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Do You Hear What I Hear? - Guitar
Sheetmusic to print
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Do You Hear What I Hear
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1273060 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Michael Todd Kovell. 20th Century,Chamber,Christmas,Classical,Holiday. 13 pages. Phinney Music #865249. Published by Phinney Music (A0.1273060). Introducing our captivating and enchanting string quartet sheet music arrangement of the timeless Christmas classic, Do You Hear What I Hear, composed by Noel Regney. This beautiful arrangement is meticulously crafted to breathe new life into the iconic melody, making it a perfect addition to any string quartet's repertoire.Key Features:Elevated Musical Expression: Our arrangement stays true to the original composition's emotive depth while adding nuanced dynamics and expressive markings, empowering your string quartet to deliver a heartfelt performance that resonates with audiences.Artful Harmonies: The arrangement includes rich harmonies and counterpoint that accentuate the magical essence of the song, offering each instrument within the quartet a chance to shine and contribute to the overall enchanting ambiance.Professional Notation: With precise and meticulously notated music sheets, you'll find clear and accurate representations of each part, simplifying rehearsals and ensuring a seamless performance.Embracing Tradition and Innovation: While honoring the traditional charm of the original piece, our arrangement introduces subtle modern elements that captivate contemporary audiences, making it ideal for various performance settings.Benefits:Delight Your Audience: Share the holiday spirit and captivate your audience with this well-loved Christmas melody, reimagined for string quartets. The familiar tune, combined with skillful playing, is sure to touch the hearts of listeners.Perfect for Celebratory Events: Whether it's a festive concert, private gathering, or Christmas celebration, the arrangement adds a touch of elegance and cheer to any occasion, making it a standout performance in your repertoire.Target Audience:Our Do You Hear What I Hear string quartet sheet music arrangement caters to a broad audience:Professional String Quartets seeking fresh, high-quality repertoire for their performances.Amateur and Intermediate String Quartets looking to expand their holiday-themed repertoire and challenge their skills.Music Educators searching for engaging pieces to teach their students about harmony, dynamics, and expression.Music Enthusiasts eager to explore and experience the beauty of Do You Hear What I Hear through the exquisite sounds of a string quartet.Add a touch of timeless elegance and holiday magic to your string quartet's performances with our exceptional arrangement of Do You Hear What I Hear. Embrace the spirit of the season and create cherished memories with this enchanting and expressive piece.
$12.99
11.93 €
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String Quartet: 2 violins, viola, cello
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Carole King
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Do You Hear What I Hear
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Phinney Music
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SheetMusicPlus
Do You Hear What I Hear
Organ
Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1414856 By Carole King…
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Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1414856 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Tina Illig. Advent,Christian,Christmas,Holiday,Praise & Worship. Individual part. 4 pages. Tina illig #996604. Published by tina illig (A0.1414856). This piece is for organ solo, a combination of the Christmas songs Little Drummer Boy and Do You Hear What I Hear. One of my piano students is learning church organ and I'm hoping she will enjoy playing it and the congregation will enjoy hearing it.
$5.00
4.59 €
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Organ
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Carole King
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Do You Hear What I Hear
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tina illig
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SheetMusicPlus
What A Wonderful World
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1438013 By Louis Armstrong. By Bob …
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Piano Solo - Level 4 - Digital Download SKU: A0.1438013 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1018085. Published by Timothy Stapay (A0.1438013). When it comes to timeless classics, few songs can compare to “What a Wonderful World” by Louis Armstrong’s Orchestra and Chorus. Released in 1967, this beautiful melody has transcended decades, touching the hearts of millions across the globe. After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100. Armstrong's recording was inducted to the Grammy Hall of Fame in 1999.In a world often plagued by strife and uncertainty, the song serves as a gentle reminder to focus on the positive aspects of life. It urges us to look beyond our differences and embrace the beauty that surrounds us. It celebrates the wonders of nature, the innocence of children, and the power of love, instilling a renewed sense of appreciation for the world we live in.I see trees of green, red roses tooI see them bloom for me and youAnd I think to myself what a wonderful worldI see skies of blue and clouds of whiteThe bright blessed day, the dark sacred nightAnd I think to myself what a wonderful worldThe colors of the rainbow so pretty in the skyAre also on the faces of people going byI see friends shaking hands saying how do you doThey're really saying I love youI hear babies crying, I watch them growThey'll learn much more than I'll never knowAnd I think to myself what a wonderful worldYes I think to myself what a wonderful world.
