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Epic III
Sheetmusic to print
70 sheet music found
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Epic Fantasy - III. Reborn - Symphonic Orchestra (Score only)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.948057 Composed by Bernardo Ber…
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Full Orchestra - Level 3 - Digital Download SKU: A0.948057 Composed by Bernardo Bernal. Contemporary. Score and parts. 22 pages. Bernal #3125965. Published by Bernal (A0.948057). Ideal for private concerts. Performance time: 6 minutes.Score and set of parts sold separatelyYoutube:https://www.youtube.com/watch?v=RkebNVKHSDESoundcloud:https://soundcloud.com/bbernal-222558183/epic-fantasy-for-symphonic-orchestra-33-by-bernardo-bernalwww.facebook.com/aioniosmusical
$19.99
18.28 €
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Orchestra
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Bernardo Bernal
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Epic Fantasy - III. Reborn - Symphonic Orchestra
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Bernal
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SheetMusicPlus
Schubert: Ave Maria for Piano Solo (Ellens Gesang III, D839, Op. 52 n º 6)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.597318 By Franz Schubert. By Franz …
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Piano Solo - Level 3 - Digital Download SKU: A0.597318 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Christmas,Easter,Instructional,Romantic Period,Sacred. Score. 8 pages. Flavio Regis Cunha #5363013. Published by Flavio Regis Cunha (A0.597318). Ellens dritter Gesang (Ellens Gesang III, D. 839, Op. 52, No. 6, 1825), in English: Ellen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's popular epic poem The Lady of the Lake, loosely translated into German.
$4.99
4.56 €
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Piano solo
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Franz Schubert
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Schubert: Ave Maria for Piano Solo
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Flavio Regis Cunha
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SheetMusicPlus
Gaelic Symphony, Movement III, Score and Parts
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1200856 Composed by Amy Marcy B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1200856 Composed by Amy Marcy Beach. Arranged by edited by John M. Laverty. 19th Century,Classical. Score and Parts. 90 pages. Zephyrwindmusic.com #799513. Published by zephyrwindmusic.com (A0.1200856). American composer Amy Beach (1867-1944) published her epic work Symphony in E minor “Gaelic†in 1896, receiving immediate praise from audiences and musicians in both America and Europe. Consisting of four movements and with a performance time in excess of 40 minutes, it is considered by many to be the first significant symphonic work by an American composer. This edition is updated to meet 21st Century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation for Movement III:2 Flutes2 Oboes2 Clarinets in ABass Clarinet2 Bassoons4 Horns in F2 Trumpets in C3 TrombonesTubaTimpaniStrings.
$25.00
22.86 €
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Orchestra
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Amy Marcy Beach
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Gaelic Symphony, Movement III, Score and Parts
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zephyrwindmusic.com
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SheetMusicPlus
Craig Urquhart - INCANTATION III
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.891355 Composed by Craig Urquhart. …
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Piano Solo - Level 3 - Digital Download SKU: A0.891355 Composed by Craig Urquhart. 20th Century,New Age. Score. 13 pages. Craig URQUHART #3129463. Published by Craig URQUHART (A0.891355). From the album THE DREAM OF THE ANCIENT ONES. Epic, powerful.
$10.00
9.14 €
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Piano solo
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Craig Urquhart
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Craig Urquhart - INCANTATION III
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Craig URQUHART
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SheetMusicPlus
Symphony No. 1 in C-Sharp Minor, Op. 1 "In the Eternal Day": III. Moderato "In the Eternal Day"
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1025479 Composed by Arashk Aziz…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1025479 Composed by Arashk Azizi. Romantic Period. Score and parts. 38 pages. Arashk Azizi #4797861. Published by Arashk Azizi (A0.1025479). In the eternal day is a program symphony, composed in five movements based on the book the conference of the birds by Attar of Nishapur (13th-century Persian poet).this is the third movement of this epic symphony.
