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Euphonium Sketches
Sheetmusic to print
21 sheet music found
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1
Euphonium Sketches
Euphonium, Piano (duet)
By Thomas Briggs. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Pu…
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By Thomas Briggs. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$17.00
15.65 €
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Euphonium, Piano (duet)
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Thomas Briggs
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Euphonium Sketches
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Cimarron Music Press
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.37 €
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Euphonium, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Three Sketches For Euphonium and Piano
Euphonium solo with piano - Digital Download SKU: CX.TEP11081 Composed by Margaret …
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Euphonium solo with piano - Digital Download SKU: CX.TEP11081 Composed by Margaret Hostetter Patten. Score. 42 pages. Published by Tuba-Euphonium Press (CX.TEP11081). 1. Ziggy 2. Sunset 3. Scherzo on a Pun.
$17.00
15.65 €
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Margaret Hostetter Patten
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Three Sketches For Euphonium and Piano
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Tuba-Euphonium Press
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SheetMusicPlus
Three Sketches For Euphonium and Piano
Euphonium solo with piano SKU: TE.TEP11081 Composed by Margaret Hostetter Patten. S…
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Euphonium solo with piano SKU: TE.TEP11081 Composed by Margaret Hostetter Patten. Score. Published by Tuba-Euphonium Press (TE.TEP11081). 1. Ziggy 2. Sunset 3. Scherzo on a Pun.
$17.00
15.65 €
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Margaret Hostetter Patten
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Three Sketches For Euphonium and Piano
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Tuba-Euphonium Press
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SheetMusicPlus
Euphonium Sketches
Euphonium solo with piano - Grade 6 - Digital Download SKU: CX.CM0253 Composed by T…
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Euphonium solo with piano - Grade 6 - Digital Download SKU: CX.CM0253 Composed by Thomas Briggs. Solo music. 29 pages. Published by Cimarron Music Press - Digital (CX.CM0253).
$17.00
15.65 €
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Thomas Briggs
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Euphonium Sketches
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Cimarron Music Press - Digital
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SheetMusicPlus
Five Sketches for Solo Tuba
Tuba and Piano
Tuba solo with piano - Digital Download SKU: CX.TEP10292 Composed by Arthur Fracken…
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Tuba solo with piano - Digital Download SKU: CX.TEP10292 Composed by Arthur Frackenpohl. Score. 10 pages. Published by Tuba-Euphonium Press (CX.TEP10292).
$15.00
13.81 €
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Tuba and Piano
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Arthur Frackenpohl
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Five Sketches for Solo Tuba
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Tuba-Euphonium Press
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SheetMusicPlus
Five Sketches for Solo Tuba
Tuba solo with piano SKU: TE.TEP10292 Composed by Arthur Frackenpohl. Score. Publis…
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Tuba solo with piano SKU: TE.TEP10292 Composed by Arthur Frackenpohl. Score. Published by Tuba-Euphonium Press (TE.TEP10292).
$15.00
13.81 €
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Arthur Frackenpohl
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Five Sketches for Solo Tuba
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Tuba-Euphonium Press
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SheetMusicPlus
Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen
Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SK…
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Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Score and parts. 109 pages. Stephen R Dalrymple #4991045. Published by Stephen R Dalrymple (A0.818293). Sketches of Christ Movement 3 Though I Was Blind; Now I SeeTone Poem for Cello and Piano and Piano by Stephen R Dalrymplebased on John 9, the account of the interactions of the man born blind, Jewish authorities, and Jesus Christtranscribed for solo flute, clarinet, trumpet, euphonium/trombone, and violin Sketches of Christ is a 3 movement work by Stephen R Dalrymple intended for the concert stage (contrasted with preludes and offertories at church). It was originally titled Sonata for Cello and Piano. As I composed similar works, I realized that, although I have used the concepts of sonata form in various movements, because these pieces reflect the drama of selected passages of the Bible, Tone Poem was a more fitting genre title. I have begun the process of transcribing these Tone Poems for additional instruments. I consider these Tone Poems as contemporary classical music. I have used modal harmonies; polychords and polytonality; free dissonance; atonality, mixed meters, etc. to convey the drama of the Bible. Sketches of Christ is based on 3 episodes from Christ’s Life: The calming of the Sea of Galilee, Mary and Martha, and the healing of the man born blind. This score is movement 3 of a 3 movement tone poem, originally scored and premiered as a sonata for Cello and Violin. It is presented here for 5 additional solo instruments: Flute, Clarinet, Trumpet, Euphonium (or Trombone) and Violin.  Sketches of Christ is written in 20th Century Classical Music composition techniques. Various movements employ a mix of bitonality, modal harmony, deliberate dissonance, and mixed meter. Each movement dramatizes an event form the Life of Christ. This movement expresses the interactions of the man born blind, Jewish authorities, and Jesus Christ from John 9.  The score shows the parts for cello and piano, but individual parts are provided for the other solo instruments.  Includes 14 scores: Full Score for cello and piano letter size; Cello, Flute, Clarinet, Trumpet, Euphonium (or trombone), and Violin solo parts; Full Score for cello and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)  The 3 movements of the tone poem are published separately. This tone poem is actually a more like a solo instrument and piano duet rather than a solo with a piano accompaniment.