$7.99
7.34 €
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Piano solo
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Louis Armstrong
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What A Wonderful World
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Timothy Stapay
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SheetMusicPlus
Mary, Did You Know? for flute choir or flute ensemble ( christmas )
Flute ensemble
By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Pa…
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By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Parts, Sheet Music Single, Solo Part. 28 pages. Published by a " do Ray me " flute studio production
"Mary,Did You Know?" is a Christmas song written by Mark Lowry andmusic written by Buddy Greene in 1991. This song was recorded and performedwith famous singers such as Kenny Rogers & Wynonna Judd, Mary J. Blige, ClayAiken, Pentatonix and many more!https://youtu.be/2-jWPg_SS8g<br> <br> A beautiful song in minor key, arranged for flutechoir by me, Ray-Michael Kauffman, a flutist and performer and arranger offlute choir/music. Since I play all flutes of the flute family, I like tothink I understand the complexities of what works and what doesn't for all fluteschoirs/ ensembles. <br> <br> This arrangement gives every instrument a chance to shine, whetherplaying a solo or melody in that instrument part (from bass, alto, flutes topiccolo). This would make an amazing piece to add to your holiday performance,or singularly for church/secular or school program. scored forpiccolo, flute 1-5, alto and bass (which may also be played by contra bass).overall, it is intermediate plus but arrangement allows for less seasonedplayers to play flute 3, 4 or 5. flute 5 is not required for performance butadds extra harmony, structure and support of the arrangement. May be playedfrom a small group or larger ensemble. larger ensemble please take note inrehearsal A marking where for several measures, the higher flutes (2 and 1) arelimited in players where as not to overpower the bass flute solo. Thankyou for checking my arrangement out and I hope you love it as much as I do.<br> <br> ** Note this is the original and deluxe flute choir / ensemble version. There is other "Mary did you know " titles for flute , but they are at a small group , and basic entry level ability and those versions suited for basic elementary or middle school quartet flutes.<br> <br> My title is suited for adult, advanced players of an actual flute choir. enjoy.<br> <br> https://www.youtube.com/watch?v=2-jWPg_SS8g
$13.99
12.85 €
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Flute ensemble
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Kathy Mattea
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do Ray me "
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Mary, Did You Know? for flute choir or flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.5 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Do You Know What It Means To Miss New Orleans
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1458666 Composed by Eddie De Lange …
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Piano Solo - Level 4 - Digital Download SKU: A0.1458666 Composed by Eddie De Lange and Louis Alter. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2 pages. John Fries #1037596. Published by John Fries (A0.1458666). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Do You Know What It Means to Miss New Orleans is a song written by Eddie DeLange and Louis Alter, which was first heard in the movie New Orleans in 1947, where it was performed by Louis Armstrong and sung by Billie Holiday.
$5.99
5.5 €
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Piano solo
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Eddie De Lange and Louis Alter
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Do You Know What It Means To Miss New Orleans
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John Fries
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SheetMusicPlus
Do You Know What It Means To Miss New Orleans
Choral TTBB
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download …
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479852 Composed by Louis Alter. Arranged by Deke Sharon. This edition: Interactive Download. Jazz. Octavo. Duration 117. Deke Sharon #o4zEmZeECEsZukkcZDe5K. Published by Deke Sharon (A0.479852). Key: F major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.83 €
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Choral TTBB
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Louis Alter
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Do You Know What It Means To Miss New Orleans
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Deke Sharon
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SheetMusicPlus
In Your Slumber
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. C…
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
13.77 €
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Concert band
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
This Guy's In Love With You
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1248632 By Herb Alpert. By Burt Bac…
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Piano Solo - Level 3 - Digital Download SKU: A0.1248632 By Herb Alpert. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #843127. Published by Timothy Stapay (A0.1248632). This is an arrangement of This Guys In Love With You for intermediate piano solo.This Guy's in Love with You is a song written by Burt Bacharach and Hal David, and recorded by Herb Alpert. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, arranged by Bacharach. An earlier recording of the song was by British singer Danny Williams titled That Guy's in Love, which appears on his 1968 self-titled album.As documented in an A&E Biography episode featuring Bacharach, the recording originated when Alpert, while visiting at Bacharach's office, asked, Say, Burt, do you happen to have any old compositions lying around that you and Hal never recorded; maybe one I might be able to use? Alpert said he made it his practice to ask songwriters that particular question: often a lost pearl was revealed. As it happened, Bacharach recalled one, found the lyrics and score sheet in his office filing cabinet, and offered it to Alpert: Here, Herb ... you might like this one.Lyrics:You see this guyThis guy's in love with youYes, I'm in loveWho looks at you the way I doWhen you smile I can tellWe know each other very wellHow can I show youI'm glad I got to know you, 'causeI've heard some talkThey say you think I'm fineYeah, I'm in loveAnd what I'd do to make you mineTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'causeI need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just dieTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'cause I need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just die.
