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Festival Capriccio
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You've selected:
Festival Capriccio
Sheetmusic to print
39 sheet music found
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1
26
Capriccio
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Lynn L
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Capriccio
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Lynn L. Petersen
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.973252 Composed by Lynn L. Petersen. 20th Century,Classical,Contemporary,Contest,Festival. Score and par...
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Flute,Piano - Level 4 - Digital Download SKU: A0.973252 Composed by Lynn L. Petersen. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 19 pages. Lynn L. Petersen #6294001. Published by Lynn L. Petersen (A0.973252). Capriccio is a composition in one movement for flute and piano, 4-5 minutes in duration. I composed Capriccio in 1986 while I was in graduate school at the University of Minnesota. It was first performed by several students at recitals and studio classes. The form is sonata-allegro. The first theme utilizes irregular, fragmented ideas passing back and forth between the flute and piano. The second theme consists of long, lyrical lines in the flute complemented by a syncopated pattern in the piano. Capriccio may be performed as a solo piece or paired with its companion piece, Pastorale.
$9.99
Capriccio in F - For Solo B Flat Clarinet and Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Raymond Fenech
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Raymond Fenech
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Capriccio in F - For Solo B Fl
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Raymond Fenech
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.759849 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contemporary,Contest,Easter,Fes...
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.759849 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contemporary,Contest,Easter,Festival,Holiday,Instructional. Score and part. 28 pages. Raymond Fenech #3382427. Published by Raymond Fenech (A0.759849). Capriccio in F was composed for Solo Violin and Piano and later arranged for Solo Clarinet and Piano. The Level is advance Intermediate and the duration is approximately 5 minutes. It could be played in any type of recital/concert.
$6.50
Capriccio in F - For Solo Flute and Piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Raymond Fenech
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Raymond Fenech
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Capriccio in F - For Solo Flut
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Raymond Fenech
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.759848 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contemporary,Contest,Easter,Festival,Holi...
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Flute,Piano - Level 4 - Digital Download SKU: A0.759848 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contemporary,Contest,Easter,Festival,Holiday,Instructional. Score and part. 25 pages. Raymond Fenech #3382389. Published by Raymond Fenech (A0.759848). Capriccio in F was composed for Flute Solo and Piano. The Level is advance Intermediate and the duration is approximately 5 minutes. It could be played in any type of recital/concert.
$6.00
"Capriccio in F" - for Solo Viola and Piano.
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Raymond Fenech
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Raymond Fenech
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"Capriccio in F" - for Solo Vi
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Raymond Fenech
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.759851 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contemporary,Contest,Easter,Festival,Holi...
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Piano,Viola - Level 4 - Digital Download SKU: A0.759851 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contemporary,Contest,Easter,Festival,Holiday,Instructional. Score and part. 28 pages. Raymond Fenech #3384737. Published by Raymond Fenech (A0.759851). Capriccio in F was composed for Solo Viola and Piano. The Level is advance Intermediate and the duration is approximately 5 minutes. It could be played in any type of recital/concert.
$6.00
Capriccio in F - Solo Bb Trumpet and Piano - Advanced Intermediate level
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Trumpet, Piano
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INTERMEDIATE/ADVANCED
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Raymond Fenech
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Raymond Fenech
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Capriccio in F - Solo Bb Trump
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Raymond Fenech
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SheetMusicPlus
Small Ensemble Piano,Trumpet - Level 4 - Digital Download SKU: A0.760636 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contemporary,Contest,Eas...
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Small Ensemble Piano,Trumpet - Level 4 - Digital Download SKU: A0.760636 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contemporary,Contest,Easter,Festival,Holiday,Instructional. Score and part. 26 pages. Raymond Fenech #5731315. Published by Raymond Fenech (A0.760636). Capriccio in F was composed for Solo Violin and Piano and later arranged for Solo Bb Trumpet and Piano. The Level is advance Intermediate and the duration is approximately 5 minutes. It could be played in any type of recital/concert.
