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486 sheet music found
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U. F. O. A new & original 'Sci-Fi' stage musical
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Choral SATB
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INTERMEDIATE/ADVANCED
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Dennis A
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U. F. O. A new & original 'Sci
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Tyne Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.999346 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 107 pages. T...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.999346 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 107 pages. Tyne Music #5871343. Published by Tyne Music (A0.999346). U. F. O. : Is my newest sci-fi full length modern play in the TYNE ONSTAGE series of original musicals. I wrote this specifically for the senior students of the Performing Arts. It has many leading parts for both sexes and has a hint of the 60-70 style of writing found in those musicals of the times but modern in context. The story line includes opportunities for many individual performances covering song and dance numbers, group singing, contemporary dance, dramatic interludes and strong comedy parts. This is an original story taking a humorous look at a possible visitation from our space neighbours. The story begins with the arrival of GS2, an ‘Interstellar Space Surveyor’ on its mission to map this part of the Universe. Whilst reporting its position to the home base ‘Niva’, the surveyor informs them that one of the planets (Earth) appears to have intelligent life forms. On receiving this information Niva decides to dispatch a party of college students to study this unique planet, much to the annoyance of GS2 who take umbridge at being appointed, what he calls a Galactic Nanny! Events take a dramatic turn when the surveyor is called away on an ‘emergency rescue mission’ so has to beam the students down to planet Earth, where during transmutation, they are warned not to integrate with the population. But ‘students being students’ the consequences are both hilarious and profound.This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/u-f-oP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming senior student to take on.SONG TITLES 1) Earthbound 2) Hold the Front Page 3) Sex Talk 4) We’re In This Together 5) The Annual Bazaar 6) You Are Me 7) Body Talk 8) Bionic Love
$70.00
The Cottage Reel, or Margarett's Favourite
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Piano solo
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C
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C
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The Cottage Reel, or Margarett
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - Digital Download SKU: LV.17642 Composed by C. F. Fisher. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libra...
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Piano - Digital Download SKU: LV.17642 Composed by C. F. Fisher. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17642). The Cottage Reel, or Margarett's Favourite. Composed in imitation of the Lyre-Viole, or Hurdy-Gurdy, By C.F. Fisher. Published 1825 by John Cole in Baltimore. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Brass Quintet - Missa Brevis in F (A. Gabrieli)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Andrea Gabrieli
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Mike Lyons
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Brass Quintet - Missa Brevis i
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767575 Composed by Andrea Gabrieli. Arranged by Mike Lyons. Praise & Worsh...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767575 Composed by Andrea Gabrieli. Arranged by Mike Lyons. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 80 pages. Lyons Music Services #6421217. Published by Lyons Music Services (A0.767575). First published in 1565, this work is often referred to as either the Mass in F or the Missa Brevis. This version is missing the Credo so it's definitey the short one! I have arranged this for Brass quintet, with the bass and tenor parts occasionally being tacet. The original is only for 4 voices, so it took a little bit of real arranging to get it to work properly on quintet. Perfectly usable in a liturgical setting and equally at home on the concert stage. This is brand new and fresh. Andrea Gabrieli was, of course, the uncle of Giovanni Gabrieli and between them they made a huge change to the way music was viewed in the liturgy as well as at festivals and celebrations.
$15.00
My Friend Wears a Wide-Brimmed Hat
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Choral 2-part
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Amy F Bernon
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My Friend Wears a Wide-Brimmed
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Heritage Music Press
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SheetMusicPlus
2-part choir - Digital Download SKU: LX.15-1757H Composed by Amy F Bernon. Sing Out Series. Concert, General. Octavo. 8 pages. Heritage Music Press #e15/...
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2-part choir - Digital Download SKU: LX.15-1757H Composed by Amy F Bernon. Sing Out Series. Concert, General. Octavo. 8 pages. Heritage Music Press #e15/1757H. Published by Heritage Music Press (LX.15-1757H). UPC: 000308068573. Text: Laura Feldman.Whimsical, with a bright, flowing energy; a 'musical watercolor' about a friend's love of gardening and playing the piano.
$2.40
Fêtagérie
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Jazz
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J
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Fêtagérie
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Piano and Keyboard,Trumpet - Interactive Download SKU: A0.482461 Composed by J. Randolph Hall. This edition: Interact...
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Small Ensemble Bass Guitar,Drum Set,Piano and Keyboard,Trumpet - Interactive Download SKU: A0.482461 Composed by J. Randolph Hall. This edition: Interactive Download. Jazz. Score and parts. 22 pages. Duration 135. Published by J. Randolph Hall (A0.482461).
$5.00
Easy Organ Preludes - leichte Orgelpräludien | Der Tag mein Gott ist nun vergangen
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Organ
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EASY
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Sacred music
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Markus Dreja
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Markus Dreja
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Easy Organ Preludes - leichte
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Markus Dreja
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1297643 By Markus Dreja. By Sir Arthur Seymour Sullivan. Arranged by Markus Dreja. Christian,Classical,Praise ...
