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You've selected:
Duet From Songs Without Words
Sheetmusic to print
20 sheet music found
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1
Andante expressivo from "Songs Without Words" Op.30 No.1
Bassoon, Piano (duet)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1399805 By Felix Bartholdy Mende…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1399805 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #983057. Published by Ian Fitze (A0.1399805). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is one of Mendelssohn's most moving of his Songs Without Words a simple melody that continuously contrasts rhythmically with the triplet feel accompaniment. For a novice soloist it provides a rare opportunity to read in 12/8. Technically not too demanding for both the soloist and the accompanist.
$1.99
1.83 €
#
Bassoon, Piano (duet)
#
Felix Bartholdy Mendelssohn
#
Andante expressivo from "Songs Without Words" Op.30 No.1
#
Ian Fitze
#
SheetMusicPlus
Andante expressivo from "Songs Without Words" Op.30 No.1
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1399346 By Felix Bartholdy Mendelss…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1399346 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #982629. Published by Ian Fitze (A0.1399346). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is one of Mendelssohn's most moving of his Songs Without Words a simple melody that continuously contrasts rhythmically with the triplet feel accompaniment. For a novice soloist it provides a rare opportunity to read in 12/8. Technically not too demanding for both the soloist and the accompanist.
$1.99
1.83 €
#
Oboe, Piano (duet)
#
Felix Bartholdy Mendelssohn
#
Andante expressivo from "Songs Without Words" Op.30 No.1
#
Ian Fitze
#
SheetMusicPlus
3 Selections from 'Songs Without Words" Op.19 nos. 1,4&6
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1397103 Composed by Felix Bartho…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1397103 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 12 pages. Ian Fitze #980440. Published by Ian Fitze (A0.1397103). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Bassoon and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
1.83 €
#
Bassoon, Piano (duet)
#
Felix Bartholdy Mendelssohn
#
3 Selections from 'Songs Without Words" Op.19 nos. 1,4&6
#
Ian Fitze
#
SheetMusicPlus
3 Selections from 'Songs Without Words" Op.19 nos. 1, 4&6
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1360867 Composed by Felix Bartholdy…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1360867 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 10 pages. Ian Fitze #945351. Published by Ian Fitze (A0.1360867). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Oboe and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
1.83 €
#
Oboe, Piano (duet)
#
Felix Bartholdy Mendelssohn
#
3 Selections from 'Songs Without Words" Op.19 nos. 1, 4&6
#
Ian Fitze
#
SheetMusicPlus
Lullaby (from Songs Without Words)
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.1013836 Co…
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.1013836 Composed by Felix Bartholdy Mendelssohn. Arranged by Mark Phillips. Romantic Period. Score and parts. 5 pages. A. J. Cornell Publications #619420. Published by A. J. Cornell Publications (A0.1013836). Mendelssohn's Lullaby (from Songs Without Words, Op. 67, No. 6; Excerpt) for guitar duet.
$4.99
4.58 €
#
Felix Bartholdy Mendelssohn
#
Excerpt) for guitar duet.
#
Lullaby
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A. J. Cornell Publications
#
SheetMusicPlus
Andante maestoso from: Songs without words, Op. 62 No. 5
1 Piano, 4 hands
Piano (4 hands) - intermediate - Digital Download SKU: S9.Q12121 From: Songs wit…
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Piano (4 hands) - intermediate - Digital Download SKU: S9.Q12121 From: Songs without words. Composed by Felix Bartholdy Mendelssohn. This edition: Sheet music. Classical. Downloadable. Volume op. 62/3. 4 pages. Schott Music - Digital #Q12121. Published by Schott Music - Digital (S9.Q12121). Digital publication of the piece found in the following print music collection: 23 Pieces for Piano Duet.
