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Fleeting, God
Sheetmusic to print
6 sheet music found
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O God, Our Help in Ages Past (Handbell Score)
Handbells
3, 4, 5 or 6 octaves handbells with optional flute and violoncello, and optional 3, 4 or 5…
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3, 4, 5 or 6 octaves handbells with optional flute and violoncello, and optional 3, 4 or 5 octaves handchimes - Level 2+ - Digital Download SKU: C7.CGB1251 Composed by John A. Behnke. General. With optional 3, 4 or 5 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB1251. Published by Chorister's Guild - Digital (C7.CGB1251). This well-known hymn tune dates back to the Baroque period, and was used by composers like Bach and Buxtehude even before it was sung in churches with the text O God, Our Help in Ages Past. The text is about time; our fleeting time and God’s presence throughout time. Time is portrayed with a bell motive chiming the hour, a lovely countermelody, the constancy of the singing bells, and then the pealing celebratory bells for the final stanza. Besides the varied handbell techniques in the piece, the lovely additions of optional flute and cello add foundational sound and gravity to the piece. O God, our help in ages past, our hope for years to come, still be our guard while troubles last, and our eternal home! The flute and cello parts are included in the Full Score.
$12.95
11.63 €
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Handbells
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John A
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O God, Our Help in Ages Past
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Chorister's Guild - Digital
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SheetMusicPlus
O God, Our Help in Ages Past (Full Score)
Handbells
3, 4, 5 or 6 octaves handbells with optional flute and violoncello, and optional 3, 4 or 5…
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3, 4, 5 or 6 octaves handbells with optional flute and violoncello, and optional 3, 4 or 5 octaves handchimes - Level 2+ - Digital Download SKU: C7.CGB1250 Composed by John A. Behnke. General. With optional 3, 4 or 5 octaves handchimes. Full score. 20 pages. Chorister's Guild - Digital #CGB1250. Published by Chorister's Guild - Digital (C7.CGB1250). This well-known hymn tune dates back to the Baroque period, and was used by composers like Bach and Buxtehude even before it was sung in churches with the text O God, Our Help in Ages Past. The text is about time; our fleeting time and God’s presence throughout time. Time is portrayed with a bell motive chiming the hour, a lovely countermelody, the constancy of the singing bells, and then the pealing celebratory bells for the final stanza. Besides the varied handbell techniques in the piece, the lovely additions of optional flute and cello add foundational sound and gravity to the piece. O God, our help in ages past, our hope for years to come, still be our guard while troubles last, and our eternal home! The flute and cello parts are included in the Full Score.
$5.50
4.94 €
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Handbells
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John A
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O God, Our Help in Ages Past
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Chorister's Guild - Digital
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SheetMusicPlus
Fleeting, God
Choral SATB
Choral (SATB) - Digital Download SKU: HX.362500 By Tarik O'Regan. This edition: sco…
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Choral (SATB) - Digital Download SKU: HX.362500 By Tarik O'Regan. This edition: scorch. Choral. Classical. Octavo. 13 pages. Hal Leonard Europe #70536. Published by Hal Leonard Europe (HX.362500).
$1.70
1.53 €
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Choral SATB
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Tarik O'Regan
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Fleeting, God
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Hal Leonard Europe
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SheetMusicPlus
Be Still and Know (in F)
Level 3 - Digital Download SKU: A0.1105037 By David Kai. By David Kai. Arranged by …
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Level 3 - Digital Download SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708281. Published by David Kai (A0.1105037). This song is a reflection on Psalm 46. Like many Psalms, it contains elements of questioning, challenge and finally, faith. It is written in a Contemporary Christian/Christian Rock style. BE STILL AND KNOW (Psalm 46) BE STILL AND KNOW Chorus: Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God You are the Word beyond all words, a holy mystery, A presence in the universe that I can’t touch or see, A force in space and time with no beginning and no end, A spark of inspiration that I cannot comprehend. In a world that’s so embraced by pain how can Your love be shown? In life that’s short and fleeting, can eternity be known? My questions have no answers for I’ve painted You too small, So I will cease my babbling and worship You in awe. Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God Our God’s a refuge and our strength, and so we will not fear, Though mountains shake and waters roar our God is always near, God makes the wars to cease and breaks the bow, the shield, the spear, Behold the works of God whose reign of peace will dry all tears. You are the glints of sunlight through the amber-dappled leaves, You are the hints of silence in the vows that lovers breathe, You are the one who awes me with the love that we receive, You are my first and dying breath, in You I will believe. Be still and know that I am God...
$1.99
1.79 €
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David Kai
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Be Still and Know
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David Kai
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SheetMusicPlus
Psalm 90 (Downloadable Full/Choral Score)
Soli, SATTBB choir, optional congregation, organ, or optional string orchestra or quintet …
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Soli, SATTBB choir, optional congregation, organ, or optional string orchestra or quintet - Medium - Digital Download SKU: MQ.8729-E Composed by Julian Wachner. Reformation. 8 pages. Duration 3 minutes, 12 seconds. E. C. Schirmer Music Company - Digital #8729-E. Published by E. C. Schirmer Music Company - Digital (MQ.8729-E). English. Psalms 90.Composed at the request of Lincoln Center to serve as a unifying element of the twelve concerts of the White Lights Festival’s Psalms Experience, featuring the Tallis Scholars, The Norwegian Soloist Choir, The Netherlands Chamber Choir, and The Choir of Trinity Wall Street. I intentionally wrote a hymn that felt reminiscent of the grand hymns of Edwardian England, choosing a melodic contour and harmonic language that pulls at the heartstrings. Having discovered this wonderful alternate versified version of Psalm 90 (the usual being O God, our help in ages past) by Robert Burns, it made an obvious choice to accompany the entire Psalter, as it depicts the minuscule nature of humanity’s cycles of life in comparison to that of God. This arrangement would work well for almost any function that comments on our fleeting life-span, whether a funeral, wedding, baccalaureate, or commencement service. -Julian WachnerDuration: 3:12.
$2.25
2.02 €
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Julian Wachner
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Psalm 90
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violin, Clarinet, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.46 €
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Violin, Clarinet, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
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