$5.99
5.48 €
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Orchestra
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Arashk Azizi
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Symphony No. 1 in C-Sharp Minor, Op. 1 "In the Eternal Day": III. Moderato "In the Eternal Day"
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Arashk Azizi
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SheetMusicPlus
Dreams in War Time: III (Downloadable)
Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-3E Composed …
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Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-3E Composed by Juliana Hall. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8575-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8575-3E). English.Based on a set of seven poems created as a group by Boston imagist poet Amy Lowell, and they effectively convey the grim sense of unease felt in a time of war or strife. While they never depict the mundane details of war in a visual manner, they capture the types of fragmented images, bizarre thoughts, and deep anxieties experienced in our worst dreams during such times. Duration: 19:00Contents:1. I wandered through a house of many rooms 2. I dug a grave under an oak-tree 3. I gambled with a silver money 4. I painted the leaves of bushes red5. I followed a procession of singing girls6. I wished to post a letter7. I had made a kite.
$6.00
5.49 €
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Juliana Hall
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Dreams in War Time: III
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
III. 仰望, from A Pilgrim's Songs
Cello, Piano
Piano Trio,String Ensemble Cello,Piano - Level 4 - Digital Download SKU: A0.996449 …
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Piano Trio,String Ensemble Cello,Piano - Level 4 - Digital Download SKU: A0.996449 Composed by Chia Yin Wu. Christian,Contemporary,Sacred. Score and parts. 14 pages. Chia Yin Wu #6656851. Published by Chia Yin Wu (A0.996449). The third song from A Pilgrim's Songs, a song cycle for soprano, cello and piano depicting a pilgrim on a journey through life, using 5 psalms in the Christian and Hebrew Scripture.Suitable for chamber music concerts. Text in Chinese Mandarin with pronunciation in Pinyin.
$6.25
5.71 €
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Cello, Piano
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Chia Yin Wu
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III. 仰望, from A Pilgrim's Songs
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Chia Yin Wu
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SheetMusicPlus
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - …
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.24 €
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Erik Satie
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Meditation III For Organ
Organ
Organ - Level 4 - Digital Download SKU: A0.912509 Composed by Thomas R. Schadl. Con…
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Organ - Level 4 - Digital Download SKU: A0.912509 Composed by Thomas R. Schadl. Concert,Contemporary,Easter,Spiritual,Standards. Score. 9 pages. Thomas R. Schadl #6519103. Published by Thomas R. Schadl (A0.912509). The piece is about hope over despair. It begins softly and builds up musical intensity at the middle of the piece, depicting the longing of divine love. At its climax, one hears a hymn-like melody, but subsides in intensity.The last quarter of the piece is heard in a major key and represents God's assurance that He is with us, even in challenging times. Work may be suitable for Lenten, Good Friday services, and recital purposes. Organ registrations and tempo indications are only suggestions.
$8.99
8.22 €
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Organ
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Thomas R
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Meditation III For Organ
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Thomas R. Schadl
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SheetMusicPlus
Epic III (from Hadestown)
Piano, Voice
Piano/Keyboard, Voice - Digital Download By Anais Mitchell. This edition: scorch. Bro…
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Piano/Keyboard, Voice - Digital Download By Anais Mitchell. This edition: scorch. Broadway, Musical/Show. Piano Vocal. 15 pages. Published by Hal Leonard - Digital
$4.99
4.56 €
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Piano, Voice
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Anais Mitchell
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Epic III
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Hal Leonard - Digital
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SheetMusicPlus
Guthrie: Dardanus Variations for Solo Cello
Cello
Cello Solo - Level 4 - Digital Download SKU: A0.547674 Composed by James M. Guthrie…