$6.50
5.99 €
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Stephen R Dalrymple
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Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen
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Stephen R Dalrymple
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SheetMusicPlus
Sketches of Christ 1 "Even the Winds and Waves Obey Him" Tone Poem for Instrumental Solo & Piano
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.818291 By Stephen R Dalrymple. By …
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Cello,Piano - Level 4 - Digital Download SKU: A0.818291 By Stephen R Dalrymple. By Stephen R Dalrymple. Classical,Contemporary. Score and part. 87 pages. Stephen R Dalrymple #4991039. Published by Stephen R Dalrymple (A0.818291).  Sketches of Christ (Movement 1) Who is This? Even the Winds and Waves Obey Him!♫ Tone Poem for Cello and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & violin ♫ music © 2010 Stephen R Dalrymple♫ recording ℗ 2020 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ sequenced by the composer ♫ The movements of the tone poem Sketches of Christ are written using contemporary classical music composition techniques.♫ The story line behind the movement is Jesus calming the storm on the Sea of Galilee. The composer uses polychords for the Christ theme. The disciple’s theme is set in the Phrygian mode with quartal chord formations. Clashing themes produce significant dissonance through out the movement. ♫ This .pdf file includes 14 score choices • Letter size score for Cello & piano • Letter size solo parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), & Violin • 10 inch tablet size score for violin & piano • 10 inch tablet size score for the same solo parts. ♫ (Tell your computer which pages you want to print. Programs online that will allow you to split pdf files so that you can choose which pages to print.)
$6.50
5.99 €
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Cello, Piano
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Stephen R Dalrymple
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Sketches of Christ 1 "Even the Winds and Waves Obey Him" Tone Poem for Instrumental Solo & Piano
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Stephen R Dalrymple
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SheetMusicPlus
Sketches of Christ 2 "Martha, Only One Thing is Needed" - Tone Poem for Instrumental Solo & Piano
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.818292 By Stephen R Dalrymple. By …
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Cello,Piano - Level 4 - Digital Download SKU: A0.818292 By Stephen R Dalrymple. By Stephen R Dalrymple. Classical,Contemporary. Score and part. 64 pages. Stephen R Dalrymple #4991043. Published by Stephen R Dalrymple (A0.818292). Sketches of Christ (Movement 2)  Only One Thing is Necessary♫ Tone Poem for Cello and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & violin ♫ music © 2010 Stephen R Dalrymple♫ recording ℗ 2020 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ sequenced by the composer ♫ The movements of the tone poem Sketches of Christ are written using contemporary classical music composition techniques.♫ The storyline behind the music is the interaction between Mary and Martha, 2 sisters with different personalities and goals.♫ Martha’s theme is set in the Dorian Mode. The 5/4 meter is hectic and efficient. Mary’s theme is set in the Mixolydian Mode in 3/4 alternating with 4/4 time (effectively 7/4. This theme is calm and deep in thought.♫ This .pdf file includes 14 score choices • Letter size score for Cello & piano • Letter size solo parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), & Cello, • 10 inch tablet size score for violin & piano • 10 inch tablet size score for the same solo parts. ♫ (Tell your computer which pages you want to print. Programs online that will allow you to split pdf files so that you can choose which pages to print.)