$6.50
Rondo a Capriccio, op. 129 - Flute Solo
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Flute and Piano
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EASY
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Classical
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Ludwig van Beethoven
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Lynette Auberjeunois
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Rondo a Capriccio, op. 129 - F
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Flute Files Publishing
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.1237976 Composed by Ludwig van Beethoven. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Fe...
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Flute,Piano - Level 2 - Digital Download SKU: A0.1237976 Composed by Ludwig van Beethoven. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Festival,Wedding. Score and part. 6 pages. Flute Files Publishing #833442. Published by Flute Files Publishing (A0.1237976). Rondo a Capriccio, op. 129 flute solo sheet music. Composed by Ludwig van Beethoven. Arranged by Lynette Auberjeunois for late beginner/early intermediate level. Download includes a one page flute solo and a two page piano score. Key: Eb. Range: G1 to Eb3. Flute Files Publishing (CL60-1021).
$2.99
Capriccio Italien Theme - Flute Duet and Piano
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2 Flutes (duet)
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BEGINNER
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Classical
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Peter Ilyich Tchaikovsky
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Lynette Auberjeunois
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Capriccio Italien Theme - Flut
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Flute Files Publishing
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SheetMusicPlus
Flute Duet Flute - Level 1 - Digital Download SKU: A0.1285696 Composed by Peter Ilyich Tchaikovsky. Arranged by Lynette Auberjeunois. Chamber,Classical,C...
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Flute Duet Flute - Level 1 - Digital Download SKU: A0.1285696 Composed by Peter Ilyich Tchaikovsky. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Festival. Score. 8 pages. Flute Files Publishing #876791. Published by Flute Files Publishing (A0.1285696). Capriccio Italien Theme flute duet and piano sheet music. Composed by Peter I. Tchaikovsky. Arranged by Lynette Auberjeunois for late beginner level. Digital download in the key of C includes a two page flute duet score and a three page piano score. Range: Flute 1: B1 - C3, Flute 2: G1 - A2. Published by Flute Files Publishing (CL62-1123).
$3.99
Capriccio Italien Theme - Flute Trio
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3 Clarinets (trio)
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EASY
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Classical
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Peter Ilyich Tchaikovsky
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Lynette Auberjeunois
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Capriccio Italien Theme - Flut
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Flute Files Publishing
#
SheetMusicPlus
Flute Trio,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1286029 Composed by Peter Ilyich Tchaikovsky. Arranged by Lynette Auberjeunois. Chamber...
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Flute Trio,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1286029 Composed by Peter Ilyich Tchaikovsky. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Festival. 8 pages. Flute Files Publishing #877155. Published by Flute Files Publishing (A0.1286029). Capriccio Italien Theme flute trio. Composed by Peter I. Tchaikovsky. Arranged by Lynette Auberjeunois for late beginner/early intermediate level. Digital download in the key of Bb includes a two page flute trio score and parts. Range: Flute 1: Bb1 - D3, Flute 2: A1 - G2, Flute 3: F1 - C2. Published by Flute Files Publishing (CL64-1033).
$3.99
Capriccio in F - For Solo Violin and Piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Raymond Fenech
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Capriccio in F - For Solo Viol
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Raymond Fenech
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.759847 Composed by Raymond Fenech. Contemporary,Contest,Easter,Festival,Holiday,Instructional. 24 pages...
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Piano,Violin - Level 4 - Digital Download SKU: A0.759847 Composed by Raymond Fenech. Contemporary,Contest,Easter,Festival,Holiday,Instructional. 24 pages. Raymond Fenech #3382367. Published by Raymond Fenech (A0.759847). Capriccio in F was composed for Violin Solo and Piano. The Level is advance Intermediate and the duration is approximately 5 minutes. It could be played in any type of recital/concert.
$6.50
Capriccio (Flexible Instrumentation)
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Concert band
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EASY
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Nicolo Paganini
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Paul Barker
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Capriccio
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Paul Barker Music
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.725162 By Nicolo Paganini. By Nicolo Paganini. Arranged by Paul Barker. Contemporary,Contest,Festival,P...
