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Down at the Cross
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The Story of a Leader
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.87 €
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Choral SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
52 Easter Hymns for the Solo Performer - violin
Violin
Violin - Advanced Intermediate - Digital Download Composed by Various. Arranged by …
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Violin - Advanced Intermediate - Digital Download Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Solo Part. 54 pages. Published by KFS Publishing
From Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.<br> <br> Song list:<br> <br> <br> Behold, the Lord to Zion Rides 27. Low in the Grave He Lay<br> <br> Hosanna, Loud Hosanna 28. God So Loved the World<br> <br> Palm Sunday 29. Crown Him With Many Crowns<br> <br> Triumphal Entry 30. Alive Again<br> <br> Lift Up Your Heads 31. Alle Meschen Mussen Sterben<br> <br> All Glory, Laud, and Honor 32. Thine Is the Glory<br> <br> How Great Thou Art 33. At Eastertime<br> <br> Come, Faithful People 34. The Day of Resurrection<br> <br> So Lowly Doth the Savior Ride 35. Beautiful Easter<br> <br> There Was a Time When Children Sang 36. Easter People, Raise Your Voices<br> <br> Go To Dark Gethsemane 37. Ascension Hymn<br> <br> Let Us Break Bread Together 38. Brighter Are the Sunbeams<br> <br> Jesus Paid It All 39. Resurrexit<br> <br> When I Survey the Wondrous Cross 40. He Is Risen<br> <br> Down at the Cross 41. The Bell of Easter<br> <br> There is a Fountain 42. Easter Carol<br> <br> Near the Cross 43. Cristo Vive<br> <br> What Wondrous Love Is This 44. The Easter Dawn<br> <br> Alas and Did My Savior Bleed 45. Easter, Joyous Easter<br> <br> And Can It Be 46. We Welcome Glad Easter<br> <br> Blessed Redeemer 47. Easter Visits Earth Again<br> <br> The Way of the Cross Leads Home 48. Glad Easter Morn<br> <br> They Led My Lord Away 49. Hark, the Springtide Breezes<br> <br> Crucifixion Spiritual 50. Sweet Easter-Time<br> <br> Christ the Lord Is Risen Today 51. Look, Ye Saints!<br> <br> Rock of Ages 52. The Song of the Morning
$25.00
23.06 €
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Violin
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Various
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52 Easter Hymns for the Solo Performer - violin
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KFS Publishing
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SheetMusicPlus
The Saving Blood of Jesus (for 4 or 5 octave handbell choirs)
Handbells
Handbell - Level 3 - Digital Download SKU: A0.953736 Composed by John Bennard, John…
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Handbell - Level 3 - Digital Download SKU: A0.953736 Composed by John Bennard, John H. Stockton and Lewis E. Jones, John T. Grape, and Robert Lowry. Arranged by G. R. Adkison. Christian,Easter,Sacred. Score. 9 pages. Gary Ray Adkison #17601. Published by Gary Ray Adkison (A0.953736). The Saving Blood of Jesus is a 4-5 octave, 110 measure handbell choir arrangement, that is a medley of the Christian hymns: Nothing But the blood, Jesus Paid It All, The Old Rugged Cross, Down at the Cross, and There Is Power in the Blood. The theme of the arrangement is the blood of Jesus that was shed for us on the Cross. Three octaves of OPTIONAL handchimes (C4 through F6) are used in The Old Rugged Cross, but handbells can be substituted for the handchimes, if desired. There is a brief introduction (...No other Fount I know...). Throughout most of this arrangement, use is made of descant lines and bass runs. There are contrasting styles, tempos, key signatures and dynamic levels within. Only the subject matter remains constant. Because of the emphasis on the Crucifixion, it can also be used as Easter music. This is probably a 3+ or 4- level of difficulty. The audio clip supplied is in a piano voice (patch) but suffices to demonstrate how the arrangement is generally meant to sound.
