First and Third Sheet Music to download and print

First and Third

Gymnopedie No 2 for flute and piano Flute and Piano

Flute,Piano - Level 3 - Digital Download SKU: A0.748672 Composed by Erik Satie. Arr…(+)

Flute,Piano - Level 3 - Digital Download SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pages. Mark Reeves #3022545. Published by Mark Reeves (A0.748672). Erik Satie's Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. This arrangement for flute with piano accompaniment would fit nicely into a school concert programme and is also perfect for wedding ceremonies. Performance time is approximately two and a half minutes. Breath marks are not indicated, as the long phrases should be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. More arrangements by Mark Reeves: www.sheetmusicplus.com/publishers/Mark-Reeves/1850 Facebook: www.facebook.com/MarkReevesPianist Twitter: https://twitter.com/MarkReeves001 Website: www.markreeves.co.uk Email: info@markreeves.co.uk
$3.99 3.61 € #Flute and Piano #Erik Satie #Gymnopedie No 2 for flute and piano #Mark Reeves #SheetMusicPlus

Trois Gymnopedies for Flute and Piano Flute and Piano

Flute,Piano - Level 3 - Digital Download SKU: A0.748673 Composed by Erik Satie. Arr…(+)

Flute,Piano - Level 3 - Digital Download SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part. 13 pages. Mark Reeves #3029515. Published by Mark Reeves (A0.748673). Erik Satie's Trois Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. These arrangements for flute with piano accompaniment would fit nicely into a school concert programme and are also perfect for wedding ceremonies. Performance time for each piece is approximately 2.5 to 3 minutes. Breath marks are not indicated, as the long phrases should ideally be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger with years of experience. More of his arrangements can be downloaded here: http://www.sheetmusicplus.com/publishers/Mark-Reeves/1850 For further information email: info@markreeves.co.uk or follow Mark on Twitter @MarkReeves001
$14.99 13.57 € #Flute and Piano #Erik Satie #Trois Gymnopedies for Flute and Piano #Mark Reeves #SheetMusicPlus

The First Noel - Violin Solo with Piano Accompaniment Violin and Piano

Piano,Violin - Level 3 - Digital Download SKU: A0.751638 Composed by Traditional En…(+)

Piano,Violin - Level 3 - Digital Download SKU: A0.751638 Composed by Traditional English Christmas Carol. Arranged by K.L. Phillips. Christian,Christmas,Concert. 9 pages. K L Phillips #6077355. Published by K L Phillips (A0.751638). This popular Christmas carol has been arranged with a delicate and gently flowing piano accompaniment and a cheerful lilting sound to the violin. The violin plays the melody in the first and third verse, but plays a lovely counter melody in the second as the piano takes the melody. This would be a beautiful addition to any Christmas service, event or recital. This piece is also available in the compilation Five Christmas Carols for Solo Violin with Piano Accompaniment Item ID# S0.907271 at Sheet Music Plus.A piano accompaniment track is available separately at Sheet Music Plus - Item Id S0.883561Thank you to mfacchinetti at pixabay for the cover image.
$3.99 3.61 € #Violin and Piano #Traditional English Christmas Carol #The First Noel - Violin Solo with Piano Accompaniment #K L Phillips #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAPâ€ƒI wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, Aâ€™, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.

String Stylings (For Violin and Piano)-Digital Download Violin and Piano

Piano, Strings piano, violin - intermediate - Digital Download SKU: H1.8289DP Arran…(+)

Piano, Strings piano, violin - intermediate - Digital Download SKU: H1.8289DP Arranged by Cathy DeRousse. Instrumental Sylings Series. General Worship. Book. 45 pages. Hope Publishing - Digital #8289DP. Published by Hope Publishing - Digital (H1.8289DP). By Various Writers.Nine traditional hymns by Various Writers These settings for violin and keyboard provide a variety of styles and moods for use in worship services, wedding and funerals.The arrangements utilize mostly first and third positions and may be used by students or more advanced playes.
$26.95 24.4 € #Violin and Piano #Various Writers #String Stylings #Hope Publishing - Digital #SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paulâ„¢ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fenderâ„¢ Stratocaster or Telecaster guitar; a Gibsonâ„¢ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960â€™s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960â€™s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3â„¢ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.

Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s Orchestra

Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Bren…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music Publishing #1911519. Published by Musik Fabrik Music Publishing (A0.533179). This work is in three movements: the first and third, very animated and intense, form a sort of framing for the second movemnt which is in another orchestral color and another intensity. This second movement is inspired by a fragment from Masnavi by the poet Jallaleddin el Roumi. The text is recited to express the poetry and the beauty of the cosmos. This text has inspired ThÃ©rÃ¨se Brenet in several works.This is the orchestral score. The parts are available on rental from the publisher. Nos musiques sont l'Ã©cho des hymnes que les sphÃ¨res chantent dans leurs rÃ©volutions Le chant des mondes qui Ã©voluent, les hommes essaient de le reproduire en s'aidant du luth et de la voix. Nous avons tous entendu ces hautes mÃ©lodies dans le Paradis que nous avons perdu; Et bien que la terre et l'eau nous aient accablÃ©s nous conservons le souvenir des chants du ciel. Celui qui aime nourrit son amour en prÃªtant l'oreille Ã la musique, Car la musique lui rappelle les joies de sa premiÃ¨re union avec Dieu. D'aprÃ¨s JALLALEDDINE EL ROUMI, Masnawi, passim Scoring : piano solo, narrator, and orchestra (2(pic)222/4331/timp/2perc/vibraphone/harp/Ondes Martenot/strings I. L'INFINIE DENSITÃ‰, UNE PLÃ‰NITUDE 3'40 II. LITURGIE CELESTE 5'20 III. NOCTURNE 5' total duration: 14'00.
$29.95 27.12 € #Orchestra #Therese Brenet #Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s #Musik Fabrik Music Publishing #SheetMusicPlus