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Organ - Level 2 - Digital Download SKU: A0.1297643 By Markus Dreja. By Sir Arthur Seymour Sullivan. Arranged by Markus Dreja. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 2 pages. Markus Dreja #887645. Published by Markus Dreja (A0.1297643). Herzlich willkommen zu einem meiner Projekte für 2023. Ich komponiere zu bekannten Chorälen und Hymnen leicht zu erlernende Orgelpräludien und -intonationen, die vor, während und nach einem Gottesdienst, aber auch als Vorspiel/Nachspiel zu einem Gemeindelied, vorgetragen werden können. Mir ist es wichtig, dass diese Kompositionen für möglichst viele Organisten spielbar sind. Die neue Reihe geht weiter mit dem Choral DER TAG, MEIN GOTT, IST NUN VERGANGEN.------------------------Since this prelude is very independent, you can also use it in a variety of other suitable chorales. Welcome to one of my projects for 2023. I compose easy-to-learn preludes to well-known chorales and hymns, which can be performed before, during and after a service, but also as a prelude/postlude to a congregational song. It is important to me that these compositions can be played by many organists. The new series continues with the chorale THE DAY THOU GAVEST, LORD IS ENDED..
$4.99
Tannhäuser und der Sängerkrieg auf Wartburg
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Classical
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Richard Wagner
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Tannhäuser und der Sängerkri
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Schott Music - Digital
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SheetMusicPlus
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner....
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
Concerto for 3 Violins in F Major, RV 551
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Chamber Orchestra
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ADVANCED
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Classical
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 3 Violins in F Ma
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,Wor...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anˈtÉ”Ënjo ˈluËtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$30.00
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch
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jmsgu3
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SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Con...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon per Sonar à
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Des kleinen Friedrichs Geburtstag
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Classical
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Wolfgang Amadeus Mozart
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Des kleinen Friedrichs Geburts
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Soundnotation
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SheetMusicPlus
Piano, Instrument in C - Early Advanced - Digital Download SKU: 2S.4251133759655 KV 529. Composed by Wolfgang Amadeus Mozart. Classical. Score. 4 ...
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Piano, Instrument in C - Early Advanced - Digital Download SKU: 2S.4251133759655 KV 529. Composed by Wolfgang Amadeus Mozart. Classical. Score. 4 pages. Soundnotation #4251133759655. Published by Soundnotation (2S.4251133759655). This booklet contains the original sheet music for the classical piece - Des kleinen Friedrichs Geburtstag - (KV 529) by Wolfgang Amadeus Mozart for piano & instrument in C. Advanced level of difficulty in F major.
$3.95
Des kleinen Friedrichs Geburtstag
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Piano, Vocal and Guitar
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Des kleinen Friedrichs Geburts
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Soundnotation
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SheetMusicPlus
Piano, Vocal, Guitar - Early Advanced - Digital Download SKU: 2S.4251133759662 KV 529. Composed by Wolfgang Amadeus Mozart. Classical. Score. 5 pa...
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Piano, Vocal, Guitar - Early Advanced - Digital Download SKU: 2S.4251133759662 KV 529. Composed by Wolfgang Amadeus Mozart. Classical. Score. 5 pages. Soundnotation #4251133759662. Published by Soundnotation (2S.4251133759662). This booklet contains the original sheet music for the classical piece - Des kleinen Friedrichs Geburtstag - (KV 529) by Wolfgang Amadeus Mozart for piano and voice. Advanced level of difficulty in F major.
$3.95
Concerto in F Major
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Friedrich Wilhelm Heinrich Ben
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Concerto in F Major
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Schott Music - Digital
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SheetMusicPlus
Viola and strings with harpsichord; 2 horns ad libitum - intermediate to advanced - Digital Download SKU: S9.Q5669 Früher Georg Benda zugeschrieben...
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Viola and strings with harpsichord; 2 horns ad libitum - intermediate to advanced - Digital Download SKU: S9.Q5669 Früher Georg Benda zugeschrieben. Composed by Friedrich Wilhelm Heinrich Benda. This edition: piano reduction with solo part. Viola Library. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q5669. Published by Schott Music - Digital (S9.Q5669). Key: F major.The early classical concerto of Friedrich Wilhelm Heinrich Benda that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best advantage.
$17.99
Heroes of the American Revolution: 2nd F Horn
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Concert band
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Patriotic
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Jerry Brubaker
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Heroes of the American Revolut
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016793_H2 2nd F Horn. Composed by Jerry Brubaker. Patriotic. Part. 2 pages. Alfred Music - Digital ...
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Concert Band - Digital Download SKU: AX.00-PC-0016793_H2 2nd F Horn. Composed by Jerry Brubaker. Patriotic. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016793_H2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016793_H2). UPC: 038081507378.Representing a variety of crucial events chronologically leading up to the Revolutionary War, the musical canvas is vivid with the imagery of a new nation with each event staged. Perfect for a historical presentation with representative images projected on a screen. (5:30).
