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You've selected:
Distant Lives
Sheetmusic to print
9 sheet music found
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1
Distant Lives
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1487829 By Collective (Rosal…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1487829 By Collective (Rosaline Sewell and Mick Davis). By Rosaline Sewell and Mick Davis. Arranged by Mick Davis. Contemporary,Film/TV,Pop. Score. 4 pages. Mick Davis #1064768. Published by Mick Davis (A0.1487829). A song about love at a distance, inspired by conversations of young love.Lyrics by Rosaline Sewell.
$6.00
5.4 €
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Piano, Voice
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Collective
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Distant Lives
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Mick Davis
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SheetMusicPlus
The Shadow of the Falling Lead - Score Only
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskev…
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String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,World. 30 pages. Silver Sickle Publications #935314. Published by Silver Sickle Publications (A0.1350504). In the echoes of history, where the ravages of war leave indelible scars on the fabric of humanity, there emerges a haunting melody that seeks to articulate the unspeakable pain and devastation wrought by the shadow of falling lead. The Shadow of the Falling Lead is a musical composition born out of a deep and poignant reflection on the profound impact of bombing during wartime.As the symphony unfolds, it endeavors to traverse the emotional landscape of those whose lives have been forever altered by the relentless rain of destruction. Each note serves as an empathetic brushstroke, painting the canvas of despair with the hues of sorrow, resilience, and the human spirit's enduring will to survive.The title itself evokes the grim reality of warfare, where the shadow of falling lead becomes an ominous specter, casting darkness over the lives it touches. This composition seeks to transcend the boundaries of language, inviting listeners to immerse themselves in the somber beauty of the music and connect with the shared humanity that unites us all.As we embark on this musical journey, may The Shadow of the Falling Lead serve as a solemn reminder of the cost of conflict and the imperative to strive for a world where the echoes of such devastation become but distant memories, replaced by the harmonious chords of peace and understanding.A solo violin ends this journey as a mother lamenting for her lost children. Â
$25.00
22.48 €
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String Orchestra
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Apostolos Paraskevas
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The Shadow of the Falling Lead - Score Only
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Silver Sickle Publications
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SheetMusicPlus
Hymn No. 6, Bless Me, Lord, Keep Me
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1024986 Composed by Denver…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1024986 Composed by Denver Glendaire Sasser. Christian,Sacred. Octavo. 1 pages. Chilpo Publishing #3866901. Published by Chilpo Publishing (A0.1024986). This hymn is more personal than general; it is closer to the real lives of congregants than a distant celebration of the religious experience. It is appropriate for any Christian church service.
$2.90
2.61 €
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Choral SATB
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Denver Glendaire Sasser
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Hymn No. 6, Bless Me, Lord, Keep Me
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Chilpo Publishing
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SheetMusicPlus
When The Moon Was Full
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1284330 Composed by Kwok Man Ho Mar…
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Piano Solo - Level 5 - Digital Download SKU: A0.1284330 Composed by Kwok Man Ho Marco. 21st Century,Contemporary,Multicultural,New Age,Spiritual,World. Score. 9 pages. Kwok Man Ho Marco #875501. Published by Kwok Man Ho Marco (A0.1284330). When The Moon Was FullComposed for piano solo by Kwok Man Ho MarcoPiano ScoreThe piece When The Moon Was Full for piano solo is inspired by the imagination of the Moon. Many cultures around the world have fascinating myths about the Moon, reflecting its prominence in the night sky and its impact on our lives. The Moon is distant from our Earth, making it unreachable for most of us. However, we can often admire its presence in the night sky. The appearance of the Moon changes as its position relative to the Earth and the Sun shifts. Personally, I find that the Moon looks different every night.The Full Moon is a unique phase when the Moon appears round. It shines brightly and cleanly, illuminating the Earth's surface. The piece When The Moon Was Full is filled with my imagination, which is associated with the beauty of the Full Moon.For any inquiry, please visit my personal website:https://kwokmanhomarco.wordpress.com