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Cello Solo - Level 4 - Digital Download SKU: A0.547674 Composed by James M. Guthrie. Contemporary,Instructional. Individual part. 9 pages. Jmsgu3 #3031709. Published by jmsgu3 (A0.547674). Dardanus Variations for Solo Cello is a set of variations on a thematic fragment from Dardanus, a tragédie-lyrique by J.P. Rameau (1683-1764). Each variation depicts a different scene from the opera.I: Entrance of Dardanus: Son of Electra and JupiterII: King Teucer proposes the marriage of his daughter Iphise to King AnténorIII: King Anténor accepts Iphise to become his brideIV: Ismenor the Wizard introduces Iphise to DardanusV: Dardanus encounters the sea monsterVI: The Sea Monster creates havoc for King AnténorVII: Dardanus falls in love with IphiseVIII: Dardanus slays the Sea Monster, saving King Anténor's lifeIX: King Teucer and Dardanus make peaceX: King Teucer permits for Dardanus to marry IphiseXI: The Proposal of DardanusXII: Iphise rejects the proposalXIII: The Second Proposal of DardanusIXV: Wedding Dance Dardanus is connected to the Trojan War through his lineage and the founding of the royal house of Troy. The Dardanoi, the descendants of Dardanus, formed a contingent among Troy's allies in the Trojan War. The House of Dardanus, of which Dardanus was the founder, played a significant role in the lead-up to the war. The city of Troy, founded by Dardanus's descendant, Ilus, was central to the myths surrounding the Trojan War. Additionally, Aeneas, a prominent figure in the Trojan War, was referred to as a Dardanian and was destined to save the House of Dardanus from extinction. Therefore, Dardanus's lineage and the founding of Troy are the critical connections between Dardanus and the Trojan War.Ancestry and Founder: Dardanus was the son of Zeus and the Pleiad Electra. He was the mythical founder of Dardania on the Hellespont and the ancestor of the Dardanians of the Troad and, through Aeneas, of the Romans.Migration and Settlement: According to mythology, Dardanus fled from Arcadia to the island of Samothrace and then to the Troad, where Teucer, the ruler of Phrygia, hospitably received him. He married Teucer's daughter Bateia and became the founder of the royal house of Troy.Family and Descendants: Dardanus married Chryse, with whom he fathered two sons, Idaeus and Deimas. He later married Batea and had several children, including Erichthonius, who became the ancestor of many famous individuals in the Troad, including Tros, Ganymede, Laomedon, and Priam.Cultural Depictions: Dardanus has been the subject of various operas by composers such as Jean-Philippe Rameau, Carl Stamitz, and Antonio Sacchini, reflecting the enduring influence of his mythological story.Legacy: Dardanus lives on in the Dardanelles, the narrow strait separating Asia and Europe, once known as the Hellespont, a name also linked to Greek mythology.These facts highlight Dardanus's role as a critical figure in the foundation of Dardania and the royal house of Troy and his rich and enduring mythological legacy.
$24.95
22.81 €
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Cello
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James M
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Guthrie: Dardanus Variations for Solo Cello
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jmsgu3
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SheetMusicPlus
A Holiday in Naples: A Sonata for Piano in Five Movements
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1485695 Composed by Andrei Hadap. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1485695 Composed by Andrei Hadap. 21st Century,Classical,Romantic Period. Score. 44 pages. Andrei Hadap #1062766. Published by Andrei Hadap (A0.1485695). A Holiday in Naples (2021, rev. 2024) I. At the CarnivalII. A Merchant at the Spinning WheelIII. In the BallroomIV. At the Opera V. At the Plaza A Holiday in Naples is a five-movement programmatic work for solo piano composed in 2021 by Andrei Hadap. Composed in the late nineteenth century style, it depicts a lone traveller, on holiday, who explores the city of Naples in the same period. Each movement is a short scene that narrates the traveller’s experience during his visit through music. The first movement, At the Carnival, in sonata form, begins with a slow introduction as the traveller sets foot at the pier in the morning. The main allegro begins as he hears the carnival from a distance and proceeds to explore, represented by the scherzando-like figures. Short episodes of tranquillity interrupt the carnival as the traveller, in a reverie, looks out to admire the Neapolitan coastline. The piece ends as the carnival fades out into the distance. Contrasting with the festivities, the traveller encounters A Merchant at the Spinning Wheel, the title of the second movement. This encounter depicts the reality of the poverty-stricken region at the time. Here, the merchant is depicted in a trance-like state, as the monotonous arpeggiated figures at the piano are heard throughout. Later in the piece, we hear the agitated merchant spinning the wheel faster, distracted by the carnival, but eventually calms down towards the end. The third movement, In the Ballroom, the traveller enters a ballroom, observing the dancers from a distance. He finds himself drawn to a young woman, though slightly nervous, whom he invites to dance. In the middle section, we hear the awkwardness between them as they both stumble frequently. Eventually, he regains his composure and the two dance well into the evening. In the fourth movement At the Opera, the traveller then goes to a nearby opera house where he walks in during a love duet between a tenor and soprano. The final movement At the Plaza, the traveller encounters the carnival once again. This time, they are dancing a tarantella, a Neapolitan folk dance depicting the involuntary muscle spasms from a venomous spider bite. The traveller joins in and dances with them until sunrise.