$6.50
5.99 €
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Cello, Piano
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Stephen R Dalrymple
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Sketches of Christ 2 "Martha, Only One Thing is Needed" - Tone Poem for Instrumental Solo & Piano
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Stephen R Dalrymple
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SheetMusicPlus
Paul µWehage: Four Sketches for Bb trumpet and Bb euphonium
Instrumental Duet Euphonium,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU:…
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Instrumental Duet Euphonium,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.534702 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #6245175. Published by Musik Fabrik Music Publishing (A0.534702). Four duos for Bb trumpet and Bb euphonium (baritone) by the noted American composer.
$12.95
11.92 €
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Paul Wehage
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Paul µWehage: Four Sketches for Bb trumpet and Bb euphonium
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Musik Fabrik Music Publishing
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SheetMusicPlus
Evening-2 Sketches for Euphonium/Baritone Horn Trio
Brass Ensemble Baritone Horn TC,Euphonium - Level 2 - Digital Download SKU: A0.844865
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Brass Ensemble Baritone Horn TC,Euphonium - Level 2 - Digital Download SKU: A0.844865 Composed by Phil Beaman. Instructional,New Age,Romantic Period. Score and parts. 15 pages. Phil Beaman #5754583. Published by Phil Beaman (A0.844865).
$6.99
6.44 €
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Phil Beaman
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Evening-2 Sketches for Euphonium/Baritone Horn Trio
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Phil Beaman
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SheetMusicPlus
3 Petits Sketches Burlesques
Solo Euphonium or Saxhorn - Grade 4 - Digital Download SKU: FX.FX073733 Composed by…
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Solo Euphonium or Saxhorn - Grade 4 - Digital Download SKU: FX.FX073733 Composed by Pascal Proust. Original Composition. Classical, Educational. Solo Part. 4 pages. FLEX Editions - Digital Sheet Music #FX073733. Published by FLEX Editions - Digital Sheet Music (FX.FX073733). A piece for a concert or a contest, of intermediate level, mixing humor and virtuosity. - Pascal PROUST ; A piece to be played from 7 years of practice. ; Instruments: 1 Solo Euphonium or Saxhorn.
$9.95
9.16 €
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Pascal Proust
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3 Petits Sketches Burlesques
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
<Wind Nonet> Procession Of The Sardar from "Caucasian Sketches"
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Piccolo,Trombone,Trump…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Piccolo,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.711312 Composed by Mikhail Mikhaylovich Ippolitov-Ivanov. Arranged by Tsuyoshi Yoroiguma. 20th Century,Concert,Standards,World. Score and parts. 27 pages. Tsuyoshi Yoroiguma #4573281. Published by Tsuyoshi Yoroiguma (A0.711312). This is a special arrangement played by woodwind and brass instruments.This arrangement is written for school band students, so some difficult passage are simplified.Instrumentaion :Piccolo / 2 Bb Clarinets / Alto Sax / Baritone Sax / 2 Bb Trumpets / Trombone / EuphoniumPDF file includes 9 pages of score and 18 pages of parts.Playing time is 3 min 20 sec.
$32.00
29.47 €
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Mikhail Mikhaylovich Ippolitov-Ivanov
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<Wind Nonet> Procession Of The Sardar from "Caucasian Sketches"
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Antique Sketches
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1221249 Composed by Dan Cook. Bar…
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Concert Band - Level 3 - Digital Download SKU: A0.1221249 Composed by Dan Cook. Baroque,Contemporary,Contest,Festival,Instructional. Score and Parts. 89 pages. Pecan Valley Music #817581. Published by Pecan Valley Music (A0.1221249). Grade 3+duration; 4:30I) Sarabande (2:38)II) Fugue (1:53)Flutes 1 & 2, Oboe, Bassoon, Bb Clarinets 1, 2 & 3, Bass Clarinet, Alto Saxes 1 & 2, Tenor Sax, & Baritone SaxBb Trumpets 1, 2 & 3, Horns in F 1 & 2, Trombones 1 & 2, Euphonium, & TubaTimpani, Bells, VibraphoneSnare Drum, Bass Drum, Crash CymbalAntique Sketches was composed with the intention of creating an accessible work for young band using counterpoint. Some of my favorite memories as a student in public school band include performing various arrangements of J.S. Bach. I loved sitting in the trumpet section listening across the ensemble to how the various melodic lines would rapidly fizz around from instrument to instrument.This short, two movement work is designed to foster this listening experience in your students. The first movement consists of a simple binary form, with woodwinds and brass trading off a slow melodic line. The ensemble then combines to allow for the exploration of top to bottom, back to front balance and blend without having to worry about too much technique. There are also moments of modernity in the harmonic structure designed to help anchor the movement to the present.The second movement is a fugue with a long melodic subject and two countersubjects, the point of which is to apply the listening lessons from the first movement to the more technical aspects of the second. Fugue subjects are announced with percussion entrances to focus the listening experience across the ensemble and the audience.
