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Fa La La La La!: String Bass
Sheetmusic to print
16 sheet music found
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1
Deck The Halls- Violin, Viola, Cello , Double Bass with All Parts
String Orchestra
String Orchestra - Level 1 - Digital Download SKU: A0.895413 Arranged by Harry Seba…
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String Orchestra - Level 1 - Digital Download SKU: A0.895413 Arranged by Harry Sebastian. Children,Christian,Christmas. Score and parts. 6 pages. Harry Sebastian #6102461. Published by Harry Sebastian (A0.895413). Deck The Halls- Violin, Viola, Cello , Double Bass with All PartsThe famous chorus ‘fa la la la la’ may date to the medieval period, while the modern English lyrics were written by Scottish musician Thomas Oliphant in 1862. The melody comes from a traditional Welsh carol Nos Galan, a traditional New Year’s Eve ballad. The plural of ‘hall’ was first published in 1892
$3.99
3.67 €
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String Orchestra
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Deck The Halls- Violin, Viola, Cello , Double Bass with All Parts
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Harry Sebastian
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SheetMusicPlus
Fa La La La La!: String Bass
Choir - Digital Download SKU: AX.00-PC-0018883_SB Instructional. 2 pages. Alfred Mu…
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Choir - Digital Download SKU: AX.00-PC-0018883_SB Instructional. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0018883_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018883_SB). UPC: 038081535739.
$3.00
2.76 €
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Fa La La La La!: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Deck The Hall - String Instrumental Pack
Large Ensemble Cello,Double Bass,Multi-Percussion,Violin - Level 3 - Digital Download S…
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Large Ensemble Cello,Double Bass,Multi-Percussion,Violin - Level 3 - Digital Download SKU: A0.927813 Composed by Traditional. Arranged by EDDY CLEMENT. Christmas. Score and parts. 8 pages. Eddy Clement #5755467. Published by Eddy Clement (A0.927813). STRING INSTRUMENTAL PACK: This set of individual parts was created to accompany the S(S)ATB and/or TTBB Choral arrangements of Deck The Hall by EDDY CLEMENT. Violin, Cello, Percussion (Glock., Triangle, Sus. Cymbal), String Bass.This arrangement of the Traditional Deck The Hall breathes new life into the Holiday classic. Easily accessible voice parts will sing solidly with your ensembles. The sophisticated Fa, la, la... chorus is playful and is skillfully used as an overlay with the third verse of the carol. A great concert Opener or Closer! Available in S(S)ATB and TTBB voicings, these can be used separately or together for massed choir settings. Accompaniment can be Piano only, or any one of the Instrumental Packs (Winds, Strings and/or Brass [Brass orchestration by KEVIN ROBISON]). Unlike the Choral voicings, the Instrumental Packs should not be combined.
$20.00
18.42 €
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Traditional
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Deck The Hall - String Instrumental Pack
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Eddy Clement
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.32 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, percussion parts + harp and contrabass par
Concert band
Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Bren…
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Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 36 pages. Musik Fabrik Music Publishing #62099. Published by Musik Fabrik Music Publishing (A0.540713). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains the percussion, harp, and contrabass parts. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available The fullscore is available as a seperate item..
$19.95
18.37 €
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Concert band
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, score
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet…
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Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 39 pages. Musik Fabrik Music Publishing #62093. Published by Musik Fabrik Music Publishing (A0.540710). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item is the full score. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available.
$19.95
18.37 €
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Concert band
#
Therese Brenet
#
Thérèse Brenet:
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, woodwind parts
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.540712 Composed by Therese Brenet…
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Concert Band - Level 4 - Digital Download SKU: A0.540712 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 92 pages. Musik Fabrik Music Publishing #62097. Published by Musik Fabrik Music Publishing (A0.540712). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains all of the woodwind parts The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available. The full score is available as a seperate item.