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Concert Band - Level 2 - Digital Download SKU: A0.725162 By Nicolo Paganini. By Nicolo Paganini. Arranged by Paul Barker. Contemporary,Contest,Festival,Pop,Rock,Romantic Period. Score and parts. 68 pages. Paul Barker Music #4337771. Published by Paul Barker Music (A0.725162). Paganini’s Capriccio is a new arrangement in an upbeat style for Flexi-Bands, Orchestras and Ensembles of all sizes. Strong melodic lines using Paganini’s famous virtuosic violin theme together with modern harmony supported by a robust rhythm section make this suitable for any combination of players. Backing track featuring Rhythm Section also available from www.paulbarkermusic.com The Flexi-Band Classical Pop Series allows conductors to mix and match orchestration to meet available resources. Piano, Drum Kit/Set, Rhythm Guitar and Bass Guitar provide strong harmonic and rhythmical support for common combinations of C, Bb, Eb, F, Treble/Viola/Bass Clef instruments including Lead Guitar and Nuvo instruments. ​Duration: 2:20 Level: Early Intermediate - Intermediate (UK Grades 3+ and USA Grade 2+) Occasion: General Concert - Band Repertoire - Ensemble Examinations Orchestration: Flexi-Band (Mix & Match Orchestration)
$29.95
Capriccio No. 2 (Rejoice and Be Glad)
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Handbells
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INTERMEDIATE
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Christmas
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Michael Helman
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Capriccio No. 2
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, 5, 6, or 7 octaves handbells - Level 3 - Digital Download SKU: C7.CGB706 Composed by Michael Helman. Christmas. With 3, 4, or 5 octaves handchimes....
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3, 4, 5, 6, or 7 octaves handbells - Level 3 - Digital Download SKU: C7.CGB706 Composed by Michael Helman. Christmas. With 3, 4, or 5 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB706. Published by Chorister's Guild - Digital (C7.CGB706). UPC: 749193016152.When In Our Music God Is Glorified is an arrangement of the tune Engelberg that may be played by handbells alone, or in conjunction with organ, brass, timpani, SATB choir, and congregation. This glorious festival hymn arrangement begins with a fanfare introduction, followed by a straightforward setting of the first verse sung in unison. The second verse features the choir in four parts, accompanied by the bells and organ only. The brass and timpani join in on the third verse, which features a malleted or plucked bass line in the handbells, creating a march-like feel. A fanfare interlude precedes the majestic fourth verse, which features a soaring soprano descant, and a brief choral Amen concludes the arrangement. This hymn arrangement is perfect for worship, concert, or festival use.
$4.95
Festival Capriccio
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Handbells
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EASY
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Barbara B
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Festival Capriccio
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Hope Publishing - Digital
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SheetMusicPlus
Handbells Handchimes - Level 2 - Digital Download SKU: H1.1664DP Composed by Barbara B. Kinyon. Education, General Worship. Handbell score. 8 pages. Hope...
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Handbells Handchimes - Level 2 - Digital Download SKU: H1.1664DP Composed by Barbara B. Kinyon. Education, General Worship. Handbell score. 8 pages. Hope Publishing - Digital #1664DP. Published by Hope Publishing - Digital (H1.1664DP). An original composition Use bells and chimes in this festive piece. Good use of bells. No instruction for staccato notes so use your imagination.
$6.25
Bach: Partita No. 2 BWV 826 for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: Partita No. 2 BWV 826 fo
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jmsgu3
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 75 pages. Jmsgu3 #1015958. Published by jmsgu3 (A0.1435859). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing. Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance. Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement. The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess. Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first. Influence and Legacy It expanded keyboard suites' technical and musical boundaries and other partitas. Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians. In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
$42.95
Bach: Partita No. 2 BWV 826 for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: Partita No. 2 BWV 826 fo
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1431199 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1431199 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 54 pages. Jmsgu3 #1011662. Published by jmsgu3 (A0.1431199). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing. Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance. Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement. The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess. Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first. Influence and Legacy It expanded keyboard suites' technical and musical boundaries along with the other partitas. Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians. In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
$42.95
Pastorale
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Lynn L
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Pastorale
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Lynn L. Petersen
#
SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.973250 Composed by Lynn L. Petersen. 20th Century,Classical,Contemporary,Contest,Festival. Score and par...
