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You've selected:
First Vaudeville
Sheetmusic to print
20 sheet music found
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1
First Vaudeville
Piano, Voice
Interactive Download SKU: HX.354556 By Stephen Sondheim. This edition: Interactive …
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Interactive Download SKU: HX.354556 By Stephen Sondheim. This edition: Interactive Download. Broadway,Musical/Show. Piano Vocal. 18 pages. Published by Hal Leonard - Digital (HX.354556).
$4.99
4.6 €
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Piano, Voice
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Stephen Sondheim
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First Vaudeville
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Hal Leonard - Digital
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SheetMusicPlus
First Vaudeville by Stephen Sondheim - Piano/Vocal, Singer Pro
Piano, Voice
Sheet Music for First Vaudeville from Wise Guys arranged for Piano/Vocal;Singer Pro in G M…
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Sheet Music for First Vaudeville from Wise Guys arranged for Piano/Vocal;Singer Pro in G Major. Digital sheet music from Musicnotes. --
$5.99
5.52 €
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Piano, Voice
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Piano/Vocal, Singer Pro
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Musicnotes
L'Arlésienne Suite No. 2
Orchestra
Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Ernst Eulenburg & Co. GmbH - Digital #Q21191. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21191). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, given at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet, however, did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death, the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.In 1872 Bizet wrote the incidental music to Daudet’s famous tragedy ‘L’Arlésienne’. He had to tailor his composition to an orchestra of only 26 players, but these limited forces turned out to pose a stimulating challenge rather than an obstacle. Shortly after the premiere, he arranged four of the movements and formed them into the Suite No. 1 for large orchestra. The Suite No. 2 was arranged by Ernest Guiraud four years after Bizet’s death.
$13.99
12.9 €
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Orchestra
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Georges Bizet
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L'Arlésienne Suite No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
L'Arlésienne Suite No. 1
Orchestra
Orchestra - Digital Download SKU: S9.Q12512 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q12512 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. New URTEXT Edition. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12512. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12512). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus, before his death in June 1875, Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since.
$13.99
12.9 €
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Orchestra
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Georges Bizet
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L'Arlésienne Suite No. 1
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
In A Chinese Temple Garden
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1433990 By Albert Ketelbey. By Al…
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Concert Band - Level 4 - Digital Download SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 85 pages. John Ivor Holland #1014221. Published by John Ivor Holland (A0.1433990). Albert William Ketèlbey (1875-1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works. One of his earliest works in the genre, 'In a Monastery Garden' (1915), sold over a million copies and brought him to widespread notice; his later musical depictions of exotic scenes caught the public imagination and established his fortune. Such works as 'In a Persian Market' (1920), 'In a Chinese Temple-Garden' (1923), and 'In the Mystic Land of Egypt' (1931) became best-sellers in print and on records; by the late 1920s he was Britain's first millionaire composer. Ketèlbey's popularity began to wane during the Second World War and his originality also declined; many of his post-war works were re-workings of older pieces and he increasingly found his music ignored by the BBC. In 1949 he moved to the Isle of Wight, where he spent his retirement, and he died at home in obscurity. On the last night of the 2009 Proms season, the orchestra performed his 'In a Monastery Garden', marking the fiftieth anniversary of Ketèlbey's death—the first time his music had been included in the festival's finale. This arrangement of 'In a Chinese Temple-Garden' has been created with the modern concert band in mind and is sensitively cross-cued for smaller ensembles.
$69.99
64.52 €
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Concert band
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Albert Ketelbey
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In A Chinese Temple Garden
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John Ivor Holland
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SheetMusicPlus
Bizet: L'Arlésienne 2nd Suite IV. Farandole - symphonic wind
Large Ensemble - Level 4 - Digital Download SKU: A0.553766 Composed by Georges Bize…
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Large Ensemble - Level 4 - Digital Download SKU: A0.553766 Composed by Georges Bizet. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 38 pages. RayThompsonMusic #4278707. Published by RayThompsonMusic (A0.553766). Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. It was first performed on 1 October 1872 at the Vaudeville Theatre (now a cinema known as the Gaumont Opéra).The incidental music has survived and flourished, however. It is most often heard in the form of two suites for orchestra.The finale of Suite No.2 the farandole, incorporates the theme of the March of the Kings once again. This is an expanded combination of numbers 21 and 23-24 of the original incidental music, in which the farandole appears first on its own. It is afterwards briefly combined with the march.It is arranged here for wind dectet and double bass.Alt Cls. in Bb are provided
$14.95
13.78 €
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Georges Bizet
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Bizet: L'Arlésienne 2nd Suite IV. Farandole - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Toot, Toot, Tootsie!
