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You've selected:
Do You Hear What I Hear? - Percussion 2
Sheetmusic to print
51 sheet music found
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Do You Hear What I Hear
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1273060 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Michael Todd Kovell. 20th Century,Chamber,Christmas,Classical,Holiday. 13 pages. Phinney Music #865249. Published by Phinney Music (A0.1273060). Introducing our captivating and enchanting string quartet sheet music arrangement of the timeless Christmas classic, Do You Hear What I Hear, composed by Noel Regney. This beautiful arrangement is meticulously crafted to breathe new life into the iconic melody, making it a perfect addition to any string quartet's repertoire.Key Features:Elevated Musical Expression: Our arrangement stays true to the original composition's emotive depth while adding nuanced dynamics and expressive markings, empowering your string quartet to deliver a heartfelt performance that resonates with audiences.Artful Harmonies: The arrangement includes rich harmonies and counterpoint that accentuate the magical essence of the song, offering each instrument within the quartet a chance to shine and contribute to the overall enchanting ambiance.Professional Notation: With precise and meticulously notated music sheets, you'll find clear and accurate representations of each part, simplifying rehearsals and ensuring a seamless performance.Embracing Tradition and Innovation: While honoring the traditional charm of the original piece, our arrangement introduces subtle modern elements that captivate contemporary audiences, making it ideal for various performance settings.Benefits:Delight Your Audience: Share the holiday spirit and captivate your audience with this well-loved Christmas melody, reimagined for string quartets. The familiar tune, combined with skillful playing, is sure to touch the hearts of listeners.Perfect for Celebratory Events: Whether it's a festive concert, private gathering, or Christmas celebration, the arrangement adds a touch of elegance and cheer to any occasion, making it a standout performance in your repertoire.Target Audience:Our Do You Hear What I Hear string quartet sheet music arrangement caters to a broad audience:Professional String Quartets seeking fresh, high-quality repertoire for their performances.Amateur and Intermediate String Quartets looking to expand their holiday-themed repertoire and challenge their skills.Music Educators searching for engaging pieces to teach their students about harmony, dynamics, and expression.Music Enthusiasts eager to explore and experience the beauty of Do You Hear What I Hear through the exquisite sounds of a string quartet.Add a touch of timeless elegance and holiday magic to your string quartet's performances with our exceptional arrangement of Do You Hear What I Hear. Embrace the spirit of the season and create cherished memories with this enchanting and expressive piece.
$12.99
11.93 €
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String Quartet: 2 violins, viola, cello
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Carole King
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Do You Hear What I Hear
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Phinney Music
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SheetMusicPlus
All I Want For Christmas Is You
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady A…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201). https://www.youtube.com/watch?v=sNrfHQ6LSGYMariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!
$20.00
18.37 €
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String Quartet: 2 violins, viola, cello
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Lady Antebellum
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All I Want For Christmas Is You
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Helen Marple-Horvat
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SheetMusicPlus
Do You Know What It Means To Miss New Orleans
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197303 Composed by E…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197303 Composed by Eddie De Lange and Louis Alter. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #796467. Published by John Fries (A0.1197303). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Do You Know What It Means to Miss New Orleans is a song written by Eddie DeLange and Louis Alter, which was first heard in the movie New Orleans in 1947, where it was performed by Louis Armstrong and sung by Billie Holiday.
