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On n'a qu'a Pas
Chorale d'Enfants & Instruments, Autres Ensembles, Chorale Children's Choir Clarinets (2 p…
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Chorale d'Enfants & Instruments, Autres Ensembles, Chorale Children's Choir Clarinets (2 parts) Trumpets (2 parts) Trombones (2 parts) Tubas (2 parts) Piano Double Bass Drum Set - Grade 3 - Digital Download SKU: FX.FX072838 Composed by Jean-Michel Maury. Original Composition. Classical, Educational. Score and Set of Parts. 46 pages. Duration 5 minutes, 5 seconds. FLEX Editions - Digital Sheet Music #FX072838. Published by FLEX Editions - Digital Sheet Music (FX.FX072838). Those who are struggling to get up will recognize themselves here... For children between 10 and 14 years-old. ; Instruments: Children's Choir Clarinets (2 parts) Trumpets (2 parts) Trombones (2 parts) Tubas (2 parts) 1 Piano 1 Double Bass 1 Drum Set.
$15.95
14.68 €
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Jean-Michel Maury
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On n'a qu'a Pas
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
B-I-N-G-O
Piano solo
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Piano solo
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Traditionnel
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Tomplay
Il est né le divin enfant (He is born, the divine Child)
Violin
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5.99 €
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Violin
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Traditionnel
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Tomplay
B-I-N-G-O
Voice solo
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Voice solo
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Traditionnel
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Tomplay
B-I-N-G-O (teacher-student)
Piano solo
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Piano solo
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Traditionnel
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Tomplay
Nous n'irons plus au bois
Cello
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1.99 €
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Cello
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Traditionnel
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Tomplay
Debussy-Noël des enfants qui n'ont plus de maison(Nous navons plus de maison),in a minor,CD 147;L.13
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1395209 Composed by Achille-…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1395209 Composed by Achille-Claude Debussy. Arranged by OSM Press. Classical. Score. 11 pages. Open Cloud #978676. Published by Open Cloud (A0.1395209).
$9.99
9.19 €
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Piano, Voice
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Achille-Claude Debussy
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Debussy-Noël des enfants qui n'ont plus de maison(Nous navons plus de maison),in a minor,CD 147;L.13
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Open Cloud
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SheetMusicPlus
DEBUSSY: Noël des enfants qui n'ont plus de maisons (transposed to A minor)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1308149 Composed by Claude Debussy. Ar…
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Piano,Vocal,Voice - Digital Download SKU: A0.1308149 Composed by Claude Debussy. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 8 pages. AST Publications, LLC #897411. Published by AST Publications, LLC (A0.1308149). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.19 €
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Piano, Voice
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Claude Debussy
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DEBUSSY: Noël des enfants qui n'ont plus de maisons
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AST Publications, LLC
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SheetMusicPlus
Claude Debussy: Noël des Enfants Qui N'ont Plus de Maisons for SA Treble choir and piano
Choral 2-part
Choral Choir (SA) - Level 4 - Digital Download SKU: A0.535403 Composed by Claude De…
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Choral Choir (SA) - Level 4 - Digital Download SKU: A0.535403 Composed by Claude Debussy. Arranged by Musik Fabrik Music Publishing. 20th Century,Christmas,World. Octavo. 18 pages. Musik Fabrik Music Publishing #3627009. Published by Musik Fabrik Music Publishing (A0.535403). Debussy's last song, written to support the French war effort during World War I, set to a poem by the composer. An version in Engliish is also provided. This edition was prepared from Debussy's autograph manuscript
$1.99
1.83 €
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Choral 2-part
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Claude Debussy
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Claude Debussy: Noël des Enfants Qui N'ont Plus de Maisons for SA Treble choir and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Noël des Enfants Qui N'ont Plus de Maisons for voice and piano
High voice
High Voice,Vocal Solo - Digital Download SKU: A0.534528 Composed by Claude Debussy.…
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High Voice,Vocal Solo - Digital Download SKU: A0.534528 Composed by Claude Debussy. 20th Century,Christmas,Concert,Standards. 12 pages. Musik Fabrik Music Publishing #3627007. Published by Musik Fabrik Music Publishing (A0.534528). Debussy's last song, written to support the French war effort during World War I, set to a poem by the composer. An version in Engliish is also provided. This edition was prepared from Debussy's autograph manuscript
$7.95
7.32 €
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High voice
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Claude Debussy
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Claude Debussy: Noël des Enfants Qui N'ont Plus de Maisons for voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
For Children Sz.42, Based on Hungarian Folk Tunes Vol. 1 - No. 1 Children at Play. Allegro
Piano solo
0.99 €
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Piano solo
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Bartók
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Tomplay
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Twinkle Pluto planet no more for string quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages. David Warin Solomons #2028709. Published by David Warin Solomons (A0.575837). Originally written for a Delian suite for various composers remembering Schoenberg back in 2006, I have now revised it and provided separate parts. The piece is atonal and satirically based on Twinkle twinkle little star by way of a supposed reaction from Pluto after it was relegated from planet to dwarf planet by astronomers here on earth. I wrote the following introduction for the Delian suite version: 'Twinkle, Twinkle Little Star' (Jane Taylor's poem used for the tune to the French song Ah, vous dirai-je maman) is given an atonal treatment, for string quartet, in memory of the 'lost' planet of Pluto. Of course Pluto is still there, merely changed in the human taxonomy, which deems it to be no longer a planet. Similarly Twinkle, Twinkle is no longer a nursery rhyme but a strange atonal piece with memories of its past self moving towards an unknown space. It will be curious to know at which age a child recognises the twinkle-twinkle motif in this new, totally untraditional version. However, atonal though it is, it still appears to have some kind of 'home.' 'Ah, vous dirai-je maman, ce qui cause mon tourment,' ce n'est plus la petite chanson d'enfants, elle s'en va vers les étoiles dans un astronef de quatuor à cordes atonal. Son tourment?: Sa lamentation ne vise que la taxonomie humaine des planètes-Pluton, tu n'est plus planète? Maman! où se trouve la réalité, où se trouve notre domicile? Nous avons tous nos taxonomies, mais la réalité est en dehors... Le sens de tonalité est en dehors... Mais malgré tout, on reconnaît la mélodie... N'est-ce pas?.