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.44 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gus Kahn, Ernie Erdman and Dan Russo
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
When I'm Sixty-Four
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1415644 By The Beatles. By John Len…
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Easy Piano - Level 2 - Digital Download SKU: A0.1415644 By The Beatles. By John Lennon and Paul McCartney. Arranged by Janet and Alan Bullard (The Janet and Alan Bullard Piano Series). 20th Century,Comedy,Pop. Score. 6 pages. Colne Edition / BullardMusic #997360. Published by Colne Edition / BullardMusic (A0.1415644). Although When I’m Sixty-Four was first released on the Beatles album Sgt. Pepper's Lonely Hearts Club Band (1967) this song was written ten years earlier by the 14-year old Paul McCartney, and presents a quirky view of young love presented in a nostalgic vaudeville style. In this easy-to play arrangement, the left hand is mainly light and staccato with the melody singing out smoothly above. The Janet and Alan Bullard Piano Series is an ever-growing collection of arrangements at easy to intermediate level, designed to complement the authors’ Pianoworks series (Oxford University Press). With Christmas songs such as ‘Chestnuts Roasting on an Open Fire’ and ‘A Spaceman Came Travelling’, songs from the shows such as ‘You’ll Never Walk Alone’, jazz standards such as ‘The Wedding’ and ‘A Child is Born’ songs by bands like Abba and The Kinks, pieces from the classics, and even the theme tunes from James Bond, Desert Island Discs, and The Archers, there is something here for everyone who learns the piano! All arrangements are distributed by Sheet Music Plus and Sheet Music Direct, and are available as individual digital downloads. A full list is available at www.bullardmusic.co.uk
$4.99
4.6 €
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Easy Piano
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The Beatles
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When I'm Sixty-Four
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Colne Edition / BullardMusic
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SheetMusicPlus
Tain't Nobody's Business If I Do
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1396939 Composed by Clarence…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1396939 Composed by Clarence Williams, Graham Prince, and Porter Grainger. Arranged by Dave Gingras and John E. Dosher. Blues,Broadway,Country,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #980283. Published by DAVID LEE GINGRAS (A0.1396939). Ain't Nobody's Business (originally Tain't Nobody's Biz-ness if I Do) is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a vaudeville jazz–style musical arrangement. This version features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!
$4.99
4.6 €
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Piano, Voice
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Clarence Williams, Graham Prince, and Porter Grainger
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Tain't Nobody's Business If I Do
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DAVID LEE GINGRAS
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SheetMusicPlus
Life is a Toyshop
Piano, Voice
Piano and voice - Digital Download SKU: LV.5469 Composed by Ludwig Englander. Dolls…
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Piano and voice - Digital Download SKU: LV.5469 Composed by Ludwig Englander. Dolls, Musical instruments, Children misbehaving. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5469). Mr. Geo. W. Lederer's Latest and Greatest Success As Played At The New York Casino. The Rounders. A Vaudeville in Three Acts. Life is a Toyshop. Adapted from the French. Lyrics by Harry B. Smith. Music by Ludwig Englander. Published 1899 by Edward Schuberth & Co. in New York. Composition of strophic with chorus (and dance interlude) with piano and voice instrumentation. Subject headings for this piece include Dolls, Musical instruments, Children misbehaving. First line reads I remember, I remember when I was a little girly in a toy shop window.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Ludwig Englander
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Life is a Toyshop
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
October 1974, Cohoes (Confrontation and Finale)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
9.21 €
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Brett L
#
#
October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
A Bird In A Gilded Cage
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1359879 By Bing Crosby. By Harry Vo…
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Piano Solo - Level 3 - Digital Download SKU: A0.1359879 By Bing Crosby. By Harry Von Tilzer. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Comedy,Folk,Jazz,Ragtime. Score. 7 pages. Martyn Johnson #944360. Published by Martyn Johnson (A0.1359879). This is a very old waltz from 1900. It would have been performed in Vaudeville and English Music Hall. I take it through the two keys of Bb major and Cb major. Cb major has 7 flats but is not so hard as you might think as it's easy to remember to flatten every note instead of having to remember which notes to flatten! I interweave arpeggios between the melody notes and it therefore has a very full sound to it. It is sort of a Stride waltz in that the bass is usually, with some variations, followed by two chords on each beat.I don't notate fingering, pedals or dynamics as I leave the interpretation up to the individual pianist and in any event no two piano teachers ever agree on these things.Please note this is a piano solo and I doesn't include notation for the other instruments on my YouTube upload, strings, drums, bass guitar. I write all my music as piano solos first and they sound perfectly complete as such.I hope you have as much fun learning it as I did arranging it.