$4.99
4.58 €
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Piano, Vocal and Guitar
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Eddie De Lange and Louis Alter
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Do You Know What It Means To Miss New Orleans
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John Fries
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SheetMusicPlus
Mary, Did You Know? for flute choir or flute ensemble ( christmas )
Flute ensemble
By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Pa…
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By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Parts, Sheet Music Single, Solo Part. 28 pages. Published by a " do Ray me " flute studio production
"Mary,Did You Know?" is a Christmas song written by Mark Lowry andmusic written by Buddy Greene in 1991. This song was recorded and performedwith famous singers such as Kenny Rogers & Wynonna Judd, Mary J. Blige, ClayAiken, Pentatonix and many more!https://youtu.be/2-jWPg_SS8g<br> <br> A beautiful song in minor key, arranged for flutechoir by me, Ray-Michael Kauffman, a flutist and performer and arranger offlute choir/music. Since I play all flutes of the flute family, I like tothink I understand the complexities of what works and what doesn't for all fluteschoirs/ ensembles. <br> <br> This arrangement gives every instrument a chance to shine, whetherplaying a solo or melody in that instrument part (from bass, alto, flutes topiccolo). This would make an amazing piece to add to your holiday performance,or singularly for church/secular or school program. scored forpiccolo, flute 1-5, alto and bass (which may also be played by contra bass).overall, it is intermediate plus but arrangement allows for less seasonedplayers to play flute 3, 4 or 5. flute 5 is not required for performance butadds extra harmony, structure and support of the arrangement. May be playedfrom a small group or larger ensemble. larger ensemble please take note inrehearsal A marking where for several measures, the higher flutes (2 and 1) arelimited in players where as not to overpower the bass flute solo. Thankyou for checking my arrangement out and I hope you love it as much as I do.<br> <br> ** Note this is the original and deluxe flute choir / ensemble version. There is other "Mary did you know " titles for flute , but they are at a small group , and basic entry level ability and those versions suited for basic elementary or middle school quartet flutes.<br> <br> My title is suited for adult, advanced players of an actual flute choir. enjoy.<br> <br> https://www.youtube.com/watch?v=2-jWPg_SS8g
$13.99
12.85 €
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Flute ensemble
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Kathy Mattea
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do Ray me "
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Mary, Did You Know? for flute choir or flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
Do You Know What It Means To Miss New Orleans
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1458666 Composed by Eddie De Lange …
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Piano Solo - Level 4 - Digital Download SKU: A0.1458666 Composed by Eddie De Lange and Louis Alter. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2 pages. John Fries #1037596. Published by John Fries (A0.1458666). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Do You Know What It Means to Miss New Orleans is a song written by Eddie DeLange and Louis Alter, which was first heard in the movie New Orleans in 1947, where it was performed by Louis Armstrong and sung by Billie Holiday.
$5.99
5.5 €
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Piano solo
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Eddie De Lange and Louis Alter
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Do You Know What It Means To Miss New Orleans
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John Fries
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SheetMusicPlus
Christmas Suite 1225 (Part 1 and 2, complete)
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1323472 By The Candlelight Guitar…
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C Instrument - Level 2 - Digital Download SKU: A0.1323472 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christmas,Holiday. Lead Sheet / Fake Book. 29 pages. Geofonica Artistworks #911698. Published by Geofonica Artistworks (A0.1323472). This is a Vocal/Lead sheet (with the melody written for singers in treble clef, an octave below the written guitar part) for Christmas Suite 1225, intended for those wanting to sing along with the guitar part or videos. A full guitar arrangement is also available separately. Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night. Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at CSUN under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, and was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, providing music for the Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests.COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell..
$4.99
4.58 €
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C Instruments
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The Candlelight Guitarist
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Christmas Suite 1225
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Geofonica Artistworks
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SheetMusicPlus
In Your Slumber
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. C…
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
13.77 €
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Concert band
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
December 1963 (oh, What A Night)
String Quartet: 2 violins, viola, cello
By The Four Seasons. By Judy Parker and Bob Gaudio. Arranged by Charles Gunsaullus. …
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By The Four Seasons. By Judy Parker and Bob Gaudio. Arranged by Charles Gunsaullus. Pop, Rock. Score and parts. 16 pages. Charles Gunsaullus #6590539. Published by Charles Gunsaullus
December 1963, or Oh What a Night is a fun mega-hit by Frankie Valli and the Four Seasons. It is upbeat and fun to play, and works great for any occasion. I heard it at a wedding recently and said to my wedding quartet, "We don't have this one do we?" Well, we do now and so do you! Because of the funky rhythm and complex cello part, this should be played by an advanced intermediate or better group.
$12.99
11.93 €
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String Quartet: 2 violins, viola, cello
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The Four Seasons
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December 1963
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SheetMusicPlus
Do You Want To Build A Snowman?
