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You've selected:
Five fold Amen
Sheetmusic to print
7 sheet music found
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1
Five fold Amen
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Choral SATB
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INTERMEDIATE
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Sacred music
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Emil Jonathan
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Five fold Amen
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emil jonathan
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1027453 Composed by Emil Jonathan. Christian,Sacred. Octavo. 2 pages. Emil jonathan #482221. Pub...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1027453 Composed by Emil Jonathan. Christian,Sacred. Octavo. 2 pages. Emil jonathan #482221. Published by emil jonathan (A0.1027453). This Five fold Amen may be sung in any worship service after the priest blesses the congregation. It is in SATB setting. But still the harmony is rich when it is performed in two parts (SA) or in three parts (SAB).
$1.99
Five-fold Amen (Unison for congregations)
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Choral Unison
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EASY
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Sacred music
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Steven Nisbet
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Five-fold Amen
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Steven Nisbet
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.884997 Composed by Steven Nisbet. Christian,Praise & Worship,Sacred. Octavo. 1 pages. Steven N...
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.884997 Composed by Steven Nisbet. Christian,Praise & Worship,Sacred. Octavo. 1 pages. Steven Nisbet #5971235. Published by Steven Nisbet (A0.884997). This is an original unison setting of the Five-fold Amen. It is bright and happy, and has the potential to send the congregation out into the world on a positive note.
$14.99
Eight Hymns of Isaac Watts
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Choral SATB
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INTERMEDIATE
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Sacred music
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Brian Joyce
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Eight Hymns of Isaac Watts
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Brian Joyce
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Publis...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.
$2.50
Evaporated
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Tenor voice, Piano
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INTERMEDIATE
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Rock
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Ben Folds Five
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Dale Nichols
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Evaporated
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Soul Surfer Publishing
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SheetMusicPlus
By Ben Folds Five. By Ben Folds. Arranged by Dale Nichols. Pop, Rock. 11 pages. Soul Surfer Publishing #5795803. Published by Soul Surfer Publishing...
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By Ben Folds Five. By Ben Folds. Arranged by Dale Nichols. Pop, Rock. 11 pages. Soul Surfer Publishing #5795803. Published by Soul Surfer Publishing
The closing track to Ben Folds Five's 1997 album Whatever and Ever Amen. This arrangement of Evaporated has been created for piano and vocals. Every effort has been made achieve a note-for-note transcription from the original album recording.
A life-long fan of Ben Folds Five, arranger Dale Nichols writes custom arrangements, compositions, and has performed live audiences around the globe. For more of Dale's work, requests and contact information, please visit http://dalenicholsmusic.com
More arrangements and compositions from Dale are available here on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/dale-nichols-sheet-music/3013062
$4.99
Paul Wehage: Distant Strophes for string quartet
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Paul Wehage
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Paul Wehage: Distant Strophes
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Sco...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 122 pages. Musik Fabrik Music Publishing #3396151. Published by Musik Fabrik Music Publishing (A0.534374). 1. Remembering the sounding bellsII. Interrupted RicacaresIII. En croisant le diable boiteuxIV. ...L'inflexion des voix chères qui se sont tues. (Paul Verlaine)V. Appels et Invocations Distant Strophes for String Quartet is dedicated to the American Cellist Stephen Evans. The work is written in five movements and is based on a series of poetic images.The first movement, Remembering the Sounding Bells..., uses bell-like sonorities and tonal fragments whichare developed between the four instruments of the quartet The second movement Interrupted Ricacares beginswith a compact, accelerating atonal motif which alternates with contrapuntal passages which evoke motet and ricacare forms.En Croisant le Diable Boîteux (Upon meeting the limping Devil) takes its inspiration from the novel by Lesage. This movement is a lively bi-tonal scherzo in classical ABA form which exploits off-the-string bowings and doublestops. The fourth movement, ...L'inflexion des voix chères qui se sont tues (the sounding of dear voices which have been silence) is a line from Paul Verlaine’s : Mon rêve familier (Poèmes saturniens/ melancholia VI 1866). A slowly unfolding dirge-like theme is passed through the four instruments in an expressive lament. The final movement, Appels et invocations, is inspired by a strophe in Charles Baudelaire’s le Serpent qui Danse in Les Fleurs du Mal which speaks of preparing for a voyage, real orimagined, which is expressed here in the angular, robust theme in unison which opens the work.
$38.95
Concerto Grosso
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Concert band
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INTERMEDIATE/ADVANCED
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Ivan Lluch Pedregosa
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Concerto Grosso
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Clockworks Music Group
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1236808 Composed by Ivan Lluch Pedregosa. 20th Century,Classical,Film/TV. Score and Parts. 65 pages. Cl...
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Concert Band - Level 4 - Digital Download SKU: A0.1236808 Composed by Ivan Lluch Pedregosa. 20th Century,Classical,Film/TV. Score and Parts. 65 pages. Clockworks Music Group #832338. Published by Clockworks Music Group (A0.1236808). Concerto Grosso is a magnificent composition specifically crafted for concert band, consisting of five distinct parts. It unfolds with an array of captivating themes, each offering a rich and varied musical experience. Infused with a heavy romantic component, the piece exudes a sense of passion and emotional depth.This composition is particularly well-suited for intermediate to advanced players who are seeking more challenging works to expand their musical abilities. It presents a wonderful opportunity for these musicians to delve into complex musical structures and develop their technical skills. The intricate interplay between the different sections of the band, coupled with the expressive melodies and harmonies, demands precision, coordination, and artistry from the performers.Concerto Grosso not only offers a stimulating challenge for the musicians, but it also captivates audiences with its beauty and evocative power. The enchanting melodies, supported by lush harmonies and dynamic contrasts, create an immersive musical journey that leaves a lasting impression on listeners.As players delve into the depths of this composition, they will have the chance to explore the nuanced phrasing, dynamic range, and expressive potential inherent in the piece. The complex interweaving of different musical themes, accompanied by the intricate ornamentation and intricate counterpoint, offers a rich tapestry of musical textures to be explored and mastered.Overall, Concerto Grosso stands as a testament to the profound artistry and technical prowess required in concert band repertoire. It offers a challenging yet rewarding experience for advanced to intermediate players, enabling them to stretch their musical abilities, ignite their creativity, and leave a lasting impact on both performers and audiences alike.
$49.99
Hommages and Prelude No. 1
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
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