$4.00
3.69 €
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Handbells
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John Bennard, John H
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The Saving Blood of Jesus
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Gary Ray Adkison
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SheetMusicPlus
Everything for the Church Soloist-Digital Download
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack …
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Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95
73.75 €
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Various Writers
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Everything for the Church Soloist-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
Glory to His Name (Down at the Cross)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400283 By Alfred Str…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400283 By Alfred Street Baptist Church. By Words: Elisha A. Hoffman / Music: John H. Stockton. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #983465. Published by Leatherman Music Services (A0.1400283). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
3.68 €
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Piano, Vocal and Guitar
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Alfred Street Baptist Church
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some were not
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Glory to His Name
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Leatherman Music Services
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violin, Clarinet, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.83 €
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Violin, Clarinet, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
When I Survey the Wondrous Cross
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.31 €
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Choral SATB
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross
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WheatMyer Music
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SheetMusicPlus
52 Easter Hymns for the Solo Performer - bass clarinet
Bass Clarinet Solo - Level 4 - Digital Download SKU: A0.699302 Composed by Various.…
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Bass Clarinet Solo - Level 4 - Digital Download SKU: A0.699302 Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Individual part. 54 pages. KFS Publishing #2960973. Published by KFS Publishing (A0.699302). From Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.Song list:Behold, the Lord to Zion Rides 27. Low in the Grave He LayHosanna, Loud Hosanna 28. God So Loved the WorldPalm Sunday 29. Crown Him With Many CrownsTriumphal Entry 30. Alive AgainLift Up Your Heads 31. Alle Meschen Mussen SterbenAll Glory, Laud, and Honor 32. Thine Is the GloryHow Great Thou Art 33. At EastertimeCome, Faithful People 34. The Day of ResurrectionSo Lowly Doth the Savior Ride 35. Beautiful EasterThere Was a Time When Children Sang 36. Easter People, Raise Your VoicesGo To Dark Gethsemane 37. Ascension HymnLet Us Break Bread Together 38. Brighter Are the SunbeamsJesus Paid It All 39. ResurrexitWhen I Survey the Wondrous Cross 40. He Is RisenDown at the Cross 41. The Bell of EasterThere is a Fountain &nbs.
$25.00
23.06 €
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Various
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52 Easter Hymns for the Solo Performer - bass clarinet
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KFS Publishing
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SheetMusicPlus
52 Easter Hymns for the Solo Performer - bassoon
Bassoon
Bassoon Solo - Level 4 - Digital Download SKU: A0.699304 Composed by Various. Arran…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.699304 Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Individual part. 54 pages. KFS Publishing #2960981. Published by KFS Publishing (A0.699304). From Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.Song list:Behold, the Lord to Zion Rides 27. Low in the Grave He LayHosanna, Loud Hosanna 28. God So Loved the WorldPalm Sunday 29. Crown Him With Many CrownsTriumphal Entry 30. Alive AgainLift Up Your Heads 31. Alle Meschen Mussen SterbenAll Glory, Laud, and Honor 32. Thine Is the GloryHow Great Thou Art 33. At EastertimeCome, Faithful People 34. The Day of ResurrectionSo Lowly Doth the Savior Ride 35. Beautiful EasterThere Was a Time When Children Sang 36. Easter People, Raise Your VoicesGo To Dark Gethsemane 37. Ascension HymnLet Us Break Bread Together 38. Brighter Are the SunbeamsJesus Paid It All 39. ResurrexitWhen I Survey the Wondrous Cross 40. He Is RisenDown at the Cross 41. The Bell of EasterThere is a Fountain &nbs.
$25.00
23.06 €
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Bassoon
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Various
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52 Easter Hymns for the Solo Performer - bassoon
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KFS Publishing
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SheetMusicPlus
52 Easter Hymns for the Solo Performer - horn
French horn
French Horn Solo - Level 4 - Digital Download SKU: A0.699307 Composed by Various. A…
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French Horn Solo - Level 4 - Digital Download SKU: A0.699307 Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Individual part. 54 pages. KFS Publishing #2960989. Published by KFS Publishing (A0.699307). From Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.Song list:Behold, the Lord to Zion Rides 27. Low in the Grave He LayHosanna, Loud Hosanna 28. God So Loved the WorldPalm Sunday 29. Crown Him With Many CrownsTriumphal Entry 30. Alive AgainLift Up Your Heads 31. Alle Meschen Mussen SterbenAll Glory, Laud, and Honor 32. Thine Is the GloryHow Great Thou Art 33. At EastertimeCome, Faithful People 34. The Day of ResurrectionSo Lowly Doth the Savior Ride 35. Beautiful EasterThere Was a Time When Children Sang 36. Easter People, Raise Your VoicesGo To Dark Gethsemane 37. Ascension HymnLet Us Break Bread Together 38. Brighter Are the SunbeamsJesus Paid It All 39. ResurrexitWhen I Survey the Wondrous Cross 40. He Is RisenDown at the Cross 41. The Bell of EasterThere is a Fountain &nbs.