$59.95
55.2 €
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Concert band
#
Therese Brenet
#
Thérèse Brenet:
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Deck The Hall - Winds Instrumental Pack
Small Ensemble Clarinet,Double Bass,Multi-Percussion,Oboe,Synthesizer - Level 3 - Digital …
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Small Ensemble Clarinet,Double Bass,Multi-Percussion,Oboe,Synthesizer - Level 3 - Digital Download SKU: A0.927814 Composed by Traditional. Arranged by EDDY CLEMENT. Christmas. Score and parts. 19 pages. Eddy Clement #5755419. Published by Eddy Clement (A0.927814). WINDS INSTRUMENTAL PACK: This set of Score and individual parts was created to accompany the S(S)ATB and/or TTBB Choral arrangements of Deck The Hall by EDDY CLEMENT. Oboe (or Bb Clarinet), Synthesizer (Strings), Percussion (Glock., Triangle, Sus. Cymbal), String Bass.This arrangement of the Traditional Deck The Hall breathes new life into the Holiday classic. Easily accessible voice parts will sing solidly with your ensembles. The sophisticated Fa, la, la... chorus is playful and is skillfully used as an overlay with the third verse of the carol. A great concert Opener or Closer! Available in S(S)ATB and TTBB voicings, these can be used separately or together for massed choir settings. Accompaniment can be Piano only, or any one of the Instrumental Packs (Winds, Strings and/or Brass [Brass orchestration by KEVIN ROBISON]). Unlike the Choral voicings, the Instrumental Packs should not be combined.
$25.00
23.02 €
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Traditional
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Deck The Hall - Winds Instrumental Pack
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Eddy Clement
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.61 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Deck The Hall - Brass Instrumental Pack
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.927815 Composed by Traditional.…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.927815 Composed by Traditional. Arranged by EDDY CLEMENT. Christmas. Score and parts. 31 pages. Eddy Clement #5755473. Published by Eddy Clement (A0.927815). BRASS INSTRUMENTAL PACK: This set of Score and individual parts was created to accompany the S(S)ATB and/or TTBB Choral arrangements of Deck The Hall by EDDY CLEMENT. This Brass Orchestration by KEVIN ROBISON. Horn in F, Trumpet 1 Bb, Trumpet 2 Bb, Trombone, Tuba, Percussion (Glock., Triangle, Sus. Cymbal), String Bass.This arrangement of the Traditional Deck The Hall breathes new life into the Holiday classic. Easily accessible voice parts will sing solidly with your ensembles. The sophisticated Fa, la, la... chorus is playful and is skillfully used as an overlay with the third verse of the carol. A great concert Opener or Closer! Available in S(S)ATB and TTBB voicings, these can be used separately or together for massed choir settings. Accompaniment can be Piano only, or any one of the Instrumental Packs (Winds, Strings and/or Brass [Brass orchestration by KEVIN ROBISON]). Unlike the Choral voicings, the Instrumental Packs should not be combined.
$35.00
32.23 €
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Brass ensemble
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Traditional
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Deck The Hall - Brass Instrumental Pack
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Eddy Clement
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SheetMusicPlus
Il volo dell'albatros (Oltre ogni limite)
Piano solo
Piano Solo - Digital Download SKU: A0.976845 Composed by Monica Bergo. Spiritual. S…
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Piano Solo - Digital Download SKU: A0.976845 Composed by Monica Bergo. Spiritual. Score. 6 pages. Monica Bergo #3236707. Published by Monica Bergo (A0.976845). 2017 Holiday Contest EntryIl volo dell’albatros (oltre ogni limite) Vento che va ,Portami al margine della città E piano volerò ,In libertà Come un albatros , Via da qua Da solo oltre ogni limite, ferita dentro l’anima Inchiodami al mio ruolo e poi di nuovo fuggirò Non puoi ancora nascondermi Non riesco ormai più a fingere Non posso ancora chiedermi se fosse tutto qua? Costringimi a planare qui Guardando questa umanità Inchiodami alla realtà e piano morirò Con l’apertura d’ali mia, la più maestosa che ci sia Le navi accompagnerò ,la brezza io respirerò Per non scordare mai le origini del mare In volo come un albatros non mi potrai fermare Mi sento irraggiungibile, volando tra le nuvole Così inavvicinabile persino dai miei simili Ma spiegami perché mi spingo