicPlus
Elements Suite for Violin and Piano 4nd Mvnt: Water
Violin and Piano
Instrumental Solo,Piano,Violin - Digital Download SKU: A0.862518 Composed by Michae…
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Instrumental Solo,Piano,Violin - Digital Download SKU: A0.862518 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score and individual part. 11 pages. Michael Butkus-Bomier #2032641. Published by Michael Butkus-Bomier (A0.862518). Water, the Source of Life, and yet given enough time, it can wear down and dissolve Anything. Such a power! The music here tries to evoke a flow, of course, and yet exemplify that power, shown to us in rushing riverbeds and waterfalls. Glissandos on the white keys help a bit here! The piano uses chords in alternating motion, as a constant underpinning to the rising and falling flow of the melody. The score and audio clip will show you how the musical action tries to emulate rather than simply mimic the action of a moving body of water. Running time just over 2 mins. MBB.
$4.99
4.66 €
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Violin and Piano
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Michael Bomier
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Elements Suite for Violin and Piano 4nd Mvnt: Water
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Michael Butkus-Bomier
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SheetMusicPlus
Dissolve
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1008722 By Absofacto. By Curtis Edw…
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Piano Solo - Level 3 - Digital Download SKU: A0.1008722 By Absofacto. By Curtis Edward Williams, Curtis Williams, Henry Burrell, James Varner, and Jonathan Visger. Arranged by senseLess Khorister. Contemporary. Score. 2 pages. SenseLess Khorister #6473319. Published by senseLess Khorister (A0.1008722).
$6.69
6.24 €
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Piano solo
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Absofacto
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Dissolve
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senseLess Khorister
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SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.33 €
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Orchestra
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Claude Debussy
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Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.33 €
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Orchestra
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Claude Debussy
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Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.33 €
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Orchestra
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Claude Debussy
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Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
In Sunlight
Violin and Piano
Violin and piano - Digital Download SKU: OX.9780193202627 Composed by Anthony Power…
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Violin and piano - Digital Download SKU: OX.9780193202627 Composed by Anthony Powers. Score. 22 pages. Oxford University Press Digital #9780193202627. Published by Oxford University Press Digital (OX.9780193202627). ISBN 9780193202627.For violin and piano. The composer writes: The structure is a short set of double variations, the two themes following a short introduction. One is flamboyant and rhetorical, the other gentle and lyrical. The first develops rhythmically, through a toccata to a vigorous dance, the second becomes increasingly decorated so that the line is almost dissolved, but finally emerges in its clearest, simplest form. In a coda each musical character disappears into silence.
$18.99
17.72 €
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Violin and Piano
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Anthony Powers
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In Sunlight
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Oxford University Press Digital
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SheetMusicPlus
Cry Me A River
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856204 By Justin Timberlak…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856204 By Justin Timberlake. By Justin Timberlake, Scott Storch, Timothy Mosely, and Timothy Mosley. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4301725. Published by Liz Garnett (A0.856204). From Justin Timberlake's album Justified, this song makes an obvious reference to the 1950s ballad of the same title. Whilst it contains a similar emotional theme, the narrative that unfolds is quite different, as are the musical gestures of popular music 50 years on from the older song. The arrangement borrows a lot of the motifs from Timberlake's recording and weaves them into a texture that develops in complexity until the very end where it dissolves back into nothing.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: C4 - G5Lead: G3 - C5Bari: C4 - B flat4Bass: F3 - F4www.HelpingYouHarmonise.com
$2.99
2.79 €
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Choral SSAA
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Justin Timberlake
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Cry Me A River
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Liz Garnett
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SheetMusicPlus
She Flies
Voice Duet Mezzo-Soprano Voice - Level 5 - Digital Download SKU: A0.1111084 By Davi…
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Voice Duet Mezzo-Soprano Voice - Level 5 - Digital Download SKU: A0.1111084 By Davide Riva. By Davide Riva. 20th Century,A Cappella,Baroque,Contemporary. 5 pages. Davide Riva #713360. Published by Davide Riva (A0.1111084). SHE FLIES for SSA vocal ensemble. Composed by Davide Riva Text: Emily Dickinson To the bright east she flies, Brothers of Paradise Remit her home, Without a change of wings, Or Love’s convenient things, Enticed to come. Fashioning what she is, Fathoming what she was, We deem we dream— And that dissolves the days Through which existence strays Homeless at home.
$4.99
4.66 €
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Davide Riva
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Davide Riva Text: Emily Dickinson To the bright east she flies, Brothers of Paradise Remit her home, Without a change of wings, Or Loveâs convenient things, Enticed to come
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She Flies
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Davide Riva
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SheetMusicPlus
Dementia in F-sharp for solo flute
Flute
Flute Solo - Level 5 - Digital Download SKU: A0.1010609 Composed by Jing Liu. 20th …
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Flute Solo - Level 5 - Digital Download SKU: A0.1010609 Composed by Jing Liu. 20th Century,Contemporary. Individual part. 5 pages. Jing Liu #550747. Published by Jing Liu (A0.1010609). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition Dementia in F-sharp is ultimately about forgetting, and the anger that comes with the inability to remember. For reasons unknown, the note F-sharp is the center of the universe for the flutist. In increasingly agitated attempts, the flutist tries to remember, and the lines go higher and higher until the memory appears clearly, in its original form, in the middle section. But that dissolves back into agony and chaos, until the flutist repeats the opening figure for the final time--but the F-sharp is ultimately lost. JL, Jan 2015.
$9.99
9.32 €
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Flute
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Jing Liu
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Dementia in F-sharp for solo flute
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Jing Liu
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SheetMusicPlus
Rhythm Herd (4 sopranos, alto recorder)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic M…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic McGonigal. Contemporary. Score and parts. 26 pages. C8 Music #4633311. Published by C8 Music (A0.924066). Rhythm Herd is a celebration of rhythmic energy in words and music. Euan Tait's poem harnesses the stampede of whinnying horses, the crackle of the fire, thundering south and gives the singers the power of nature's forces. The four sopranos keep constant pulse passed between the voices as the quavers are herded into chords, melody, phrases and whole movements. Their warm tones are punctuated by riffs on the recorder, building up to an extended obbligato fughetta. Finally, the heart dissolves to ashes, the pulse of the sopranos slows, while the recorder maintains the rhythmic riffs, now in time with the human heart. Rhythm Herd was commissioned by Philomel and first performed by them on 24 November 2018.
$4.99
4.66 €
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Chamber Orchestra
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Dominic McGonigal
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Rhythm Herd
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C8 Music
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SheetMusicPlus
Veni Creator Spiritus (Downloadable)
Choral SSAATTBB
SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download S…
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SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8748-E Composed by Robert Kyr. 32 pages. Duration 5 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8748-E. Published by E. C. Schirmer Music Company - Digital (MQ.8748-E). Latin.A setting of a composite text by the composer which combines passages from a variety of sources: the Requiem service (Dies irae, Libera me), the Mass (Agnus Dei qui tollis, Agnus Dei dona nobis pacem), and from a hymn attributed to the Benedictine theologian Maurus (776-856) Veni Creator Spiritus. The images of destruction that begin the work are gradually transformed through an invocation of the energies of creation, as the music of the first half (in minor mode) dissolves into the bright music of the conclusion (in major mode). Duration 5:40.
$3.35
3.13 €
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Choral SSAATTBB
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Robert Kyr
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Veni Creator Spiritus
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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