$29.99
27.42 €
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Piano solo
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Andrei Hadap
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A Holiday in Naples: A Sonata for Piano in Five Movements
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Andrei Hadap
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SheetMusicPlus
PIANO SONATA
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1477723 Composed by Aaron Robinson.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Music at Immanuel (A0.1477723). Dedicated to pianist Eric Xi Xin Liang, PIANO SONATA by American composer Aaron Robinson is a programmatic work on a monumental scale. Composed in four movements representing four areas of Maine: Machigonne (Portland), Down East, Malaga Island and Katahdin, each paints a detailed portrait of a specific time and place in the State’s history. Its compositional structure draws heavily on the sights and sounds associated with each region while weaving original themes throughout. Mimesis is used to represent the native calls of the indigenous birds found within the state, such as the phoebe, bobolink and the pileated woodpecker; while hymns, songs and sea shanties are incorporated to represent various time periods. Movement I - MACHIGONNE - Native Americans originally named what is today the Portland peninsula of Maine “Machigonne”, which translates “Great Neck”. The movement quotes several sacred and ritual songs of the Passamaquoddy Tribe of Maine. The struggle between centuries of habitation by the native peoples of the area is represented by the arrival of early settlers and illustrated by juxtaposing hymn tunes and dance music of the past eras.Movement II - DOWN EAST - is the eastern coastal area of the state closely associated with the French territory of Acadia. Replete with historic sea shanties and tunes, the sound of tolling ship and buoy bells, lighthouse fog horns, and ocean winds are intertwined to create a high-spirited journey which culminates in the familiar Shaker tune from Alfred, Maine.Movement III - MALAGA ISLAND - Today an uninhabited reserve, Malaga Island was once the home to an interracial community dating from the 1860s to 1911, when its residents were forcibly evicted by the State. The opening theme represents the remnants of the island in its present state; haunted by the memories and unsettling muted solitude of the past and its historical injustice. A peaceful hymn depicting simpler times becomes slowly unraveled, erupting in a traumatic chaos that is never resolved. A ghostly refrain can be heard in the distance as the movement concludes.Movement IV - KATAHDIN - Mount Katahdin (“Catahdrin”), called “Great Mountain” by the Penobscot Native Americans, is located within the Northeast Piscataquis County, the northern terminus of the Appalachian Trail. The grandeur of its majesty is portrayed by the original themes depicting epic rising and falling passages traversing over centuries. Native Americans believed the mountain to be the home of the storm god Pamola (a place to be avoided), which is characterized by ever-changing major and minor keys within the often times turbulent motifs. The sonata ends in a tonal key: bringing the atonality and discordant change of the work and its representation as a whole to a final resolve.PIANO SONATA lasts approximately 25 minutes.
$9.99
9.13 €
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Piano solo
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Aaron Robinson
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PIANO SONATA
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Music at Immanuel
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SheetMusicPlus
Courage Triptych
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.800324 Composed by Sarah Wall…
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String Orchestra - Level 3 - Digital Download SKU: A0.800324 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 56 pages. Novel Soundtrax #2035929. Published by Novel Soundtrax (A0.800324). Following an interim of fourteen years since the completion of the work’s first Image in 1998, Sarah Wallin Huff completed this suite of Images for violin duo, piano, soprano saxophone, and string orchestra in 2005, with final official revisions completed in 2012. Each Image had seen its own time of creation as independent works throughout those years, until Wallin Huff ultimately wove the three together into an epic musical journey in 2005. These highly cinematic movements depict an unnamed hero's personal journey from loneliness and uncertainty to triumph. The Triptych consists of the following Three Images: I. A Garden Prayer, for violin duo and piano II. Broken Innocence, for soprano saxophone and string orchestra III. Valiance, for soprano saxophone, piano, and string orchestra.