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 30 pages. Lisa L Ochoco #773993. Published by Lisa L Ochoco (A0.1173842). Disney's movie, Frozen is so popular, and the songs are, as usual, very popular too. This song is my favorite, even it's the most heart-breaking. It shows the lives of Elsa and Anna beginning as happy children, who enjoy each other's company. Elsa finds out that her ice powers are potentially harmful to her younger sister and is forced to isolate herself in her bedroom. Anna tries, unsuccessfully, to coax her sister out to play for many years. Then, they receive news that their parents have died at sea in a storm. Lonely and desperately unhappy, Anna knocks on her sister's bedroom door...        Elsa?      Please, I know you're in there      People are asking where you've been      They say, Have courage, and I'm trying to      I'm right out here for you, just let me in      We only have each other      It's just you and me      What are we gonna do?      Do you wanna build a snowman?   Scored for low flute choir - 4 altos, 2 basses and contrabass. There is an optional double bass part that doubles contrabass to help fortify it if needed. This arrangement is simple enough for musicians with intermediate playing skills, but it does require good breath support for the many long tones, and it also has a bit of syncopated rhythms. Duration: 4 minutes.
$14.00
12.86 €
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Flute ensemble
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Kristen Bell
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Do You Want To Build A Snowman?
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Lisa L Ochoco
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SheetMusicPlus
rule over me 2
Piano solo
Piano - Digital Download SKU: A0.1066810 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066810 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 426. THEMIS KOUTRAS #5289307. Published by THEMIS KOUTRAS (A0.1066810). This is a song sung to Emmanuel meaning translated as JESUS CHRIST in the holy bile to rule over me no matter what I do if I am ever a leader then I want Emmanuel to rule over me or whatever occupation I am then Emmanuel must rule over me in this case I am a man of many talents inspired by Emmanuel in al, I do yes he rules over me in this sample song whatever your occupation is was or is to be even a leader we all must let Emmanuel rule over all of us in all of our life, and way and heart, so on
$3.99
3.66 €
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Piano solo
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THEMIS KOUTRAS
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rule over me 2
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THEMIS KOUTRAS
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SheetMusicPlus
Always Thinking of You
B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Downlo…
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B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.1012600 Composed by Michelle Kraak. Contemporary,Pop,Rock,Standards. 44 pages. Michelle Kraak #6102861. Published by Michelle Kraak (A0.1012600). Instrumentation: flute, horn, flugelhorn, Bb trumpet 1, Bb trumpet 2, euphonium, amplified guitar, drum set, piano and voice (mezzo soprano)Always Thinking of You is a fusion of a few different styles, including aspects of pop and rock as well as hints to the brass chorale style. It has a unique combination of instruments. Amplification is recommended to get the best group balance. I originally wrote the lyrics as a poem and then set the poem to music. The piece should be sung in a pop-like style, as opposed to an operatic style. It could be programmed in a recital or ensemble concert. The piece has a unique instrumentation, which can be helpful for groupsthat don't have the standard instrumentations. It would work nicely for students or to showcase a vocalist.4 minutes 57 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/ Lyrics:I don't know what to do,Every step brings me closer to you.Every touch of your hand,This is not what I had planned. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you. Love come and gone.Like a snowflake that melts in the spring.My heart will grieve.So for you this song I'll sing. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you.
$32.95
30.26 €
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Michelle Kraak
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Always Thinking of You
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Michelle Kraak
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SheetMusicPlus
You Stepped Out of a Dream
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015638 Composed by Nacio Herb …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015638 Composed by Nacio Herb Brown. Standards. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015638. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015638). ISBN 9780739094860. UPC: 038081456881. Gus Kahn.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
3.66 €
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Piano, Vocal and Guitar
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Nacio Herb Brown
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You Stepped Out of a Dream
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.41 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
PAPA'S FAMOUS DANCES PART 2
Tenor Saxophone and Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99
9.17 €
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Tenor Saxophone and Piano
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Joe Procopio
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the vocalist/bassist I
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
What shall I do to show how much I love her for bassoon and guitar
Guitar, Bassoon
Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576561 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Wedding. Score and parts. 2 pages. David Warin Solomons #36779. Published by David Warin Solomons (A0.576561). One of several arrangements for wind instrument and classical guitar of the song by Henry Purcell from the semi-opera The Prophetess or The History of Dioclesian. The wind instrument part has a few suggested ornamentations but can of course add its own as inspiration hits, or as heard in the following live vocal original (sung by Duncan Saunderson) on youtube at https://www.youtube.com/watch?v=N-JQA5iq8kA.