$3.99
3.66 €
#
1 Piano, 4 hands
#
Felix Bartholdy Mendelssohn
#
Andante maestoso from: Songs without words, Op. 62 No. 5
#
Schott Music - Digital
#
SheetMusicPlus
Song of the Heather - Mendelssohn- Clarinet/ Bass Clarinet duet
2 Clarinets (duet)
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.…
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Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.844466 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3384667. Published by Phil Beaman (A0.844466). This beautiful tune was written by Felix Mendlessohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint. Â This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendlessohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendlessohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)
$4.99
4.58 €
#
2 Clarinets (duet)
#
Felix Bartholdy Mendelssohn
#
Song of the Heather - Mendelssohn- Clarinet/ Bass Clarinet duet
#
Phil Beaman
#
SheetMusicPlus
Song of the Heather - Mendelssohn- Saxophone duet
2 Saxophones (duet)
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Dow…
(+)
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844461 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3383081. Published by Phil Beaman (A0.844461). This beautiful tune was written by Felix Mendelssohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint. Â This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendelssohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendelssohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. For 2 Altos or 2 Tenors. (2 page score, 1 page Parts)
$4.99
4.58 €
#
2 Saxophones (duet)
#
Felix Bartholdy Mendelssohn
#
Song of the Heather - Mendelssohn- Saxophone duet
#
Phil Beaman
#
SheetMusicPlus
Song of the Heather -Mendelssohn- Oboe/Bassoon duet
Oboe, Bassoon (duet)
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.8…
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.844464 Composed by Felix Mendlessohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3384007. Published by Phil Beaman (A0.844464). This beautiful tune was written by Felix Mendlessohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint. Â This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendlessohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendlessohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)
$4.99
4.58 €
#
Oboe, Bassoon (duet)
#
Felix Mendlessohn
#
Song of the Heather -Mendelssohn- Oboe/Bassoon duet
#
Phil Beaman
#
SheetMusicPlus
Song of the Heather - Mendelssohn- Clarinet duet
2 Clarinets (duet)
Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.844460 Composed by Feli…
(+)
Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.844460 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. 2 scores. 4 pages. Phil Beaman #3383067. Published by Phil Beaman (A0.844460). This beautiful tune was written by Felix Mendelssohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint. Â This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendelssohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendelssohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)
$4.99
4.58 €
#
2 Clarinets (duet)
#
Felix Bartholdy Mendelssohn
#
Song of the Heather - Mendelssohn- Clarinet duet
#
Phil Beaman
#
SheetMusicPlus
Song Without Words, "Twilight"
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.529307 Composed by Caelan Chan. Con…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.529307 Composed by Caelan Chan. Contemporary. Score and part. 7 pages. Caelan Chan Music #139706. Published by Caelan Chan Music (A0.529307). Duration: ca. 4' Song Without Words, “Twilight†is inspired by Felix Mendelssohn’s Songs Without Words, collections of lyrical piano pieces by the composer. There is nothing overly new, unusual or complicated in this piece. I chose, instead, to focus on lyricism, the main element that made me love Mendelssohn’s Songs Without Words so much. The subtitle, “Twilightâ€, came from my fascination with the time between sunset and evening. The piece is essentially divided into three sections; the first being a calm and warm melody, the second being more somber and melancholy, and the third being a triumphant return to the original calm and warm melody.
$7.99
7.34 €
#
Oboe, Piano (duet)
#
Caelan Chan
#
Song Without Words, "Twilight"
#
Caelan Chan Music
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
#
Euphonium, Piano (duet)
#
Felix Mendelssohn
#
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
#
Euphonium, Piano (duet)
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssoh…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Oboe, Piano (duet)
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Duet From Songs Without Words
2 French horns, Piano
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Steve Lewis. 12 pag…
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Steve Lewis. 12 pages. Published by Cimarron Music Press - Digital
$18.00
16.53 €
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2 French horns, Piano
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Felix Bartholdy Mendelssohn
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Duet From Songs Without Words
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Cimarron Music Press - Digital
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SheetMusicPlus
Felix Mendelssohn-Bartholdy: Spring Song, from: Songs without Words, op. 62 - piano four hands
1 Piano, 4 hands
Instantly printable sheet music by Felix Mendelssohn-Bartholdy for piano four hands of EAS…
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Instantly printable sheet music by Felix Mendelssohn-Bartholdy for piano four hands of EASY/MEDIUM skill level. Contents: Best of Piano Duets 2, 20 Classical Arrangements / classical
$5.99
5.5 €
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1 Piano, 4 hands
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Felix Mendelssohn-Bartholdy
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Virtualsheetmusic
Mendelssohn: Wedding March for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy …
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
22.92 €
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Oboe, Piano (duet)
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Oboe & Piano
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jmsgu3
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SheetMusicPlus
On the Seashore
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.1034337 Co…
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.1034337 Composed by Felix Bartholdy Mendelssohn. Arranged by Mark Phillips. Romantic Period. Score and parts. 5 pages. A. J. Cornell Publications #639684. Published by A. J. Cornell Publications (A0.1034337). Mendelssohn's On the Seashore (from Songs Without Words, Op. 53, No. 1) for guitar duet.
$3.99
3.66 €
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Felix Bartholdy Mendelssohn
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On the Seashore
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A. J. Cornell Publications
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SheetMusicPlus
Venetian Gondola Song for guitar and flute (or violin)
Flute and Guitar
Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.820309 Composed…
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Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.820309 Composed by Felix Bartholdy Mendelssohn. Arranged by Kenneth Pasciak. Romantic Period,Standards. 10 pages. Kenneth Pasciak #5196193. Published by Kenneth Pasciak (A0.820309). Venetianisches Gondellied, or Venetian Gondola Song, Opus 30, No. 6 from Songs Without Words is one of five gondola pieces that Felix Mendelssohn wrote throughout his career, depicting in music his fascination with Venice and its centuries old means of transportation. This arrangement for guitar and flute (or violin) in E minor includes a four-page score with guitar tablature and individual parts.Note: Retuning of G string to F# required.Kenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/
$2.99
2.75 €
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Flute and Guitar
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Felix Bartholdy Mendelssohn
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Venetian Gondola Song for guitar and flute
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Kenneth Pasciak
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SheetMusicPlus
Mendelssohn: Wedding March for Viola & Piano
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Fel…
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
30.26 €
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Wedding March for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
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