$25.00
22.86 €
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String Orchestra
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Sarah Wallin Huff
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Courage Triptych
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Novel Soundtrax
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SheetMusicPlus
EP!C!!!
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.57 €
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Orchestra
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
The Great Escape March
Baritone Horn TC,E-Flat Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digi…
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Baritone Horn TC,E-Flat Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1326115 Composed by Al Stillman and Elmer Bernstein. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show. 15 pages. Kevin P Holdgate #914315. Published by Kevin P Holdgate (A0.1326115). The Great Escape is a 1963 American epic war suspense adventure film starring Steve McQueen, James Garner and Richard Attenborough and featuring James Donald, Charles Bronson, Donald Pleasence, James Coburn, Hannes Messemer, David McCallum, Gordon Jackson, John Leyton and Angus Lennie. It was filmed in Panavision, and its musical score was composed by Elmer Bernstein.Based on Paul Brickhill's 1950 non-fiction book of the same name, the film depicts a heavily fictionalized version of the mass escape by British Commonwealth prisoners of war from German POW camp Stalag Luft III during the Second World War. The film made numerous compromises for its commercial appeal, including its portrayal of American prisoners' involvement in the escape.This arrangement for brass quartet (with parts for Eb & Bb Instruments) always goes down well with audiences.
$12.99
11.88 €
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Al Stillman and Elmer Bernstein
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The Great Escape March
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Kevin P Holdgate
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SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
C Instruments
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.48 €
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C Instruments
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Various
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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Wold Meridian
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SheetMusicPlus
Stephansdom for Solo Bass Trombone & Trombone Choir
Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed b…
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Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50
25.14 €
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trombone & Trombone Choir
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Gordon Cherry
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SheetMusicPlus
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - Digital Download
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Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - Digital Download SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.
$9.99
9.13 €
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Thomas Oboe Lee
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I've Got the Munchies
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Thomas Oboe Lee
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SheetMusicPlus
Homage to O'Keeffe for Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
36.56 €
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Orchestra
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Sy Brandon
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Homage to O'Keeffe for Orchestra
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Sy Brandon
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SheetMusicPlus
"Hellenic Suite" for viola and piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.886696 Composed by Panagiotis Theo…
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Piano,Viola - Level 5 - Digital Download SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Panagiotis Theodossiou #3575307. Published by Panagiotis Theodossiou (A0.886696). Hellenic Suite, for viola and piano (2010) I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos) II.Dance of the Youngsters, Pentozalis (traditional tune from Crete) III.Litany in Spring, Egomia (from the Evening Service of Holly Epitaph) IV.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris) V.Ancient Ritual, Orestes Stasimon (from Orestes Tragedy by Euripides) VI.Dance of the Past, Dance (traditional tune from Heipiros) VII.Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor) VIII.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa from Pontos) Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future. The work is dedicated to the Greek Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in Fall Arts Concert organised by Hellenic University Club of Philadelphia in The Ethical Society Hall of Philadelphia in 2010. The same artists perfomed the work at Kendal Concert Hall in Kendal, Pennsylvania in 2011. Version for violin and piano available. Excerpts of this version has been performed by Tania Sikelianou and Timos Gennatos at : Ellinikon Eidyllion, Selianitika, Aigion in 2011. https://www.youtube.com/watch?v=p85FLAegsfo&t=4s
$28.00
25.6 €
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Viola, Piano
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Panagiotis Theodossiou
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"Hellenic Suite" for viola and piano
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Panagiotis Theodossiou
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SheetMusicPlus
