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Far Away From Me
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You've selected:
Far Away From Me
Sheetmusic to print
82 sheet music found
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1
26
51
76
Some Day You Will Ask Me to Come Back
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Piano, Voice
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Ellis R
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Some Day You Will Ask Me to Co
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.7045 Composed by Ellis R. Ephraim. Courtship, Love, Gifts, Sadness, Farewells. Lester S. Levy Collection. 4 pa...
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Piano and voice - Digital Download SKU: LV.7045 Composed by Ellis R. Ephraim. Courtship, Love, Gifts, Sadness, Farewells. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7045). Some Day You Will Ask Me to Come Back. The Greatest Success of the Season. Words by Jean C. Havez. Music by Ellis R. Ephraim. Published 1900 by Ellis R. Ephraim in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Gifts, Sadness, Farewells. First line reads In a little country town, far away from city strife, lived a lad who loved a lassie pure as gold.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Far Away - Remix (feat. Holiyo)
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Jazz combo
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INTERMEDIATE/ADVANCED
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Gbērē Dodoh and Holiyo
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Far Away - Remix
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Combo - Level 4 - Digital Download SKU: A0.1456565 By Gbērē Dodoh and Holiyo. By Holyone Tombari Dodoh. Broadway,Classical,Contemporary,Jazz,Music...
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Jazz Combo - Level 4 - Digital Download SKU: A0.1456565 By Gbērē Dodoh and Holiyo. By Holyone Tombari Dodoh. Broadway,Classical,Contemporary,Jazz,Musical/Show,Romantic Period. 28 pages. Holyone Tombari Dodoh #1035640. Published by Holyone Tombari Dodoh (A0.1456565). Score and parts included in the PDF.Lyrics:My belov'd, I'll never feel lonely within.Oh, my dear love, You may never know a true love.Far away, Far away, Not away from my heart.Not away from my own heart.Far away!Far away?Look through your heart, You'd see, You'd care, You'd love.I tell you, My dear best friend, I see, I care, (Far away?)I love. (Far away?)I think of you, Think of me.My baby, I love you. You may never know What true love feels like.Your soul dwells in me.In far away land?Oh!!!Oh, my dear love, You may never know a true love. In far away, You'd miss true love.Oh, my belov'd! I'll never feel lonely within!Far away?Far away, Not away from my heart.Not away from my own heart.Far away, Far away.
$6.70
So Far Away
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Carole King
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Paul Cowell
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So Far Away
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Paul Cowell
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.837153 By Carole King. By Carole King. Arranged by Paul Cowell. Contemporary,Pop. Scor...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.837153 By Carole King. By Carole King. Arranged by Paul Cowell. Contemporary,Pop. Score and parts. 13 pages. Paul Cowell #3479289. Published by Paul Cowell (A0.837153). So far away is a track from the 1971 album Tapestry by Carole King. It is a gentle ballad about a lover who is far away, ideal for weddings and other quiet occasions.Carole King wrote or co-wrote all of the songs on Tapestry, several of which had already been hits for other artists such as Aretha Franklin's (You Make Me Feel Like) A Natural Woman and The Shirelles' Will You Love Me Tomorrow (in 1960). Rod Stewart made a cover version of So far away in 1995.
$12.99
Long Ago (and Far Away)
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Melody line, (Lyrics) and Chords
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INTERMEDIATE/ADVANCED
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(1946) when it was sung by Kat
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Ira Gershwin and Jerome Kern
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John Fries
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Long Ago
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.499866 Composed by Ira Gershwin and Jerome Kern. Arranged by John Fries. 20th Century,Jazz,Standards. L...
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C Instrument - Level 4 - Digital Download SKU: A0.499866 Composed by Ira Gershwin and Jerome Kern. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113132. Published by John Fries (A0.499866). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Long Ago (and Far Away) is a popular song with music by Jerome Kern, and lyrics about nostalgia by Ira Gershwin from the 1944 Technicolor film musical Cover Girl starring Rita Hayworth and Gene Kelly and released by Columbia Pictures. The song was nominated for the Academy Award for Best Original Song in 1944. The song was used in the film Till the Clouds Roll By (1946) when it was sung by Kathryn Grayson.