$5.00
4.59 €
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Guitar, Bassoon
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Henry Purcell
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What shall I do to show how much I love her for bassoon and guitar
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David Warin Solomons
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SheetMusicPlus
What shall I do to show how much I love her for flute and guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.576565 …
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Instrumental Duet Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.576565 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Wedding. Score and parts. 2 pages. David Warin Solomons #36791. Published by David Warin Solomons (A0.576565). One of several arrangements for wind instrument and classical guitar of the song by Henry Purcell from the semi-opera The Prophetess or The History of Dioclesian. The wind instrument part has a few suggested ornamentations but can of course add its own as inspiration hits, or as heard in the following live vocal original (sung by Duncan Saunderson) on youtube at https://www.youtube.com/watch?v=N-JQA5iq8kA.
$5.00
4.59 €
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Flute and Guitar
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Henry Purcell
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What shall I do to show how much I love her for flute and guitar
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David Warin Solomons
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SheetMusicPlus
What shall I do to show how much I love her for clarinet and guitar
Clarinet, Guitar (duet)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576563 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Wedding. Score and parts. 2 pages. David Warin Solomons #36787. Published by David Warin Solomons (A0.576563). One of several arrangements for wind instrument and classical guitar of the song by Henry Purcell from the semi-opera The Prophetess or The History of Dioclesian. The wind instrument part has a few suggested ornamentations but can of course add its own as inspiration hits, or as heard in the following live vocal original (sung by Duncan Saunderson) on youtube at https://www.youtube.com/watch?v=N-JQA5iq8kA.
$5.00
4.59 €
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Clarinet, Guitar (duet)
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Henry Purcell
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What shall I do to show how much I love her for clarinet and guitar
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David Warin Solomons
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SheetMusicPlus
What shall I do to show how much I love her for cor anglais and guitar
English Horn, Guitar (duet)
Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - Digital Download SK…
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Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576562 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Wedding. Score and parts. 2 pages. David Warin Solomons #36783. Published by David Warin Solomons (A0.576562). One of several arrangements for wind instrument and classical guitar of the song by Henry Purcell from the semi-opera The Prophetess or The History of Dioclesian. The wind instrument part has a few suggested ornamentations but can of course add its own as inspiration hits, or as heard in the following live vocal original (sung by Duncan Saunderson) on youtube at https://www.youtube.com/watch?v=N-JQA5iq8kA.
$5.00
4.59 €
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English Horn, Guitar (duet)
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Henry Purcell
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What shall I do to show how much I love her for cor anglais and guitar
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David Warin Solomons
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SheetMusicPlus
Rocky Mountain Vista
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.818279 By Stephen R Dalrymple. By…
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Concert Band - Level 2 - Digital Download SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #4854631. Published by Stephen R Dalrymple (A0.818279). Rocky Mountain Vista ♫ American Folk Song ♫ “Rocky Mountain High†with “Down in the Valley†and “Home on the Range†♫ arranged for concert band by Stephen R Dalrymple ♫ What would you see if you climbed to the rim of the Rocky Mountains (or the Appalachians)? I arranged 2 American folk songs of unknown authorship, Rocky Mountain and Down in the Valley, plus Home on the Range (by Brewster Higley (lyrics 1874) and Daniel Kelly (melody pre 1905) to portray our western mountains and range land. ♫ [2021 Update: Actually, modern theory says Rocky Mountain came from the Appalachian Mountains and describes the rocky mountains of the Appalachians, not the Rockies. But for many the song evokes memories of the Rocky Mountains. So if you look to the west or the east for high mountains, you're covered.] ♫ Rocky mountain, rocky mountain, rocky mountain high, When you’re on that rocky mountain, hang your head and cry. Loo, loo, loo, loo, Do remember me. Loo, loo, loo, loo, Do remember me. ♫ Down in the valley the valley so low, Hang your head over; hear the wind blow. Hear the wind blow dear; hear the wind blow. Hang your head over; hear the wind blow. ♫ Oh, give me a home where the buffalo roam, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ Home, home on the range, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ How often at night, when the heavens were bright, With the light of the twinkling stars, Have I stood here amazed, and asked as I gazed, If their glory exceeds that of ours! ♫ sequenced by the arranger ♫ arrangement © 2001, 2019 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute/Oboe, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Alto Clarinet/Alto Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Bass Clef Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare Drum/Bass Drum, Triangle/Cymbal, and Bells. ♫ The YouTube video contains the full recording.