$6.99
6.42 €
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Piano solo
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Herb Alpert
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This Guy's In Love With You
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Timothy Stapay
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SheetMusicPlus
We Three Kings of Orient Are
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1298553 Composed by John Henry Hopk…
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Piano Solo - Level 4 - Digital Download SKU: A0.1298553 Composed by John Henry Hopkins Jr. Arranged by Amy J. Snyder. Advent,Christmas,Holiday,Religious,Sacred. Score. 6 pages. Amy J. Snyder #888448. Published by Amy J. Snyder (A0.1298553). We Three Kings of Orient Are is a tradtional Christmas carol written by John Henry Hopkins, Jr. in 1857. It was written for a Christmas Pageant in New York City. The song tells the story of the Magi that visited baby King Jesus some time after His birth. They brought precious gifts: gold, frankincense and myrrh. This arrangement is for advanced intermediate piano solo and includes a haunting intro and interlude. Helpful fingering is added. If you enjoy this arrangement, check out Amy's other Christmas solos such as Joy to the World, What Child Is This, White Christmas, Jingle Bells, O Holy Night, Mary Did You Know, Do You Hear What I Hear, Noel, I Heard the Bells, and more! Visit Amy at https://www.facebook.com/amyjsnyder7
$5.25
4.82 €
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Piano solo
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John Henry Hopkins Jr
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We Three Kings of Orient Are
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Amy J. Snyder
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SheetMusicPlus
The Little Drummer Boy
Organ
Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1414809 By Wilson Phil…
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Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1414809 By Wilson Phillips. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Tina Illig. Broadway,Christian,Christmas,Holiday,Musical/Show,Religious. Individual part. 4 pages. Tina illig #996579. Published by tina illig (A0.1414809). This piece is for organ solo, a combination of the Christmas songs Little Drummer Boy and Do You Hear What I Hear. One of my piano students is learning church organ and I'm hoping she will enjoy playing it and the congregation will enjoy hearing it.
$5.00
4.59 €
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Organ
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Wilson Phillips
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The Little Drummer Boy
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tina illig
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SheetMusicPlus
How Can You Mend A Broken Heart
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1300078 By Bee Gees. By Barry Gibb …
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Piano Solo - Level 4 - Digital Download SKU: A0.1300078 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Timothy Stapay. Country,Disco,Film/TV,Rock,Singer/Songwriter. Score. 4 pages. Timothy Stapay #889845. Published by Timothy Stapay (A0.1300078). How Can You Mend a Broken Heart is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid- to late 1970s. The group sang recognisable three-part tight harmonies: Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid- to late 1970s and 1980s. The group wrote all their own original material, as well as writing and producing several major hits for other artists, and are regarded as one of the most important and influential acts in pop-music history. Bee Gees Lyrics:How Can You Mend A Broken Heart?I can think of younger days when living for my lifeWas everything a man could want to doI could never see tomorrowBut I was never told about the sorrowsAnd, how can you mend a broken heart?How can you stop the rain from falling down?How can you stop the sun from shining?What makes the world go 'round?How can you mend this broken man?How can a loser ever win?Please help me mend my broken heart and let me live againI can still feel the breeze that rustles through the treesAnd misty memories of days gone byWe could never see tomorrowNo one said a word about the sorrowAnd how can you mend a broken heart?How can you stop the rain from falling down?How can you stop the sun from shining?What makes the world go 'round?And how can you mend this broken man?How can a loser ever win?Please help me mend my broken heart and let me live againLa la la la la la, la la la laLa la la la la la, la la la laPlease help me mend my broken heart and let me live againDa da da daDa da da da, da da da da da, da.
$6.99
6.42 €
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Piano solo
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Bee Gees
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How Can You Mend A Broken Heart
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Timothy Stapay
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SheetMusicPlus
Do You Want To Build A Snowman?