$3.99
Long Ago And Far Away
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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(1946) when it was sung by Kat
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Wolfgang Muermann
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John Fries
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Long Ago And Far Away
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197480 Composed by Wolfgang Muermann. Arranged by John Fries. 20th Century,Broadway,Film/T...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197480 Composed by Wolfgang Muermann. Arranged by John Fries. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. Score. 1 pages. John Fries #796654. Published by John Fries (A0.1197480). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Long Ago (and Far Away) is a popular song with music by Jerome Kern, and lyrics about nostalgia by Ira Gershwin from the 1944 Technicolor film musical Cover Girl starring Rita Hayworth and Gene Kelly and released by Columbia Pictures. The song was nominated for the Academy Award for Best Original Song in 1944. The song was used in the film Till the Clouds Roll By (1946) when it was sung by Kathryn Grayson.
$4.99
You Know Me
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Andrew Mc Donald
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You Know Me
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841988 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841988 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3480449. Published by Andrew Mc Donald (Macka Records) (A0.841988). You Know Me is a song about the Lord percieving all our thoughts and actions. He knows when we sit and when we rise. Where can we go from Him to escape His presence? If we go further than the deepest oceans He is there.If we go as far as the highest mountains He is there.We can't get away from Him He knows us.
$4.99
Farewell
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Piano solo
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INTERMEDIATE/ADVANCED
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Film/TV
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Rada Neal
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Rada Neal
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Farewell
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rada neal-pianopassions
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1345921 By Rada Neal. By Rada Neal. Arranged by Rada Neal. Classical,Contemporary,Film/TV. Score. 3 pages...
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Piano Solo - Level 4 - Digital Download SKU: A0.1345921 By Rada Neal. By Rada Neal. Arranged by Rada Neal. Classical,Contemporary,Film/TV. Score. 3 pages. Rada neal-pianopassions #930805. Published by rada neal-pianopassions (A0.1345921). A beautiful song written in D inspired by a poem from my friend Carol Ellis. A poem she wrote because we were moving away from an idyllic small town which was for me the inspiration to begin writing piano music.
$4.99
Four Favorite Hymns from the Movie - "Stars In My Crown"
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Sacred music
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John R
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Ginny Saltzman
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Four Favorite Hymns from the M
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Ginny's House of Music
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Low...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
Celtiberian Landscape For Harp And Orquestra
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Orchestra
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EASY
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Lu...
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
A Call from Afar
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Contemporary
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Graham Hickey
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A Call from Afar
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Graham Hickey
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Cornet,Flute,Horn,Oboe,Piano Accompaniment,Tenor Saxophone,Trumpet - Level 2 - Digital Download SKU: A0.998307 Com...
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Large Ensemble Alto Saxophone,Clarinet,Cornet,Flute,Horn,Oboe,Piano Accompaniment,Tenor Saxophone,Trumpet - Level 2 - Digital Download SKU: A0.998307 Composed by Graham Hickey. Classical,Contemporary. Score and parts. 36 pages. Graham Hickey #6273521. Published by Graham Hickey (A0.998307). A three movement solo for Bb trumpet/cornet or other suitable instrument with piano accompaniment - mixed ensemble available on request. A fairly easy solo but with much movement for expression. (about Grade 5 standard). Suitable for Concerts and Reflective worship.1: Elegy for the lost, 2: Hope for a future 3: A place for all.This solo came about as I reflected on the past year as a muscian thinking about all the friends that I have missed seeing and performing with, but also the joy that we will all have when we once again perform together. My faith gives me hope that there is a place for all and so everyone we have lost this year and in past years we will see once more and every tear shall be wiped away. (rev 21:4)The solo was improvised and recorded first and then later the accompaniment was added.
