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You've selected:
Dr Who Series 3
Sheetmusic to print
9 sheet music found
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Dr Who Series 3
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.555396 By Murray G…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.555396 By Murray Gold. By Murray Gold. Arranged by Phil Kan. Contemporary,Film/TV,Jazz,Rock. Score and parts. 44 pages. Phil Kan #165009. Published by Phil Kan (A0.555396). The classic Dr Who theme arranged for 5-4-4-4 jazz big band by Phil Kan. This arragement starts with traditional pulsing rhythm, with the melody carried by the trumpets and saxes. It breaks into a swing B section, which includes an alto sax solo, before restating the original theme. An exciting ensemble arrangement! Check out my other arrangements for Big Band, and feel free to contact me at pitdadphil@gmail.com for any questions, corrections, or alterations or comissions.
$54.99
50.27 €
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Jazz Ensemble
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Murray Gold
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Dr Who Series 3
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Phil Kan
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SheetMusicPlus
Doctor Who Theme
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.803341 By Murray Gold. By Murray Go…
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Piano Solo - Level 2 - Digital Download SKU: A0.803341 By Murray Gold. By Murray Gold. Arranged by Paul Taylor. Contemporary. Score. 3 pages. Paul Taylor #5887909. Published by Paul Taylor (A0.803341). This theme from Dr. Who, has become a popular fixture in today's American pop culture, despite of its origin in a popular TV series from the United Kingdom. This arrangement can be played by an early intermediate piano student. It lends itself well to the piano as it's texture is in two voices primarily, with minimal extra harmony. Pedaling is left up to the player's imagination who might wish to pedal a little more than normal in order to replicate the atmosphere of the theme's original scoring. .
$4.99
4.56 €
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Piano solo
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Murray Gold
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Doctor Who Theme
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Paul Taylor
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SheetMusicPlus
String Quartet No. 3: Among Friends
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
32.91 €
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String Quartet: 2 violins, viola, cello
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Robert M
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String Quartet No. 3: Among Friends
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Robert M. Greenberg
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SheetMusicPlus
Sonata Hymnica No. 3
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.69 €
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Piano solo
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Tolkien Song: 'Galadriel's Song of Eldamar'
Choral 3-part
Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.1007139 Composed by Charles…
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Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.1007139 Composed by Charles McCreery. 20th Century,Children,Contemporary,Romantic Period. Octavo. 19 pages. St Maur Music #4853779. Published by St Maur Music (A0.1007139). This song is one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the piano accompaniment can each be printed out separately at the end of the full score. The MP3 which plays from this page is of an orchestral version of the song, which can be heard on the stmaurmusic channel on YouTube. On the front cover of Galadriel’s Song is a photograph of leaves in Wytham Woods, Oxford, and at the end of the score is a photograph of the sea off Treyarnon Bay, Cornwall . Charles McCreery’s social media channels: Facebook: https://www.facebook.com/St-Maur-Music-164619846916182/ https://www.facebook.com/Tolkien-Songs-for-Childrens-Voices-259698587390960/ Contact information: charlesmccreery@gmail.com
$4.60
4.21 €
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Choral 3-part
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Charles McCreery
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Tolkien Song: 'Galadriel's Song of Eldamar'
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St Maur Music
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SheetMusicPlus
Tolkien Song: 'Farewell We Call to Hearth and Hall'
Choral 3-part
Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.1007135 Composed by Charles…
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Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.1007135 Composed by Charles McCreery. 20th Century,Children. Octavo. 8 pages. St Maur Music #3530227. Published by St Maur Music (A0.1007135). This is the opening number in a series of songs for children, with words by J.R.R. Tolkien. The song is written for voices in two and three parts in verses 2 and 3, but can be sung by a choir in unison throughout if preferred, as the tune is always present in one part (usually the top line). ‘Charles McCreerys beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ - Samantha Gillogly, violinist A comment on Charles McCreery’s collection of Tolkien songs: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved.’ - Dr Julia Gasper, LGSM
$4.60
4.21 €
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Choral 3-part
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Charles McCreery
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Tolkien Song: 'Farewell We Call to Hearth and Hall'
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St Maur Music
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SheetMusicPlus
The Life And Death Of Amy Pond
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1431423 By Murray Gold. By Murray G…
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Piano Solo - Level 2 - Digital Download SKU: A0.1431423 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Classical,Contemporary,Film/TV. Score. 2 pages. Tom Voysey #1011925. Published by Tom Voysey (A0.1431423). The Life And Death Of Amy Pond comes from the closing minutes of Series 5's 'The Pandorica Opens', scoring the apparent victory of the Doctor's greatest adversaries. With his companions in mortal danger (or worse) the Doctor himself is sealed inside the universe's most perfect prison, and unable to help with the incoming end of the universe. With this the audience is left on one of the show's best cliffhangers, leaving us half-way through the finale of the show's triumphant return.Series 5 allowed Murray Gold to prove his expertise at re-inventing the sound of Dr Who, while still retaining core qualities of adventure, danger, huge emotions and even grander scales. The show has evolved, and the music remains world-class. This piece really hammers home the dire ending our heroes find themselves in, enforcing a feeling of helplessness as the world colapses around them.Instrument: PianoLength: Approx 3 minutesDifficulty: Intermediate.
$5.99
5.48 €
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Piano solo
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Murray Gold
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The Life And Death Of Amy Pond
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Tom Voysey
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SheetMusicPlus
I Am The Doctor
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.919713 Composed by Murray Gold. Arr…
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Piano Solo - Level 3 - Digital Download SKU: A0.919713 Composed by Murray Gold. Arranged by Maxwell Pash. Contemporary. Score. 2 pages. Max Pash #3860299. Published by Max Pash (A0.919713). This is an exciting and accessible excerpt of I Am the Doctor, from the popular BBC TV series, Dr. Who, arranged for solo piano. This intermediate arrangement was created by piano student Maxwell Pash and was performed by him as an own choice work for his Piano for Leisure grade 2 exam (in the Australian music examination system). This 2-minute arrangement of the larger orchestral work retains impact and character, while remaining accessible for student pianists to learn and perform. Enjoy!
$5.00
4.57 €
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Piano solo
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Murray Gold
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I Am The Doctor
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Max Pash
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SheetMusicPlus
James Bond Theme
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1104207 Composed by Monty Norman. A…
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Easy Piano - Level 2 - Digital Download SKU: A0.1104207 Composed by Monty Norman. Arranged by Janet and Alan Bullard (The Janet and Alan Bullard Piano Series). 20th Century,Film/TV,Standards. Score. 3 pages. Colne Edition / BullardMusic #707423. Published by Colne Edition / BullardMusic (A0.1104207). The Janet and Alan Bullard Piano Series contains a range of arrangements for easy piano, old and new. Underpinned throughout by a four-note chromatic ostinato, creating an atmosphere of chilling suspense, the James Bond theme, written by Monty Norman (1928-2022) and orchestrated by John Barry (1933-2011), has a starring role in almost every James Bond film since its first appearance in 'Dr. No'. Janet Bullard has a busy and thriving piano teaching practice and many years’ experience of teaching adults and children. Alan Bullard is a pianist, composer and arranger whose music is performed widely. Together they are the authors of the successful Pianoworks series of tutor and repertoire books for beginner pianists, published by OUP. www.bullardmusic.co.uk
$4.99
4.56 €
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Easy Piano
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Monty Norman
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James Bond Theme
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Colne Edition / BullardMusic
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SheetMusicPlus
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