$3.00
Heroes of the American Revolution: 1st F Horn
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Concert band
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Patriotic
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Jerry Brubaker
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Heroes of the American Revolut
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016793_H1 1st F Horn. Composed by Jerry Brubaker. Patriotic. Part. 2 pages. Alfred Music - Digital ...
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Concert Band - Digital Download SKU: AX.00-PC-0016793_H1 1st F Horn. Composed by Jerry Brubaker. Patriotic. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016793_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016793_H1). UPC: 038081507378.Representing a variety of crucial events chronologically leading up to the Revolutionary War, the musical canvas is vivid with the imagery of a new nation with each event staged. Perfect for a historical presentation with representative images projected on a screen. (5:30).
$3.00
Pentagram: 1st F Horn
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Concert band
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Instructional
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Michael Story
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Pentagram: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017397_H1 1st F Horn. Composed by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digit...
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Concert Band - Digital Download SKU: AX.00-PC-0017397_H1 1st F Horn. Composed by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017397_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017397_H1). UPC: 038081518824.A pentagram is a five-sided star that has been a symbol believed to contain supernatural or spiritual properties. There's nothing supernatural about this tremendous introduction or reinforcement of 5/4 time for your developing band. Cast in a bold overture style, your students are able to easily grasp the time signature. Featuring a variety of styles and textures, this dynamic composition builds to a bold punctuated conclusion. (3:15).
$3.00
The High Priestess (for flute, violin, horn in F, & piano)
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Contemporary
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pa...
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Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00
Vivaldi - Allegro non molto from Winter (The Four Seasons) in F Minor - Advanced
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Vivaldi
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Piacere Music Sheets
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Vivaldi - Allegro non molto fr
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Piacere Music Sheets
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1169782 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,St...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1169782 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. 17 pages. Piacere Music Sheets #770145. Published by Piacere Music Sheets (A0.1169782). Opus/Catalog Number: Concerto No.4, Op. 8 (The Four Seasons), first movementKey/Tone: F minorMovements/Sections: Allegro non moltoYear/Date of Composition: 1723Difficulty: Grade 9/12 (Advanced)Obs.: This piece is part of Vivaldi's famous Four Seasons (Le quattro stagioni), a series of four concertos part of Il cimento dell'armonia e dell'inventione (The Contest of Harmony and Invention).Each concerto in the Four Seasons is associated to a sonnet probably written by Vivaldi. This score is an arrangement for violin and piano.Included: Full score and individual parts.
$3.95
Vivaldi - Allegro from Autumn (The Four Seasons) in F Major - Advanced
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Vivaldi
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Piacere Music Sheets
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Vivaldi - Allegro from Autumn
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Piacere Music Sheets
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1169734 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,St...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1169734 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. 17 pages. Piacere Music Sheets #770099. Published by Piacere Music Sheets (A0.1169734). Opus/Catalog Number: Concerto No.3, Op. 8 (The Four Seasons), first movementKey/Tone: F majorMovements/Sections: Allegro - Larguetto - Allegro assaiYear/Date of Composition: 1723Difficulty: Grade 9/12 (Advanced)Obs.: This piece is part of Vivaldi's famous Four Seasons (Le quattro stagioni), a series of four concertos part of Il cimento dell'armonia e dell'inventione (The Contest of Harmony and Invention).Each concerto in the Four Seasons is associated to a sonnet probably written by Vivaldi.This score is an arrangement for violin and piano.Included: Full score and individual parts.
$4.95
Harry Potter and the Order of the Phoenix, Selections from: 1st F Horn
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French horn (band part)
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Instructional
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_H1 1st F Horn. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagne...
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_H1 1st F Horn. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_H1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
Harry Potter and the Order of the Phoenix, Selections From: 1st F Horn
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Concert band
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Instructional
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0015694_H1 1st F Horn. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner....
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Concert Band - Digital Download SKU: AX.00-PC-0015694_H1 1st F Horn. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015694_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015694_H1). UPC: 038081314426.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series with the most dynamic tunes from Nicholas Hooper's brilliant film score. Masterfully arranged in this musical montage, they capture all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge and the Patronus Charm, with tunes entitled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages, it is especially scored for your young band. (2:56).
$3.00
Appalachian Tapestry: 2nd F Horn
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Concert band
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Instructional
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Douglas E
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Appalachian Tapestry: 2nd F Ho
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001684_H2 2nd F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - D...
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Concert Band - Digital Download SKU: AX.00-PC-0001684_H2 2nd F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001684_H2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001684_H2). UPC: 038081346007.Rich in musical heritage, Appalachian Tapestry warmly depicts five varied folk tunes representative of this region. The awesome beauty and grandeur of the Appalachian mountain range is presented through folk and fiddle tunes all intertwined in this musical journey. A cherished new setting sure to please. This title is available in SmartMusic.Concert/Contest.
$3.00
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