$25.00
23.06 €
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French horn
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Various
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52 Easter Hymns for the Solo Performer - horn
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KFS Publishing
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SheetMusicPlus
52 Easter Hymns for the Solo Performer - bass trombone
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.699303 Composed by Var…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.699303 Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Score and parts. 54 pages. KFS Publishing #2960977. Published by KFS Publishing (A0.699303). From Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.Song list:Behold, the Lord to Zion Rides 27. Low in the Grave He LayHosanna, Loud Hosanna 28. God So Loved the WorldPalm Sunday 29. Crown Him With Many CrownsTriumphal Entry 30. Alive AgainLift Up Your Heads 31. Alle Meschen Mussen SterbenAll Glory, Laud, and Honor 32. Thine Is the GloryHow Great Thou Art 33. At EastertimeCome, Faithful People 34. The Day of ResurrectionSo Lowly Doth the Savior Ride 35. Beautiful EasterThere Was a Time When Children Sang 36. Easter People, Raise Your VoicesGo To Dark Gethsemane 37. Ascension HymnLet Us Break Bread Together 38. Brighter Are the SunbeamsJesus Paid It All 39. ResurrexitWhen I Survey the Wondrous Cross 40. He Is RisenDown at the Cross 41. The Bell of EasterThere is a Fountain &nbs.
$25.00
23.06 €
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Various
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52 Easter Hymns for the Solo Performer - bass trombone
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KFS Publishing
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SheetMusicPlus
52 Easter Hymns for the Solo Performer - baritone saxophone
Saxophone (band part)
Baritone Saxophone Solo - Level 4 - Digital Download SKU: A0.699300 Composed by Var…
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Baritone Saxophone Solo - Level 4 - Digital Download SKU: A0.699300 Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Individual part. 54 pages. KFS Publishing #2960969. Published by KFS Publishing (A0.699300). From Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.Song list:Behold, the Lord to Zion Rides 27. Low in the Grave He LayHosanna, Loud Hosanna 28. God So Loved the WorldPalm Sunday 29. Crown Him With Many CrownsTriumphal Entry 30. Alive AgainLift Up Your Heads 31. Alle Meschen Mussen SterbenAll Glory, Laud, and Honor 32. Thine Is the GloryHow Great Thou Art 33. At EastertimeCome, Faithful People 34. The Day of ResurrectionSo Lowly Doth the Savior Ride 35. Beautiful EasterThere Was a Time When Children Sang 36. Easter People, Raise Your VoicesGo To Dark Gethsemane 37. Ascension HymnLet Us Break Bread Together 38. Brighter Are the SunbeamsJesus Paid It All 39. ResurrexitWhen I Survey the Wondrous Cross 40. He Is RisenDown at the Cross 41. The Bell of EasterThere is a Fountain &nbs.