$11.99
The Sands of Waikiki
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C Instruments
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INTERMEDIATE
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John Meola Lindhorst
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The Sands of Waikiki
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John Meola Lindhorst
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1219699 Composed by John Meola Lindhorst. Broadway,Contemporary,Film/TV,Musical/Show,Pop,Singer/Songwri...
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C Instrument - Level 3 - Digital Download SKU: A0.1219699 Composed by John Meola Lindhorst. Broadway,Contemporary,Film/TV,Musical/Show,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. John Meola Lindhorst #816064. Published by John Meola Lindhorst (A0.1219699). I walk alone on the sands of Waikiki, since the day you sailed away from me.   This stunning original ballad captures the profound feeling of being far away from someone you love and it evokes the intense longing to be with them once again. The melody of this song is certain to inspire thoughts of that special someone. The lyrics will foster images of a special place where every gentle wave and every warm tropical breeze reminds you of the one you love. Throughout the music, there is the enduring dream that one day soon your love will return. The emotional words and lyrical melody were inspired by world famous Waikiki Beach. The story is a true one, written from the heart in Hawaii, the land of Aloha.
$4.99
Greek folk song: DZIVAERI MOU
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Choral SATB
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EASY
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Folkloric/Traditional
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Greek folk song
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Marilena Zlatanou
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Greek folk song: DZIVAERI MOU
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1343503 Composed by Greek folk song. Arranged by Marilena Zlatanou. Traditional. 7 pages....
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1343503 Composed by Greek folk song. Arranged by Marilena Zlatanou. Traditional. 7 pages. Marilena Zlatanou #929031. Published by Marilena Zlatanou (A0.1343503). GREEK FOLK SONG: DZIVAERI MOU (my precious jewel)arranged for soloist, SATB choir, and piano Traditional song from the Dodecanese islands and Asia Minor, inspired by the need for many to seek a life elsewhere during times of hardship and poverty: There are many Greek folk songs describing the sorrows of being far away from home, or, as in this case, the mother of a migrant is lamenting the separation from her child.duration: 2'50'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.net As a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$15.00
Greek folk song: YIANI MOU TO MANDILI SOU
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Choral SATB
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INTERMEDIATE
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Folkloric/Traditional
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Greek folk song
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Marilena Zlatanou
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Greek folk song: YIANI MOU TO
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1343431 Composed by Greek folk song. Arranged by Marilena Zlatanou. Traditional. 10 pages...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1343431 Composed by Greek folk song. Arranged by Marilena Zlatanou. Traditional. 10 pages. Marilena Zlatanou #928957. Published by Marilena Zlatanou (A0.1343431). GREEK FOLK SONG: YIANIS DEAREST, YOUR HANDKERCHIEF... (Yianni mou, to mandili sou) arrangement for SATB choir and pianoTraditional song from Epirus (NW Greece), inspired by the need for many to seek a life elsewhere during times of hardship and poverty: One of many songs describing the sorrows of being far away from home. Yiannis is a common male Greek name.duration: 2'50'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$15.00
爱你有多深 How Much Do I Love You
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C Instruments
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BEGINNER
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City Harvest Church Lee Seow T
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City Harvest Church Lee Seow T
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爱你有多深 How Much Do I
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Steven See
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SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1504195 By City Harvest Church Lee Seow Ting. By City Harvest Church Lee Seow Ting. Arranged by City Ha...
