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Almas en vuelo (Souls in Flight), Celtic Song by Gustavo Fuentes
Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level…
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Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - Digital Download SKU: A0.900400 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 4 pages. Gustavo Fuentes #3637489. Published by Gustavo Fuentes (A0.900400). Souls in Flight. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin, piano or guitar and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Our souls are always in flight. They sometimes flap their wings against the cold winds of indifference, and some other times they simply glide with the gentle winds of love. When in flight, they come across other souls and travel some of the journey together until fate sets them on separate paths again.As poet Luis Alberto Spinetta so eloquently worded it: I have to learn how to fly among so many people standing. Our flying souls can sometimes be hard to track. They are chasing dreams, so we have to learn how to fly away from our everydayness and closer to them. Merely watching our souls fly away will mean forsaking the chance to visit the sky where our dreams are, that same sky where the ancient Celts believed was the home of the Gods, the Otherworld. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn, piano o guitarra y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestras almas están en constante vuelo. A veces aletean contra el viento frÃo de la indiferencia; otras veces planean suavemente, acompañando la plácida brisa del amor. En su vuelo, se cruzan con otras almas y transitan parte del trayecto juntas, hasta que el destino decide que tomen rumbos diferentes.Tengo que aprender a volar entre tanta gente de pie, dice el poeta Luis Alberto Spinetta. A veces nos cuesta seguirle el vuelo a nuestras almas. Tenemos que aprender a elevarnos de lo cotidiano para no alejarnos tanto de ellas, que con su vuelo persiguen los sueños. Si nos quedamos simplemente contemplándolas volar, renunciamos a surcar a su lado el cielo de nuestros sueños; ese cielo donde los antiguos celtas ubicaban al Supramundo, la morada de los dioses.
$4.99
4.5 €
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Gustavo Fuentes
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Almas en vuelo
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Gustavo Fuentes
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.51 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
A Soldier's Carol (Downloadable)
Choral SATB
SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8320-E Composed by Ron…
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SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8320-E. Published by E. C. Schirmer Music Company - Digital (MQ.8320-E). This setting of the well known Christmas poem 'I Heard the Bells on Christmas Day' restores some of the language that is commonly left out of most hymnals. This setting restores some of the anguish associated with the Civil War and allows for a tension not often associated with this text. A powerful setting. The title of the original Longfellow poem is 'Christmas Bells.' Charles Appleton Longfellow was the eldest son of the famous poet Henry Wadsworth Longfellow and Fannie Elizabeth Appleton, who lived in Cambridge, Massachusetts. In March of 1863, with the Civil War then in its third year, nineteen year old Charley ran away to Washington to join the Union Army. He presented himself for enlistment to the commander of Battery A of the 1st Massachusetts Artillery, who knew the boy. The officer contacted Henry who reluctantly gave his permission for the boy to enlist. Charley proved himself such an exceptional soldier that he was soon offered a commission as a Second Lieutenant of Artillery. He first saw action at the Battle of Chancellorsville. In June he was briefly invalided home following a bout of typhoid fever and malaria, rejoining his unit in August. Then in November, during the Battle of New Hope Church, Charley was shot through the left shoulder, the bullet just grazing his spine. He narrowly avoided being paralyzed. Henry received word of Charley’s wounding on December 1, and he and a younger son went immediately to Washington, where Charley was in hospital, and brought him home to Cambridge. It was while nursing his son in his slow recovery that Henry Wadsworth Longfellow composed this poem during Christmas, 1863. -Ronald PereraDuration: 4:40.
$2.85
2.57 €
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Choral SATB
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Ronald Perera
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A Soldier's Carol
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Dzidzernag (Ծիծեռնա՛կ) (Swallow), for solo violin
Violin
Violin Solo - Level 4 - Digital Download SKU: A0.1467020 By Daniel Mihai. By Komita…
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Violin Solo - Level 4 - Digital Download SKU: A0.1467020 By Daniel Mihai. By Komitas Vardapet. Arranged by David Warin Solomons. Contemporary,Folk,Multicultural,World. 2 pages. David Warin Solomons #1045585. Published by David Warin Solomons (A0.1467020). Violin solo version of my setting for flute and guitar, based on the music of Komitas VardapetԾիծեռնա՛կ, ծիծեռնա՛կ,Դու` գարնան սիրուն թռչնակ,Դէպի ու՞ր, ինձ ասա,Թռչում ես այդպէս արագ:Ա՜խ, թռի՛ր, ծիծեռնա՛կ,Ծնած տեղս` Աշտարակ,Անդ շինիր քո բոյնըՀայրենի կտուրի տակ:Անդ հեռու ալեւորՀայր ունիմ ես սգաւոր,Որ միակ իւր որդունՍպասում է օրէօր:Դե՛հ, սիրուն ծիծեռնակ,Հեռացի՛ր, թռի՛ր արագԴէպ հայոց երկիրը,Ծնած տեղս` Աշտարակ:ԳԷՈՐԳ ԴՈԴՈԽԵԱՆԳրառումը՝ ԿՈՄԻՏԱՍիSwallow, swallow,You are a beautiful bird in the spring,Where, then, tell me,Are you flying so fast?Oh, jump, swallow,My birthplace: Ashtarak,Build it your ownUnder the roof of the home.And far awayFather, I'm sorry,Which is his only son?Waiting for day out.Well, lovely swallow,Get off, fly quicklyTo the Armenian land,My birthplace is Ashtarak.Performed here by Daniel Mihai.