$3.50
3.23 €
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Piano solo
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Bing Crosby
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A Bird In A Gilded Cage
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Martyn Johnson
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SheetMusicPlus
Trouble in Mind
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1264837 Composed by R…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1264837 Composed by Richard Jones. Arranged by Gaili Schoen for UpperHandsPiano.com. Blues,Jazz,Standards. Score. 2 pages. UpperHandsPiano.com #857674. Published by UpperHandsPiano.com (A0.1264837). From Wikipedia:'Trouble in Mind' is a vaudeville blues-style song written by jazz pianist Richard M. Jones. Singer Thelma La Vizzo with Jones on piano first recorded it in 1924 and in 1926, Bertha Chippie Hill popularized the tune with her recording with Jones and trumpeter Louis Armstrong. The song became an early blues standard, with numerous renditions by a variety of musicians in a variety of styles.Gaili arranged this blues for intermediate piano to make it fun to play and listen to. A great song to play when you need to restore hope! It originally appeared in the book, The Music Remedy: No. 3 - 12 Passionate Pieces to Move You from Discouraged to Hopeful, available on Amazon.com.Upper Hands Piano creates arrangements that are easy to play with beautiful chords, at lower prices. For free monthly sheet music and valuable piano practice tips, follow our blog at http://blog.upperhandspiano.com. You can find our Upper Hands Piano method books for adults 50+ and Songs of the Seasons books on our website: https://www.upperhandspiano.com or on Amazon.com: http://amzn.to/2z49qAq  Thanks for your purchase!  http://blog.upperhandspiano.comhttps://www.upperhandspiano.comhttps://www.themusicremedy.com/
$2.99
2.76 €
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Piano, Vocal and Guitar
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Richard Jones
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Trouble in Mind
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UpperHandsPiano.com
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SheetMusicPlus
May 1974, a Greyhound Bus (The Majik Bus to Cohoes)
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts. 13 pages. Sonata Grendel Publishing #5731611. Published by Sonata Grendel Publishing (A0.837494). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 2. May 1974, a Greyhound Bus (duration – 4:08) The Majik Bus to Cohoes A young stage manager takes a long bus ride to a new job in Cohoes, NY only to be visited in a dream by the ghost of Eva. There was a girl with wild eyes glaring from the house. She looked so wounded!