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C Instrument - Level 1 - Digital Download SKU: A0.1504195 By City Harvest Church Lee Seow Ting. By City Harvest Church Lee Seow Ting. Arranged by City Harvest Church Lee Seow Ting. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1079649. Published by Steven See (A0.1504195). VERSE我问这一生 爱你有多深献上我所有 在你同在我满心感恩我只想永远 坐在你的脚前即使我软弱 你的爱从不曾走远CHORUS我深深爱你耶稣更深爱慕你耶稣带我进入 你更深爱里 我渴慕着你耶稣更深渴慕你耶稣让我亲近 更贴近你心BRIDGE爱你就像呼吸没有你 我心无法言喻我要更多有你将生命 全然献上给你VERSEI’ve ever wonderedHow much I love YouEvery day I standIn Your presenceGiving all to YouI never want toBe far away from YouWhen I go astrayI find Your loveReaching out to meCHORUSJesus I’m in love with YouJesus I’m in love with YouTake me deeperDeeper in love with YouJesus I want more of YouJesus I want more of YouDraw me closerCloser to Your heartBRIDGEHow much do I love YouSo much thatMy heart can’t live withoutHow much do I want YouSo much thatI’ll give my life for You.
$3.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
O LA, O CHE BON ECCHO (Orlando di Lasso) for Brass Quartet and Wind Band
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Concert band
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EASY
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Orlande De Lassus
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Ivan Marini
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O LA, O CHE BON ECCHO
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www.dalsegno.eu
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,...
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Concert Band - Level 2 - Digital Download SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,Sacred,World. Score and parts. 39 pages. Www.dalsegno.eu #3867431. Published by www.dalsegno.eu (A0.770366). The most famous Renaissance choral piece for two antiphonal ensembles finally arranged for Winds and Percussions, featuring a Brass Quartet (two trumpets and two trombones).This enjoyable concert piece is also useful to develope tone quality, intonation, phrasing and expression of every ensemble.Even smaller groups and young bands can perform this piece, because the four original parts are mostly doubled. The difficulty grade is very reasonable.Every conductor will take advantage of the performance stage/location, staging the better arrangement for the four solists (plus opt. Tenor Drums) and the ensemble.The soloist should stay, generally speaking, far away from the audience to emphasize the echo effect.A piano part (reduction of the ensemble) is also included, for both performance and rehearsal.Complete set with score and parts: Solos (Trumpet 1+2, Trombone 1+2),Piccolo, Flute 1+2, Oboe (or Soprano sax), Bassoon,Clarinets 1+2+3+bass, Saxes AATB,Trumpets/Cornets 1+2+3, F/Eb Horn, Trombones 1+2+3,Euphonium/Baritone BC+TC, Tuba, String Bass,Piano, Timpani, Side Drum(s), Tenor Drum(s).Other transpositions (e.g. Bb Trombones TC) available for free at simply requestDuration ca. 3 mins., 39 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$9.99
Variations with Haydn
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Piano solo
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ADVANCED
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Stefan Heucke
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Variations with Haydn
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - Digital Download SKU: S9.Q47140 For piano. Composed by Stefan Heucke. This edition: single sheet. Downloadable, Separate editi...
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Piano - difficult - Digital Download SKU: S9.Q47140 For piano. Composed by Stefan Heucke. This edition: single sheet. Downloadable, Separate edition. Op. 85. Duration 25 minutes. Schott Music - Digital #Q47140. Published by Schott Music - Digital (S9.Q47140). The President of the German Bundestag, Norbert Lammert, asked me to compose a piano work which should relate to the German anthem and was to be performed for the first time on the occasion of his retirement from political activities in autumn 2017. The title Variationen mit Haydn [Variations with Haydn] illustrates that Haydn's own variations on his hymn are part of the work, yet are modified immediately upon appearance. The piece consists of the theme as set by Haydn, four groups of four variations each, with the first of each variation being audibly close to Haydn, while the others gradually move farther away from him. The theme reappears in the coda very softly and pensively – damaged, yet not broken. Stefan Heucke.
