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Dots and Dashes
Sheetmusic to print
5 sheet music found
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Dots and Dashes
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1278907 Composed by Kara Williams…
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Concert Band - Level 1 - Digital Download SKU: A0.1278907 Composed by Kara Williams. Children,Classical,Contest,Festival,Instructional,March. Score and Parts. 25 pages. Kara Williams #870456. Published by Kara Williams (A0.1278907). Looking for your novice band's first concert piece?Dots and Dashes can be performed by as few as 8 wind players and one percussionist (playing just the snare part or all three parts on drum kit). With only a handful of notes for each instrument, limited rhythms, no dynamics, and no indicated speed; this quasi-flex chart gives very novice ensembles the freedom to explore rhythmic accuracy, articulation, and balance across the group at a speed that suits them.
$20.00
18.44 €
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Concert band
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Kara Williams
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Dots and Dashes
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Kara Williams
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SheetMusicPlus
Dots and Dashes
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.840410 Composed by Grant Arnold. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.840410 Composed by Grant Arnold. Concert,Contemporary,Instructional,Pop,Standards. Score. 4 pages. Grant Arnold #3091741. Published by Grant Arnold (A0.840410). This piece has a funky groove and is great for helping with rhythm, staccato, accents, and the Aeolian mode scale. Enjoy!https://www.youtube.com/watch?v=vVDjs8uoMK0
$2.99
2.76 €
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Piano solo
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Grant Arnold
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Dots and Dashes
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Grant Arnold
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SheetMusicPlus
The Rhythm and Mode Collection
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.840437 Composed by Grant Arnold. In…
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Piano Solo - Level 2 - Digital Download SKU: A0.840437 Composed by Grant Arnold. Instructional,Jazz,Pop,Standards. Score. 22 pages. Grant Arnold #3913573. Published by Grant Arnold (A0.840437). Contents: Fundoodle, Turkish Delight, Mystery Ride, The Bottom Note, Dots and Dashes, Jump To It!, Train Wreck Blues, Jessie’s Jig The pieces are Early Intermediate level (Australian exam grades 1-3). I put these pieces together because they are very rhythmical, often syncopated, and use modes. I tend to think each piece is a little quirky as well!
$4.99
4.6 €
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Piano solo
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Grant Arnold
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The Rhythm and Mode Collection
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Grant Arnold
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SheetMusicPlus
Seven Words for My Sister
Instrumental Solo - Level 4 - Digital Download SKU: A0.1075914 Composed by Alice B.…
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Instrumental Solo - Level 4 - Digital Download SKU: A0.1075914 Composed by Alice B. Dearden. 20th Century,Classical,Contemporary. Individual part. 4 pages. Alice B. Dearden #680072. Published by Alice B. Dearden (A0.1075914). This piece was written in memory of my sister Sarah, who passed away in July of 2010. It consists of seven very brief movements. Each movement is one word of a sentence addressed to Sarah. To determine the rhythm, each word was translated into Morse code (which she had learned as a teenager), using (for the most part) eighth notes for dots and quarters for dashes. For example, the letter S in Morse code is “. . .â€, so S in the music is represented by a pattern of three eighth notes, as in the first bar, whereas A is “. - “, represented by the eighth and quarter of the second bar. The melodic motive for each movement was based on a year that was important in her life; for instance, the first movement is based on 1945, the year of her birth. I chose C as 1, C# as 2, etc. – which means that the majority of the movements begin with C - G#/A-flat (1-9). In the case of 2010, I chose to ignore the zeroes, meaning the theme consists of only two notes, D-flat and C.
$3.95
3.64 €
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Alice B
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Seven Words for My Sister
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Alice B. Dearden
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voice
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
55.31 €
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Piano, Voice
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
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