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You've selected:
First Lessons Blues Guitar
Sheetmusic to print
7 sheet music found
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Fingerstyle Blues Duo inspired by GuitarNick | Guitar Tab
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.986097 Composed by Maja Roedenbeck, Joa…
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Guitar - Level 2 - Digital Download SKU: A0.986097 Composed by Maja Roedenbeck, Joachim Ribbentrop. Arranged by Maja Roedenbeck, Joachim Ribbentrop. Blues. Guitar Tab. 5 pages. Maja Roedenbeck #6264997. Published by Maja Roedenbeck (A0.986097). For this fingerstyle blues piece we took GuitarNick 's Blues #2 and extended it into a blues duo suitable for guitar lessons. I never get tired of the light and happy swing it's got to it! It makes you forget all your troubles. Our version of the piece consists of three parts: a blues theme with a second melody and two different solo parts with a simple blues accompaniment. We play them in the following order: blues theme & melody, solo #1, blues theme & melody, solo #2. But you could as well play: blues theme & melody, solo #1, solo #2, blues theme & melody as a grand finale. Play around a little and come up with your own version! If you are only interested in the blues theme guitar tab, get it for free at GuitarNick's channel. Or choose our extended duo version with extra melody, first and second solo which you can listen to on Youtube.
$4.99
4.54 €
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Guitar notes and tablatures
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Maja Roedenbeck, Joachim Ribbentrop
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Fingerstyle Blues Duo inspired by GuitarNick | Guitar Tab
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Maja Roedenbeck
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SheetMusicPlus
Blues Etude No. 17 by Maja Roedenbeck & Joachim Ribbentrop | Fingerstyle Guitar Tabs
Guitar notes and tablatures
Guitar - Digital Download SKU: A0.986100 Composed by Joachim Ribbentrop, Maja Roede…
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Guitar - Digital Download SKU: A0.986100 Composed by Joachim Ribbentrop, Maja Roedenbeck. Contemporary. Guitar Tab. 1 pages. Maja Roedenbeck #6367499. Published by Maja Roedenbeck (A0.986100). This is the first blues my teacher Joachim and I composed together, but I liked the second one better so we recorded that one first (Minor Blues https://youtu.be/GcbZBvaURTc). But once that project was taken care of, I grew fond of this one, too. It's the best little fingerstyle etude to start your daily guitar practice with and get into the feeling. I called it Blues No. 17 because Blues No. 1 sounds boring and my birthday is on the 17th of December :-) We'd be so happy if you purchased our guitar tabs and used it in your guitar lessons! Thanks a lot and have fun playing your guitar! PS In the video I'm playing Blues No. 17 at 75 bpm.
$1.99
1.81 €
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Guitar notes and tablatures
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Joachim Ribbentrop, Maja Roedenbeck
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Blues Etude No. 17 by Maja Roedenbeck & Joachim Ribbentrop | Fingerstyle Guitar Tabs
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Maja Roedenbeck
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.51 €
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Guitar notes and tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
First Lessons Blues Guitar
Guitar
By Mike Christiansen. For Guitar (All). Blues. 40 pages. Published by Mel Bay Publications…
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By Mike Christiansen. For Guitar (All). Blues. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
$9.99
9.1 €
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Guitar
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Mike Christiansen
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First Lessons Blues Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
First Lessons Bass
Bass guitar
By Jay Farmer. For Electric Bass Guitar. All Styles. 32 pages. Published by Mel Bay Public…
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By Jay Farmer. For Electric Bass Guitar. All Styles. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610658409. First Lessons Bass is intended to introduce beginning students to the fundamental concepts of playing the electric bass. The material covered in this book is approximately the material covered in the first 8 lessons of private bass instruction. This book makes use of the "3-finger" left hand position commonly found in double bass technique. The emphasis on left hand technique allows the student to develop a consistent fingering approach to the fingerboard, reduces unnecessary strain on the left hand, and makes the bass more accessible to younger students or students with small hands. After the left hand technique has been established, the book introduces the student to important elements of bass line construction including blues patterns, the root-fifth relationship, and common rhythmic patterns. GCo Introduction for beginning students to the GCo fundamental concepts of playing the electric bass.GCo Book is approximately the material covered in the GCo first 8 lessons of private bass instruction.GCo Makes use of the "3-finger" left hand positionGCo commonly found in double bass technique.GCo Offers student important elements of bass line GCo construction: blues patterns, root-fifth relationship,GCo and common rhythmic patterns.GCo Companion Online Audio included.
$9.99
9.1 €
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Bass guitar
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Jay Farmer
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First Lessons Bass
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Maestro Guitar Method - Chapter One
Guitar Ensemble - Level 1 - Digital Download SKU: A0.1351533 By Daniel Charles Kotv…
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Guitar Ensemble - Level 1 - Digital Download SKU: A0.1351533 By Daniel Charles Kotval. By Daniel Charles Kotval. Arranged by Daniel Charles Kotval. Blues,Classical,Folk,Rock,Traditional. Educational Method. 22 pages. Daniel Charles Kotval #936383. Published by Daniel Charles Kotval (A0.1351533). Maestro Guitar Method Chapter One of six chapters. Learn to play guitar and read music with this effective and innovative approach that uses step-by-step instruction in a smooth and thorough progression. A journey from the beginning for all ages and levels suitable for students and teachers. This first chapter includes a cover page, full list of contents, music theory fundamentals and lessons for notes on the first string. The complete method (208 pages) is available, but cannot be previewed due to the large file size. 22 pages.
$20.00
18.21 €
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Daniel Charles Kotval
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Maestro Guitar Method - Chapter One
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Daniel Charles Kotval
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SheetMusicPlus
Nineteen Skeletal Duets for Trombones
2 Trombones (duet)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.21 €
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2 Trombones (duet)
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Gregory Fritze
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Nineteen Skeletal Duets for Trombones
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Musica Nova USA
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SheetMusicPlus
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