$9.99
9.21 €
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Brett L
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#
May 1974, a Greyhound Bus
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Sonata Grendel Publishing
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SheetMusicPlus
June 1974, Cohoes (Wish List Fundraising)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
7.37 €
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
I Ain't Gonna Give Nobody None O' This Jellyroll
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775174 Composed by Spencer Willi…
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Brass Quintet - Level 2 - Digital Download SKU: A0.775174 Composed by Spencer Williams, Clarence Williams. Arranged by Bill Wilson. Jazz. 17 pages. Alexander Wilson #3637823. Published by Alexander Wilson (A0.775174). Vaudeville pianist/singer/songwriters Spencer Williams and Clarence Williams wrote the heavily syncopated I Ain't Gonna Give Nobody None O' This Jellyroll. Our arrangement splits melodic responsibilities primarily between first trumpet and French horn, with the trombone taking on a countermelodic role. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:05. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.69 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Spencer Williams, Clarence Williams
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I Ain't Gonna Give Nobody None O' This Jellyroll
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Alexander Wilson
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SheetMusicPlus
That Precious Little Thing Called Love
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775274 Composed by Cecil Mack, C…
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Brass Quintet - Level 2 - Digital Download SKU: A0.775274 Composed by Cecil Mack, Chris Smith. Arranged by Bill Wilson. 20th Century. 10 pages. Alexander Wilson #4727711. Published by Alexander Wilson (A0.775274). Vaudeville performer and composer Chris Smith partnered with songwriter Cecil Mack to write That Precious Little Thing Called Love, a song with a snappy syncopated verse and slightly more relaxed chorus. Lead responsibilities are shared across first trumpet, French horn, and trombone. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:25. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.69 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Cecil Mack, Chris Smith
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That Precious Little Thing Called Love
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Alexander Wilson
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SheetMusicPlus
There’ll Be Some Changes Made
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Ov…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
12.86 €
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Brass ensemble
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W
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There’ll Be Some Changes Made
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Sweetwater Brass Press
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SheetMusicPlus
Stephen Sondheim: First Vaudeville - voice & piano
Piano, Voice
Instantly printable sheet music by Stephen Sondheim for voice & piano of MEDIUM skill …
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Instantly printable sheet music by Stephen Sondheim for voice & piano of MEDIUM skill level. / musical/show,broadway
$7.97
7.35 €
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Piano, Voice
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Stephen Sondheim
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Virtualsheetmusic
La Feria-clarinet quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet, 4 Bb Clarinets - Advanced Intermediate - Digital Download Compose…
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Clarinet Quartet, 4 Bb Clarinets - Advanced Intermediate - Digital Download Composed by Paul Lacome. Arranged by Phil Beaman. Romantic Period, European, Recital. Score, Set of Parts. 39 pages. Published by Phil Beaman
La Feria (The Fair) is a Spanish fiesta! All the sights and sounds of a traditional Spanish street festival. <br> Paul Lacome wrote mostly operas-bouffes, light comic operas. That same drama and delight comes through in this piece. Originally written for orchestra, there have been many popular arrangements for band. I have arranged it for Clarinet Quartet without losing any of the Spanish tradition or dramatic character of the piece. <br> The Suite is in 3 sections. The first is entitled Los Toros (The Bulls). The running of the bulls is a tradition of nearly every Spanish fair. This highly energetic and rhythmic section is traditional Spanish fiesta music at its best. The second section is entitled La Reja (loosely-The Gate). This one is in the form of a Serenade. Every fair has a street barred off with a special archway entrance or gate. Inside, tents are set up serving local wine. Strolling street musicians will visit each tent and serenade. This section is scaled back dynamically and also in texture to imitate the solo or duo strolling musician. For the B theme of this section I move the melody to the Clarinet 3 part down low. I like to amuse myself and think of this brief growling melody as a tipsy patron of the tent singing back to the musicians. The street musicians then quickly resume their original song. The final section is entitled La Zarzuela. The Zarzuela is a uniquely Spanish comic opera that is heavy on dance and spoken dialogue. It has much in common with the American vaudeville shows. This section is in the form of a brisk waltz, another high energy rhythmic dance where Clarinet 2 takes the B theme melody. <br> This piece is of Advanced Intermediate difficulty due to constant movement, articulations, rhythm, and range. Clarinet 1 in particular uses the full range of the instrument. <br> 21 page score, 4 pages @ part, 38 pages total booklet<br> 4:30 minutes<br> temporary MIDI recording
$18.95
17.47 €
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Clarinet Quartet: 4 clarinets
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Paul Lacome
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La Feria-clarinet quartet
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Phil Beaman
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SheetMusicPlus
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