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 30 pages. Lisa L Ochoco #773993. Published by Lisa L Ochoco (A0.1173842). Disney's movie, Frozen is so popular, and the songs are, as usual, very popular too. This song is my favorite, even it's the most heart-breaking. It shows the lives of Elsa and Anna beginning as happy children, who enjoy each other's company. Elsa finds out that her ice powers are potentially harmful to her younger sister and is forced to isolate herself in her bedroom. Anna tries, unsuccessfully, to coax her sister out to play for many years. Then, they receive news that their parents have died at sea in a storm. Lonely and desperately unhappy, Anna knocks on her sister's bedroom door...        Elsa?      Please, I know you're in there      People are asking where you've been      They say, Have courage, and I'm trying to      I'm right out here for you, just let me in      We only have each other      It's just you and me      What are we gonna do?      Do you wanna build a snowman?   Scored for low flute choir - 4 altos, 2 basses and contrabass. There is an optional double bass part that doubles contrabass to help fortify it if needed. This arrangement is simple enough for musicians with intermediate playing skills, but it does require good breath support for the many long tones, and it also has a bit of syncopated rhythms. Duration: 4 minutes.
$14.00
12.86 €
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Flute ensemble
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Kristen Bell
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Do You Want To Build A Snowman?
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Lisa L Ochoco
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SheetMusicPlus
I Heard It Through The Grapevine
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1186657 By Marvin Gaye. By B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1186657 By Marvin Gaye. By Barrett Strong and Norman Whitfield. Arranged by Arabella Berman and Sam LaGrego. Funk,Hip-Hop,Instructional,R & B. Score. 10 pages. Arabella's Voice Studio #786297. Published by Arabella's Voice Studio (A0.1186657). Piano and vocal arrangement of I Heard it Through the Grapevine sung by Marvin Gaye. Arranged for Arabella's Voice Studio, Boston MA, for use in Piano for the Vocalist classes. Piano for the Vocalist is a revolutionary way to learn to play all of your favorite songs, no matter your current ability level. This format is designed to get you playing music right away and to teach you music fundamentals while you play. Piano for the Vocalist was inspired by the scaffolding and leveling provided in yoga classes. Yogis understand that muscles can be developed and that leveling can allow everyone to enjoy an activity, regardless of what they can do on any given day. Like yoga, this arrangement will provide you with a basic suggestion for starting the piece. These initial recommendations will help you play the entire song while you sing. As you progress through each song, suggestions will be offered to increase the complexity of the accompaniment. You can choose which suggestions work for you, as you build your musical skills. Arabella's Voice Studio: arabella@arabellavoicestudio.com, 617-468-6461Sam LaGrego:  samlagregomusic@gmail.com.
$6.99
6.42 €
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Piano, Voice
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Marvin Gaye
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I Heard It Through The Grapevine
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Arabella's Voice Studio
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SheetMusicPlus
Who Do You Say I Am?
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841965 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841965 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3480271. Published by Andrew Mc Donald (Macka Records) (A0.841965). Who Do You Say I Am is a song about a question Jesus is asking us.Who do we think Jesus is? Is He what you heard in the bible? Some say He was a prophet, a carpenter, just a preacher, maybe just a good person.What do you think? I believe He is the Christ.
$4.99
4.58 €
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Piano, Voice
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Andrew Mc Donald
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Who Do You Say I Am?
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Andrew Mc Donald
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SheetMusicPlus
His Memory
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00
22.04 €
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Violin and Piano
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
I Let a Song Go Out of My Heart
Piano, Voice
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015646 Composed by Duke Elling…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015646 Composed by Duke Ellington, Henry Nemo, Irving Mills, and John Redmond. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015646. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015646). ISBN 9780739094860. UPC: 038081456881.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
3.66 €
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Piano, Voice
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Duke Ellington, Henry Nemo, Irving Mills, and John Redmond
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I Let a Song Go Out of My Heart
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
What Child is This
Small Ensemble Cello,Hand Percussion,High Voice,Low Voice - Level 3 - Digital Download …
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Small Ensemble Cello,Hand Percussion,High Voice,Low Voice - Level 3 - Digital Download SKU: A0.915683 Composed by Traditional English carol, 16th century. Arranged by Richard Joseph Barber. 20th Century,Christmas,Folk,Renaissance,Sacred. Score and parts. 11 pages. Barber Music Company #3691799. Published by Barber Music Company (A0.915683). This lilting, joyful arrangement of this familiar traditional carol (tune: Greensleeves) is arranged for two-part duet (SA or SB) and small treble choirs, with cello, tambourine, and zill (finger cymbal) accompaniment. You should purchase one copy of this score for each singer and one for the conductor. Individual parts are also available separately under the title of the composition with the part name following.Author's note:The vocal parts are not a great challenge in range or difficulty, and the percussion parts are not complex. The cello part, on the other hand, is difficult in places and will require more practice than the other parts.If you use this composition, please contact me with any performance questions you may have and to let me know if you enjoyed it and why. I do enjoy hearing from you! -Dick Barber, barberpianoserv@gmail.com
$3.50
3.21 €
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Traditional English carol, 16th century
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What Child is This
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Barber Music Company
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SheetMusicPlus
All I Want For Christmas Is You
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady A…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201). https://www.youtube.com/watch?v=sNrfHQ6LSGYMariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!