$15.99
14.38 €
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Piano solo
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Kwok Man Ho Marco
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When The Moon Was Full
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Kwok Man Ho Marco
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SheetMusicPlus
Estrellita
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1215199 By Liberace. By Manuel Ponc…
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Piano Solo - Level 5 - Digital Download SKU: A0.1215199 By Liberace. By Manuel Ponce. Arranged by Timothy Stapay. Film/TV,Folk,Singer/Songwriter,Standards,Traditional. Score. 8 pages. Timothy Stapay #812071. Published by Timothy Stapay (A0.1215199). This is an arrangement of the traditional Mexican folk song, Estrellita as played by piano artist, Liberace. This is from a very early and rare album called Songs My Mother Taught Me.Tender, romantic, and so elementally lovely that it seems we have carried this melody inside us all our lives — that’s Estrellita, the “little star†that is surely one of the most popular songs in the world. Estrellita was composed by Manuel Ponce, a 20th-century Mexican composer, who grew up in a musical family and received his musical training from his parents. It is the single work for which he is best known.According to widely accepted tradition, the ineffably lovely melody of Estrellita came to Ponce in a burst of romantic inspiration in a quiet moment as he beheld his wife.Lyrics:Little star, of the distant sky,you see my pain, you know my suffering.Come down and tell me if you love me stillbecause sad alone is this heartthat asks for love from you. You are my star, a beacon of love.You alone can give light to the heart.Little star, tell me you still love mebecause sad alone is this heartthat desires love from you.  You are my star, a beacon of love.You alone can give light to the heart.Little star, tell me you still love mebecause sad alone is this heartthat desires love from you.
$7.99
7.18 €
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Piano solo
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Liberace
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Estrellita
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Timothy Stapay
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SheetMusicPlus
Flexible Ensemble - Celtic Lullaby
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Drums,Euphonium,Flute,Horn,Oboe,Trombone…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Drums,Euphonium,Flute,Horn,Oboe,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.767582 Composed by Mike Lyons. 20th Century,Contemporary,Standards. Score and parts. 36 pages. Lyons Music Services #6459597. Published by Lyons Music Services (A0.767582). A short piece for flexible ensemble, featuring the 3rd part. It opens with part 3, playing the theme, then one-by-one the others join in along with a drone effect making it sound a little like distant bagpipes. Theoverall dynamic increases to a climax when the higher parts take the main theme and then it dramatically returns to a single solo line which then fades. The soloist and glockenspiel echo gently as the music fades away to nothing, with snare rolls whispering.I imagined an Ancient Celtic woman singing a lullaby to her baby son as his father and other men go off to fight in their ships. The music contains her sadness and some descriptive touches of the harsh environment in which she lives. Her pride in her people swells as the music progresses and, afer the climax, sinks into a melancholy loneliness as she contemplates her child's likely fate.3 1/2 minutes in length.Parts supplied,Part 1 in Bb/CPart 2 in Bb/CPart 3(Solo) in Eb/F/C(Alto)Part 4 in Eb/F/C(Alto)Part 5 in Eb/Bb/C(Bass)Part 6 in Bb/C(Bass)Part 7 in Eb/Bb/C(Bass)GlockenspielDrum kit.
$25.00
22.48 €
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Mike Lyons
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Flexible Ensemble - Celtic Lullaby
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Lyons Music Services
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SheetMusicPlus
Almost May for Piano Solo
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.59 €
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Piano solo
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Almost May Score and Parts
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.47 €
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String Quartet: 2 violins, viola, cello
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Heidi Savoie
#
Almost May Score and Parts
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Heidi Savoie
#
SheetMusicPlus
Almost May Lead Sheet
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.69 €
#
C Instruments
#
Heidi Savoie
#
Almost May Lead Sheet
#
Heidi Savoie
#
SheetMusicPlus
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