$25.00
23.06 €
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Saxophone (band part)
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Various
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52 Easter Hymns for the Solo Performer - baritone saxophone
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KFS Publishing
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SheetMusicPlus
The William Bay Collection - Sacred Guitar Solo Anthology #2
Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List: Adoro Devote All My Trials All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks Balm in Gilead Benediction Bread of the World Eucharistic Hymn Canticle #1 Canticle #2 Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby Come to the Feast Compline Consecration Deep River Evening Prayer Gloria God Unseen Yet Ever Near St Flavian Have Thine Own Way, Lord Adelaide He Hideth My Soul Kirkpatrick Crosby Here, O My Lord, I See Thee Face to Face Penitentia Higher Ground Gabriel Oatman Hold to God’s Unchanging Hand Eiland Holy Is The Lord I Love to Tell the Story Fischer Hankey At the Cross Hudson Watts I Will Arise and Go to Jesus Arise I Will Praise Him Harris More Love to Thee Doane Prentiss Jesu, Joy of Man’s Desiring Jesus Paid It All Grape HallI Am Coming, Lord Hartsough Jesus Spreads His Banner O’er Us Autumn Just As I Am Woodworth Kyrie Eleison Lamb Of God Lenten Meditation Let All Mortal Flesh Keep Silence Picardy Let Us Break Bread Together Light Of The World Litany Lonesome Valley Look Down That Lonesome Road Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby Lord, Speak to Me Canonbury Meditation on Psalm My Faith Looks Up to Thee Olivet My Lord, My God My Shepherd Will Supply My Need Resignation Nearer, My God, to Thee Bethany Never Alone Anon Night Prayer Nobody Knows The Trouble I’ve Seen O Esca Viatorum Pass Me Not Doane Crosby Only Trust Him Stockton Peace Praxis Pietatis Melica Prayer Prayer of Simeon Psalm 102:1 Hear My Prayer, O Lord Psalm 118:24 This Is the Day That the Lord Hath Made Psalm 119:28 My Soul Is Heavy with Sorrow Psalm 126:6 They That Sow in Tears Psalm 128:1 Blessed Are They That Fear the Lord Psalm 139:7 Where Shall I Go From Thy Spirit Psalm 142:3 When My Spirit Grows Faint Within Me Psalm 144:3 Lord, What Is Man Psalm 16:1 Keep Me Safe, O God Psalm 19:1 The Heavens Declare the Glory of God Psalm 34:18 The Lord Is Close to the Broken Hearted Psalm 65:2 Thou That Hearest Prayer Psalm 88:13 Unto Thee Have I Cried, O Lord Rendez a Dieu Sanctus Shall We Gather at the River Lowry Softly And Tenderly Sometimes I Feel Like a Motherless Child St Gregory Chorale Steal Away Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman Swing Low, Sweet Chariot The Lord’s Supper Way To God Be the Glory Doane Crosby Turn Your Eyes Upon Jesus He Is Lord Wade In The Water Wayfaring Stranger We Give Thee Thanks Were You There What a Friend We Have in Jesus Converse When I Lay My Burdens Down
$24.99
23.05 €
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The William Bay Collection - Sacred Guitar Solo Anthology #2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.13 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
At The Cross
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521875 Composed…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521875 Composed by Darlene Zschech and Reuben Morgan. Arranged by Sherry Lewis. Contemporary. 9 pages. Sherry Lewis Publishing #6532859. Published by Sherry Lewis Publishing (A0.521875). AT THE CROSS String Duo, Intermediate Level for violin and cello Score: Yes Parts: 3 pages Time: 3'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
4.6 €
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Violin, Cello (duet)
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Darlene Zschech and Reuben Morgan
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At The Cross
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Sherry Lewis Publishing
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SheetMusicPlus
At The Cross
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521874 Composed…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521874 Composed by Darlene Zschech and Reuben Morgan. Arranged by Sherry Lewis Publishing. Contemporary. 15 pages. Sherry Lewis Publishing #6532855. Published by Sherry Lewis Publishing (A0.521874). AT THE CROSS String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello Score: Yes Parts: 6 pages Time: 3'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.98 €
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String Trio: violin, viola, cello
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Darlene Zschech and Reuben Morgan
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At The Cross
#
Sherry Lewis Publishing
#
SheetMusicPlus
At The Cross
Violin
Violin Solo - Level 3 - Digital Download SKU: A0.521876 Composed by Darlene Zschech…
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Violin Solo - Level 3 - Digital Download SKU: A0.521876 Composed by Darlene Zschech and Reuben Morgan. Arranged by Sherry Lewis. Contemporary. 5 pages. Sherry Lewis Publishing #6532873. Published by Sherry Lewis Publishing (A0.521876). AT THE CROSS Violin Solo, Intermediate Level Score: Yes Parts: 2 pages Time: 3'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
4.6 €
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Violin
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Darlene Zschech and Reuben Morgan
#
At The Cross
#
Sherry Lewis Publishing
#
SheetMusicPlus
At The Cross
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521873 Composed by Darlene Zschech and Reuben Morgan. Arranged by Sherry Lewis. Contemporary. 14 pages. Sherry Lewis Publishing #6532625. Published by Sherry Lewis Publishing (A0.521873). AT THE CROSS String Quartet, Intermediate Level for 2 violins, viola and cello Score: Yes Parts: 6 pages Time: 3'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.98 €
#
String Quartet: 2 violins, viola, cello
#
Darlene Zschech and Reuben Morgan
#
https://www
#
At The Cross
#
Sherry Lewis Publishing
#
SheetMusicPlus
At The Cross
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.521871 Composed by Darlene Zs…
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String Orchestra - Level 3 - Digital Download SKU: A0.521871 Composed by Darlene Zschech and Reuben Morgan. Arranged by Sherry Lewis. Contemporary. Score and Parts. 16 pages. Sherry Lewis Publishing #6532297. Published by Sherry Lewis Publishing (A0.521871). AT THE CROSS String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: Yes Parts: 7 pages Time: 3'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.98 €
#
String Orchestra
#
Darlene Zschech and Reuben Morgan
#
https://www
#
At The Cross
#
Sherry Lewis Publishing
#
SheetMusicPlus
DOWN AT THE CROSS (Duet – Viola and Piano/Score and Parts)
Instrumental Duet Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.613855
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Instrumental Duet Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.613855 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 11 pages. The Lanier Company #40843. Published by The Lanier Company (A0.613855). DOWN AT THE CROSS (Glory to His Name) is an arrangement by Gary Lanier for Viola and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (11 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: DOWN AT THE CROSS (Piano Accompaniment for Viola).