$20.00
18.37 €
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String Quartet: 2 violins, viola, cello
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Lady Antebellum
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All I Want For Christmas Is You
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Helen Marple-Horvat
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.41 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
What do they matter? (for medium-high voice and harp)
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by N…
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
5.5 €
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
What Would Jesus Drive?
Level 3 - Digital Download SKU: A0.1105255 By David Kai. By David Kai. Arranged by …
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Level 3 - Digital Download SKU: A0.1105255 By David Kai. By David Kai. Arranged by David Kai. Christian,Comedy,Country,Folk. Full Performance. Duration 139. David Kai #708515. Published by David Kai (A0.1105255). A fun song for the younger crowd with an environmental message as well! A different spin on WWJD with a touch of Zydeco and a Newfoundland ugly stick thrown in for good measure! WHAT WOULD JESUS DRIVE? (WWJD) By David Kai ©2016 CHORUS: Oh what would Jesus drive, Oh what would Jesus drive? I ponder every day as I go through it, Though many folks are asking, “Well, what would Jesus do?†I’m wondering just what drove him to do it. I thought at first that Jesus would have to drive a car, Like a Chevrolet, a Chrysler or a Ford, But I looked it up in Acts and it’s mentioned there in John, Jesus and the disciples were all in one Accord. CHORUS: God gave this great green earth, but we’ve really messed it up, It pains God’s heart and spirit just to see us, Since God so loves the birds and the lilies of the field, I think that Jesus just might drive a Prius. CHORUS:.
$1.99
1.83 €
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David Kai
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What Would Jesus Drive?
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David Kai
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SheetMusicPlus
The Heart's Deep Appetites NAS. 11 for the left hand
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1246984 By Adam Walter Carlsen. By …
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Piano Solo - Level 3 - Digital Download SKU: A0.1246984 By Adam Walter Carlsen. By Adam Walter Carlsen. Classical,Contemporary. Score. 7 pages. Adam Walter Carlsen #841611. Published by Adam Walter Carlsen (A0.1246984). I wrote this left hand piano piece based on a short narrative I made that has a question/observation followed by the answer.The Heart's Deep AppetitesWe Hunger for more than food. There is also hunger for love and self-worth. We need food to sustain us, and love and self-worth to carry us. Therefore, wouldn't it be wise to do what it takes to satisfy our hunger?Hunger also exists for that which gives us only temporal pleasure. One cannot exist focusing on satisfying this hunger. Our potential should only be used to fulfill our purpose of showing love and self-worth, and sharing it with others. The support of loved ones will see you through adversity and failure, allowing you to chase your dream and achieve your potential. However, one must be careful not to pursue an identity that is cunsuming, as it may overshadow your dream. Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$1.99
1.83 €
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Piano solo
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Adam Walter Carlsen
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The Heart's Deep Appetites NAS. 11 for the left hand
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Adam Walter Carlsen
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SheetMusicPlus
Whatever You Do (Rehearsal Track)
Medium-High Voice,Piano Accompaniment - Level 1 - Digital Download SKU: A0.1292435 …
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Medium-High Voice,Piano Accompaniment - Level 1 - Digital Download SKU: A0.1292435 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Full Performance. Duration 194. Exultet Music #883007. Published by Exultet Music (A0.1292435). Song that is based on Matthew 25:40 and is scored for a variety of arrangements. Uses standard wording (When I was hungry, When I was thirsty, etc) as well as some modern ones (When I was discriminated, When I was losing my faith, When I had AIDS, etc.) Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$3.99
3.66 €
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Stephen DeCesare
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Whatever You Do
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Exultet Music
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SheetMusicPlus
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