$19.00
17.45 €
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Concert band
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Stephen R Dalrymple
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hear the wind blow
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Rocky Mountain Vista
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Stephen R Dalrymple
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SheetMusicPlus
Gangsta's Paradise
Bass guitar
Bass Guitar - Level 3 - Digital Download SKU: A0.1113598 By Coolio Featuring L.V. B…
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Bass Guitar - Level 3 - Digital Download SKU: A0.1113598 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Daniel Roberts. 20th Century,Film/TV,Hip-Hop,Instructional,R & B. Score. 2 pages. Daniel P Roberts #715501. Published by Daniel P Roberts (A0.1113598). Bass line of Synth Bass arranged for 5-string Bass with TAB. Use octave pedal. As I walk through the valley of the shadow of death I take a look at my life and realize there's not much left 'Cause I've been blastin' and laughin' so long, that Even my mama thinks that my mind is gone But I ain't never crossed a man that didn't deserve it Me be treated like a punk, you know that's unheard of You better watch how you're talkin', and where you're walkin' Or you and your homies might be lined in chalk I really hate to trip but I gotta loc As they croak, I see myself in the pistol smoke, fool I'm the kinda G the little homies wanna be like On my knees in the night, sayin' prayers in the streetlight Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Look at the situation they got me facin' I can't live a normal life, I was raised by the street So I gotta be down with the hood team Too much television watchin' got me chasin' dreams I'm an educated fool with money on my mind Got my ten in my hand and a gleam in my eye I'm a loc'd out gangsta set trippin' banger And my homies is down so don't arouse my anger, fool Death ain't nothin' but a heartbeat away I'm livin' life, do or die, what can I say I'm 23 now, but will I live to see 24? The way things is going, I don't know Tell me why are we, so blind to see That the ones we hurt, are you and me? Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Power and the money, money and the power Minute after minute, hour after hour Everybody's runnin', but half of them ain't lookin' It's goin' on in the kitchen, but I don't know what's cookin' They say I gotta learn, but nobody's here to teach me If they can't understand it, how can they reach me I guess they can't, I guess they won't I guess they front, that's why I know my life is out of luck, fool Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Tell me why are we, so blind to see That the ones we hurt, are you and me? Tell me why are we, so blind to see That the ones we hurt, are you and me?