$40.00
36.83 €
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Concert band
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Dan Cook
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Antique Sketches
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Pecan Valley Music
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.78 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Four Canadian Sketches (Brass Band)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.767031 Composed by Mike Lyons. 20th Century,Contemporary,Multicultural,Patriotic,World. Brass Band. 185 pages. Lyons Music Services #46377. Published by Lyons Music Services (A0.767031). This is an arrangement for Brass Band of my Flute Octet of the same name. It will need at least a 1st section band to handle the last movement. This might be a good piece to use in an entertainments contest. There is quite a bit for the percussion to do which took some doing as the original had none. The four movements represent my thoughts about Canada and its people. 1. March for the Frontiersmen: Canada has a lot of wilderness that has not been spoiled by man. This movement represents the rugged frontiersmen pushing through the Canadian forests. 2. The Great White Cold: I imagined the bitter freezing cold and icy beauty of Canadian winters (not that I have ever experienced such) and I used some slightly unusual techniques to create the impression of a cold wind blowing across the arctic scenery. 3. Campfire Songs: I had this vision of the great outdoors with Canadian families going camping in the mountainous regions sitting round their campfire at night and singing songs. I had no idea at the time whether Canadians were campfire songsters or what kinds of songs they might choose, so I selected a number of ’folk’ songs from the Great Canadian Tune Book and incorporated them into this movement. 4. The New Found Land: This movement moves to Canada’s eastern seaboard and I imagined new emigrants to the country arriving at a busy harbour and seeing all the hustle and bustle of a lively community and sea port. With some difficulty the debarkees find their land legs but then become absorbed in the lively new world to which they have moved.
$40.00
36.83 €
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Mike Lyons
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Four Canadian Sketches
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Lyons Music Services
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.37 €
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Euphonium, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Mah-na Mah-na
2 Euphoniums and 2 Tubas
Tuba Quartet Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1341010 Composed b…
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Tuba Quartet Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1341010 Composed by Piero Umiliani. Arranged by Tim Olt. Children,Comedy,Film/TV,Pop. 8 pages. Olt Music #926584. Published by Olt Music (A0.1341010). This lively tune served as the background for one of the most iconic sketches ever on Sesame Street. This version gives the various members a chance to stretch their comedic chops.
$15.00
13.81 €
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2 Euphoniums and 2 Tubas
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Piero Umiliani
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Mah-na Mah-na
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Olt Music
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SheetMusicPlus
To a Wild Rose
Tenor Saxophone and Piano
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Tenor Saxophone - Level 1 - Digi…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.836970 Composed by Edward MacDowell. Arranged by Jane Frasier. Romantic Period. Score and parts. 5 pages. Jane Frasier #3535543. Published by Jane Frasier (A0.836970). To a Wild Rose is a piece from Edward MacDowell's Op. 51 Woodland Sketches for piano published in 1896. MacDowell was an American composer and pianist of the Romantic period. This is an arrangement for tenor sax (or baritone) and piano. Duration-1 minutes 15 seconds.
$5.00
4.6 €
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Tenor Saxophone and Piano
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Edward MacDowell
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To a Wild Rose
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Jane Frasier
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SheetMusicPlus
To a Wild Rose
Trombone and Piano
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 1 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 1 - Digital Download SKU: A0.836949 Composed by Edward MacDowell. Arranged by Jane Frasier. Romantic Period. Score and parts. 12 pages. Jane Frasier #3505509. Published by Jane Frasier (A0.836949). To a Wild Rose is a piece from Edward MacDowell's Op. 51 Woodland Sketches for piano published in 1896. MacDowell was an American composer and pianist of the Romantic period. This is an arrangement for trumpet and piano. Duration-1 minutes 15 seconds.
$5.00
4.6 €
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Trombone and Piano
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Edward MacDowell
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To a Wild Rose
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Jane Frasier
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SheetMusicPlus
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