oltre ogni limite Sfruttando la corrente ,seguendo l’orizzonte Ricordi l’altalena non volava così in alto La giostra che girava mi inchiodava a quel tuo sguardo E come un albatros ferito che non può più volare Inseguo quel cielo infinito ma non mi può bastare Mia madre mi diceva non ti abbiamo mai voluta, sei stata un incidente, una cura mal riuscita e come un albatros ferito che annaspa nel dolore alla ricerca di quel nido e di un po’ di calore Raggiungerò quell’orizzonte e poi scomparirò come questo tempo mio che se ne va ,polvere e cenere poi resterà ma ora sono un albatros, fendendo l’aria intorno a me oltre qualsiasi limite io mi ritroverò creatura invulnerabile tutti in all’erta i sensi miei non potrai più sorprendermi, eterno è il volo mio più non maledirò il volo mio pindarico mi annullo e poi risorgo , come fenice al nuovo giorno Precipito nel baratro di questa solitudine che strano girotondo all’inferno e poi ritorno abbasserò le ali e poi il capo io reclinerò e fiero come nacqui io nel nulla sparirò……. La morte che ti culla come l’onda fa col mare Ricordati, ti prego, il segreto per planare E come un albatros ferito, solo col suo dolore Oltre ogni limite e confine ritornerò a volare…. Monica Bergo
$3.99
3.67 €
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Piano solo
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Monica Bergo
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Il volo dell'albatros
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Monica Bergo
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SheetMusicPlus
"El Zorzal" Concierto homenaje a Carlos Gardel - MELODIA DE ARRABAL
Accordion,Arco Bass,Cello,Piano,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0…
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Accordion,Arco Bass,Cello,Piano,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0.1381382 By Carlos Gardel. By A. Le Pera - M. Battistella and Carlos Gardel. Arranged by Alexis Galfre. Latin,Multicultural,World. 23 pages. Alexis Galfre #966094. Published by Alexis Galfre (A0.1381382). Gardel's melody that embellishes the verses of Le Pera and Battistella. Another of the songs that is part of the tribute concert to Carlos Gardel, arranged for piano, bandoneon, strings and singer (or solo instrument).MelodÃa de Gardel que embellece los versos de Le Pera y Battistella. Otra de las canciones que forma parte del concierto homenaje a Carlos Gardel, arreglada para piano, bandoneón, cuerdas y cantante (o instrumento solista).La melodia di Gardel che impreziosisce i versi di Le Pera e Battistella. Un'altra delle canzoni che fa parte del concerto tributo a Carlos Gardel, arrangiata per pianoforte, bandoneon, archi e cantante (o strumento solista).
$9.90
9.12 €
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Carlos Gardel
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"El Zorzal" Concierto homenaje a Carlos Gardel - MELODIA DE ARRABAL
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Alexis Galfre
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SheetMusicPlus
"El Zorzal" Concierto homenaje a Carlos Gardel - SUEÑO DE JUVENTUD
Accordion,Arco Bass,Cello,Piano,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0…
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Accordion,Arco Bass,Cello,Piano,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0.1380107 By Carlos Gardel. By Enrique Santos Discépolo. Arranged by Alexis Galfre. Multicultural,World. Score and parts. 27 pages. Alexis Galfre #964820. Published by Alexis Galfre (A0.1380107). Work by the great Enrique Santos Discépolo popularized by the voice of Carlos Gardel and arranged, on this occasion, for piano, bandoneon, strings and singer. This is one of the works that is part of the tribute concert to Carlos Gardel.Obra del gran Enrique Santos Discépolo popularizada por la voz de Carlos Gardel y arreglada, en esta ocasión, para piano, bandoneón, cuerdas y cantante. Esta es una de las obras que forma parte del concierto homenaje a Carlos Gardel.Opera del grande Enrique Santos Discépolo resa popolare dalla voce di Carlos Gardel e arrangiata, in questa occasione, per pianoforte, bandoneon, archi e cantante. Questa è una delle opere che fa parte del concerto tributo a Carlos Gardel.
$9.90
9.12 €
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Carlos Gardel
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"El Zorzal" Concierto homenaje a Carlos Gardel - SUEÑO DE JUVENTUD
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Alexis Galfre
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SheetMusicPlus
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