$4.99
4.58 €
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Bass guitar
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Coolio Featuring L
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Gangsta's Paradise
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Daniel P Roberts
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SheetMusicPlus
Garage Sale Llama
3 Saxophones (trio)
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet - Level 4 - Dig…
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet - Level 4 - Digital Download SKU: A0.971660 Composed by Jeffrey Hoover. 20th Century,Contemporary. 30 pages. Musicart Publications #5992037. Published by Musicart Publications (A0.971660). Garage Sale Llama is for Bb clarinet and Eb Alto saxophone (or Eb baritone saxophone). Duration, 5 min. 30 sec. Garage Sale Llama is a humorous and energetic duo for clarinet and saxophone. About 2/3 of the way into the music, there is an optional narrative that the clarinetist can speak.The score and parts in this edition are arranged to be printed double-sided, with correct page turns.Program NoteA conversation recently overheard at a grocery store: 'Why do you go to garage sales? What do you buy at garage sales?' 'Anything and everything!' 'Anything, really? What about... a Llama? Would you buy a Llama at a garage sale?' 'Well?... Yes!... I'd buy a llama.'It was at a holiday party I had a close encounter with a garage sale llama. 'True story. The llama was in the back yard of the neighbor's house where the party was being held. Having a llama in the neighbor's backyard is wild, but to hear how the neighbor acquired the llama at a garage sale is unimaginable! Even Hollywood could not come up with such a tall tale. – Jeffrey HooverJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and a Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteTo Contact Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com
$14.95
13.73 €
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3 Saxophones (trio)
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Jeffrey Hoover
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Garage Sale Llama
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Musicart Publications
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SheetMusicPlus
Growing Into Me
Choral 2-part
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873030 Composed by Sally Whi…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whitwell (A0.873030). Composer’s Note - Growing into meOn a particularly blustery Winter's day, I went to the National Arboretum in my home town of Canberra, Australia, with a bunch of very lovely kids from the Woden Valley Youth Choir (WVYC). Their director Alpha Gregory had asked me to come and do a composition workshop with the kids, to which I had replied with an enthusiastic YES!.I'd done this kind of thing with WVYC before, but this time around I wanted to take it somehow to the next level, to give the piece a real sense of place, a specific and experiential connection to the local community or landscape, and the Arboretum seemed a natural choice for me for an inspirational excursion. I had a family connection to it myself at the time, my cousin Emma worked there and was very passionate about it. Also, it is an outdoorsy kind of place and I have such fond memories of outdoorsy exploratory kinds of activities filling my entire childhood, a very typically Canberran thing. I'm sure the WVYC kids have a similar experience and I hope they know how lucky they are!So we put on our winter coats and scarves and hiked up the mountain, being sure to not only look at what was there, but also to listen, to touch, to smell. It was truly a multi sensory experience. Then we all went down to a local church hall and talked about what we saw and heard and smelt and the kids were just bursting with wonderful ideas for our new song. I've incorporated as many of their ideas as possible into the completed product, as well as my own over-arching theme; the oldest of the trees at the National Arboretum are only a couple of years older than some of the children in the group, so it seemed a nice parallel to make, their growing up alongside each other. It is my hope that the writing of this piece bonds these children to this important and magical place, so ripe with possibility, and that the connection is a lasting and meaningful one for them. It certainly will be for me.-- Sally Whitwell
$1.99
1.83 €
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Choral 2-part
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Sally Whitwell
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Growing Into Me
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Sally Whitwell
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SheetMusicPlus
Ben Hur Chariot Race March
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Ar…
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Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
$12.00
11.02 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano
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Edward Taylor Paull
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one in 1907, 1925, and 1959
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Ben Hur Chariot Race March
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Imagine Music - Digital
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SheetMusicPlus
Remember (with lyrics) - Hannah Baldoz
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.896705 Composed by Hannah Ba…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.896705 Composed by Hannah Baldoz. Contemporary. Score. 5 pages. Hannah Baldoz #5851077. Published by Hannah Baldoz (A0.896705). Remember - An original composition with music and lyrics by Hannah BaldozDedicated to someone special. I hope you will always remember that you are loved.Lyrics: 'Don't forget that I still love you,' was all I could say. I remember being scared to let you go that day. But I, I hope... I hope you know that you are more than enough. I pray you'll find yourself and never give up. I hope above all else you'll remember you are loved. Life is tough and you have been hurt. Everything seems wrong. Just hang in there. You're a fighter. I know you are strong. I hope you chase your dreams and always go far. I pray you'll never forget who you are. I hope that you'll remember how loved you are. Maybe for now this is the end, but if someday we meet again, know in me you'll still have a friend. And even though we fell through, I'm thankful for whatever once was true. You changed my life and I will always remember you. Even though my heart is broken, I'll remember you. I still see the good in you and I hope you do too.© 2015 by Hannah Baldoz. All rights reserved.For more music by Hannah Baldoz visit https://www.youtube.com/channel/UCNhkUVEv4QBCytIbBIPG6xg
$4.99
4.58 €
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Piano, Voice
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Hannah Baldoz
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Remember
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Hannah Baldoz
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SheetMusicPlus
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