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Flute,Piano - Level 4 - Digital Download SKU: A0.973250 Composed by Lynn L. Petersen. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 16 pages. Lynn L. Petersen #6275061. Published by Lynn L. Petersen (A0.973250). Pastorale is a piece for flute and piano and is 6-7 minutes in duration. I composed Pastorale in 1986 while I was in graduate school at the University of Minnesota. It was intended as a companion piece to Capriccio, but it may be performed alone. The form is ABA. A haunting melody with sustained notes in the flute is accompanied by a slow moving ostinato in the piano. The middle section has a quicker pace and contains fragmented ideas echoing between the flute and piano in higher registers.
$8.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Trio Concertante en 3 Realidades
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Contemporary
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William Ortiz
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Trio Concertante en 3 Realidad
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William Ortiz
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SheetMusicPlus
String Ensemble,String Trio - Digital Download SKU: A0.1008990 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 73 pages. William O...
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String Ensemble,String Trio - Digital Download SKU: A0.1008990 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 73 pages. William Ortiz #6012237. Published by William Ortiz (A0.1008990). Commissioned for the 1995 Casals Festival and premiered by the Deutsches Streichtrio, the work is a string trio in 3 movements. It reflects and celebrates the cycle of life. Life, death and rebirth. The first movement Dancing with the saints is lively and coloristic. The second movement Tropical Idyll is a lament and prayer for the victims , at the time of HIV, and today to the victims of Covid19. The final movement Domestic Music, reflects by the use of nursery rhymes, songs and even Paganini's Capriccio #24 for Violin the exuberance of family life.
$15.00
Two Nguni Dances
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Bongani Ndodana-Breen
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Two Nguni Dances
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Ndodana-Breen
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.928483 Composed by Bongani Ndodana-Breen. African,Contemporary. Score and parts. 34 pages...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.928483 Composed by Bongani Ndodana-Breen. African,Contemporary. Score and parts. 34 pages. Ndodana-Breen #6092983. Published by Ndodana-Breen (A0.928483). Two Nguni Dances is a piano trio (violin, cello and piano) in two movements. It was commissioned for the Haydn Trio Eisenstadt by the Haydn Festival Eisenstadt to mark the bicentenary of Haydn’s death. Recoding available: Label: Capriccio, Catalogue No: C7020, Release Date: 2009.
$50.00
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. In...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Soprano Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP....
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
BACH: Six Partitas Complete BWV 825-830 for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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BACH: Six Partitas Complete BW
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jmsgu3
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.529288 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Stan...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.529288 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 413 pages. Jmsgu3 #139695. Published by jmsgu3 (A0.529288). BACH: Partita No. 1 BWV 825 Duration: 16:06 Score: 21 pages Praeludium, Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue BACH: Partita No. 2 BWV 826 Duration: 17:24 Score: 25 pages Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio BACH: Partita No. 3 BWV 827 Duration: 18.37 Score: 22 pages Contents: Fantasia, Allemande, Courante, Sarabande, Burlesca, Scherzo, Gigue. BACH: Partita No. 4 BWV 828 Duration: 28.08 Score: 37 pages Contents: Overture, Allemande, Courante, Aria, Sarabande, Menuet, Gigue. BACH: Partita No. 5 BWV 829 Duration: 21:28 Score: 29 pages Contents: Praeambulum, Allemande, Courante, Aria, Sarabande, Menuet, Passepied, Gigue. BACH: Partita No. 6 BWV 830 Duration: 28:20 Score: 38 pages Contents: Toccata, Allemande, Courante, Air, Sarabande, Gavotta, Gigue.
$89.95
BACH: Partita No. 2 BWV 826 for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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BACH: Partita No. 2 BWV 826 fo
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jmsgu3
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.525184 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional...
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Level 4 - Digital Download SKU: A0.525184 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. 63 pages. Jmsgu3 #132508. Published by jmsgu3 (A0.525184). BACH: Partita No. 2 BWV 826 Duration: 17:24 Score: 25 pages Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio.
$32.95
Korsakov: Flight of the Bumblebee for Viola & Piano
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Viola, Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instruction...
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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