$9.00
8.12 €
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Violin
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Daniel Mihai
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Dzidzernag
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David Warin Solomons
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SheetMusicPlus
Dzidzernag (Ծիծեռնա՛կ) (Swallow), for solo violin (mp3)
Violin - Level 4 - Digital Download SKU: A0.1469167 By Daniel Mihai. By Komitas Var…
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Violin - Level 4 - Digital Download SKU: A0.1469167 By Daniel Mihai. By Komitas Vardapet. Arranged by David Warin Solomons. Contemporary,Multicultural,World. Full Performance. Duration 279. David Warin Solomons #1047187. Published by David Warin Solomons (A0.1469167). Violin solo version of my setting for flute and guitar, based on the folk song of Komitas Vardapet (Կոմիտաս Վարդապետ)Ծիծեռնա՛կ, ծիծեռնա՛կ,Դու` գարնան սիրուն թռչնակ,Դէպի ու՞ր, ինձ ասա,Թռչում ես այդպէս արագ:Ա՜խ, թռի՛ր, ծիծեռնա՛կ,Ծնած տեղս` Աշտարակ,Անդ շինիր քո բոյնըՀայրենի կտուրի տակ:Անդ հեռու ալեւորՀայր ունիմ ես սգաւոր,Որ միակ իւր որդունՍպասում է օրէօր:Դե՛հ, սիրուն ծիծեռնակ,Հեռացի՛ր, թռի՛ր արագԴէպ հայոց երկիրը,Ծնած տեղս` Աշտարակ:ԳԷՈՐԳ ԴՈԴՈԽԵԱՆԳրառումը՝ ԿՈՄԻՏԱՍիSwallow, swallow,You are a beautiful bird in the spring,Where, then, tell me,Are you flying so fast?Oh, jump, swallow,My birthplace: Ashtarak,Build it your ownUnder the roof of the home.And far awayFather, I'm sorry,Which is his only son?Waiting for day out.Well, lovely swallow,Get off, fly quicklyTo the Armenian land,My birthplace is Ashtarak.Performed here by Daniel Mihai.
$5.00
4.51 €
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Daniel Mihai
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Dzidzernag
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David Warin Solomons
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SheetMusicPlus
Encore!
Organ
Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Boc…
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Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. Classical, General Worship, Sacred. 160 pages. Fred Bock Music Company #BG0773. Published by Fred Bock Music Company (HL.8738391). ISBN 9781934596487. UPC: 073999383911. 9.3x12.0x0.683 inches.50 of Fred Bock's best organ arrangements have been carefully selected for this collection, bringing a wide variety of styles and titles. From the popular El Shaddai, to the more traditional Savior Like a Shepherd Lead Us and Jesus Loves Me (coupled with Debussy's Clair De Lune), these pieces will be played over and over again.
Song List: I'll Fly Away (Albert E Brumley) Because He Lives (Wm & Gloria Gaither) To Be Used of God (Audrey Mieir) El-Shaddai (J Thompson/M Card) Let's Just Praise the Lord (William Gaither) Thou Art Worthy (Pauline Mills) I'll Tell the World That I'm A Christian (Bock) Healer of Broken Hearts (Bock) He Is with Me (Bock) He Touched Me (Bock) I Believe in A Hill Called Mt. Calvary (Bock) Over the Sunset Mountains (Bock) Plenty of Room in the Family (Bock) How Great Thou Art (Stuart K Hine) In This Very Room (Ron and Carol Harris) Jesus Loves Me (Bradbury/Debussy) Happiness Nearer, My God, to Thee (S. Adams) What A Friend We Have in Jesus (C Converse) This Is My Country (Raye/Jacobs) Love Lifted Me (J. Rowe/H. Smith) Savior, Like A Shepherd Lead Us (W. Bradbury) I've Got Peace Like A River Greater Is He That Is in Me (Lanny Wolfe) Day by Day (C Berg/O Ahnfelt) I Am A Promise (Wm. & Gloria Gaither) Joy Comes in the Morning (Wm. & Gloria Gaither) I Cannot Fail the Lord (Doris Akers) He's Everything to Me (R Carmichael) When He Shall Come (A J Pearce) Sweet, Sweet Spirit (Doris Akers) Oh, I Never Shall Forget the Day (R Carmichael) Sweeter As the Years Go by (Mrs. C H Morris) Yesterday, Today and Tomorrow (Don Wyrtzen) My Heart Is Filled with Jesus' Love (D Akers) Heaven Came Down and Glory Filled My Soul (John Peterson) Love At Home (Wm Driggs, Jr.) Thank God for the Promise of Spring (Wm Gaither) God Leads His Dear Children Along (G Young) Even So, Lord Jesus, Come (Wm. Gaither) Jesus Is Coming Again (J Peterson) He'll Never Let You Fall (R Carmichael) Go Tell It On the Mountain Amen Precious Memories LOVE OF GOD, THE (FREDERICK H LEHMAN) BLOOD WILL NEVER LOSE ITS POWER, THE (A. CROUCH) CHURCH TRIUMPHANT, THE (WM GAITHER) UNVEILED CHRIST, THE (N B HERRELL) MIRACLE OF GRACE, THE (R CARMICHAEL)
$24.95
22.51 €
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Organ
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Fred Bock
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Encore!
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Fred Bock Music Company
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SheetMusicPlus
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