$10.00
9.2 €
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String Quartet: 2 violins, viola, cello
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Anonymous
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Twinkle Pluto planet no more for string quartet
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David Warin Solomons
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SheetMusicPlus
Schumann, Robert : 2 Scènes d'enfant Opus 15 : n°1 « Pays lointains » - n°7 « Rêverie » (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Les scènes d’enfants se composent de 13 merveilleuses miniatures où se mêlent le rêve, la peur et la réalité. Robert Schumann est le premier poète en musique à s’être intéressé au mystère de l’enfance. S’adaptant à l’univers enfantin, il accomplit parfaitement le genre de la miniature instrumentale monothématique, qui a ete tenté auparavant par Beethoven dans les Bagatelles, suivi par Schubert dans les moments musicaux. Ses petites pièces, contrairement à ce que laisserait entendre le titre, ne se destinent pas à des mains enfantines. Selon les propres termes de Schumann, ces “treize petits trucs ont été concus par un grand enfant comme souvenir pour des personnes qui ont grandi”. Ces treize miniatures dont chacune ne dépasse pas plus de deux pages, se contentent d’une structure formelle d’une grande simplicité. Expressives et distinctes les unes des autres, chacune est une perle de musique pure. Le cycle débute sur la rêveuse et délicate pièce n°1 Pays Lointains, que l’imaginaire couronne d’un rien de mélancolique. Les premières mesures dévoilent une mélodie qui aspire à l’évasion avec une sixte ascendante, douceatre oscillation de triolets de la voix centrale, harmonies simples de septième diminuée et dominante avant le retour à la tonique sol majeur. Le discours est évoqué à demi mot tout en contenance ce qui donne de l’espace à l’imagination de l’interprète. La célèbre page centrale Rêverie n°7 (Traumerei), bouscule ce cycle du côté des bémols avec son fa majeur, avant le retour aux dièses pour finir en sol majeur initial. Dans les premières pièces, Schumann axe son profil mélodique sur l’intervalle de sixte ascendante suivi de sa désinence mélodique. Tandis qu’au moment où commence la pièce centrale, schumann expose son visage eusébien axé sur une quarte, tout en installant de la douceur avec Reverie jusqu’à la fin du recueil. Rêverie a été l’objet d’une polémique en 1920 où Alban Berg démontra avec brillance à Hans Pfitzner que cette petite pièce d’une grande simplicité pouvait contenir un enseignement immensément riche pour tout musicien. Les Scènes d’Enfants ont une place importance parmi les partitions les plus aimées et les plus exécutées par les pianistes. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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Schumann, Robert
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2 Scènes d'enfant Opus 15
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Note4Piano
Scenes from Childhood, Opus 15 - No. 1 'Of Foreign Lands and Peoples' - Original Version (Advanced Level)
Piano solo
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3.99 €
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Piano solo
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Schumann
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Tomplay
Scenes from Childhood, Opus 15 - No. 7 'Dreaming'
Piano solo
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3.99 €
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Piano solo
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Schumann
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Tomplay
Scenes from Childhood, Opus 15 - No. 7 'Dreaming'
Violin
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4.99 €
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Violin
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Schumann
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Tomplay
Scenes from Childhood, Opus 15 - No. 7 'Dreaming'
Flute
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Flute
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Schumann
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Tomplay
Scenes from Childhood, Opus 15 - No. 7 'Dreaming'
Cello
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4.99 €
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Cello
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Schumann
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Tomplay
Children's Album, Opus 39 – No. 16 Old French Song (Alto Saxophone)
Saxophone
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Saxophone
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Tchaikovsky
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Tomplay
Scenes from Childhood, Opus 15 - No. 7 'Dreaming' (Alto Saxophone)
Alto Saxophone
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2.99 €
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Alto Saxophone
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Schumann
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Tomplay
Scenes from Childhood, Opus 15 - No. 7 'Dreaming' (F major)
Violin
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Violin
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Schumann
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Tomplay
Children's Album, Opus 39 - No.16 Old French Song
Cello
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Cello
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Tchaikovsky
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Tomplay
Children's Album, Opus 39 – No. 7 The Doll's Funeral
Piano solo
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3.99 €
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Piano solo
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Tchaikovsky
#
Tomplay
Scenes from Childhood, Opus 15 - No. 7 'Dreaming'
Clarinet
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
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Clarinet
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Schumann
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Tomplay
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