David W. Solomons, Oxford Days for solo guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.533472 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.533472 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Individual part. 21 pages. Musik Fabrik Music Publishing #2994073. Published by Musik Fabrik Music Publishing (A0.533472). Eight pieces for solo guitar : I. Innocence Asleep; II. Lamento (Gethsemane); III. Hyde Park Rag; IV. Fantasia from the other bank; V. Prelude in Dorian mode (Dorian Serendipity); VI. The Princess's Tune; VII. Quelques minutes espagnoles; VIII. Sketch in BlueA series of guitar solos illustrating some of the moods and discoveries of the composer when he was young and fancy free ... at college.Christianity:- Innocence Asleep - a gentle tune depicting the baby Jesus- Lamento (Gethsemane) - part of a long lost Easter Suite, reflecting the sorrow in the GardenHolidays- Hyde Park Rag - a quasi ragtime composed on the composer's first outing from Oxford to London.Sexuality- Fantasia from the other bank - the downward sweep of the strangely augmented chord represents the composer's initial feeling of surprise when he realises he is from the other bank (vom anderen Ufer is German slang for gay)Musical discoveries- Prelude in Dorian mode (Dorian Serendipity) - the beginning of a long love affair with this mode, in which the major 6th and minor third give a special flavour.- The Princess's Tune - a curiously atonal piece based on a short theme given to the composer by a very shy fellow student known as the Princess.- Quelques minutes espagnoles - first venture into the Spanish flavours of guitar music- Sketch in Blue - an early experiment making use of blues harmonies
$19.95
18.24 €
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Guitar
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David Warin Solomons
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II. Lamento (Gethsemane)
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David W. Solomons, Oxford Days for solo guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
"Hellenic Suite" for violin and piano
Violin and Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.886697 Composed by Panagiotis The…
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Piano,Violin - Level 5 - Digital Download SKU: A0.886697 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 76 pages. Panagiotis Theodossiou #3575309. Published by Panagiotis Theodossiou (A0.886697). Hellenic Suite, for violin and piano (2010) I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos) II.Dance of the Youngsters, Pentozalis (traditional tune from Crete) III.Litany in Spring, Egomia (from the Evening Service of Holly Epitaph) IV.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris) V.Ancient Ritual, Orestes Stasimon (from Orestes Tragedy by Euripides) VI.Dance of the Past, Dance (traditional tune from Heipiros) VII.Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor) VIII.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa from Pontos) Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future. The work is dedicated to the Greek Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in Fall Arts Concert organised by Hellenic University Club of Philadelphia in The Ethical Society Hall of Philadelphia in 2010. The same artists perfomed the work at Kendal Concert Hall in Kendal, Pennsylvania in 2011. Version for viola and piano available. Excerpts of violin - piano version has been performed by Tania Sikelianou and Timos Gennatos at : Ellinikon Eidyllion, Selianitika, Aigion in 2011.
$28.00
25.6 €
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Violin and Piano
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Panagiotis Theodossiou
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"Hellenic Suite" for violin and piano
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Panagiotis Theodossiou
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SheetMusicPlus
We Three Kings Commiseration Arrangement
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1514360 By Kim Kirkman. By J…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1514360 By Kim Kirkman. By John Henry Hopkins Jnr. Arranged by Kim Kirkman. Christmas,Comedy. Score. 6 pages. Kim Kirkman #1088840. Published by Kim Kirkman (A0.1514360). We Three Kings re-written to commiserated with those epic walkers of old. Those of fantastic feet. Those with super sandals.Arranged for three voices and piano.Lyrics:Tutti: We three kings of Orient are;bearing gifts we traverse afar,sandals flopping, without stoppingfollowing yonder star.Refrain:O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,How far to this Nazarite?King I: Born a King on Bethlehem's plain,gold I bring to crown him again,Walking ever, ceasing never,Wowzers my leg’s in pain.Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Trav’lling on both day and night.King II: Frankincense to offer have I;incense owns a Deity nigh;Real trail-blazing, it’s hair-raising,Trudging along, I sigh. Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Breaks are a true delight. King III: Myrrh is mine; its bitter perfumebreathes a life of gathering gloom;blisters bleeding, not conceding,Where is the next bathroom? Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Dunes are a gruesome sight. Tutti: Glorious now, at last we’ve arrived,From our comforts we’ve been deprived:Presents given, wish we’d been driven Don’t think my knees survived. Tutti: O star of wonder, star of light,star with royal beauty bright,West we followed, pain we swallowed,Back we sorely trudge tonight. Comments as leave stage: What, all the way back again? Home again, jigged-jog. We just came all this way West and now we have to go back east?
$5.99
5.48 €
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Kim Kirkman
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We Three Kings Commiseration Arrangement
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Kim Kirkman
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SheetMusicPlus
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