$6.99
6.45 €
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John H
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DOWN AT THE CROSS
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The Lanier Company
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SheetMusicPlus
DOWN AT THE CROSS (Duet – Bb Trumpet and Piano/Score and Parts)
Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.613847…
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Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.613847 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 11 pages. The Lanier Company #40143. Published by The Lanier Company (A0.613847). DOWN AT THE CROSS (Glory to His Name) is an arrangement by Gary Lanier for Bb Trumpet and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (11 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: DOWN AT THE CROSS (Piano Accompaniment for Bb Trumpet).
$6.99
6.45 €
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John H
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DOWN AT THE CROSS
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The Lanier Company
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SheetMusicPlus
DOWN AT THE CROSS (Duet – Bb Clarinet and Piano/Score and Parts)
Piano solo
Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.613850 Composed by Joh…
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Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.613850 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and individual part. 11 pages. The Lanier Company #40799. Published by The Lanier Company (A0.613850). DOWN AT THE CROSS (Glory to His Name) is an arrangement by Gary Lanier for Bb Clarinet and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (11 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: DOWN AT THE CROSS (Piano Accompaniment for Bb Clarinet).
$6.99
6.45 €
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Piano solo
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John H
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DOWN AT THE CROSS
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The Lanier Company
#
SheetMusicPlus
DOWN AT THE CROSS (Duet – French Horn and Piano/Score and Parts)
2 French horns (duet)
Instrumental Duet Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.613852
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Instrumental Duet Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.613852 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 11 pages. The Lanier Company #40807. Published by The Lanier Company (A0.613852). DOWN AT THE CROSS (Glory to His Name) is an arrangement by Gary Lanier for French Horn and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (11 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: DOWN AT THE CROSS (Piano Accompaniment for French Horn).
$6.99
6.45 €
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2 French horns (duet)
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John H
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DOWN AT THE CROSS
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The Lanier Company
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SheetMusicPlus
DOWN AT THE CROSS (Duet – Trombone and Piano/Score and Parts)
Trombone and Piano
Instrumental Duet Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.61385…
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Instrumental Duet Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.613853 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 11 pages. The Lanier Company #40811. Published by The Lanier Company (A0.613853). DOWN AT THE CROSS (Glory to His Name) is an arrangement by Gary Lanier for Trombone and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (11 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: DOWN AT THE CROSS (Piano Accompaniment for Trombone).
$6.99
6.45 €
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Trombone and Piano
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John H
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DOWN AT THE CROSS
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The Lanier Company
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SheetMusicPlus
DOWN AT THE CROSS (Duet – Cello and Piano/Score and Parts)
Piano solo
Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.613856 Composed by Joh…
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Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.613856 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and individual part. 11 pages. The Lanier Company #40865. Published by The Lanier Company (A0.613856). DOWN AT THE CROSS (Glory to His Name) is an arrangement by Gary Lanier for Cello and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (11 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: DOWN AT THE CROSS (Piano Accompaniment for Cello).
$6.99
6.45 €
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Piano solo
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John H
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DOWN AT THE CROSS
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The Lanier Company
#
SheetMusicPlus
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