$24.99
Jamaica
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Jazz Ensemble
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INTERMEDIATE
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Michael Drake
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Kevin Carberry
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Jamaica
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1350509 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Contemp...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1350509 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Singer/Songwriter. 89 pages. Michael Gene Drake #935321. Published by Michael Gene Drake (A0.1350509). Jamaica - from the CD SAZZUNK, is a Tropical composition featuring a vocalist but this arrangement has the melody written for Trumpet solo. Simple Tropical Rhythm accents for the horns in the background augment and compliment the flavor for the melody. The soring solos are transcribed so hang on to your hat as it ends with a wild and crazy line for everyone to play! Modulations of the melody push it into new levels of heat followed by a more blazing hot solo at the end!LYRICSI’ve gone away, far away, to find my love in Jamaica,The sky was red, like my love, She’s gone away to the island,I’ll look for her, in the wind,That’s where she left her love for me,And though it might take for ever,My love for her flows endlessly,Chasin’ all my dreams, as far as they may go,You’re the one I love and you’re the one I need.I’ve gone away far away, to find my love in Jamaica,She was to me loves breath of live,Without her I’m not whole,I was to her, I thought the same,She left me amidst the game,Is there no hope for a man, Who’s lost his love to the windÂ
$35.00
St. Louis Blues
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Piano solo
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ADVANCED
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W
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Timothy Stapay
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St. Louis Blues
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standard...
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Piano Solo - Level 5 - Digital Download SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #820575. Published by Timothy Stapay (A0.1224471). This arrangement of St. Louis Blues is written as performed by piano artist, Liberace. He performed this on his t.v. show and record albums. The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Liberace, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it. Lyrics:I hate to see that evening sun go down, I hate to see that evening sun go down, 'Cause my lovin' baby done left this town. If I feel tomorrow, like I feel today, If I feel tomorrow, like I feel today, I'm gonna pack my trunk and make my getaway. Oh, that St. Louis woman, with her diamond rings, She pulls my man around by her apron strings. And if it wasn't for powder and her store-bought hair, Oh, that man of mine wouldn't go nowhere. I got those St. Louis blues, just as blue as I can be, Oh, my man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I love my man like a schoolboy loves his pie, Like a Kentucky colonel loves his rocker and rye I'll love my man until the day I die, Lord, Lord. I got the St. Louis blues, just as blue as I can be, Lord, Lord! That man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I got those St. Louis blues, I got the blues, I got the blues, I got the blues, My man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me, Lord, Lord!Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99
How Can I Serve Thee Lord? - sacred music for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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How Can I Serve Thee Lord? - s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1461686 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Wors...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1461686 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #1040433. Published by Kevin G. Pace (A0.1461686). Gorgeous, sacred choral anthem with music composed by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
$1.99
How Can I Serve Thee Lord? - a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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How Can I Serve Thee Lord? - a
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1439299 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Wors...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1439299 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1019306. Published by Kevin G. Pace (A0.1439299). A beautiful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
$1.99
CASSANDRA'S VISION
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Violin and Piano
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Contemporary
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Mo...
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period...
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score an...
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Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Monteverdi - The Fourth Book of Madrigals (Complete)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fourth Book o
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. All 20 madrigals are here: 1. Ah! Dolente Partita – Oh, Sweet Parting!2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you. 3. Cor Mio Non Mori? E Mori – My heart did not die? And it died4. Sfogava con le stelle – He dallied with the stars 5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining 6. Anima mia perdona – My soul forgives 7. Che se tu se ' il cor mio – That if you are as good as my heart 8. Luci Serene e Chiare – Lights, serene and clear 9. La piaga c'ho nel core – The plague is in the heart 10. Voi pur da me partite – You do not mind me, though 11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes 12. Ohime se Tanto Amate – Alas! If you like it too much 13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing 14. Quel Augellin Che Canta – That little bird that sings 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes 16. Si Ch'io Vorrei Morire – How I want to die 17. Anima Dolorosa – Suffering soul that lives so much pain and torment 18. Anima Del Cor Mio – My soul’s heart 19. Longe da Te Cor Mio – Stay away from me 20. Piagne e Sospira – He drinks and sighs Parts are supplied to suit flexible brass or wind (or both) quintets as follows:Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)
$125.00
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